Booda French – “Vintage Berbatov” (@BoodaFrench / 2019)
Smoothed-out arrogance from the UK emcee via Eat Good Records produced by Sonnyjim.
Booda French – “Vintage Berbatov” (@BoodaFrench / 2019)
Smoothed-out arrogance from the UK emcee via Eat Good Records produced by Sonnyjim.
Chicago’s Vic Spencer delivers slick wit and smooth arrogance over sublime production from the UK’s Sonnyjim on this sequel to the pair’s original 2018 “Spencer For Higher” project.
Concept Of Thought – “Misty Blue” (Yogocop.BandCamp.Com) – A truly life-affirming listening experience, emcees Awfew and Illiterate shone some light into the darkness on this beautifully crafted EP. Blessing the jazzy elegance of producer Joe Corfield with a steady flow of positive vibes, the pair delivered verses inspired by both their Brighton stomping grounds and the memory of a friend lost during their youth. Soothing, dream-like mood music.
Ankhlejohn & Big Ghost Ltd – “Van Ghost” (ShaapRecords.BandCamp.Com) – An undeniably good combination, the raspy rhymes of Washington’s Ankhlejohn sat perfectly atop the uncompromisingly raw production of Big Ghost throughout this satisfyingly sinister release. Eerie pianos, unsettling samples and solid drums provided a fittingly atmospheric backdrop for Ankhlejohn’s unique brand of verbal violence.
Fliptrix – “INEXHALE” (HighFocus.BandCamp.Com) – There was something therapeutic about listening to Fliptrix’ seventh solo album.. The project resonated with a feeling, an energy, a vibration that did more than simply make your head-nod or inspire you to pick-out a few favourite quotables. Possessing a tone, flow and delivery which was as effective puncturing holes in the egos of his competition as it was delivering commentary on aspects of the human experience, all facets of Fliptrix’s artistry were brought together brilliantly on “INEXHALE”, with the project giving a sincere nod of respect to UK Hip-Hop’s past whilst boldly striding forward into its future.
Roc Marciano – “RR 2 – The Bitter Dose” (RocMarci.Com) – Largely self-produced, this sequel to last year’s “Rosebudd’s Revenge” album set off what was an extremely productive year for the Strong Island emcee. Roc’s trademark brand of slick New York pimp talk glided over smooth, old-school soul loops, resulting in an album that sounded like it could be the soundtrack to a yet-to-be-completed “Willie Dynamite” film remake.
Klaus Layer & Figub Brazlevic – “Slice Of Paradise” (FigubBrazlevic.Bandcamp.Com) – Featuring an international line-up of collaborators from countries such as the UK, Russia and France, talented German producers Klaus Layer and Figub Brazlevic showcased their shared passion for dusty drums and soulful samples on this impressive long-player.
Skyzoo – “In Celebration Of Us” (First Generation Rich Inc) – Skyzoo’s catalogue is impeccable. Since 2005 the Brooklyn emcee has released project after project which have each seen his writing abilities reach new heights. It could be argued that “In Celebration…” stands as Skyzoo’s greatest piece of work to date. Boasting multi-layered rhymes which reveal new meaning with each listen, plus top-notch production from the likes of Apollo Brown, !llmind and Tuamie, this album found the gifted emcee capturing his life experiences growing-up in inner-city NY with an engrossing blend of subtle inflection and vivid descriptions.
Vinnie Paz – “The Pain Collector” (Enemy Soil / JMTHipHop.Com) – The Jedi Mind Tricks frontman delivered another heavy dose of his trademark righteous rawness on his fourth solo album, balancing punch-you-in-the-face aggression with moments of poignant reflection. This project definitely wasn’t made for the faint-hearted, but if you were expecting the Philly legend to drop anything other than uncompromising, hardcore Hip-Hop then you obviously haven’t been paying attention over the last twenty-plus years since JMT’s debut.
Bumpy Knuckles & Nottz – “Pop Duke Volume One” (BumpyKnuckles.BandCamp.Com) – Bumpy Knuckles (aka Freddie Foxxx) has made a career out of lyrically slapping wack emcees with absolutely no regrets. The man’s place in Hip-Hop’s history books is unshakeable. This collaborative project with producer Nottz found Bumpy fully embracing his OG status, showing the game some tough love in his usual gruff manner, dropping jewels in the process.
WateRR & DirtyDiggs – “Wizard Of The Crystal” (WateRR.BandCamp.Com) – Chicago emcee WateRR delivered slick, swaggering wordplay over the dusty loops of West Coast production outfit DirtyDiggs on this concise EP. Featuring the likes of Supreme Cerebral, Recognize Ali and Nowaah The Flood, this release was all about lyricism and genuine rhyme skills. Show and prove.
Kev Brown – “Homework” (KevBrown.BandCamp.Com) – Clocking in at an ambitious twenty-nine tracks, this welcome return from Maryland-based producer-on-the-mic Kev Brown captured the sound of a master at work. Blending gritty sample chops with understated wordplay, the talented music man delivered an effective sonic lecture demonstrating how a student can become the teacher.
Parallax – “Auditory Vision” (ParallaxOfficialStore.BandCamp.Com) – Delivering on the potential displayed throughout his impressive 2014 EP “Depth Perception”, London lyricist Parallax dropped his official debut album “Auditory Vision”, an accomplished, well-executed project featuring personal, thought-provoking rhymes and quality production from the likes of Ded Tebiase, DJ Nappa and Wickstarr.
OC From NC – “It’s Not You, It’s Me” (OCFromNC.BandCamp.Com) – Having spent recent years proving himself to be an exceptionally consistent artist thanks to a string of quality projects, North Carolina’s OC added another release to his already impressive catalogue, with “It’s Not You, It’s Me” featuring the talented lyricist’s usual mix of boisterous bravado and thoughtful life observations.
Chairman Maf – “Ginger” (ChairmanMaf.BandCamp.Com) – This sixth instrumental album from UK producer Chairman Maf showcased the Sheffield music man’s ever-sharp ear for a soulful sample. Ranging from upbeat quirkiness and sophisticated smoothness to raw boom-bap, Maf proved himself to be a genuine chairman of the board with this masterful collection of dusty-fingered dopeness.
Funky DL – “Dennison Point” (FunkyDL.BandCamp.Com) – Having already dropped the impressive “Blackcurrent Jazz 3” earlier in the year (included in Part One of this list), multi-talented UK artist Funky DL looked back to his youth for the inspiration behind this brilliantly crafted concept album, with the longstanding Hip-Hop vet reminiscing on his time growing-up in East London over his trademark jazzy, true-school production.
Tragedy Khadafi & BP – “Immortal Titans” (FBDistribution.BandCamp) – Having influenced various Queensbridge legends such as Nas, Mobb Deep and Killa Sha, the Intelligent Hoodlum joined forces with producer BP to deliver his timeless brand of project poetry and pyramid wisdom over concrete-cracking beats. Aura check!
Summers Sons – “Undertones” (SummersSons2.BandCamp.Com) – London-raised, Bristol-based blood brothers Turt and Slim showcased their organic, jazz-influenced stylings on this quality collection of mellow head-nodders. The perfect soundtrack to warm, hazy July evenings, “Undertones” was a satisfyingly soothing listening experience. You gots to chill.
Nujericans – “A La Mala” (Nujericans.BandCamp.Com) – New Jersey representatives Sol Zalez and Joey Dynomite dropped their debut collection of raw-yet-funky beats and rhymes, with the pair offering a nod of respect to the 90s East Coast underground whilst maintaining their own flavour and sonic personality.
Shuko – “1996” (Shuko.BandCamp.Com) – German producer Shuko paid homage to the mid-90s with this brilliantly crafted collection of drum-heavy, sample-based instrumentals, respectfully offering a sonic nod to the likes of De La Soul and A Tribe Called Quest in the process.
Joe Corfield – “Patterns” (RadioJuicy.BandCamp.Com) – Having already blessed two of 2018’s finest releases with his trademark production sound (Fliptrix’s “Inexhale” and Concept Of Thought’s “Misty Blue”), UK music man Joe Corfield kept the momentum going with this sublime selection of hypnotic, jazz-influenced instrumentals via Germany’s Radio Juicy imprint.
Juga-Naut & Sonnyjim – “The Purple Door” (EatGoodRecords.BandCamp.Com) – Two of the UK’s finest joined forces for this brilliant collection of well-crafted verses and ill beats, with Nottingham’s Juga-Naut proving yet again why he deserves to be mentioned in any conversation regarding the dopest emcees currently gripping microphones, whilst Sonnyjim flexed his production muscle like a true master, flipping some quality samples throughout..
Part Four coming soon.
Check Part One here.
K-Sly – “Me And My SP” (KamanchiSly.Com) – Kamanchi Sly is a legend and pioneer of the UK Hip-Hop scene, but the Hijack emcee hasn’t been prepared to simply rest on his laurels, with “Me And My SP” being the London mic vet’s third album in six months at the time of its release in May 2018. A rambunctious mix of true-school attitude, classic breaks and raw rhymes, this release was powered by the undeniable and infectious energy generated by Sly’s unwavering love for the culture of Hip-Hop.
Crimeapple & Big Ghost Ltd – “Aguardiente” (GourmetDeluxxx.BandCamp.Com) – Backed by the dramatic and ominous production of the mighty Big Ghost (Ankhlejohn, Ghostface Killah etc), New Jersey’s Crimeapple demonstrated throughout this project why he has grown to become one of the most revered rhymers of rap’s new generation, with a sneering confidence in his rugged verses that evoke images of the bearded lyricist holding the mic in one hand and a wack emcee by the scruff of his neck in the other.
Poisonous Diggs – “Volume 84” (IAmKillaKali.BandCamp.Com) – A short-but-effective barrage of fly beats and razor-sharp rhymes from the Gold Chain Music / Poison Ring Regime camp, this collaborative EP from Dirty Diggs and Killa Kali was the type of Hip-Hop that made you screw your face up, adopt an old-school arms-folded b-boy pose and pledge allegiance to the culture in no uncertain terms.
Big Toast & Jack Diggs – “Call It On” (RevorgRecords.BandCamp.Com) – Opening with the line “I don’t want to listen to your whinging…”, it was clear from the outset that this project from South London blood brothers Toast and Diggs wasn’t about pandering to the masses, with the pair instead offering blunt insight into modern-day life, taking verbal shots at the self-righteous of the world with a heavy dose of acidic wit and quality self-produced boom-bap beats.
Raashid Aariz – “Knowledge, Wisdom & Understanding” (RaashidAariz19.BandCamp.Com) – Virginia-based producer Raashid Aariz delivered music to meditate to on this refined instrumental project, mixing his love of soul and jazz with the influence of 90s Hip-Hop, ranging from mellow, late-night electric relaxation vibes to sax-heavy, Wu-Tang-sampling workouts.
Ocean Wisdom – “Wizville” (HighFocus.BandCamp.Com) – An artistic triumph in every sense of the term, this sophomore project from Brighton’s Ocean Wisdom confidently blended genres, bridged generation gaps and cracked the Official UK Album Charts in the process (a massive achievement for an independent homegrown Hip-Hop artist). Easily holding his own on tracks with long-established artists such as Rodney P, Method Man and Dizzee Rascal, Wisdom’s clever, rapid-fire rhymes shone throughout. Welcome to Wizville, indeed.
AG – “The Taste Of AMbrosia” (AGofDITC.BandCamp.Com) – Diggin’ In The Crates member Andre The Giant has remained consistent on wax for almost thirty years now, with the NY emcee managing to balance his old-school Bronx rap roots here with a desire to step forward artistically and not simply retread old ground. “The Taste…” was the sound of a legacy artist who is as passionate about his craft today as he was when he first picked a mic up all those years ago.
Philmore Greene – “Chicago: A Third World City” (PhilmoreGreene.BandCamp.Com) – Talented emcee Philmore Greene took listeners on a sonic tour around his Windy City stomping grounds on this captivating, hard-hitting project, tackling the impact of street violence, social conditions and politics on the people of Chicago, with the soulful soundscapes of Rashid Hadee adding further poignancy to the lyricist’s earnest, heartfelt verses.
Royalz – “Live 95” (GrhymeProductions.BandCamp.Com) – As its title suggests, this well-crafted project from Australian producer Royalz wore its 90s influences on its sonic sleeve, with the likes of SmooVth, Conway and Dialect blessing a strong selection of raw-yet-refined beats.
Rome Streetz & Farma Beats – “Street Farmacy” (RomeStreetz.BandCamp.Com) – This transatlantic collaboration from NY emcee Rome Streetz and London producer Farma Beats supplied Hip-Hop fiends with plenty of that uncut dope, as grimy, project-building poetry was laid over an eclectic collection of samples and loops.
Dabbla – “Death Moves” (PotentFunkRecords.BandCamp.Com) – Another blazing display of rhyming agility from Dabbla, this follow-up to 2016’s “Year Of The Monkey” album further cemented the UK emcee’s reputation as a naturally gifted talent, with the Problem Child member putting a lyrical leash on a wide-ranging selection of beats, from futuristic, bass-heavy wave twisters to straight-up, sample-based head-nodders.
Westside Gunn – “Supreme Blientele” (Grisleda / Daupe.BandCamp.Com) – The Griselda Records family continued to stamp their dominance on the rap game throughout 2018, with this immediate cult classic from Gunn just one of a handful of quality releases from the camp over the past twelve months. Backed by heavy-hitting producers such as Pete Rock, 9th Wonder, Alchemist and (of course) frequent collaborator Daringer, WG masterfully utilised his distinctive delivery to offer more of his captivating insight and perspective on both the street life and the rap game.
Napoleon Da Legend & Giallo Point – “Coup D’Etat” (FXCKRXP.BandCamp.Com) – It’s always good to hear a full project from an emcee and producer who are truly on the same page creatively. This release from NYC’s NDL and the UK’s Giallo Point definitely hit that mark. Clever, intricate, street-savvy rhymes were coupled here with smooth, atmospheric production, resulting in an album that sounded both familiar and individual at the same time.
K Zorro – “Winnie’s Passion / Bernard’s Legacy” (NewGuardzOnline.BandCamp.Com) – With so much of today’s popular culture dominated by image, hype and empty posturing, it’s always refreshing to hear music from an artist who appears determined to genuinely let the listener into their world, capturing life’s struggles, hopes and regrets along the way. Enter London-based emcee K Zorro with this well-crafted album, which found the New Guardz member getting up-close-and-personal as he spilt his soul over the fourteen tracks on offer here.
Da Flyy Hooligan – “Roman Abramovich” (GourmetDeluxxx.BandCamp.Com) – Possessing a moniker that truly captures his lyrical approach, London’s Da Flyy Hooligan effortlessly elbowed his way through the stripped-down-yet-sublime production of D’Lux Beats on this short-but-satisfying EP. Offering both style and substance, DFH once again proved himself to be a formidable force in the microphone booth.
IceRocks – “Live From The Bunker” (IceRocksDXA.BandCamp.Com) – Following up his 2016 instrumental project “Bunker Beats”, DXA producer IceRocks once again showcased his dope brand of NY boom-bap throughout this album, adding some talented lyricists into the mix this time around, with the likes of AG Da Coroner, Meyhem Lauren and Spit Gemz lending lyrical support. A project best listened to whilst wearing Timberlands and a hoodie.
C.A.M – “Persian Rugs” (CAMOfficial.BandCamp.Com) – The London-based emcee followed-up his impressive 2017 EP “The First Move” with this second collection of sharp, intelligent lyricism superbly produced by Hashfinger. Combining a quick-fire delivery with an attention-grabbing vocal tone able to penetrate a beat like a razor-blade through rice paper , C.A.M’s latest project was immediately captivating, demanding to be revisited again and again.
King Draft – “Two Eyes” (KingDraftMusic.BandCamp.Com) – As both a member of The Kingdom and a solo artist in his own right, King Draft has been on my radar since 2014. The talented North Carolina-based artist added to his already impressive catalogue with this ambitious release, an eclectic blend of organic live instrumentation and concept-driven lyricism.
Vic Spencer & Sonnyjim – “Spencer For Hire” (Eat Good Records / GourmetDeluxxx.BandCamp.Com) – Chicago’s Vic Spencer joined forces with the UK’s Sonnyjim to drop this smoothed-out selection of lo-fi liveness, featuring Quelle Chris, Hus Kingpin and Chris Crack. Spencer’s swaggering, self-assured steez meshed perfectly with Sonnyjim’s supreme stash of soundtrack-style loops.
EvillDewer – “Apocrypha” (EvillDewer.BandCamp.Com) – Boston-based producer and self-proclaimed Crown Chakra Rocka EvillDewer showcased his musical imagination on this instrumental project, steering clear of typical boom-bap beats and pushing his creative boundaries, drawing the listener deep into an intricately-crafted collection of inspired, sample-driven soundscapes.
Part Three coming soon,
Juga-Naut & Sonnyjim ft. Vandal Savage – “Neutral Leathers” (@EatGoodRecords / 2018)
Effortless flyness from the UK pair’s brilliant collabo project “The Purple Door”.
Two of the UK’s finest join forces for this sublime collection of well-crafted verses and ill beats, with Nottingham’s Juga-Naut proving yet again why he deserves to be mentioned in any conversation regarding the dopest emcees currently gripping microphones, whilst Sonnyjim flexes his production muscle like a true master, flipping some quality samples in the process.
The UK’s inimitable Sonnyjim teams-up with Stateside producer Camoflauge Monk for this quality collection of smoothed-out beats and laidback lyrical arrogance.