Category Archives: East Coast

100 Favourite Albums & EPs Of 2021 (Part One) – Juga-Naut & Giallo Point / Genesis Elijah / Eddie Kaine etc.

It’s that time again. Hard to believe that 2021 has ended already. The last twelve months seemed to pass by at a lightning pace and as I approach my late-forties I’m not sure if that’s a good thing or not.

That said, it was another difficult year for most, regardless of how fast the days and weeks may or may not have felt like they were moving. But music remained an essential escape for many of us. Listening to it. Talking about it. Making it. Writing about it. Remembering it. Arguing about it. Loving it.

Rhythm is life, as the great philosopher Warren G once said, and life is rhythm.

As I post the five installments of my 2021 list over the coming week, there will, of course, be releases missing that people may have expected or hoped to see. If an album or EP hasn’t been included, that doesn’t automatically mean I didn’t like it. It could just mean I didn’t like it as much as everything else I have included. In today’s social media-driven world, it can often feel like it’s all or nothing when discussing music (or anything for that matter). If you don’t love an album or think it’s an instant classic, that must mean you hate it or think it’s worthless. The middle-ground in-between where constructive debate occurs appears to be shrinking by the day. But I digress.

As always, this round-up celebrates the Hip-Hop I connected with most over the past twelve months. It contains the Hip-Hop I revisited most throughout the year. It shines a light on the Hip-Hop I enjoyed most in 2021.

So, let’s set if off…

Juga-Naut & Giallo Point – “Smoke Filled Room” (JugaNaut.BandCamp.Com) – Having already worked together on 2019’s sterling effort “Back To The Grill Again”, expectations were understandably high for the second full-length collaborative project to come from the UK’s Juga-Naut and Giallo Point, with the finished product finding the pair further cementing their reputations as masters of their respective crafts. An exquisite combination of top-tier lyricism and perfectly selected sample-based production, this album brilliantly showcased Juga-Naut’s natural talent for penning intricate verses packed with multiple layers that were a joy to follow, unravel, rewind and listen to again and again.

Skyzoo – “All The Brilliant Things” (MMG-Skyzoo.BandCamp.Com) – Another year passed by and NYC’s Skyzoo added yet another masterpiece to his already stellar catalogue. At this point in his career, Skyzoo’s ability to make his lyrical brilliance appear effortless should never stop us from remembering just how much work no doubt goes into every bar, every line and every verse that he commits to the pages of his rhyme pad. Like many of Skyzoo’s previous releases, this was a concept-driven project which found the talented emcee commenting on the gentrification of his beloved Brooklyn over an impeccable selection of jazz-infused beats from the likes of Kenny Keys, MarcNfinit and Tuamie. Writing with incredible attention to detail as always, Skyzoo pulled listeners into his world, placing us all amongst the sights, sounds and experiences of past, present and future New York.

IAMGAWD & Doc Da Mindbenda – “Hell’s Angels & Heaven’s Demons” (GawdsGift.BandCamp.Com) – Being able to create meaningful art out of the uglier aspects of life is a unique skill and one clearly shared by Chicago partnership IAMGAWD and Doc Da Mindbenda, as demonstrated on this captivating album. A quality example of the greatness that can be achieved when an emcee and producer share undeniable creative chemistry, GAWD’s commanding flow was matched perfectly here with Doc’s robust beats. Touching on a variety of topics, including the vicious cycle of gang life, structural racism and street politics, this album offered a powerful and sobering dose of reality.

Funky DL – “Beautiful Soul” (FunkyDL.BandCamp.Com) – Paying tribute to the soul music of the 60s and 70s in clever and subtle ways, this 21st (!!!) album from the UK’s Funky DL was an ambitious and expertly executed project. Accompanied by the organic sound of live musicians, DL delivered personal, heartfelt rhymes with sincerity and feeling, resulting in an album that was both inspiring and uplifting. A much needed ray of musical light.

Sons Phonetic – “Nakatomi” (SonsPhonetic.BandCamp.Com) – Having spent the last decade consistently delivering their own unique brand of quality Hip-Hop, Ireland’s mighty Sons Phonetic crew dropped their new long-awaited album “Nakatomi”, a skilful combination of sublime, sample-based production and expertly penned verses full of meaningful depth and striking imagery. A remarkable release.

Genesis Elijah – “A Prophet In His Hometown…” (GenesisElijah.BandCamp.Com) – A lot of artists will talk about keeping it real, but how real are they really keeping it? Are they talking about their struggles, emotions and mistakes? Are they letting you hear their true feelings through music? Are they being genuine? Watford-based emcee Genesis Elijah did all of the above throughout this striking collection of beats and rhymes. We cheered when Genesis spoke on his successes and cared when he touched on his personal battles. Backed by unique production from Pastor Dutchie and Shapes that blurred lines between genres, Elijah stood loud and proud throughout “A Prophet…”, rightfully staking his claim as one of the UK’s finest lyricists.

Codenine – “LVNDR” (TragicAlliesCodenine.BandCamp.Com) – Mood music of the highest quality, this latest album from Tragic Allies member Codenine was a towering creative triumph, blending sharp lyrical darts with smooth, emotive production from the likes of Chronic Tone and Karnate, lending the release a cinematic, soundtrack-like feel. This wasn’t an album you could (or should) just dip in and out of. It was a body of work that deserved to be listened to in its entirety in order to be fully appreciated.

TrueMendous – “Misdiagnosis Of Chyvonne Johnson” (TrueMendous.BandCamp.Com) – Personality. Flow. Ingenuity. Three things you’re guaranteed to hear on any release from Birmingham emcee TrueMendous. Having signed with the High Focus label in 2020 and subsequently dropping the well-received “HUH?” EP, this album release for the imprint found the UK talent in full artistic flight, clearly seeing every moment here as an opportunity to revel in her own individuality as she touched on relationships, self-image and personal history, accompanied by diverse and inventive production.

Tall Black Guy & Ozay Moore – “Of Process And Progression” (TallBlackGuy.BandCamp.Com) – A celebratory album with a message, Tall Black Guy and Ozay Moore combined their individual expertise and crafted something truly special here. Whilst the hype sticker on the front of this album boasted of the duo being here to “revive the pulse of Hip-Hop’s golden-era”, that statement only told half the story. Far from simply being a collection of predictable throwback tracks full of 90s nostalgia, this was a vibrant, inspirational release that respectfully nodded toward its back-in-the-day influences, yet very much remained a soundtrack made for the present day.

Fresh Daily – “The Quiet Life 2” (HighWaterMusic.BandCamp.Com) – Raised in Brooklyn, now residing in Oakland, Fresh Daily came correct on his long-awaited sequel album “The Quiet Life 2”, an absolutely brilliant release which found the talented artist matching his observational rhymes and conversational flow with warm, melodic production from the likes of Chris Keys, Lakim, Suff Daddy and more.

Jazz Spastiks – “Camera Of Sound” (JazzSpastiks.BandCamp.Com) – Scotland’s Jazz Spastiks never fail to operate at the top of their game whenever it’s time for the gifted production duo to bless us with a new release. This latest album from Coconut Delight and Mr Manyana featured a who’s who of underground heavyweights taking full advantage of the pair’s full-bodied beats. Wee Bee Foolish, Artifacts, Soundsci and more stepped up with their best microphone techniques, ensuring this album had maximum replay value.


Prox Centauri – “Mending What’s Broken: Odes For Stalwart Days & Fearless Nights” (ProxCentauri.BandCamp.Com) – Flint, Michigan’s Prox Centauri showcased his talent for penning sincere, life-affirming rhymes on this thoroughly engaging album release. Containing some of the best lyricism you were likely to have heard in 2021, Centauri floated above the clouds as he explored the meaning of the human experience via thoughts on spirituality, consciousness and community.

Wavy Da Ghawd – “Ghawd’s Eden” (WavyDaGhawd.BandCamp.Com) – Having worked with the likes of Rome Streetz, Bub Rock and Sauce Heist in recent years, Brooklyn-based producer Wavy Da Ghawd entered 2021 already known for delivering quality soundscapes. This album further cemented the NY music man’s reputation for stellar work behind the boards, with underground favourites such as Planet Asia, Eddie Kaine and Ty Farris all eager to spit over one of Wavy’s carefully selected loops. Producer-based albums can sometimes sound disjointed, but the dusty-fingered basement vibe running throughout “Ghawd’s Eden” ensured it stood out as a cohesive collection with plenty of musical character.


Lewis Parker – “Frequency Of Perception” (LewisParker.BandCamp.Com) – A product of an era in Hip-Hop when skills were really all that mattered, it’s easy to imagine UK producer-on-the-mic Lewis Parker stood in a b-boy stance next to his trusty SP1200 whenever you listen to the self-proclaimed Man With The Golden Sound. A true master (you can check his credentials), Parker’s ability to craft timeless, sample-based music has only become more refined over the years, with “Frequency Of Perception” proudly standing as an example of what can be achieved when a veteran artist is still passionate and enthusiastic about their craft.

Rita J – “The High Priestess” (RitaJ.BandCamp.Com) – Chicago’s Rita J made a welcome return to the rap game with this superb album which found the skilled emcee being joined by fellow Windy City representatives Neak (producer) and Rashid Hadee (executive producer), who both also added their lyrical talents to the mix. Full of potent, thoughtful rhymes laced with a strong b-girl attitude and delivered over quality beats, “The High Priestess” stood out as a refreshing listening experience which fully tapped into the potential Hip-Hop has to touch the soul.


Let The Dirt Say Amen – “God Hates Gucci” (LetTheDirtSayAmen.BandCamp.Com) – Washington DC’s Let The Dirt Say Amen (aka Tim Hicks of The Cornel West Theory) delivered one of the most powerful albums of 2021, offering a thought-provoking critique of present-day Hip-Hop that came from a place of genuine love. Inspired by a time when Hip-Hop wasn’t just entertainment, but an artform that also attempted to motivate, inspire and inform its listeners, Let The Dirt Say Amen encouraged us all to do better, to be better and to treat this incredible culture with the respect it deserves.

Charlie K – “Sunshine Philadelphia: The God Hour” (CharlieK1.BandCamp.Com) – Accomplished Philly emcee Charlie K filled his well-crafted verses with spirituality, social commentary and poignant observations on this concise EP, backed by soulful production from the likes of Lim0, Kulture, DviousMindz and more.

Twizzy – “Crabs In A Bucket” (Twizzy.BandCamp.Com) – With a wink and a knowing smile, Bristol’s Twizzy offered his thoughts on the world around us and his place in it throughout this thoroughly enjoyable Chillman-produced album. Highlighting the growth that can come from personal struggle, as well as the importance of not allowing the matrix of daily life to distract you from what really matters, Twizzy focused on silver linings here rather than the dark clouds we all find ourselves under sometimes.

Eddie Kaine – “A Tree Grows In Brooklyn” (BigGhostLimited.BandCamp.Com / 2021) – For me, what elevates a good emcee to a standout emcee isn’t just their ability to put words together, but whether an artist can deliver those words in such a way that makes you genuinely feel them as a listener? A rapper can be technically gifted, but if the verses in an artist’s book of rhymes don’t come alive with character and emotion once they’re in front of a microphone, is it really worth it? Whether speaking on personal hardships, painting images of Crooklyn life, or simply stating his lyrical prowess, NYC’s Eddie Kaine made you feel his bars, accompanied by the wailing soul samples of the always impressive Big Ghost Ltd.

Philmore Greene – “Knowledge And Power” (PhilmoreGreene.BandCamp.Com) – On this album, Chicago’s Philmore Greene delivered a soul-stirring collection of honest, contemplative rhymes rooted in the reality of his Windy City life experiences whilst reaching towards a better future. Produced by fellow Chi-town representative Rashid Hadee with features from Natasha Robinson, Skyzoo and Vic Spencer, “Knowledge And Power” lived up to its title with Greene possessing both in abundance.

Check Part Two here.

New Joint – Diamond D / David Banner / Big Rec / Edson Sean

Diamond D ft. David Banner, Big Rec & Edson Sean – “Bodied” (@DiamondDITC / 2019)

Banner and Rec both drop jewels as they lyrically levitate over Diamond’s hypnotic production on this quality cut off the Diggin’ In The Crates legend’s recent project “The Diam Piece 2”.

 

New Joint – Professor Daddy-O / Chuck D / Speech

Professor Daddy-O ft. Chuck D & Speech – “Bullets (Remix)” (@ProfessorDaddyO / 2019)

The unmistakable lead voices of Stetsasonic, Public Enemy and Arrested Development join forces for some hard-hitting social commentary.

New Joint – Jay Holly / Ca$ablanca / Daniel Son / SmooVth

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Jay Holly, Ca$ablanca, Daniel Son & SmooVth – “Iron” (@GialloPoint / 2016)

Giallo Point-orchestrated posse cut featuring ill lyricism delivered over dope production.

Resurgence Album Stream – Jigmastas

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Veteran NY duo DJ Spinna and Kriminul recapture the true-school magic of 90s favourites such as “Chandon” and “Iz You Dee” on this new album for legendary UK label BBE.

100 Best Albums & EPs Of 2015 (Part Five) – Life MC / Ghostface Killah / People Under The Stairs etc.

Check Part One, Part Two, Part Three & Part Four.

LEX – “Break The Pattern” (LEXOfSinistahCircle.BandCamp.Com) – Frantic and fast-paced, this fourteen-track EP (yes, fourteen tracks!) found the Queens, NY emcee delivering short, sharp displays of lyrical dexterity over bursts of dusty breakbeats. Raw, rugged and fuelled by the essence of old-school Rotten Apple park jams, “Break The Pattern” showcased LEX as an artist who is as passionate about respecting the culture of Hip-Hop as he is about  knocking out his competition.

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Equipto & Otayo Dubb – “Baby Steps” (Solidarity Records) – The West Coast has always had a rich, creative underground scene and this collaborative effort from Bored Stiff’s Equipto and fellow Cali representative Otayo Dubb is a worthy addition to a musical timeline that includes the likes of Freestyle Fellowship, Likwit Crew and Hieroglyphics. Poignant life observations and verbal showmanship were combined here with expert precision, resulting in an album that was as sincere and earnest as it was entertaining.

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Thaione Davis – “Donald Mayhem – Skywritters” (ThaioneDavis.Com) – Taking on the character of Donald Mayhem for this captivating self-produced concept album, veteran Chicago lyricist Thaione Davis blended street-savvy bravado with an insightful social conscience as he took listeners on a guided tour through the Windy City.

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Life MC & Badhabitz – “Deep In The Trenches” (SplitProphets.BandCamp.Com) – Longstanding UK lyricist Life proved once again why he’s considered one of the most consistent emcees to have emerged from British shores with this uncompromising release produced by Split Prophets’ Badhabitz. Accompanied by a sample-driven selection of radio-unfriendly beats, Life flexed his trademark punchline-heavy flow with the type of confidence that only worldly experience can bring, covering topics such as Hip-Hop stereotypes, misguided celebrity worship and institutional racism.

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Daniel Son – “Moonshine Chemist” (CrateDivizion.BandCamp) – Toronto’s Daniel Son teamed-up with the Crate Divizion production squad to spit vivid, action-packed rhymes over quality, sample-laced beats from Giallo Point, Vic Grimes and Kurse.

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Figub Brazlevic & Teknical Development – “The Everyday Headnod” (Vinyl Digital) – This joint effort from Berlin producer Figub and London lyricist Tek was easily one of the most well-crafted releases of 2015. Combining jazzy, full-bodied boom-bap with intricate, intelligent verses, the two Man Of Booom members delivered an album with real creative depth that was both life-affirming and speaker-rocking.

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DJ Pressure Presents The Old Boys Club – “Revival Of The Real” (DJPressure.BandCamp.Com) – Manchester, England’s DJ Pressure pulled together a huge global collective of true-school representatives for this epic compilation project. Featuring appearances from Chuck D, Ruste Juxx, Da Buze Bruvaz’ CleverOne and more, this project truly lived up to its title by delivering a hard-hitting collection of beats and rhymes from individuals totally disinterested in pandering to mainstream trends.

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R.A.W. (Problemz & DJ Skizz) – “Right Amount Of Wrong” (Soulspazm) – Having been a fan of Brooklyn’s Problemz since his 90s work with the likes of DJ Honda, Al’ Tariq and Black Attack, it was a real pleasure to hear the NY emcee sounding like he hadn’t missed a beat on this dope EP, lacing the moody production of DJ Skizz with a barrage of gritty BK wordplay that was both hardcore and refined.

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Adrian Younge & Ghostface Killah – “12 Reasons To Die II” (Linear Labs) – Although sequels are often known for not living up to the impact of their predecessors, this follow-up to West Coast music man Younge’s 2014 collaboration with the mighty Toney Starks actually improved on the formula of the original “12 Reasons…”. Set in 1970s New York and based around a crime-riddled cinematic plot, “…To Die II” found the Wu warrior once again attacking an impeccable selection of live, analog soundscapes with his detailed story-telling skills.

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Denmark Vessey – “Martin Lucid Dream” (Rappers I Know) – Displaying a brilliant artistic mind, Detroit-raised Vessey mixed a gritty, realistic worldview with an eloquent delivery and the thump of soulfully distorted production on this eight-track masterpiece. Featuring appearances from Guilty Simpson, Tanya Morgan and Black Milk, there was a genuinely timeless appeal to this EP which was both inspiring and thought-provoking.

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Aim & QNC – “The Habit Of A Lifetime (And How To Kick It)” (Atic Records) – Veteran UK producer Aim and NY duo Q-Ball & Curt Cazal built on a longstanding sonic chemistry that dates back to the 90s with this long-awaited project. With both Aim and JVC Force member Cazal sharing production duties, Q-Ball had plenty of sample-based flavour to take advantage of, with both a Grand Puba collaboration and a dope Guru tribute ensuring this album’s true-school value was through the roof.

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People Under The Stairs – “The Gettin’ Off Stage, Step 1” (Piecelock70) – At this stage in their career, West Coast natives People Under The Stairs surely deserve to be classed as one of Hip-Hop’s greatest ever duos. Having remained consistent in terms of both quality and quantity since their late-90s debut, Thes One and Double K’s already-extensive discography was further expanded with the release of this quality EP. Packed with more of the feel-good funk the pair have become known for, this project proved that, almost twenty years since they first dropped on wax, the pair still sound as fresh and enthusiastic as ever.

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Public Enemy – “Man Plans God Laughs” (SpitDigital) – After Melle Mel in his 1980s prime, Chuck D ranks as arguably the most authoritative voice in Hip-Hop of all-time. Showing no signs of letting-up their attack on the establishment almost thirty years after Public Enemy’s Def Jam debut, the legendary group returned in 2015 with yet another dose of potent edutainment, proving that Strong Island’s self-proclaimed rhyme animal still isn’t ready to be caged.

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Conway – “Reject 2…” (Griselda Records) – Hailing from the home of late, great funk-rock legend Rick James, Buffalo, NY’s Conway delivered his own collection of street songs on this captivating Daringer-produced project. Joined by WestsideGunn, Roc Marciano and Skyzoo, the East Coast wordsmith wove nimble-yet-grimy verses around moody, hypnotic soundscapes, resulting in a gripping listening experience.

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Illinformed – “The Mould Tape” (Real Life Drama Records) – Whilst this album contained a lengthy list of talented UK emcees, including Leaf Dog, Sonnyjim and Verb T, it was music man Illinformed’s impeccable work behind the boards that really elevated the project above being simply just another producer-based release. Heavy drums, obscure samples and dense b-lines were the order of the day here, ensuring that, regardless of its title, “The Mould Tape” was anything but past its sell by date.

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Hus Kingpin & SmooVth – “Splash Bros” (Splash Bros) – The Hempstead, NY homeboys showcased their undeniable rhyming chemistry on this effortlessly dope EP. Backed by a selection of mellow, melodic soundscapes from the likes of Audible Doctor, J57 and Twiz The Beat Pro, the duo shot straight three-pointers throughout this release, with SmooVth’s sharp barbs and Kingpin’s more ominous flow creating a captivating combination which demonstrated why they’re considered two of the best emcees to have emerged from the East Coast in recent years.

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Dell-P – “A New Beginning” (WhoMag Distribution) – Clearly an emcee with something of substance to say, Philly’s Dell-P packed this lengthy album with plenty of food for thought, touching on a variety of social issues with both maturity and insight. Yet to simply label this Illadelph lyricist as a ‘conscious’ artist would be too easy, with this project proving Peezie to be a truly well-rounded artist, grounded in the traditions of Hip-Hop culture and bringing something genuine to the game.

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OC From NC – “Higher Learning” (OCFromNC.BandCamp.Com) – Bringing his own brand of street knowledge to the forefront on this soulful-yet-rugged album, North Carolina’s OC rhymed like a man with real purpose here, grabbing the listener’s attention with a mix of authority, intelligence and wit. Personal and passionate, “Higher Learning” was quality down-to-earth Hip-Hop that hit you in both the head and the heart.

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Severed Tongue – “Gentle Katharsis” (Inner Peace Records) – A collaborative effort from UK emcees Elliot Fresh and Tang The Pilgrim, “Gentle Katharsis” was a melancholy, meditative listening experience, with the two lyricists delivering poignant self-reflection and absorbing wordplay over solid, and at times moody production from the likes of EarthOne, Said Zu and King Boyden.

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Sean Price – “Songs In The Key Of Price” (Ruck Down Records) – Although this release was neither an official album or EP, as a nod of respect to the late, great Brooklyn emcee, it’s only right that the final mention in Old To The New’s best-of-2015 list goes to Sean P’s  “Songs In The Key Of Price”. Thirty-tracks deep and drenched in grimy New York attitude, this mixtape showcased everything that was brilliant about the Heltah Skeltah member’s unapologetically hardcore approach to his craft. RIP Sean Price!

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New Joint – Creature / Sav Killz / Nutso

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Creature ft. Sav Killz & Nutso – “Pyramid Scheme” (@Creaturenomics / 2015)

The three NY emcees flex their respective rhyme skills over string-laden production from Omega One.

New Joint – Hassaan Mackey

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Hassaan Mackey – “In Thought” (@HassaanMackey / 2015)

Produced by Rochester, NY’s D-Rock of MeloDrumAddix.

New Joint – Aye Wun

Aye Wun – “It’s All A Re-Run” (@AyeWun / 2015)

The Queens, NY emcee gets busy over a vintage Large Pro beat first heard on 151 Proof’s 2002 Tru Criminal Records track “151 Excuses”.

New Joint – Pearl Gates

Pearl Gates – “Diamond Mind” (@PearlGates / 2015)

Soulful, Sirplus-produced title track from the Washington Heights, NY emcee’s new EP.

New Joint – KRS-One

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KRS-One – “Sound Man” (@IAmKRSOne / 2015)

Approximately thirty years since his debut on wax, the Blastmaster proves that true skills are timeless with this DJ Static-produced single from his new “Now Hear This” album.

New Joint – God Preme

God Preme – “Sound Right” (@ST3_Allah / 2015)

The NY Five Percenter turns to his production alter-ego Dope God for this hypnotic bass-heavy roller.

Album Review – Ayatollah & Drasar Monumental

Downloader (52)

Ayatollah & Drasar Monumental

“Box Cutter Brothers III”

(VendettaVinylVietnam.Com)

When done well, sampling is an artform. That really can’t be disputed. The process of a producer digging for that right sample or loop and then applying their own creative stamp to create something brand new involves time, passion and talent. Legendary beat scientists such as the late Paul C, Public Enemy’s mighty Bomb Squad and live-guy-with-glasses Large Professor have all proven how just a few seconds of music lifted from an obscure (or in some cases, not so obscure) piece of vinyl can be transformed into a shining example of pure Hip-Hop gold.

Carrying on that tradition of dusty-fingered alchemy, NY’s Ayatollah and California’s Drasar Monumental have joined forces once again for the third installment of their “Box Cutter Brothers” series.

With Ayatollah’s lengthy production credits including work with the likes of Mos Def, Cormega, Masta Ace etc, and Drasar having been MF Grimm’s producer of choice in recent years for his “Good Morning Vietnam” projects, it’s safe to say this pair know more than a thing or two about crafting quality beats.

Split into two halves, with the duo rocking six tracks each, “Box Cutter Brothers III” follows in the footsteps of its two predecessors by capturing a variety of moods, from the rugged to the smooth, through the selection of well-chosen samples that are chopped, sliced and spliced throughout.

Monumental kicks off proceedings with the dramatically-titled “Apex Predator Blades”, which finds the West Coast resident dropping a brief, assured verse complete with claims of being a “third degree black-belt” in breaks over a funky, keyboard-driven groove, before the track builds into something that sounds like an ominous boom-bap remake of a cut off the original “Terminator” soundtrack.

“The Fine Art Of Survival”, meanwhile, offers a cool summer breeze vibe, with Drasar chopping-up a lush, sped-up soul sample which is both hypnotic and infectious, whilst “Black Calculus 2” is a more melancholy affair, based around sombre pianos and subtle-yet-persistent drums.

Following the example set by his musical comrade, Ayatollah also rhymes on his opening track, with the organ-laced “Graffiti” conjuring up images of 80s NY subway trains adorned with multi-coloured burners (“Up in the Bronx, I’ll meet you at the Writer’s Bench, Hop the turnstile, No token needed…”).

“The Best That I’ve Got” brings a mellow, back-to-the-future flavour to the table, with the track’s sweet, retro vocal sample being matched with thick, electro-style keyboards, a combination which is followed by the raw beats and manic piano stabs of the MC Shan-sampling “These Brothers”.

True masters of their craft, Ayatollah and Drasar Monumental have succeeded in creating another bi-coastal display of impressive sonic showmanship, with “Box Cutter Brothers III” proving once again that a dedicated crate-digger will never stop looking for that perfect beat.

Ryan Proctor

“Box Cutter Brothers III” drops on October 12th via Vendetta Vinyl and BandCamp – props to Drasar Monumental for hooking me up early with the project.

New Joint – DaVillins / Vic Spencer

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DaVillins & Vic Spencer – “Ike Eyes” (@DaVillins / 2015)

The close friends of Sean Price deliver heartfelt rhymes in memory of the Brooklyn favourite.

New Joint – Tragedy Khadafi / Thea van Seijen

Tragedy Khadafi ft. Thea van Seijen – “Nuff Said” (@TragedyKhadafi / 2015)

The Queensbridge legend travels to Amsterdam and drops jewels over soulful, moody production from Shroom.