Apollo Brown & Philmore Greene – “Time Goes” (MelloMusicGroup.BandCamp.Com / 2022)
One of the most consistent emcees in the Chicago Hip-Hop scene, Philmore Greene comes correct as always with thoughtful, straight-talking lyricism on this quality lead single from the forthcoming Apollo Brown-produced album “Cost Of Living”.
It’s that time again. Hard to believe that 2021 has ended already. The last twelve months seemed to pass by at a lightning pace and as I approach my late-forties I’m not sure if that’s a good thing or not.
That said, it was another difficult year for most, regardless of how fast the days and weeks may or may not have felt like they were moving. But music remained an essential escape for many of us. Listening to it. Talking about it. Making it. Writing about it. Remembering it. Arguing about it. Loving it.
Rhythm is life, as the great philosopher Warren G once said, and life is rhythm.
As I post the five installments of my 2021 list over the coming week, there will, of course, be releases missing that people may have expected or hoped to see. If an album or EP hasn’t been included, that doesn’t automatically mean I didn’t like it. It could just mean I didn’t like it as much as everything else I have included. In today’s social media-driven world, it can often feel like it’s all or nothing when discussing music (or anything for that matter). If you don’t love an album or think it’s an instant classic, that must mean you hate it or think it’s worthless. The middle-ground in-between where constructive debate occurs appears to be shrinking by the day. But I digress.
As always, this round-up celebrates the Hip-Hop I connected with most over the past twelve months. It contains the Hip-Hop I revisited most throughout the year. It shines a light on the Hip-Hop I enjoyed most in 2021.
So, let’s set if off…
Juga-Naut & Giallo Point – “Smoke Filled Room” (JugaNaut.BandCamp.Com) – Having already worked together on 2019’s sterling effort “Back To The Grill Again”, expectations were understandably high for the second full-length collaborative project to come from the UK’s Juga-Naut and Giallo Point, with the finished product finding the pair further cementing their reputations as masters of their respective crafts. An exquisite combination of top-tier lyricism and perfectly selected sample-based production, this album brilliantly showcased Juga-Naut’s natural talent for penning intricate verses packed with multiple layers that were a joy to follow, unravel, rewind and listen to again and again.
Skyzoo – “All The Brilliant Things” (MMG-Skyzoo.BandCamp.Com) – Another year passed by and NYC’s Skyzoo added yet another masterpiece to his already stellar catalogue. At this point in his career, Skyzoo’s ability to make his lyrical brilliance appear effortless should never stop us from remembering just how much work no doubt goes into every bar, every line and every verse that he commits to the pages of his rhyme pad. Like many of Skyzoo’s previous releases, this was a concept-driven project which found the talented emcee commenting on the gentrification of his beloved Brooklyn over an impeccable selection of jazz-infused beats from the likes of Kenny Keys, MarcNfinit and Tuamie. Writing with incredible attention to detail as always, Skyzoo pulled listeners into his world, placing us all amongst the sights, sounds and experiences of past, present and future New York.
IAMGAWD & Doc Da Mindbenda – “Hell’s Angels & Heaven’s Demons” (GawdsGift.BandCamp.Com) – Being able to create meaningful art out of the uglier aspects of life is a unique skill and one clearly shared by Chicago partnership IAMGAWD and Doc Da Mindbenda, as demonstrated on this captivating album. A quality example of the greatness that can be achieved when an emcee and producer share undeniable creative chemistry, GAWD’s commanding flow was matched perfectly here with Doc’s robust beats. Touching on a variety of topics, including the vicious cycle of gang life, structural racism and street politics, this album offered a powerful and sobering dose of reality.
Funky DL – “Beautiful Soul” (FunkyDL.BandCamp.Com) – Paying tribute to the soul music of the 60s and 70s in clever and subtle ways, this 21st (!!!) album from the UK’s Funky DL was an ambitious and expertly executed project. Accompanied by the organic sound of live musicians, DL delivered personal, heartfelt rhymes with sincerity and feeling, resulting in an album that was both inspiring and uplifting. A much needed ray of musical light.
Sons Phonetic – “Nakatomi” (SonsPhonetic.BandCamp.Com) – Having spent the last decade consistently delivering their own unique brand of quality Hip-Hop, Ireland’s mighty Sons Phonetic crew dropped their new long-awaited album “Nakatomi”, a skilful combination of sublime, sample-based production and expertly penned verses full of meaningful depth and striking imagery. A remarkable release.
Genesis Elijah – “A Prophet In His Hometown…” (GenesisElijah.BandCamp.Com) – A lot of artists will talk about keeping it real, but how real are they really keeping it? Are they talking about their struggles, emotions and mistakes? Are they letting you hear their true feelings through music? Are they being genuine? Watford-based emcee Genesis Elijah did all of the above throughout this striking collection of beats and rhymes. We cheered when Genesis spoke on his successes and cared when he touched on his personal battles. Backed by unique production from Pastor Dutchie and Shapes that blurred lines between genres, Elijah stood loud and proud throughout “A Prophet…”, rightfully staking his claim as one of the UK’s finest lyricists.
Codenine – “LVNDR” (TragicAlliesCodenine.BandCamp.Com) – Mood music of the highest quality, this latest album from Tragic Allies member Codenine was a towering creative triumph, blending sharp lyrical darts with smooth, emotive production from the likes of Chronic Tone and Karnate, lending the release a cinematic, soundtrack-like feel. This wasn’t an album you could (or should) just dip in and out of. It was a body of work that deserved to be listened to in its entirety in order to be fully appreciated.
TrueMendous – “Misdiagnosis Of Chyvonne Johnson” (TrueMendous.BandCamp.Com) – Personality. Flow. Ingenuity. Three things you’re guaranteed to hear on any release from Birmingham emcee TrueMendous. Having signed with the High Focus label in 2020 and subsequently dropping the well-received “HUH?” EP, this album release for the imprint found the UK talent in full artistic flight, clearly seeing every moment here as an opportunity to revel in her own individuality as she touched on relationships, self-image and personal history, accompanied by diverse and inventive production.
Tall Black Guy & Ozay Moore – “Of Process And Progression” (TallBlackGuy.BandCamp.Com) – A celebratory album with a message, Tall Black Guy and Ozay Moore combined their individual expertise and crafted something truly special here. Whilst the hype sticker on the front of this album boasted of the duo being here to “revive the pulse of Hip-Hop’s golden-era”, that statement only told half the story. Far from simply being a collection of predictable throwback tracks full of 90s nostalgia, this was a vibrant, inspirational release that respectfully nodded toward its back-in-the-day influences, yet very much remained a soundtrack made for the present day.
Fresh Daily – “The Quiet Life 2” (HighWaterMusic.BandCamp.Com) – Raised in Brooklyn, now residing in Oakland, Fresh Daily came correct on his long-awaited sequel album “The Quiet Life 2”, an absolutely brilliant release which found the talented artist matching his observational rhymes and conversational flow with warm, melodic production from the likes of Chris Keys, Lakim, Suff Daddy and more.
Jazz Spastiks – “Camera Of Sound” (JazzSpastiks.BandCamp.Com) – Scotland’s Jazz Spastiks never fail to operate at the top of their game whenever it’s time for the gifted production duo to bless us with a new release. This latest album from Coconut Delight and Mr Manyana featured a who’s who of underground heavyweights taking full advantage of the pair’s full-bodied beats. Wee Bee Foolish, Artifacts, Soundsci and more stepped up with their best microphone techniques, ensuring this album had maximum replay value.
Wavy Da Ghawd – “Ghawd’s Eden” (WavyDaGhawd.BandCamp.Com) – Having worked with the likes of Rome Streetz, Bub Rock and Sauce Heist in recent years, Brooklyn-based producer Wavy Da Ghawd entered 2021 already known for delivering quality soundscapes. This album further cemented the NY music man’s reputation for stellar work behind the boards, with underground favourites such as Planet Asia, Eddie Kaine and Ty Farris all eager to spit over one of Wavy’s carefully selected loops. Producer-based albums can sometimes sound disjointed, but the dusty-fingered basement vibe running throughout “Ghawd’s Eden” ensured it stood out as a cohesive collection with plenty of musical character.
Rita J – “The High Priestess” (RitaJ.BandCamp.Com) – Chicago’s Rita J made a welcome return to the rap game with this superb album which found the skilled emcee being joined by fellow Windy City representatives Neak (producer) and Rashid Hadee (executive producer), who both also added their lyrical talents to the mix. Full of potent, thoughtful rhymes laced with a strong b-girl attitude and delivered over quality beats, “The High Priestess” stood out as a refreshing listening experience which fully tapped into the potential Hip-Hop has to touch the soul.
Charlie K – “Sunshine Philadelphia: The God Hour” (CharlieK1.BandCamp.Com) – Accomplished Philly emcee Charlie K filled his well-crafted verses with spirituality, social commentary and poignant observations on this concise EP, backed by soulful production from the likes of Lim0, Kulture, DviousMindz and more.
Twizzy – “Crabs In A Bucket” (Twizzy.BandCamp.Com) – With a wink and a knowing smile, Bristol’s Twizzy offered his thoughts on the world around us and his place in it throughout this thoroughly enjoyable Chillman-produced album. Highlighting the growth that can come from personal struggle, as well as the importance of not allowing the matrix of daily life to distract you from what really matters, Twizzy focused on silver linings here rather than the dark clouds we all find ourselves under sometimes.
Eddie Kaine – “A Tree Grows In Brooklyn” (BigGhostLimited.BandCamp.Com / 2021) – For me, what elevates a good emcee to a standout emcee isn’t just their ability to put words together, but whether an artist can deliver those words in such a way that makes you genuinely feel them as a listener? A rapper can be technically gifted, but if the verses in an artist’s book of rhymes don’t come alive with character and emotion once they’re in front of a microphone, is it really worth it? Whether speaking on personal hardships, painting images of Crooklyn life, or simply stating his lyrical prowess, NYC’s Eddie Kaine made you feel his bars, accompanied by the wailing soul samples of the always impressive Big Ghost Ltd.
Philmore Greene – “Knowledge And Power” (PhilmoreGreene.BandCamp.Com) – On this album, Chicago’s Philmore Greene delivered a soul-stirring collection of honest, contemplative rhymes rooted in the reality of his Windy City life experiences whilst reaching towards a better future. Produced by fellow Chi-town representative Rashid Hadee with features from Natasha Robinson, Skyzoo and Vic Spencer, “Knowledge And Power” lived up to its title with Greene possessing both in abundance.
Gold Standard Collective ft. Neak, Rashid Hadee & F.A.B.L.E. – “Guns N Roses” (GoldStandardMusic.BandCamp.Com / 2020)
Powerful social commentary off the “Deli Slice” album from Chicago’s Gold Standard Collective, a talented crew consisting of Neak, Rashid Hadee, F.A.B.L.E., Philmore Greene, Thaione Davis and Since9ine6ix.
This brilliant, meticulously crafted video containing a barrage of powerful images adds further weight and deeper meaning to the already robust rhymes of Chicago’s Rashid Hadee, Philmore Greene and Neak.
Gold Standard Collective – “Deli Slice” (@AlmightyGSC / 2020)
F.A.B.L.E., Thaione Davis, Philmore Greene, Since9ine6ix, Rashid Hadee and Neak of Chicago super-group Gold Standard Collective showcase their undeniable rhyme skills on the title track of the crew’s forthcoming album.
K-Sly – “Me And My SP” (KamanchiSly.Com) – Kamanchi Sly is a legend and pioneer of the UK Hip-Hop scene, but the Hijack emcee hasn’t been prepared to simply rest on his laurels, with “Me And My SP” being the London mic vet’s third album in six months at the time of its release in May 2018. A rambunctious mix of true-school attitude, classic breaks and raw rhymes, this release was powered by the undeniable and infectious energy generated by Sly’s unwavering love for the culture of Hip-Hop.
Crimeapple & Big Ghost Ltd – “Aguardiente” (GourmetDeluxxx.BandCamp.Com) – Backed by the dramatic and ominous production of the mighty Big Ghost (Ankhlejohn, Ghostface Killah etc), New Jersey’s Crimeapple demonstrated throughout this project why he has grown to become one of the most revered rhymers of rap’s new generation, with a sneering confidence in his rugged verses that evoke images of the bearded lyricist holding the mic in one hand and a wack emcee by the scruff of his neck in the other.
Poisonous Diggs – “Volume 84” (IAmKillaKali.BandCamp.Com) – A short-but-effective barrage of fly beats and razor-sharp rhymes from the Gold Chain Music / Poison Ring Regime camp, this collaborative EP from Dirty Diggs and Killa Kali was the type of Hip-Hop that made you screw your face up, adopt an old-school arms-folded b-boy pose and pledge allegiance to the culture in no uncertain terms.
Big Toast & Jack Diggs – “Call It On” (RevorgRecords.BandCamp.Com) – Opening with the line “I don’t want to listen to your whinging…”, it was clear from the outset that this project from South London blood brothers Toast and Diggs wasn’t about pandering to the masses, with the pair instead offering blunt insight into modern-day life, taking verbal shots at the self-righteous of the world with a heavy dose of acidic wit and quality self-produced boom-bap beats.
Raashid Aariz – “Knowledge, Wisdom & Understanding” (RaashidAariz19.BandCamp.Com) – Virginia-based producer Raashid Aariz delivered music to meditate to on this refined instrumental project, mixing his love of soul and jazz with the influence of 90s Hip-Hop, ranging from mellow, late-night electric relaxation vibes to sax-heavy, Wu-Tang-sampling workouts.
Ocean Wisdom – “Wizville” (HighFocus.BandCamp.Com) – An artistic triumph in every sense of the term, this sophomore project from Brighton’s Ocean Wisdom confidently blended genres, bridged generation gaps and cracked the Official UK Album Charts in the process (a massive achievement for an independent homegrown Hip-Hop artist). Easily holding his own on tracks with long-established artists such as Rodney P, Method Man and Dizzee Rascal, Wisdom’s clever, rapid-fire rhymes shone throughout. Welcome to Wizville, indeed.
AG – “The Taste Of AMbrosia” (AGofDITC.BandCamp.Com) – Diggin’ In The Crates member Andre The Giant has remained consistent on wax for almost thirty years now, with the NY emcee managing to balance his old-school Bronx rap roots here with a desire to step forward artistically and not simply retread old ground. “The Taste…” was the sound of a legacy artist who is as passionate about his craft today as he was when he first picked a mic up all those years ago.
Philmore Greene – “Chicago: A Third World City” (PhilmoreGreene.BandCamp.Com) – Talented emcee Philmore Greene took listeners on a sonic tour around his Windy City stomping grounds on this captivating, hard-hitting project, tackling the impact of street violence, social conditions and politics on the people of Chicago, with the soulful soundscapes of Rashid Hadee adding further poignancy to the lyricist’s earnest, heartfelt verses.
Royalz – “Live 95” (GrhymeProductions.BandCamp.Com) – As its title suggests, this well-crafted project from Australian producer Royalz wore its 90s influences on its sonic sleeve, with the likes of SmooVth, Conway and Dialect blessing a strong selection of raw-yet-refined beats.
Rome Streetz & Farma Beats – “Street Farmacy” (RomeStreetz.BandCamp.Com) – This transatlantic collaboration from NY emcee Rome Streetz and London producer Farma Beats supplied Hip-Hop fiends with plenty of that uncut dope, as grimy, project-building poetry was laid over an eclectic collection of samples and loops.
Dabbla – “Death Moves” (PotentFunkRecords.BandCamp.Com) – Another blazing display of rhyming agility from Dabbla, this follow-up to 2016’s “Year Of The Monkey” album further cemented the UK emcee’s reputation as a naturally gifted talent, with the Problem Child member putting a lyrical leash on a wide-ranging selection of beats, from futuristic, bass-heavy wave twisters to straight-up, sample-based head-nodders.
Westside Gunn – “Supreme Blientele” (Grisleda / Daupe.BandCamp.Com) – The Griselda Records family continued to stamp their dominance on the rap game throughout 2018, with this immediate cult classic from Gunn just one of a handful of quality releases from the camp over the past twelve months. Backed by heavy-hitting producers such as Pete Rock, 9th Wonder, Alchemist and (of course) frequent collaborator Daringer, WG masterfully utilised his distinctive delivery to offer more of his captivating insight and perspective on both the street life and the rap game.
Napoleon Da Legend & Giallo Point – “Coup D’Etat” (FXCKRXP.BandCamp.Com) – It’s always good to hear a full project from an emcee and producer who are truly on the same page creatively. This release from NYC’s NDL and the UK’s Giallo Point definitely hit that mark. Clever, intricate, street-savvy rhymes were coupled here with smooth, atmospheric production, resulting in an album that sounded both familiar and individual at the same time.
K Zorro – “Winnie’s Passion / Bernard’s Legacy” (NewGuardzOnline.BandCamp.Com) – With so much of today’s popular culture dominated by image, hype and empty posturing, it’s always refreshing to hear music from an artist who appears determined to genuinely let the listener into their world, capturing life’s struggles, hopes and regrets along the way. Enter London-based emcee K Zorro with this well-crafted album, which found the New Guardz member getting up-close-and-personal as he spilt his soul over the fourteen tracks on offer here.
Da Flyy Hooligan – “Roman Abramovich” (GourmetDeluxxx.BandCamp.Com) – Possessing a moniker that truly captures his lyrical approach, London’s Da Flyy Hooligan effortlessly elbowed his way through the stripped-down-yet-sublime production of D’Lux Beats on this short-but-satisfying EP. Offering both style and substance, DFH once again proved himself to be a formidable force in the microphone booth.
IceRocks – “Live From The Bunker” (IceRocksDXA.BandCamp.Com) – Following up his 2016 instrumental project “Bunker Beats”, DXA producer IceRocks once again showcased his dope brand of NY boom-bap throughout this album, adding some talented lyricists into the mix this time around, with the likes of AG Da Coroner, Meyhem Lauren and Spit Gemz lending lyrical support. A project best listened to whilst wearing Timberlands and a hoodie.
C.A.M – “Persian Rugs” (CAMOfficial.BandCamp.Com) – The London-based emcee followed-up his impressive 2017 EP “The First Move” with this second collection of sharp, intelligent lyricism superbly produced by Hashfinger. Combining a quick-fire delivery with an attention-grabbing vocal tone able to penetrate a beat like a razor-blade through rice paper , C.A.M’s latest project was immediately captivating, demanding to be revisited again and again.
King Draft – “Two Eyes” (KingDraftMusic.BandCamp.Com) –As both a member of The Kingdom and a solo artist in his own right, King Draft has been on my radar since 2014. The talented North Carolina-based artist added to his already impressive catalogue with this ambitious release, an eclectic blend of organic live instrumentation and concept-driven lyricism.
Vic Spencer & Sonnyjim – “Spencer For Hire” (Eat Good Records / GourmetDeluxxx.BandCamp.Com) – Chicago’s Vic Spencer joined forces with the UK’s Sonnyjim to drop this smoothed-out selection of lo-fi liveness, featuring Quelle Chris, Hus Kingpin and Chris Crack. Spencer’s swaggering, self-assured steez meshed perfectly with Sonnyjim’s supreme stash of soundtrack-style loops.
EvillDewer – “Apocrypha” (EvillDewer.BandCamp.Com) – Boston-based producer and self-proclaimed Crown Chakra Rocka EvillDewer showcased his musical imagination on this instrumental project, steering clear of typical boom-bap beats and pushing his creative boundaries, drawing the listener deep into an intricately-crafted collection of inspired, sample-driven soundscapes.
Talented emcee Philmore Greene takes listener on a sonic tour around his Windy City stomping grounds, aka “the land of found tragedies, playground casualties”, tackling the impact of street violence, social conditions and politics on the people of Chicago, with the soulful soundscapes of Rashid Hadee adding further poignancy to the lyricist’s earnest, heartfelt verses.