It’s that time again. Hard to believe that 2021 has ended already. The last twelve months seemed to pass by at a lightning pace and as I approach my late-forties I’m not sure if that’s a good thing or not.
That said, it was another difficult year for most, regardless of how fast the days and weeks may or may not have felt like they were moving. But music remained an essential escape for many of us. Listening to it. Talking about it. Making it. Writing about it. Remembering it. Arguing about it. Loving it.
Rhythm is life, as the great philosopher Warren G once said, and life is rhythm.
As I post the five installments of my 2021 list over the coming week, there will, of course, be releases missing that people may have expected or hoped to see. If an album or EP hasn’t been included, that doesn’t automatically mean I didn’t like it. It could just mean I didn’t like it as much as everything else I have included. In today’s social media-driven world, it can often feel like it’s all or nothing when discussing music (or anything for that matter). If you don’t love an album or think it’s an instant classic, that must mean you hate it or think it’s worthless. The middle-ground in-between where constructive debate occurs appears to be shrinking by the day. But I digress.
As always, this round-up celebrates the Hip-Hop I connected with most over the past twelve months. It contains the Hip-Hop I revisited most throughout the year. It shines a light on the Hip-Hop I enjoyed most in 2021.
So, let’s set if off…
Juga-Naut & Giallo Point – “Smoke Filled Room” (JugaNaut.BandCamp.Com) – Having already worked together on 2019’s sterling effort “Back To The Grill Again”, expectations were understandably high for the second full-length collaborative project to come from the UK’s Juga-Naut and Giallo Point, with the finished product finding the pair further cementing their reputations as masters of their respective crafts. An exquisite combination of top-tier lyricism and perfectly selected sample-based production, this album brilliantly showcased Juga-Naut’s natural talent for penning intricate verses packed with multiple layers that were a joy to follow, unravel, rewind and listen to again and again.
Skyzoo – “All The Brilliant Things” (MMG-Skyzoo.BandCamp.Com) – Another year passed by and NYC’s Skyzoo added yet another masterpiece to his already stellar catalogue. At this point in his career, Skyzoo’s ability to make his lyrical brilliance appear effortless should never stop us from remembering just how much work no doubt goes into every bar, every line and every verse that he commits to the pages of his rhyme pad. Like many of Skyzoo’s previous releases, this was a concept-driven project which found the talented emcee commenting on the gentrification of his beloved Brooklyn over an impeccable selection of jazz-infused beats from the likes of Kenny Keys, MarcNfinit and Tuamie. Writing with incredible attention to detail as always, Skyzoo pulled listeners into his world, placing us all amongst the sights, sounds and experiences of past, present and future New York.
IAMGAWD & Doc Da Mindbenda – “Hell’s Angels & Heaven’s Demons” (GawdsGift.BandCamp.Com) – Being able to create meaningful art out of the uglier aspects of life is a unique skill and one clearly shared by Chicago partnership IAMGAWD and Doc Da Mindbenda, as demonstrated on this captivating album. A quality example of the greatness that can be achieved when an emcee and producer share undeniable creative chemistry, GAWD’s commanding flow was matched perfectly here with Doc’s robust beats. Touching on a variety of topics, including the vicious cycle of gang life, structural racism and street politics, this album offered a powerful and sobering dose of reality.
Funky DL – “Beautiful Soul” (FunkyDL.BandCamp.Com) – Paying tribute to the soul music of the 60s and 70s in clever and subtle ways, this 21st (!!!) album from the UK’s Funky DL was an ambitious and expertly executed project. Accompanied by the organic sound of live musicians, DL delivered personal, heartfelt rhymes with sincerity and feeling, resulting in an album that was both inspiring and uplifting. A much needed ray of musical light.
Sons Phonetic – “Nakatomi” (SonsPhonetic.BandCamp.Com) – Having spent the last decade consistently delivering their own unique brand of quality Hip-Hop, Ireland’s mighty Sons Phonetic crew dropped their new long-awaited album “Nakatomi”, a skilful combination of sublime, sample-based production and expertly penned verses full of meaningful depth and striking imagery. A remarkable release.
Genesis Elijah – “A Prophet In His Hometown…” (GenesisElijah.BandCamp.Com) – A lot of artists will talk about keeping it real, but how real are they really keeping it? Are they talking about their struggles, emotions and mistakes? Are they letting you hear their true feelings through music? Are they being genuine? Watford-based emcee Genesis Elijah did all of the above throughout this striking collection of beats and rhymes. We cheered when Genesis spoke on his successes and cared when he touched on his personal battles. Backed by unique production from Pastor Dutchie and Shapes that blurred lines between genres, Elijah stood loud and proud throughout “A Prophet…”, rightfully staking his claim as one of the UK’s finest lyricists.
Codenine – “LVNDR” (TragicAlliesCodenine.BandCamp.Com) – Mood music of the highest quality, this latest album from Tragic Allies member Codenine was a towering creative triumph, blending sharp lyrical darts with smooth, emotive production from the likes of Chronic Tone and Karnate, lending the release a cinematic, soundtrack-like feel. This wasn’t an album you could (or should) just dip in and out of. It was a body of work that deserved to be listened to in its entirety in order to be fully appreciated.
TrueMendous – “Misdiagnosis Of Chyvonne Johnson” (TrueMendous.BandCamp.Com) – Personality. Flow. Ingenuity. Three things you’re guaranteed to hear on any release from Birmingham emcee TrueMendous. Having signed with the High Focus label in 2020 and subsequently dropping the well-received “HUH?” EP, this album release for the imprint found the UK talent in full artistic flight, clearly seeing every moment here as an opportunity to revel in her own individuality as she touched on relationships, self-image and personal history, accompanied by diverse and inventive production.
Tall Black Guy & Ozay Moore – “Of Process And Progression” (TallBlackGuy.BandCamp.Com) – A celebratory album with a message, Tall Black Guy and Ozay Moore combined their individual expertise and crafted something truly special here. Whilst the hype sticker on the front of this album boasted of the duo being here to “revive the pulse of Hip-Hop’s golden-era”, that statement only told half the story. Far from simply being a collection of predictable throwback tracks full of 90s nostalgia, this was a vibrant, inspirational release that respectfully nodded toward its back-in-the-day influences, yet very much remained a soundtrack made for the present day.
Fresh Daily – “The Quiet Life 2” (HighWaterMusic.BandCamp.Com) – Raised in Brooklyn, now residing in Oakland, Fresh Daily came correct on his long-awaited sequel album “The Quiet Life 2”, an absolutely brilliant release which found the talented artist matching his observational rhymes and conversational flow with warm, melodic production from the likes of Chris Keys, Lakim, Suff Daddy and more.
Jazz Spastiks – “Camera Of Sound” (JazzSpastiks.BandCamp.Com) – Scotland’s Jazz Spastiks never fail to operate at the top of their game whenever it’s time for the gifted production duo to bless us with a new release. This latest album from Coconut Delight and Mr Manyana featured a who’s who of underground heavyweights taking full advantage of the pair’s full-bodied beats. Wee Bee Foolish, Artifacts, Soundsci and more stepped up with their best microphone techniques, ensuring this album had maximum replay value.
Wavy Da Ghawd – “Ghawd’s Eden” (WavyDaGhawd.BandCamp.Com) – Having worked with the likes of Rome Streetz, Bub Rock and Sauce Heist in recent years, Brooklyn-based producer Wavy Da Ghawd entered 2021 already known for delivering quality soundscapes. This album further cemented the NY music man’s reputation for stellar work behind the boards, with underground favourites such as Planet Asia, Eddie Kaine and Ty Farris all eager to spit over one of Wavy’s carefully selected loops. Producer-based albums can sometimes sound disjointed, but the dusty-fingered basement vibe running throughout “Ghawd’s Eden” ensured it stood out as a cohesive collection with plenty of musical character.
Rita J – “The High Priestess” (RitaJ.BandCamp.Com) – Chicago’s Rita J made a welcome return to the rap game with this superb album which found the skilled emcee being joined by fellow Windy City representatives Neak (producer) and Rashid Hadee (executive producer), who both also added their lyrical talents to the mix. Full of potent, thoughtful rhymes laced with a strong b-girl attitude and delivered over quality beats, “The High Priestess” stood out as a refreshing listening experience which fully tapped into the potential Hip-Hop has to touch the soul.
Charlie K – “Sunshine Philadelphia: The God Hour” (CharlieK1.BandCamp.Com) – Accomplished Philly emcee Charlie K filled his well-crafted verses with spirituality, social commentary and poignant observations on this concise EP, backed by soulful production from the likes of Lim0, Kulture, DviousMindz and more.
Twizzy – “Crabs In A Bucket” (Twizzy.BandCamp.Com) – With a wink and a knowing smile, Bristol’s Twizzy offered his thoughts on the world around us and his place in it throughout this thoroughly enjoyable Chillman-produced album. Highlighting the growth that can come from personal struggle, as well as the importance of not allowing the matrix of daily life to distract you from what really matters, Twizzy focused on silver linings here rather than the dark clouds we all find ourselves under sometimes.
Eddie Kaine – “A Tree Grows In Brooklyn” (BigGhostLimited.BandCamp.Com / 2021) – For me, what elevates a good emcee to a standout emcee isn’t just their ability to put words together, but whether an artist can deliver those words in such a way that makes you genuinely feel them as a listener? A rapper can be technically gifted, but if the verses in an artist’s book of rhymes don’t come alive with character and emotion once they’re in front of a microphone, is it really worth it? Whether speaking on personal hardships, painting images of Crooklyn life, or simply stating his lyrical prowess, NYC’s Eddie Kaine made you feel his bars, accompanied by the wailing soul samples of the always impressive Big Ghost Ltd.
Philmore Greene – “Knowledge And Power” (PhilmoreGreene.BandCamp.Com) – On this album, Chicago’s Philmore Greene delivered a soul-stirring collection of honest, contemplative rhymes rooted in the reality of his Windy City life experiences whilst reaching towards a better future. Produced by fellow Chi-town representative Rashid Hadee with features from Natasha Robinson, Skyzoo and Vic Spencer, “Knowledge And Power” lived up to its title with Greene possessing both in abundance.
Ka & Preservation – “Days With Dr. Yen Lo” (Mon Dieu Music) – Partly inspired by the classic 1962 film “The Manchurian Candidate”, Brooklyn’s Ka once again teamed-up with producer Preservation to craft this understated masterpiece. Combining minimalist, atmospheric soundscapes with Ka’s vivid-yet-subtle lyrical craftmanship, this project was the sonic equivalent of driving through inner-city New York in slow-motion, looking out the window and watching some of the Rotten Apple’s eight million stories unfolding right in front of your eyes.
Union Blak – “Street English” (Effiscienz) – UK / US duo Sir Williams and Kimba followed-up their 2014 debut for France’s Effiscienz imprint with another quality selection of melodic, uplifting boom-bap and inspirational rhymes, with the pair’s shared love of Hip-Hop and passion for their respective crafts shining through on every track.
Jise – “The Passion Of Jise” (Creative Juices Music) – Part conceptual, part semi-autobiographical, this intense solo project from Arsonists member Jise One was a dramatic, well-executed sonic roller-coaster which found the Brooklyn emcee pushing the creative envelope as he told emotionally-charged stories from various character perspectives over well-chosen production from the likes of Q-Unique, DJ Insite and Dras79.
Spit Gemz – “Godly Features” (Broken Home) – As one of the illest emcees to have emerged from NYC in recent years, it came as no surprise to hear Queens resident Spit Gemz holding his own against veteran wordsmiths such as Tragedy Khadafi, Kool G Rap and Shabaam Sahdeeq on this potent release. A tour-de-force of verbal skill, “Godly Features” showcased Gemz delivering a standard of lyricism that many artists today could only hope to aspire to.
BOOM – “From PG, With Love” (DTMD.BandCamp.Com) – Maryland microphone master BOOM delivered slick, self-assured rhymes over soulful beats on this debut project produced entirely by Dunc of DTMD fame. Representing for his Prince George’s County stomping grounds, the talented artist exuded a quiet confidence throughout this nine-track release which couldn’t fail to endear him to listeners.
The Kingdom – “Kingdom Come” (TheKingdomMusic.BandCamp.Com) – Following up last year’s impressive “No Rest In The Kingdom” project, North Carolina-based duo King Draft and Jerm Scorcese returned with the boundary-pushing “Kingdom Come”, an album that successfully blended future-shock soul vibes, dusty samples and accomplished, intelligent wordplay into one cohesive, rewarding listening experience.
Pete Rock – “Petestrumentals 2” (Mello Music Group) – Mount Vernon’s legendary Chocolate Boy Wonder emerged from his basement once again with a new collection of instrumental flavours for 2015, expanding on his trademark production style which influenced a generation of beat-makers. Capturing a variety of sonic tones and textures, Pete did his legacy justice here, effortlessly retaining his title of Hip-Hop’s Soul Brother #1.
Cold Fusion – “The Elixir” (RingzOVSaturn.BandCamp.Com) – Prior to the 2015 release of the Triple Darkness album “Darker Than Black” (previously mentioned in Part One of this list), group members Ray Vendetta and Cyrus Malachi set the year off with this hardcore jewel, meshing their heavy mental wordplay with the gritty, atmospheric boom-bap of HellzEcho production partnership Ringz Ov Saturn and 7th Dan. “The Elixir” stood as proof that there will always be those whose motivation for picking up a microphone runs deeper than simply chasing overnight success, fame and fortune.
Starvin B & Fel Sweetenberg – “Soul Museum” (Effiscienz) – Backed by the knocking production of New Jersey’s Fel Sweetenberg, the always-impressive Starvin B added another worthy project to his ever-expanding catalogue with this succinct, straight-to-the-point release for France’s Effiscienz label.
Chrome & Illinspired – “The All C N I” (B-Line Recordings) – A throwback to the late-80s when the BPMs of hardcore Hip-Hop inspired immediate dancefloor activity, this release from UK duo Chrome & Illinspired was packed with frantic drums, lively loops, fast-paced cuts and high-velocity verbals. If you could listen to this album without breaking into The Running Man at least once, you really needed to get your pulse checked.
Apathy – “Weekend At The Cape” (Dirty Version Records) – Released as a companion EP to 2014’s “Connecticut Casual” album, “Weekend…” found the acid-tongued Demigodz member once again drawing inspiration from his New England surroundings, delivering typically thorny barbs over largely self-produced beats which ranged from the funky to the melancholy.
Maffew Ragazino – “VII Million Stories” (WPG) – A potent dose of traditional Rotten Apple rap, Brooklyn’s Ragazino undoubtedly made his borough proud with this street-savvy combination of hard-knock sentiments, motivational jewels and life lessons.
Mellow Man Ace – “The Lost Decade” (Ultra Slump! Records) – Perhaps one of the most unexpected releases of 2015 came in the form of this album from California veteran Mellow Man Ace. Dropping his own brand of Latin lingo over funky, soulful soundscapes, with the likes of Dinco D (Leaders Of The New School), Jarobi (ATCQ) and Ultra Slump! label-mate Cazal Organism on-hand to offer lyrical assistance, the West Coast emcee delivered a project that was as refreshing as it was nostalgic.
BRTSound – “Boombap Therapy” (DirtyBeauty) – After checking the title of this release from Russian producer BRTSound, it would have been easy to be misled into thinking you were going to be hearing the work of an unaccomplished beat-head simply attempting to emulate their favourite DJ Premier tracks. However, “Boombap Therapy” was an impressive eight-track effort which found the Moscow music man drawing on both his love of heavy drums and mellow jazz grooves, resulting in what was one of the best instrumental projects heard in 2015.
AUTOmatic – “ARISING” (AUTOmatic.BandCamp.Com) – Milwaukee, Wisconsin’s A.P.R.I.M.E., Trellmatic and JDL Rockwell combined organic, infectious feel-good vibes with down-to-earth rhymes and soulful, organic beats on this polished five-track EP.
Nolan The Ninja – “f_ck the hype” (NolanTheNinja.BandCamp.Com) – This highly-anticipated project from Detroit’s Nolan The Ninja showcased the 23-year-old artist’s ferocious flow and gritty delivery to great effect, with the passionate producer-on-the-mic being joined by Phat Kat, Finale and Hassaan Mackey as he verbally attacked a selection of raw, basement-style beats.
UGeorge – “The Many Faces Of UGeorge” (WorldExpo Records) – The Atlanta-based Soundsci member unleashed his brilliant solo project “The Many Faces Of…” towards the end of the year, featuring UGeorge defining the term ‘grown-man rap’ as he invited listeners into the world of the proud “40-year-old rapper”, tackling a number of topics with a true-school attitude over impeccable production from Ollie Teeba, Jonny Cuba, SilentSomeone and more.
Lewis Parker & Eastkoast – “MK Ultra” (KingUnderground Records) – Talented UK producer Lewis Parker (aka The Man With The Golden Sound) laced NY-raised emcee Eastkoast with a typically high-standard of beats on this captivating collaborative effort featuring Shabaam Sahdeeq, $amhill and El Da Sensei.
Grand Daddy I.U. – “P.I.M.P.” (Steady Flow Records) – The tone of this album from veteran Strong Island emcee Grand Daddy I.U. was summed up succinctly by just one lyric – “I don’t make trap music, I ain’t from down South, I make New York Hip-Hop, ‘Cos that’s what I’m about.” Combining the same blend of slick street talk and cocky bravado heard on his 1990 debut “Smooth Assassin”, the Rotten Apple wordsmith embraced his OG status in no uncertain terms on this release, proving that with age comes wisdom, experience and the right to slap a young buck in the domepiece.
Constant Deviants – “Avant Garde” (Six2Six Records) – Two decades after their debut, the Baltimore / NY duo of DJ Cutt and M.I. proved they were still capable of delivering quality beats and rhymes, with their music remaining rooted in the group’s golden-era origins without sounding stuck in the past. Displaying a creative chemistry that deserved to be compared to that once shared by the likes of Gang Starr or Pete Rock & CL Smooth in their prime, this fourth full-length Constant Deviants project found Cutt and M.I confirming a definite mastery of their distinctive brand of authentic East Coast flavour.
Talented UK producer Lewis Parker (aka The Man With The Golden Sound) laces NY-raised emcee Eastkoast with a typically high-standard of beats on this captivating collaborative effort featuring Shabaam Sahdeeq, $amhill, El Da Sensei and more.
Bronx emcee $amhill drops his long-awaited album “The $amhill Story” just in-time to kick-start 2015 and has made the project available for free download until January 5th.
Featuring production from the likes of Minnesota, RTNC and The Legion’s Molecules, with the UK’s Lewis Parker on mastering duties to make sure those beats thump, “The $amhill Story” is a raw, timeless mix of personal experiences, street observations, blunt humour and Rotten Apple attitude.
The overall vibe of the album is best described by $amhill himself on the Chop Da Beatz-produced “The Benches” – “You gotta understand, we from the Bronx, man…We represent, like, a different type of sound and era…”
UK label KingUnderground have dropped the instrumental version of Lewis Parker’s epic self-produced double-album “The Glass Ceiling” which was easily one of last year’s best releases – hit the link below and understand exactly why sample-king LP is known as the man with the golden sound.
Having dropped last year’s epic double-album “The Puzzle Episode Two: The Glass Ceiling”, UK producer-on-the-mic Lewis Parker (in conjunction with KingUnderground) is now unleashing the instrumental version of the project to allow listeners the opportunity to fully appreciate his supreme talents behind the boards.
A true master of his craft, tracks included here such as “World On My Shoulders” and “Walking On A Razor (Part 2)” showcase Parker’s ability to blend rugged, boom-bap drums with sublime, melodic samples that add real sonic depth to each beat that escapes from his trusty SP.
The crew behind NY’s No Ideas Original radio show have compiled a mammoth collection of freestyles from artists that have joined them on the airwaves in recent years including Milano, Lewis Parker, Wyld Bunch, F.T., Snaggapus, Neek The Exotic and many more underground lyrical heavyweights – check Vol. 1, Vol 2 and Vol.3.