TrueMendous ft. Skinnyman – “Yourself Or The World?” (@HighFocusUK / 2022)
Birmingham’s magnetic TrueMendous pairs her inimitable flow with the charismatic delivery of UK Hip-Hop icon Skinnyman on this brilliant Illinformed-produced single off the upcoming album “Great. On Purpose”.
Split video for the talented Birmingham’s artist’s latest GhostTown / Pitch 92-produced single, with the two tracks on offer here being packed with the high levels of personality, wit and lyrical ingenuity that listeners have come to expect from TrueMendous.
It’s that time again. Hard to believe that 2021 has ended already. The last twelve months seemed to pass by at a lightning pace and as I approach my late-forties I’m not sure if that’s a good thing or not.
That said, it was another difficult year for most, regardless of how fast the days and weeks may or may not have felt like they were moving. But music remained an essential escape for many of us. Listening to it. Talking about it. Making it. Writing about it. Remembering it. Arguing about it. Loving it.
Rhythm is life, as the great philosopher Warren G once said, and life is rhythm.
As I post the five installments of my 2021 list over the coming week, there will, of course, be releases missing that people may have expected or hoped to see. If an album or EP hasn’t been included, that doesn’t automatically mean I didn’t like it. It could just mean I didn’t like it as much as everything else I have included. In today’s social media-driven world, it can often feel like it’s all or nothing when discussing music (or anything for that matter). If you don’t love an album or think it’s an instant classic, that must mean you hate it or think it’s worthless. The middle-ground in-between where constructive debate occurs appears to be shrinking by the day. But I digress.
As always, this round-up celebrates the Hip-Hop I connected with most over the past twelve months. It contains the Hip-Hop I revisited most throughout the year. It shines a light on the Hip-Hop I enjoyed most in 2021.
So, let’s set if off…
Juga-Naut & Giallo Point – “Smoke Filled Room” (JugaNaut.BandCamp.Com) – Having already worked together on 2019’s sterling effort “Back To The Grill Again”, expectations were understandably high for the second full-length collaborative project to come from the UK’s Juga-Naut and Giallo Point, with the finished product finding the pair further cementing their reputations as masters of their respective crafts. An exquisite combination of top-tier lyricism and perfectly selected sample-based production, this album brilliantly showcased Juga-Naut’s natural talent for penning intricate verses packed with multiple layers that were a joy to follow, unravel, rewind and listen to again and again.
Skyzoo – “All The Brilliant Things” (MMG-Skyzoo.BandCamp.Com) – Another year passed by and NYC’s Skyzoo added yet another masterpiece to his already stellar catalogue. At this point in his career, Skyzoo’s ability to make his lyrical brilliance appear effortless should never stop us from remembering just how much work no doubt goes into every bar, every line and every verse that he commits to the pages of his rhyme pad. Like many of Skyzoo’s previous releases, this was a concept-driven project which found the talented emcee commenting on the gentrification of his beloved Brooklyn over an impeccable selection of jazz-infused beats from the likes of Kenny Keys, MarcNfinit and Tuamie. Writing with incredible attention to detail as always, Skyzoo pulled listeners into his world, placing us all amongst the sights, sounds and experiences of past, present and future New York.
IAMGAWD & Doc Da Mindbenda – “Hell’s Angels & Heaven’s Demons” (GawdsGift.BandCamp.Com) – Being able to create meaningful art out of the uglier aspects of life is a unique skill and one clearly shared by Chicago partnership IAMGAWD and Doc Da Mindbenda, as demonstrated on this captivating album. A quality example of the greatness that can be achieved when an emcee and producer share undeniable creative chemistry, GAWD’s commanding flow was matched perfectly here with Doc’s robust beats. Touching on a variety of topics, including the vicious cycle of gang life, structural racism and street politics, this album offered a powerful and sobering dose of reality.
Funky DL – “Beautiful Soul” (FunkyDL.BandCamp.Com) – Paying tribute to the soul music of the 60s and 70s in clever and subtle ways, this 21st (!!!) album from the UK’s Funky DL was an ambitious and expertly executed project. Accompanied by the organic sound of live musicians, DL delivered personal, heartfelt rhymes with sincerity and feeling, resulting in an album that was both inspiring and uplifting. A much needed ray of musical light.
Sons Phonetic – “Nakatomi” (SonsPhonetic.BandCamp.Com) – Having spent the last decade consistently delivering their own unique brand of quality Hip-Hop, Ireland’s mighty Sons Phonetic crew dropped their new long-awaited album “Nakatomi”, a skilful combination of sublime, sample-based production and expertly penned verses full of meaningful depth and striking imagery. A remarkable release.
Genesis Elijah – “A Prophet In His Hometown…” (GenesisElijah.BandCamp.Com) – A lot of artists will talk about keeping it real, but how real are they really keeping it? Are they talking about their struggles, emotions and mistakes? Are they letting you hear their true feelings through music? Are they being genuine? Watford-based emcee Genesis Elijah did all of the above throughout this striking collection of beats and rhymes. We cheered when Genesis spoke on his successes and cared when he touched on his personal battles. Backed by unique production from Pastor Dutchie and Shapes that blurred lines between genres, Elijah stood loud and proud throughout “A Prophet…”, rightfully staking his claim as one of the UK’s finest lyricists.
Codenine – “LVNDR” (TragicAlliesCodenine.BandCamp.Com) – Mood music of the highest quality, this latest album from Tragic Allies member Codenine was a towering creative triumph, blending sharp lyrical darts with smooth, emotive production from the likes of Chronic Tone and Karnate, lending the release a cinematic, soundtrack-like feel. This wasn’t an album you could (or should) just dip in and out of. It was a body of work that deserved to be listened to in its entirety in order to be fully appreciated.
TrueMendous – “Misdiagnosis Of Chyvonne Johnson” (TrueMendous.BandCamp.Com) – Personality. Flow. Ingenuity. Three things you’re guaranteed to hear on any release from Birmingham emcee TrueMendous. Having signed with the High Focus label in 2020 and subsequently dropping the well-received “HUH?” EP, this album release for the imprint found the UK talent in full artistic flight, clearly seeing every moment here as an opportunity to revel in her own individuality as she touched on relationships, self-image and personal history, accompanied by diverse and inventive production.
Tall Black Guy & Ozay Moore – “Of Process And Progression” (TallBlackGuy.BandCamp.Com) – A celebratory album with a message, Tall Black Guy and Ozay Moore combined their individual expertise and crafted something truly special here. Whilst the hype sticker on the front of this album boasted of the duo being here to “revive the pulse of Hip-Hop’s golden-era”, that statement only told half the story. Far from simply being a collection of predictable throwback tracks full of 90s nostalgia, this was a vibrant, inspirational release that respectfully nodded toward its back-in-the-day influences, yet very much remained a soundtrack made for the present day.
Fresh Daily – “The Quiet Life 2” (HighWaterMusic.BandCamp.Com) – Raised in Brooklyn, now residing in Oakland, Fresh Daily came correct on his long-awaited sequel album “The Quiet Life 2”, an absolutely brilliant release which found the talented artist matching his observational rhymes and conversational flow with warm, melodic production from the likes of Chris Keys, Lakim, Suff Daddy and more.
Jazz Spastiks – “Camera Of Sound” (JazzSpastiks.BandCamp.Com) – Scotland’s Jazz Spastiks never fail to operate at the top of their game whenever it’s time for the gifted production duo to bless us with a new release. This latest album from Coconut Delight and Mr Manyana featured a who’s who of underground heavyweights taking full advantage of the pair’s full-bodied beats. Wee Bee Foolish, Artifacts, Soundsci and more stepped up with their best microphone techniques, ensuring this album had maximum replay value.
Wavy Da Ghawd – “Ghawd’s Eden” (WavyDaGhawd.BandCamp.Com) – Having worked with the likes of Rome Streetz, Bub Rock and Sauce Heist in recent years, Brooklyn-based producer Wavy Da Ghawd entered 2021 already known for delivering quality soundscapes. This album further cemented the NY music man’s reputation for stellar work behind the boards, with underground favourites such as Planet Asia, Eddie Kaine and Ty Farris all eager to spit over one of Wavy’s carefully selected loops. Producer-based albums can sometimes sound disjointed, but the dusty-fingered basement vibe running throughout “Ghawd’s Eden” ensured it stood out as a cohesive collection with plenty of musical character.
Rita J – “The High Priestess” (RitaJ.BandCamp.Com) – Chicago’s Rita J made a welcome return to the rap game with this superb album which found the skilled emcee being joined by fellow Windy City representatives Neak (producer) and Rashid Hadee (executive producer), who both also added their lyrical talents to the mix. Full of potent, thoughtful rhymes laced with a strong b-girl attitude and delivered over quality beats, “The High Priestess” stood out as a refreshing listening experience which fully tapped into the potential Hip-Hop has to touch the soul.
Charlie K – “Sunshine Philadelphia: The God Hour” (CharlieK1.BandCamp.Com) – Accomplished Philly emcee Charlie K filled his well-crafted verses with spirituality, social commentary and poignant observations on this concise EP, backed by soulful production from the likes of Lim0, Kulture, DviousMindz and more.
Twizzy – “Crabs In A Bucket” (Twizzy.BandCamp.Com) – With a wink and a knowing smile, Bristol’s Twizzy offered his thoughts on the world around us and his place in it throughout this thoroughly enjoyable Chillman-produced album. Highlighting the growth that can come from personal struggle, as well as the importance of not allowing the matrix of daily life to distract you from what really matters, Twizzy focused on silver linings here rather than the dark clouds we all find ourselves under sometimes.
Eddie Kaine – “A Tree Grows In Brooklyn” (BigGhostLimited.BandCamp.Com / 2021) – For me, what elevates a good emcee to a standout emcee isn’t just their ability to put words together, but whether an artist can deliver those words in such a way that makes you genuinely feel them as a listener? A rapper can be technically gifted, but if the verses in an artist’s book of rhymes don’t come alive with character and emotion once they’re in front of a microphone, is it really worth it? Whether speaking on personal hardships, painting images of Crooklyn life, or simply stating his lyrical prowess, NYC’s Eddie Kaine made you feel his bars, accompanied by the wailing soul samples of the always impressive Big Ghost Ltd.
Philmore Greene – “Knowledge And Power” (PhilmoreGreene.BandCamp.Com) – On this album, Chicago’s Philmore Greene delivered a soul-stirring collection of honest, contemplative rhymes rooted in the reality of his Windy City life experiences whilst reaching towards a better future. Produced by fellow Chi-town representative Rashid Hadee with features from Natasha Robinson, Skyzoo and Vic Spencer, “Knowledge And Power” lived up to its title with Greene possessing both in abundance.
The Professionals – “The Professionals” (RappCats.Com) –Keeping it in the family, brothers Madlib and Oh No played to their strengths on this quality collaborative album, combining bravado-filled rhymes with soul / funk samples and random dialogue snippets to create an unpredictable listening experience. Benefiting from sounding like a spontaneous, basement-style jam session, this album fully demonstrated why the West Coast pair have long been considered cult figures within underground Hip-Hop circles.
GodBody Science – “The Dwayne Wayne Story” (GodBodyScience.BandCamp.Com) – Atlanta-based producer-on-the-mic GodBody Science ensured he stood out from the crowd with this five-track EP, mixing a slick, nimble flow with personality-fuelled rhymes, catchy hooks and captivating soundscapes.
Rome Streetz – “Noise Kandy 4” (RomeStreetz.BandCamp.Com) – One of the most engaging voices to have emerged from the New York rap scene in recent years, Rome Streetz’ confident, sidewalk-savvy rhymes possess an arrogant charm and enthusiastic energy that lifts him above many of his contemporaries. Plus, he has a great ear for quality production, as evidenced here by his musical choices from Chronic Tone, Sebb Bash, DJ Skizz etc.
Trauma 74 – “Acceptable Citizens” (EvilTwinRecords.BandCamp.Com) – UK emcee Trauma 74 followed-up his 2017 debut “The God Given Image” with this largely self-produced collection of personal, direct lyricism covering a variety of topics. Offering thoughtful observations on the world around us, whilst avoiding coming across as preachy or self-righteous, Trauma once again proved himself to be a necessary voice in the British rap game.
Jorun Bombay & Phill Most Chill – “Jorun PMC” (PhillMostChill.BandCamp.Com) – Skilfully paying homage to the sounds, styles and flavours of 80s Hip-Hop, the creative chemistry captured here between Canadian producer Jorun Bombay and veteran Philly emcee Phill Most Chill was a joy to listen to. The pair’s shared passion for the culture of Hip-Hop could clearly be felt and heard throughout this album, with the end result evoking strong feelings of nostalgia whilst still sounding current and vibrant.
Buckwild – “Music Is My Religion” (DITCBuckwild.BandCamp.Com) – Having produced numerous classics over the years for the likes of O.C., Big L and Organized Konfusion, Buckwild’s place in the Hip-Hop history books is set in stone. Yet obviously not wanting to simply rest on his laurels, the legendary producer had a busy 2020, delivering instrumental projects, compilation albums and full-length collaborations. This particular release featured some of Buckwild’s finest work of the year, with artists such as Ransom, Milano and Smif-N-Wessun all benefitting from the Bronx representative’s dusty-fingered production skills.
UFO Fev & Statik Selektah – “Fresh Air” (UFOFev.BandCamp.Com) – 2020 was definitely a strong year for UFO Fev, with the talented East Harlem emcee dropping three notable releases, the first being this stellar collaboration with the mighty Statik Selektah. Fev’s streetwise verses were expertly complimented by Statik’s smooth production, resulting in an album that was full of character and, most importantly, good music.
TrueMendous – “HUH?” (HighFocus.BandCamp.Com) – You could hear the glee in the voice of Birmingham’s TrueMendous as she played with words and flows throughout this EP for the UK’s High Focus label. A naturally gifted artist who has worked hard in recent years to build a loyal fanbase, this release was an opportunity for TrueMendous to introduce her unique brand of lyricism to new supporters. Backed by a diverse selection of beats from the likes of Chemo, Pitch 92 and Winchester, TrueMendous put her stamp on every single track in no uncertain terms, fully demonstrating her power as an emcee.
Roving Jewel – “The 38th Expansion” (RovingJewel.BandCamp.Com) – Cali producer Roving Jewel’s expertly crafted instrumentals were blessed here by the likes of Smif-N-Wessun’s Tek, Casual and Killah Priest, resulting in an album that moved between straight-forward head-nodders and subtly-layered cuts, avoiding the tried-and-tested boom-bap-by-numbers approach that pulls some producer-based projects into mediocre territory.
Blu & Exile – “Miles” (TheDirtyScience.Com) – In the spirit of great duos such as Pete Rock & CL Smooth and Gang Starr, Blu and Exile have always simply sounded like they were meant to make music together. The pair’s 2007 album “Below The Heavens” quite rightly became a cult classic, with this latest ambitious, twenty-track release proving the duo’s musical partnership remains as finely-tuned as ever. Exile’s meticulous, jazz-influenced production perfectly matched Blu’s philosophical, life-affirming rhymes here, making for an expansive body of work with both depth and purpose.
Gee Bag x Illinformed – “Respect Ya Elders!” (RevorgRecords.BandCamp.Com) – Packed full of personality, this release from UK emcee Gee Bag found the witty wordsmith joining forces with talented producer Illinformed to craft a well-rounded collection of tracks fully showcasing his lyrical potential, mixing moments of humour, personal reflection and social commentary with quality beats.
Skunkz – “Skunkz FT Skunkz” (Skunkz.BandCamp.Com) – Boston’s Skunkz fired sharp lyrical darts across a well-chosen selection of self-produced loops on this straight-to-the-point EP, rhyming with the confidence and attitude of an emcee who had just shoulder-barged his way into a street-corner cipher with no intention of showing the competition any respect whatsoever.
Universal Seedz – “Rise Up” (UniversalSeedz.BandCamp.Com) – Combining elements of jazz, soul, spoken word and Hip-Hop, this EP from Austin, Texas collective Universal Seedz offered a bright, organic explosion of good grooves and uplifting positivity.
Mecca:83 – “NinetyFour” (SolarSoundSystem.BandCamp.Com) – Manchester-based producer Mecca:83 paid homage to the classic 90s boom-bap sound with this masterful collection of head-nodding drums, echoing horns and melodic flavour.
Funky DL – “Twenty” (FunkyDL.BandCamp.Com) – Twenty-three years after the release of his 1997 debut album “Classic Was The Day”, UK producer-on-the-mic Funky DL celebrated his prolific career by delivering his twentieth full-length project, a polished mix of sample-based beats and live instrumentation grounded in the East London artist’s trademark jazz-influenced sound, with a few well-executed musical twists thrown in for good measure.
Estee Nack & Superior – “Baladas” (BelowSystem.Com) – Tragic Allies emcee Estee Nack teamed-up with German producer Superior for this sublime slice of underground excellence, the latest in a steady stream of releases which have seen the Massachusetts-based lyricist’s rep grow ever bigger, thanks to his consistent work ethic and top-tier pen game.
Planet Asia & 38 Spesh – “Trust The Chain” (AirVinyls.BandCamp.Com) – Enlisting the production talents of Rochester, NY’s 38 Spesh for this particular release, veteran West Coast wordsmith Planet Asia provided further proof of why he deserves to be mentioned in GOAT conversations, lacing Spesh’s accomplished studio work with his inimitable brand of street science and Five Percent-influenced rhymes.
Cyrus Malachi – “The Blind Watchmaker” (RevorgRecords.BandCamp.Com) – Over the years, London’s Cyrus Malachi has made a name for himself as a purveyor of descriptive, heavy-mental wordplay. From his work as a founding member of Triple Darkness to his solo endeavours, the gruff-voiced emcee has consistently delivered intricate rhymes which take your mind in multiple directions, from ancient pyramids to inner-city pavements. This DJ Drinks / Evil Ed-produced album was no different, as Cyrus weaved gripping lyricism around stripped-down beats with an authority that demanded the listener’s attention.
Big Ghost LTD – “Carpe Noctem” (BigGhostLimited.BandCamp.Com) – Assembling on some Hip-Hop Avengers ish, producer Big Ghost LTD pulled together a formidable crew of dope emcees to lace his supreme beats for this impressive collection of raw posse cuts. Underground favourites such as Recognize Ali, Crimeapple and Asun Eastwood all proved that steel sharpens steel, with no artist featured here wanting to be outdone and everyone bringing their best to the table.
Bloo & Spanish Ran – “MF BLOO” (SpanishRan1.BandCamp.Com) – To anyone confused by this album’s title and cover art, “MF BLOO” most definitely was NOT the work of an overenthusiastic soundalike or a second-rate mixtape-style project. Whilst obviously meant as a nod of respect to enigmatic (and sadly recently deceased) rap figure MF DOOM, Bronx emcee / producer duo Bloo and Spanish Ran weren’t hiding behind anyone else’s mask on this release, saving the day with quality music in their own super-rhyme adventures.
Verb T & Pitch 92 ft. TrueMendous – “Cold Case” (@HighFocusUK / 2019)
Having released one of 2017’s best albums with their “Good Evening” collabo project, UK mic icon Verb T and always-impressive producer Pitch 92 offer the first taste of their upcoming “Question Of Time” release, featuring a show-stopping performance from Birmingham’s TrueMendous.