Kamanchi Sly – “Master Plan” (HipHop73.Com / 2022)
Quick-fire rhymes from Hijack legend Kamanchi Sly on this self-produced title track from his latest album.
Kamanchi Sly – “Master Plan” (HipHop73.Com / 2022)
Quick-fire rhymes from Hijack legend Kamanchi Sly on this self-produced title track from his latest album.
UFO Fev & Vanderslice – “Enigma Of Dali” (UFOFev.BandCamp.Com) – One thing that’s become abundantly clear over the last couple of years is that Harlem’s UFO Fev has a great ear for choosing producers to work with that really compliment his style. With Statik Selektah, Termanology and Big Ghost Ltd all having laced the NY emcee with superb beats on full-length efforts during 2020, 2021 found Fev teaming-up with the consistently dope Vanderslice for “Enigma Of Dali”, painting colourful lyrical portraits which captured the essence of life in the Rotten Apple.
Damu The Fudgemunk – “Conversation Peace” (DamuTheFudgemunk.BandCamp.Com) – Having been given full access to the musical vaults of London’s KPM Library for this release, you could almost feel Damu’s glee and excitement bursting out of the grooves here from beats crafted after being blessed with the opportunity to dig through thousands of records. Joined by Raw Poetic, Insight, Blu and Nitty Scott, the Washington DC producer soared above the clouds, nodding to the 90s on the way up without getting stuck in the past or overdosing on nostalgia. “Conversation Peace” was a genuinely invigorating listening experience.
Cesar Comanche & Poe Mack – “A Promise Not To Sting” (CesarComanche.BandCamp.Com) – This collaborative album from North Carolina’s Cesar Comanche (of Justus League fame) and Virginia’s Poe Mack really struck a chord with me. It was the sound of two individuals who’ve lived life and learnt lessons ruminating on the past, present and future in a world undergoing huge change. Production from the likes of 9th Wonder, Khrysis and DJ Flash gave the album a vintage (and at times fittingly melancholy) feel, with Comanche and Mack bouncing purposeful verses back and forth with ease.
Verb T & Illinformed – “Stranded In Foggy Times” (VerbT.BandCamp.Com) – The third and final part of Verb T and Illinformed’s “Foggy” trilogy, this album once again showcased the brilliant writing ability of the UK emcee with the verses here consisting of well-crafted meaningful lyrics, some of which were straight-to-the-point whilst others were open to interpretation. Backed by the quality production of Illinformed, which perfectly complimented Verb’s conversational, laidback rhyme style, T approached this release with all the skill, poise and confidence you’d expect from an artist who has shown nothing but constant elevation throughout his twenty year career.
Kamanchi Sly – “Electrosis 2” (HipHop73.Com) – Pulling on his shelltoes and Nike windbreaker once again, UK legend K-Sly dropped three “Electrosis” albums during 2021, with each one celebrating the sounds and excitement of Hip-Hop in the early-to-mid 1980s with genuine love and authenticity. The Hijack legend sounded as sharp and enthusiastic as ever, clearly reveling in the opportunity to revisit old-school memories of being a young London b-boy four decades ago, whilst still proudly displaying the same competition-crushing attitude that fuelled UK classics such as “Style Wars” and “Hold No Hostage”.
Swank & King Draft – “Long Story Short” (JamlaRecords.Com) – North Carolina’s Swank and King Draft once again proved themselves to be a potent combination on this sophomore album. Slick, witty wordplay glided effortlessly over the smooth, R&B-influenced production from 9th Wonder and Jamla’s Soul Council. At a time when playlists and random shuffle options have contributed to some artists thinking less about an album as a cohesive body of work sequenced to take listeners on a journey, Swank and Draft succeeded in capturing and maintaining a mood throughout “Long Story Short” which gave the album a strong sense of momentum. For that, they get props over here.
Little Simz – “Sometimes I Might Be Introvert” (LittleSimz.Com) – The latest long-player from London’s Little Simz was an album of epic proportions. The subject matter. The delivery. The production. The interludes. The cover. The execution. The openness. The honesty. Every element of this album contributed to it being something truly special. Simz confronted a number of issues with a mix of both strength and vulnerability, accompanied by the masterfully diverse musicality of producer Inflo, as listeners were swept along on a wave of emotion that by the end of the album made it feel as if we to had been on our own voyage of self-discovery.
Mach-Hommy – “Pray For Haiti” (Mach-Hommy.Com) – Reunited with Griselda Records’ Westside Gunn and backed by ambitious production from the likes of Camoflauge Monk, Conductor Williams and Nicholas Craven, with “Pray For Haiti” New Jersey’s enigmatic Mach-Hommy delivered a rich tapestry of sound that was packed with elegant arrogance, unabashed individuality and joyful spontaneity. This album felt like the musical equivalent of looking through a kaleidoscope and sounded all the better for it.
Cons – “B.A.D.A.” (Ottoman Elf) – A veteran of the UK Hip-Hop scene, London’s Cons (aka Conspicuous) returned after an eight year hiatus with the hunger and vigour of a new artist, balanced with the benefit of hindsight and a wisdom that can only come from life experience. Reuniting with longstanding collaborators such as Apollo, LG and Evil Ed, Cons dropped street knowledge and elder statesman advice throughout “B.A.D.A.”, proving that if you’re nice on the mic device it really doesn’t matter how much time passes between projects.
Tanya Morgan – “Don and Von” (TanyaMorgan.BandCamp.Com) – Fifteen years since Tanya Morgan’s cult classic debut “Moonlighting” dropped, Von Pea and Donwill added a new release to their already impressive catalogue. Combining everyday life events and social commentary with wit and humour, the duo endeared themselves to listeners as always, coming across as two down-to-earth individuals who it might be cool to spend time kicking it with about music, politics and current events. Production from the likes of Brick Beats, Clint Taylor and Aeon also helped this album standout from the pack.
Fashawn & Sir Veterano – “All Hail The King” (FreshYardRecords.Com) – Fresno’s Fashawn returned to claim his crown with this album skillfully produced by fellow Cali Hip-Hop head Sir Veterano, with features from Elzhi, Aloe Blacc and Planet Asia. Coming in at a concise nine tracks, the West Coast wordsmith didn’t waste a single moment here, tightly packing his verses with fast-paced lyricism which covered hometown pride, building a life with his queen, raising the next generation and, of course, reigning supreme over his kingdom as rap royalty.
Benny Diction – “Facepalm / Brainwave?” (BoomBapPro.Com) – One of the UK’s most consistent artists, any new release from Benny Diction is always a welcome, enjoyable listening experience and this album was no different. Musing on the mundane to the magnificent and everything in-between, the BBP-affiliated emcee’s ability to inject insight and thoughtful observation into his rhymes shone brightly here, with Benny reflecting on the world around him accompanied by top-notch production from the likes of jas0nbeats, Krang and Deltatone.
Joell Ortiz – “Autograph” (JoellOrtiz.BandCamp.Com) – Honesty has been a theme that’s always run throughout the music of Brooklyn’s Joell Ortiz. Good times. Bad times. Successes. Failures. The NY emcee has consistently spoken on both sides of the game, whether discussing street life, personal life or industry life. “Autograph” was another does of up-close-and-uncut reality, with Ortiz recalling his struggle to get put on in the rap game, his life before that time and his life now as he embraces OG status. The detailed, sincere rhymes heard here were complimented by the production of Apollo Brown, The Heatmakerz, Salaam Remi and more.
Ransom & Big Ghost Ltd – “Heavy Is The Head” (Ransom.Com) – Jersey City’s Ransom clearly had one thing on his mind when recording this album and one thing only – lyrical domination. Joined by the likes of Mickey Factz, RJ Payne and Rome Streetz, Ransom fired off barrages of relentlessly aggressive rhymes over Big Ghost’s fittingly raw production. No holds barred. No prisoners taken. This was the sound of an emcee getting medieval on the competition.
Minnesota – “Once Upon A Handshake” (JBS Management) – Producer-slash-emcee Minnesota of the Bronx’s legendary Money Boss crew served up a raw slice of Rotten Apple rap with this solo album. A collection of hardcore beats and rhymes straight from the birthplace of Hip-Hop, this project was full of vivid inner-city imagery, BX swagger and vintage beat science. As KRS-One once said, the Bronx keeps creating it.
Passport Rav – “Sand In My Carry On” (PassportRav.BandCamp.Com) – Brooklyn’s Passport Rav crafted a laidback, reflective masterpiece for his seventh release to have dropped over the last two years. Mixing dense lyricism with breezy hooks and mellow production from Sebb Bash and Wavy Da Ghawd, Rav’s latest opus was mood music of the highest quality that both soothed and stimulated the mind.
Your Old Droog – “Space Bar” (YourOldDroog.BandCamp.Com) – To be honest, NYC’s Droog has been on a winning streak since his debut in 2014, but with his musical output having noticeably increased since 2019 it would be hard for anyone to question both the work ethic and the talent. An artist who has always seemed simultaneously unimpressed and untouched by whatever else is happening in the Hip-Hop world, Droog continued to create in his own zone with this short-but-effective album. The unshakeable confidence and sly humour heard in YOD’s verses was matched here with production from the likes of 88 Keys, Sadhugold and Elaquent.
Uptown XO – “Culture Over Corporate Vol. III” (OneForceUnited.BandCamp.Com) – The third instalment of the Washington D.C. artist’s COC series, this album saw Uptown XO once again teaming-up with fellow Diamond District member Oddisee to deliver another stellar collection of intelligent, topical rhymes and soulful, neck-snapping beats.
Sean Boog – “It’s Midnight Somewhere: Sector 2” (SeanBoog.BandCamp.Com) – The female voice that guided us through A Tribe Called Quest’s classic third album told us that seven times out of ten, we listen to our music at night. With that in mind, this six-track EP from North Carolina’s Sean Boog appeared tailor-made for nocturnal head-nodding. Dallas-based producer Keelon Donnel’s laidback beats were the perfect match for Boog’s “smooth grown-up s**t” and life-affirming rhymes. This was the ideal soundtrack to throw on when the sun had set to help ease the stresses of the daily grind.
Nas – “Magic” (MassAppeal.Com) – A surprise release on Christmas Eve, as expected the third full-length collaboration from Nas and producer Hit-Boy caused chaos in the social media world over the festive season as heads responded to the album with a variety of opinions. Personally, I really liked it. Nothing on “Magic” sounded forced or overthought. The album had a great natural flow to it from beginning to end. Nas sounded inspired and motivated throughout, with Hit-Boy providing arguably the best production he’s supplied the Queensbridge legend with yet. A memorable way to close what was a great year for new Hip-Hop.
Kamanchi Sly – “Get Fresh” (HipHop73.Com / 2021)
Kamanchi Sly – “Throwback (Real Hip-Hop)” (KamanchiSly.Com / 2021)
Kamanchi Sly – “Son Of Stockwell” (@KamanchiSly / 2021)
Kamanchi Sly – “Electro Rock” (@KamanchiSly / 2021)
Hijack legend Kamanchi Sly returns with another dose of back-to-the-future b-boy flavour on this lead single from the third instalment of his “Electrosis” album series.
Kamanchi Sly – “Rhyme Attacker” (@KamanchiSly / 2021)
Hijack legend Kamanchi Sly recaptures the energy of the group’s classic 1989 single “The Badman Is Robbin'” on this new track lifted from his latest self-produced album “Better Days”.
What’s left to say about 2020 that hasn’t already been said? Not much. It’s been an unforgettable twelve months that will have affected everyone in different ways. But during a year of change, worry, loss and uncertainty, music has remained an important and consistent sanctuary for many of us – word to Gary Bartz!
The pace of releases throughout 2020 has been relentless and the level of quality extremely high, which meant that when I sat down before Christmas to start compiling this annual Old To The New ‘best-of’, I was initially looking at a list of approximately three-hundred-and-fifty notable projects which had caught my attention throughout the year.
As always, the criteria used to reduce the size of that list was simple – which albums and EPs had I enjoyed the most?
So, with all that being said, huge thanks to everyone who dropped good music during 2020 and played a part in helping to ease the day-to-day pressures of so many – as Digital Underground once said, you get those heartbeat props.
Now, in no particular order, it’s about that time…
Busta Rhymes – “Extinction Level Event 2: The Wrath Of God” (ELE2.BustaRhymesUniverse.Com) – As suggested by its title, this long-awaited project from the mighty Busta Rhymes truly was one of the year’s ‘event’ albums, largely receiving a collective nod of approval from Hip-Hop heads across social media in the days following its release. Effectively providing what you’d expect to hear from a veteran emcee on a greatest hits collection, but via new material instead, “ELE 2” showcased all facets of the former Leaders Of The New School member’s artistry, personality and character. Rowdy, Dungeon Dragon Busta. Playful, party-starting Busta. Timberland-wearing, East-Coast stompin’ Busta. Radio-friendly Busta. Socially-aware, Five Percent / Nation Of Islam-influenced Busta. All of the above and more could be found here, on an album which not only further cemented Busta’s legacy as a genuine Hip-Hop great, but also delivered music that captured and reflected the energy of 2020.
Juga-Naut – “Bem” (JugaNaut.BandCamp.Com) – Released to coincide with his 30th birthday, this largely self-produced triumph from Nottingham’s Juga-Naut added further weight to the opinion that this multi-talented artist is one of the best of his generation. Steeped in true-school tradition whilst avoiding banal nostalgia, “Bem” effortlessly achieved the balancing act of sounding (and feeling) both familiar and fresh. This was upper-echelon emceeing, as stated by the man himself.
Uptown XO – “Culture Over Corporate” (OneForceUnited.BandCamp.Com) – The Washington DC-based lyricist (of Diamond District fame) started 2020 off the right way with this incredibly dope solo album, which featured XO delivering thought-provoking rhymes over soulful, speaker-rattling production from Drew Dave, touching on issues that would become major talking points as the year unfolded.
Lyric Jones – “Closer Than They Appear” (LyricJones.BandCamp.Com) – Boston-raised, LA-based Lyric Jones showcased both her influences and musical range on this exceptional album, weaving together a rich tapestry of sound that was simultaneously diverse and cohesive. Drawing on both struggles and triumphs as inspiration, the gifted artist packed a lot of herself into this project, resulting in an album that was as personal as it was entertaining. This was music that stuck to your soul.
Brainorchestra -“Marmalade” (Brainorchestra.BandCamp.Com) – A quality collection of rugged-but-smooth mood music, this album found New Jersey’s Brainorchestra utilising his sharp delivery to slice through mellow, loop-based production from the likes of Ohbliv, Foisey and Big Daddy Chop with slick, bravado-fuelled verses that were rich in rewind-worthy lines.
Kamanchi Sly – “Electrosis” (KamanchiSly.Com) – Tugging on the heartstrings of ageing b-boys everywhere, UK legend Kamanchi Sly pulled out his fat laces, name-plate belt buckle and Nike windbreaker to take a moonwalk down memory lane with this brilliantly executed tribute to the electro sounds of the early-80s. Capturing the urgent creativity and futuristic flavour of that particular time period, the Hijack emcee’s lively, spontaneous rhymes sat perfectly atop the pulsating, self-produced soundscapes found here. Don’t stop the rock!
Strizzy Strauss – “Trust The Process” (IAmStrizzyStrauss.BandCamp.Com) – Grounded in the realities of life’s everyday drama but buoyed by a genuine sense of hope and optimism, this full-length debut from Leicester’s Strizzy Strauss built on the promise of the down-to-earth emcee’s previous material, showcasing his natural ability to deliver relatable rhymes that resonate with honesty and integrity.
Casual – “Big Head Science” (Casual1.BandCamp.Com) – Hieroglyphics legend Casual (aka Smash Rockwell) made a welcome return with his latest long-player which featured the West Coast wordsmith delivering an onslaught of lyrical destruction alongside the likes of Planet Asia, Killah Priest and Ras Kass, demonstrating the same swaggering skills that ensured his 1994 debut “Fear Itself” left an indelible mark on the rap game.
Heist Life – “Get Money Teach Babies” (SauceHeist.BandCamp.Com) – In 2020, the Bronx kept creating it! Rotten Apple rhymers $auce Heist and Ty Da Dale matched street-smart, Five Percent-influenced verses with drum-heavy production from Spanish Ran throughout this eight-track dose of uncut New York Hip-Hop, which also featured Flee Lord, Rome Streetz and Tree Mason.
Spittzwell x Boog Brown – “Summer Daze Vol. 1” (Spittzwell1.BandCamp.Com) – Refreshing like a cool breeze, Detroit-raised, Atlanta-based emcee Boog Brown glided over the sublime, jazz-influenced production of fellow ATL resident Spittzwell on this quality addition to her already impressive catalogue – sincere and inspiring.
Rocdwell – “SIMPLICITY (The Life That Makes The Songs)” (Rocdwell.BandCamp.Com) – Dropping very early in the year, this full-length release from Detroit’s Rocdwell offered plenty of lyrical food for thought, encouraging listeners to step back from the Matrix of our daily existence, focus on what’s really important in a world full of distractions, and grab life with a renewed sense of purpose. A message which carried further weight as 2020 progressed.
Dell-P – “MEGA (Make Emceeing Great Again)” (Dell-P.BandCamp.Com) – Philadelphia’s Dell-P made good on his promise to make emceeing great again throughout this 16-track opus, delivering well-crafted verses full of substance and character over a varied selection of beats. No throwaway tracks or filler to be found here, “MEGA” was the sound of an artist determined to uplift and inform his audience whilst further building on his reputation as a highly-skilled lyricist.
Skyzoo & Dumbo Station – “The Bluest Note” (TuffKongRecords.BandCamp.Com) – Backed by the organic jazz grooves of Italy’s Dumbo Station band, Brooklyn’s Skyzoo added yet another release to his already impeccable discography in the form of this six-track EP. A genuine master of his craft, the New York emcee has been at the top of his game for so long now it would be easy to take his brand of top-tier lyricism for granted. We shouldn’t. Skyzoo is one of the best in the rap game with a catalogue of work that should be celebrated at every given opportunity.
Fly Anakin – “at the end of the day.” (MutantAcademyRVA.BandCamp.Com) – Richmond, Virginia’s Mutant Academy crew continued to prove themselves to be one of the most talented collectives currently dropping music with a string of releases throughout 2020, starting in January with this quality project from core member Fly Anakin. Flexing his energetic, engaging flow over perfectly chosen production from Graymatter, All Ceven, Ohbliv and more, Anakin took listeners deep into his VA state of mind.
Apollo Brown & Che’ Noir – “As God Intended” (MelloMusicGroup.BandCamp.Com) – The creative chemistry between Detroit’s Apollo Brown and Buffalo’s Che’ Noir resulted in an album that sounded like the pair had been working together closely for years. Che’s descriptive and at times painfully personal rhymes gave this project a real emotional depth, whilst the subtle tweaks Brown made to his signature style to compliment and enhance the talented emcee’s flow further demonstrated his skill as a producer.
Superbad Solace – “Sol Controller 2” (SuperbadSolace.BandCamp.Com) – Timeless Truth member Superbad Solace returned with a worthy sequel to his 2018 solo release, once again teaming up with producer Mono En Stereo (formerly known as El RTNC) to capture the essence of Rotten Apple rap, blending New York straight talk and a natural flyness with an exquisite selection of beats and loops.
Kinetik & Micall Parknsun – “Spin Cycle” (IAmKinetik.BandCamp.Com) – Calling on production supremo Micall Parknsun to provide beats for this impressive EP, London-based emcee (and Breaking Atoms podcast host) Kinetik covered a lot of lyrical ground here, using his conversational flow to deftly switch from humorous recollections and witty punchlines to social commentary and poignant observations.
Milano Constantine – “Winston Wolf” (MilanoConstantine.BandCamp.Com) – Diggin’ In The Crates affiliate Milano has spent the last two decades dropping consistently strong material, with his skills appearing to reach new levels of Ginsu-like sharpness on each release. This short five-track offering was another potent showcase of the NY emcee’s infinite talent, with Constantine still clearly influenced by the Rotten Apple of his youth yet managing to avoid sounding tied to any particular time period thanks to his effortless flow.
Helsinki Booze Merchants – “Film Poster Whips” (BrokeRecords.BandCamp.Com) – With alter-egos in full effect, UK wordsmiths Luca Brazi (Lasagna Baghdad), Benny Diction (Paolo Pumpernickel) and MNSR Frites (Bald Daniels) offered up a dope concept-based project which aimed to deliver “an introspective take on getting older in rap and an appreciation for the finer things” in the trio’s own unique style. They succeeded. Packed with punchline-heavy verses, laced with humour, sarcasm and, at times, self-deprecation, this was a thoroughly entertaining release on all levels.
Godfather Don & Parental – “Osmosis” (DJParental.BandCamp.Com) – NYC’s Godfather Don became a cult figure within underground Hip-Hop circles back in the 90s and rightly so. The Brooklyn rhymer’s brain-busting wordplay ensured tracks like “Properties Of Steel” and “Piece Of The Action” were widely-received as classics during the decade’s independent era. For this new project, Don joined forces with French producer Parental, whose well-established brand of polished beats provided a solid backdrop for the Godfather’s forthright, competition-crushing verses.
Check Part Two here.
Kamanachi Sly – “My Style Is Electric” (HipHop73.Com / 2020)
UK legend Kamanchi Sly goes back to the future on this latest track to be lifted from his brilliant 80s-influenced album “Electrosis”.
Kamanchi Sly – “Lay The Wax” (HipHop73.Com / 2020)
UK legend Kamanchi Sly pays homage to his old-school roots on this lead single from his new 80s-influenced album “Electrosis”.
Kamanchi Sly – “Fantastic MC” (@KamanchiSly / 2020)
The Hijack legend drops science over classic breaks off his new self-produced album “The HipHopcratic Oath”.
Juga-Naut & Giallo Point – “Back To The Grill Again” (JugaNaut.BandCamp.Com) – Nottingham emcee Juga-Naut is a force of nature when it comes to this rhyming ish. A genuine talent, the UK wordsmith has been delivering high-end wordplay for years now. The resulting album from his partnership with producer Giallo Point was a match made in Hip-Hop heaven. Creative verses and smooth, sublime beats were on the menu here, with the pair succeeding in satisfying the musical cravings of fans across the globe.
Smoke DZA & Benny The Butcher – “Statue Of Limitations” (CinematicMusicGroup.BandCamp.Com) – Packed with captivating, street-related rhymes and quality Pete Rock production, this collabo EP from DZA and Griselda’s Benny effectively showcased the pair’s genuine chemistry as they each sought to capture their hard-knock life experiences via the art of rap. B-b-b-b-boom!
DJ Enyoutee Presents Planet Asia & Milano Constantine – “The Planet Asia & Milano Constantine EP” – These two phenomenal emcees joining forces was the sonic equivalent of me getting amped as a kid seeing my favourite super-heroes appearing together in an issue of “Marvel Team-Up”. Asia and Milano exchanged razor-sharp rhymes throughout this release, backed by dope production from BodyBag Ben, Cool FD, DirtyDigs and more.
Nujericans – “PBS – Puertoriqueno Barrio Sound” (Nujericans.BandCamp.Com) – New Jersey’s Joey Dynomite and Sol Zalez returned to burn with a rowdy selection of uncut East Coast flavour, featuring beats from A-$harp, The Custodian Of Records and Stu Bangas.
Von Poe VII – “Diary Of The Se7en III” (VonPoeVII.BandCamp.Com) – Cali’s multi-talented Von Poe VII dropped the final part in his “Diary Of The Se7en” EP series, with this third instalment consisting of the West Coast wordsmith’s usual blend of sharp, intelligent, multi-layered rhymes and equally impressive production.
Kwote – “List Worthy?” (TunnelMovement.BandCamp.Com) – Tunnel Movement member and Chicago representative Kwote has built a strong reputation over the years for being a talented emcee, with this collection of true-school beats and rhymes offering further proof that the Windy City wordsmith possesses a voice that deserves to be heard.
DEMOTAPEZ – “Real Life Situations” (DEMOTAPEZ.BandCamp.Com) – Lithuania-born, London-based producer DEMOTAPEZ worked some musical magic on his trusty Akai samplers here, crafting a quality collection of mellow, full-bodied beats laced with echoing horns, melodic keys and warm basslines.
Him Lo – “Prince Akeem Jewelz” (MarQSpekt.BandCamp.Com) – Following up his solo EP released earlier in the year, Buze Bruvaz member Him Lo dropped this self-produced long-player, packed with boisterous verses and unpolished beats, adding further weight to the perception that the Philly emcee will happily steal your beer, snatch your girl and then blow weed smoke in your face on the way out.
Kamanchi Sly – “The Domination Mentality” (HipHop73.Com) – UK legend and Hijack member K-Sly has been on a creative roll since 2017, with this being his seventh album project to see the light of day during that time (with more having dropped since). Attacking the mic with the same vigour heard on his late-80s / early-90s releases, the London emcee’s passion for Hip-Hop obviously remains strong, with his enthusiasm for his craft clear for all to hear throughout this self-produced effort.
Your Old Droog – “Transportation” (YourOldDroog.BandCamp.Com) – Having already released one of 2019’s best albums with “It Wasn’t Even Close”, NYC’s Your Old Droog made a swift return with the equally impressive “Transportation”, featuring production from The Purist, Mono En Stereo and Oh No, plus an unexpected but welcome remake of former Bad Boy artist G Dep’s mid-90s favourite “Head Over Wheels”.
Diamond D – “The Diam Piece 2” (DymondMineRecords.Com) – Legendary producer-on-the-mic Diamond D delivered a sterling sequel to his 2014 “Diam Piece” release, putting a contemporary twist on his traditional Diggin’ In The Crates sound, with an eclectic lists of artists on-hand to offer their creative input, including Pharoahe Monch, David Banner and Xzibit.
Ras Kass – “Soul On Ice 2” (MelloMusicGroup.BandCamp.Com) – One of the game’s finest lyricists, West Coast wordsmith Ras Kass’s follow-up to his 1996 debut demanded repeated listens in order to be fully appreciated. Dense verses packed with verbal expertise were the order of the day here, further cementing Ras Kass’s place in the Hip-Hop hall of fame.
Jack Jones – “The Fix” (MrJackJones.BandCamp.Com) – This long-awaited solo album from Mass Influence / Soundsci member Audessey featured the Atlanta wordsmith delivering accomplished rhymes over stellar production from the UK’s Jonny Cuba and Ollie Teeba, with microphone assistance from Prince Po, Supastition, Oxygen and more.
Anyway Tha God & Ocelot – “Allow Me To Interject…” (AnywayThaGod.BandCamp.Com) – UK emcee AnyWay Tha God sought to spark some positive change amidst today’s troubled times with this Ocelot-produced collection of inspirational beats and rhymes. Relax your mind and let your conscience be free.
XL Middleton – “2 Minutes Till Midnight” (MoFunkRecords.Com) – A long-time purveyor of “the new sound of LA funk”, California’s XL Middleton served up a new batch of smoothed-out grooves which evoked images of warm West Coast nights, packed house-parties and bouncing low-riders, with sonic influences such as The Bar-Kays, Zapp and DJ Quik all being mixed in to the Pasadena-based artist’s skin-tight brand of backyard boogie.
Da Flyy Hooligan – “FYLPM II” (GourmetDeluxx.BandCamp.Com) – Backed by quality production from the likes of Micall Parknsun, Ded Tebiase and DJ Flash, London’s Flyy Hooligan swaggered with stylish arrogance throughout this brilliant album. Packed with character and personality, this project was yet another worthy addition to the UK emcee’s catalogue.
DJ Muggs & Mach Hommy – “Tuez-Les Tous” (SoulAssassins.Com) – Production legend Muggs continued his run of working with today’s new generation of talented underground emcees throughout 2019, uniting with the rhyming enigma Mach Hommy for this particular project which found the pair complimenting each other stylistically and crafting a sparse, atmospheric collection of beats and verses.
Rapsody – “Eve” (JamlaRecords.Com) – An honest, insightful and ultimately powerful celebration of Black womanhood, this well-received project from North Carolina’s Rapsody found the Jamla-affiliated emcee continuing her own decade-long tradition of taking large artistic steps forward with each release. A mixture of social observation, cultural analysis and B-girl confidence, Rapsody demanded the listener’s attention throughout this album, commanding a refined and varied production selection supplied largely by 9th Wonder and Eric G.
Ghostface Killah – “Ghostface Killahs” (GhostfaceMusic.Com) – Larger-than-life and as lyrically entertaining as always, the Wally Champ dipped into crime-rhyme mode for the majority of this project, accompanied by his Wu brothers Cappadonna, Method Man, Inspectah Deck and Masta Killa.
Datkid & Leaf Dog – “Confessions Of A Crud Lord” (High-Focus.Com) – A rambunctiously raw offering, this album from Split Prophets member Datkid found the Bristolian emcee dropping attitude-fuelled verses laced with politically-incorrect punchlines over the gleefully radio-unfriendly production of The Four Owls’ Leaf Dog. Heavyweight guest appearances from Roc Marciano, Conway and Westside Gunn only added to the project’s hardcore appeal.
Fifth and final part of this 2019 best-of list coming soon.
Kamanchi Sly – “Get Em K” (@KamanchiSly / 2019)
Ferocious, fast-paced beats and rhymes from the Hijack legend’s new “Black Friday” release – his ninth album in less than two years!
Kamanchi Sly – “Sleight Of Tongue” (@KamanchiSly / 2019)
Lead single from the UK Hip-Hop pioneer’s latest album “Kamanchi Sly XIII Of England”.
Kamanchi Sly – “Sleight Of Tongue” (@KamanchiSly / 2019)
The Hijack legend continues his relentless work ethic and returns with the lead single from yet another new album “Kamanchi Sly XIII Of England”.
Kamanchi Sly – “ The Great Adventures Of Kamanchi Sly” (@KamanchiSly / 2019)
The badman is robbin’ once again as Hijack legend K-Sly drops this new video from his latest album “The Domination Mentality”.
Kamanchi Sly – “The Great Adventures Of Kamanchi Sly” (@KamanchiSly / 2019)
Hijack legend K-Sly returns to burn with this lead single from “The Domination Mentality”, the UK emcee’s seventh album release in the last two years!
Kamanchi Sly – “Set The Microphone On Fire” (HipHop73.Com / 2019)
The Hijack legend returns with this bass-heavy Britcore roller from his new album “HIPHOP73”.
Check Part One here.
K-Sly – “Me And My SP” (KamanchiSly.Com) – Kamanchi Sly is a legend and pioneer of the UK Hip-Hop scene, but the Hijack emcee hasn’t been prepared to simply rest on his laurels, with “Me And My SP” being the London mic vet’s third album in six months at the time of its release in May 2018. A rambunctious mix of true-school attitude, classic breaks and raw rhymes, this release was powered by the undeniable and infectious energy generated by Sly’s unwavering love for the culture of Hip-Hop.
Crimeapple & Big Ghost Ltd – “Aguardiente” (GourmetDeluxxx.BandCamp.Com) – Backed by the dramatic and ominous production of the mighty Big Ghost (Ankhlejohn, Ghostface Killah etc), New Jersey’s Crimeapple demonstrated throughout this project why he has grown to become one of the most revered rhymers of rap’s new generation, with a sneering confidence in his rugged verses that evoke images of the bearded lyricist holding the mic in one hand and a wack emcee by the scruff of his neck in the other.
Poisonous Diggs – “Volume 84” (IAmKillaKali.BandCamp.Com) – A short-but-effective barrage of fly beats and razor-sharp rhymes from the Gold Chain Music / Poison Ring Regime camp, this collaborative EP from Dirty Diggs and Killa Kali was the type of Hip-Hop that made you screw your face up, adopt an old-school arms-folded b-boy pose and pledge allegiance to the culture in no uncertain terms.
Big Toast & Jack Diggs – “Call It On” (RevorgRecords.BandCamp.Com) – Opening with the line “I don’t want to listen to your whinging…”, it was clear from the outset that this project from South London blood brothers Toast and Diggs wasn’t about pandering to the masses, with the pair instead offering blunt insight into modern-day life, taking verbal shots at the self-righteous of the world with a heavy dose of acidic wit and quality self-produced boom-bap beats.
Raashid Aariz – “Knowledge, Wisdom & Understanding” (RaashidAariz19.BandCamp.Com) – Virginia-based producer Raashid Aariz delivered music to meditate to on this refined instrumental project, mixing his love of soul and jazz with the influence of 90s Hip-Hop, ranging from mellow, late-night electric relaxation vibes to sax-heavy, Wu-Tang-sampling workouts.
Ocean Wisdom – “Wizville” (HighFocus.BandCamp.Com) – An artistic triumph in every sense of the term, this sophomore project from Brighton’s Ocean Wisdom confidently blended genres, bridged generation gaps and cracked the Official UK Album Charts in the process (a massive achievement for an independent homegrown Hip-Hop artist). Easily holding his own on tracks with long-established artists such as Rodney P, Method Man and Dizzee Rascal, Wisdom’s clever, rapid-fire rhymes shone throughout. Welcome to Wizville, indeed.
AG – “The Taste Of AMbrosia” (AGofDITC.BandCamp.Com) – Diggin’ In The Crates member Andre The Giant has remained consistent on wax for almost thirty years now, with the NY emcee managing to balance his old-school Bronx rap roots here with a desire to step forward artistically and not simply retread old ground. “The Taste…” was the sound of a legacy artist who is as passionate about his craft today as he was when he first picked a mic up all those years ago.
Philmore Greene – “Chicago: A Third World City” (PhilmoreGreene.BandCamp.Com) – Talented emcee Philmore Greene took listeners on a sonic tour around his Windy City stomping grounds on this captivating, hard-hitting project, tackling the impact of street violence, social conditions and politics on the people of Chicago, with the soulful soundscapes of Rashid Hadee adding further poignancy to the lyricist’s earnest, heartfelt verses.
Royalz – “Live 95” (GrhymeProductions.BandCamp.Com) – As its title suggests, this well-crafted project from Australian producer Royalz wore its 90s influences on its sonic sleeve, with the likes of SmooVth, Conway and Dialect blessing a strong selection of raw-yet-refined beats.
Rome Streetz & Farma Beats – “Street Farmacy” (RomeStreetz.BandCamp.Com) – This transatlantic collaboration from NY emcee Rome Streetz and London producer Farma Beats supplied Hip-Hop fiends with plenty of that uncut dope, as grimy, project-building poetry was laid over an eclectic collection of samples and loops.
Dabbla – “Death Moves” (PotentFunkRecords.BandCamp.Com) – Another blazing display of rhyming agility from Dabbla, this follow-up to 2016’s “Year Of The Monkey” album further cemented the UK emcee’s reputation as a naturally gifted talent, with the Problem Child member putting a lyrical leash on a wide-ranging selection of beats, from futuristic, bass-heavy wave twisters to straight-up, sample-based head-nodders.
Westside Gunn – “Supreme Blientele” (Grisleda / Daupe.BandCamp.Com) – The Griselda Records family continued to stamp their dominance on the rap game throughout 2018, with this immediate cult classic from Gunn just one of a handful of quality releases from the camp over the past twelve months. Backed by heavy-hitting producers such as Pete Rock, 9th Wonder, Alchemist and (of course) frequent collaborator Daringer, WG masterfully utilised his distinctive delivery to offer more of his captivating insight and perspective on both the street life and the rap game.
Napoleon Da Legend & Giallo Point – “Coup D’Etat” (FXCKRXP.BandCamp.Com) – It’s always good to hear a full project from an emcee and producer who are truly on the same page creatively. This release from NYC’s NDL and the UK’s Giallo Point definitely hit that mark. Clever, intricate, street-savvy rhymes were coupled here with smooth, atmospheric production, resulting in an album that sounded both familiar and individual at the same time.
K Zorro – “Winnie’s Passion / Bernard’s Legacy” (NewGuardzOnline.BandCamp.Com) – With so much of today’s popular culture dominated by image, hype and empty posturing, it’s always refreshing to hear music from an artist who appears determined to genuinely let the listener into their world, capturing life’s struggles, hopes and regrets along the way. Enter London-based emcee K Zorro with this well-crafted album, which found the New Guardz member getting up-close-and-personal as he spilt his soul over the fourteen tracks on offer here.
Da Flyy Hooligan – “Roman Abramovich” (GourmetDeluxxx.BandCamp.Com) – Possessing a moniker that truly captures his lyrical approach, London’s Da Flyy Hooligan effortlessly elbowed his way through the stripped-down-yet-sublime production of D’Lux Beats on this short-but-satisfying EP. Offering both style and substance, DFH once again proved himself to be a formidable force in the microphone booth.
IceRocks – “Live From The Bunker” (IceRocksDXA.BandCamp.Com) – Following up his 2016 instrumental project “Bunker Beats”, DXA producer IceRocks once again showcased his dope brand of NY boom-bap throughout this album, adding some talented lyricists into the mix this time around, with the likes of AG Da Coroner, Meyhem Lauren and Spit Gemz lending lyrical support. A project best listened to whilst wearing Timberlands and a hoodie.
C.A.M – “Persian Rugs” (CAMOfficial.BandCamp.Com) – The London-based emcee followed-up his impressive 2017 EP “The First Move” with this second collection of sharp, intelligent lyricism superbly produced by Hashfinger. Combining a quick-fire delivery with an attention-grabbing vocal tone able to penetrate a beat like a razor-blade through rice paper , C.A.M’s latest project was immediately captivating, demanding to be revisited again and again.
King Draft – “Two Eyes” (KingDraftMusic.BandCamp.Com) – As both a member of The Kingdom and a solo artist in his own right, King Draft has been on my radar since 2014. The talented North Carolina-based artist added to his already impressive catalogue with this ambitious release, an eclectic blend of organic live instrumentation and concept-driven lyricism.
Vic Spencer & Sonnyjim – “Spencer For Hire” (Eat Good Records / GourmetDeluxxx.BandCamp.Com) – Chicago’s Vic Spencer joined forces with the UK’s Sonnyjim to drop this smoothed-out selection of lo-fi liveness, featuring Quelle Chris, Hus Kingpin and Chris Crack. Spencer’s swaggering, self-assured steez meshed perfectly with Sonnyjim’s supreme stash of soundtrack-style loops.
EvillDewer – “Apocrypha” (EvillDewer.BandCamp.Com) – Boston-based producer and self-proclaimed Crown Chakra Rocka EvillDewer showcased his musical imagination on this instrumental project, steering clear of typical boom-bap beats and pushing his creative boundaries, drawing the listener deep into an intricately-crafted collection of inspired, sample-driven soundscapes.
Part Three coming soon,
SlyFingers – “Hollywood Stars” (SlyFingers.Com / 2018)
Lead single off the new “Freedome Movement” collabo album from UK Hip-Hop pioneers Kamanchi Sly (Hijack) and DJ Fingers (The Sindecut).