Tag Archives: TPS Fam

Album Review – Jack Diggs

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Jack Diggs

“Blue Rain”

(Revorg Records)

When A Tribe Called Quest coined the phrase “Beats, Rhymes & Life” for the title of their fourth album, the crew from Queens, NY succinctly summed-up the essential ingredients needed to create timeless, memorable Hip-Hop that goes beyond just being music to nod your head to.

Of course, dope beats and witty rhymes can always be enough for an artist to make their mark, but in order to truly connect with a listener in a way that feels personal and genuine, an artist also has to let us into their world by sharing thoughts, hopes and disappointments in their verses. Something which talented UK producer-on-the-mic Jack Diggs seems to understand completely.

Having already become something of a cult figure within UK Hip-Hop circles thanks to both his solo work (2013’s impressive “Dirty Finger Nails” album) and contributions to the output of South London’s TPS Fam, Diggs’ latest long-player is a sublime slice of homegrown excellence which sounds effortless in its execution, but was no doubt painstakingly put together with attention paid to every sonic detail, both lyrically and in terms of the project’s production (which was handled entirely by Diggs himself).

Displaying a writing style that is brutally honest yet intelligent and insightful, Jack brilliantly captures the British working-class experience throughout “Blue Rain”, delving into both politics and social commentary whilst also offering a view into his own experiences.

Frustrated and struggling to find his place in today’s capitalist society, yet hopeful that time may bring a change for the better, Diggs represents many UK residents also looking to make sense of what they see happening around them, with the forthright lyricist making his position very clear on the opening “Dopamine”.

Over punchy drums and sweeping, melancholy strings, Diggs describes being “outside Number 10 kicking down the front door” before highlighting the ongoing class war in England and his own battle with the concept of national pride (“British and proud? I’m British and ashamed, A land filled with wealth generated by the slave trade…”).

The mournful guitar sample and echoing drums of “City Drive” conjure up images of cold, winter nights, whilst the thick, jazzy bass of “I Know” provides a solid platform for Diggs and fellow Revorg representative Big Toast to offer some uncompromising-yet-motivational words of wisdom to anyone chasing a goal (“Life ain’t magic and dreams don’t just happen…).”

Highlighting Jack’s passion for the spray-can, the “Style Wars”-sampling “This Is It” is a piano-laced instrumental dedication to graff-heads everywhere, which is followed by the soothing vibes of the album’s hypnotic title track, with Diggs being joined by Mnsr Frites, Archetype and Luca Brazi, who each make their own poignant lyrical contributions.

The sombre “Glass Home” is another immediate standout, with the emcee commenting on our collective pursuit of happiness, and how the pressures of the daily grind can often take us down a different path, leading to a thirst for instant gratification, heavy reliance on validation via social media and the constant need to impress those around us.

Although steeped in an obvious appreciation of dusty-fingered 90s boom-bap, Diggs’ own production finds the UK crate-digger doing much more than just simply trying to emulate his favourite Premier or Pete Rock track.

The beats heard on “Blue Rain”, as with the TPS member’s previous work, have a real organic depth to them, with Diggs once again displaying a finely-tuned ear for an atmospheric sample, allowing him to consistently match his rhymes to the most suitable beat in terms of mood and tone.

More than just a collection of quality tracks, “Blue Rain” is a cohesive, well-crafted body of work that offers listeners a striking, down-to-earth musical snapshot of life for many in today’s modern Britain.

Jack Diggs for Prime Minister?!

Ryan Proctor

New Joint – Jack Diggs

Jack Diggs – “Never Let Me” (@RevorgRecords / 2015)

Atmospheric, moody beats and rhymes from the talented producer-on-the-mic’s forthcoming album “Blue Rain”.

New Joint – Big Toast

Big Toast – “Sell Units” (@BigToastTPS / 2015)

The TPS Fam member aims shots at all things wack over heavy-duty 2Late beats off his recent project “The Wedding Fund LP”.

New Joint – Big Toast

Big Toast – “Departing” (@RevorgRecords / 2015)

Jack Diggs delivers moody production on this track from Toast’s quality new album, “The Wedding Fund LP”.

New Joint – Big Toast / Jack Diggs / Datkid / Strange Neighbour

Big Toast ft. Jack Diggs, Datkid & Strange Neighbour – “F#@$ Off Tarquin” (@BigToastTPS / 2015)

The TPS Fam member blends humour with social commentary on this BadHabitz-produced track off his forthcoming Revorg Records project “The Wedding Funds LP”.

100 Best Albums & EPs Of 2014 (Part One) – TPS Fam / Starvin B / Ghostface Killah etc.

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It can’t be denied that 2014 was a great year for quality Hip-Hop. When I initially sat down to start putting together Old To The New’s annual 52 Best Albums & EPs list, it soon became clear that staying with that format would mean having to leave out a large amount of releases that I’ve had in heavy rotation over the last twelve months.

Another reason for wanting to highlight just how many worthwhile albums and EPs dropped in 2014 was to prove a point to those who still insist there just isn’t a notable amount of good music being released today. There are still plenty of talented emcees, deejays and producers across the globe who’re busy in their respective labs, meticulously crafting beats and rhymes in the hope that those of us who say we’re looking for high-standard Hip-Hop will take the time to listen.

As always, by no means am I presenting this as the definitive list of 2014 releases. In today’s internet-era, it’s impossible for anyone to say they’ve heard everything that’s worth listening to. No matter how much time you spend online listening to music, there will always be a dope project out there from someone, somewhere on Planet Rock that you won’t yet have heard of. The search is never-ending.

So, with all that being said, here are the albums and EPs that kept my head nodding throughout 2014…

TPS Fam – “Hot Water Music” (Revorg Records) – Finding creative inspiration in the mundane aspects of the daily grind, Jack Diggs, Big Toast and Strange Neighbour crafted a brilliant, sample-driven soundtrack for the working-class Hip-Hop fan. Balancing dreams and aspirations with day-jobs and overdue bills, the UK trio delivered down-to-earth rhymes with passion and sincerity, encouraging us all to make every day count whilst promoting their motto of “living like kings on a tight budget.”

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Starvin B – “Blood From A Stone” (Goblin Music) – The first of two projects released by the talented Queens, NY resident in 2014, the One-Take-produced “Blood From A Stone” showcased the Rotten Apple rhymer as being a true student of the lyrical arts. Packing his vivid verses with gritty imagery, raw humour and witty wordplay, Starvin B let his personality shine throughout this project, with the likes of Spit Gemz, Tragedy Khadafi and Foul Monday on-hand to fill some well-placed guest spots.

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Ray West & OC – “Ray’s Cafe” (RedApples45) – Proving that true talent really is timeless, two decades after the release of his classic debut album “Word…Life”, Diggin’ In The Crates legend OC teamed-up with Bronx producer Ray West to serve hungry Hip-Hop customers with this appetising platter of flawless lyricism and warm, soulful production. What’s next on the menu?

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Stu Bangas & Blacastan – “Watson & Holmes” (Brutal Music) – Joining forces with producer Stu Bangas, Connecticut emcee Blacastan retained his reputation as one of the rap game’s most consistent artists with the release of this abrasive, hard-hitting album. Backed by Stu’s cinematic, drama-laced beats, the AOTP member delivered his usual high standard of raw rhyming, with brothers-in-arms Esoteric, Vinnie Paz and Apathy each taking a turn to help crush the competition.

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String Theory – “String Theory” (Mic Theory Records) – Breaking the periodic table of poetry down to its very last compound, Florida’s Hex One (of the duo Epidemic) and Swiss producer B.B.Z. Darney came together to “swallow planets and freeze suns”, combining inter-dimensional mic techniques with rocket-fuelled boom-bap beats as they pondered both the laws of the universe and the art of rap.

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DJ JS-1 – “It Is What It Isn’t” (Ground Original) – Veteran NY turntablist and long-standing Rock Steady Crew member JS-1 enlisted the help of a lengthy list of talented lyricists for his fourth collection of underground science. From golden-era icons such as Sadat X, KRS-One and X-Clan’s Brother J, to more recently established wordsmiths like Spit Gemz, Fashawn and Rasheed Chappell, “It Is What It Isn’t” effectively bridged the gap between the old and the new with impressive results.

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Union Blak – “Union Blak Friday” (Effiscienz) – US-born emcee Kimba and UK beatsmith Sir Williams joined forces with France’s Effiscienz label to deliver a solid, succinct debut album. Demonstrating their shared passion for Hip-Hop with positive, upbeat rhymes and melodic production, the duo made it clear throughout “Union Blak Friday” that their aim is to add on to the culture rather than simply take from it.

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J-Live – “Around The Sun” (Mortier Music) – There may not be anything new under the sun, but there’s still plenty of quality music to be found. Case in point, veteran NY-raised, ATL-based emcee J-Live’s seventh album release, which found the accomplished wordsmith delivering the clever, intelligent lyricism fans have come to rely on him for over production from Oddisee, Audible Doctor and DJ Spinna.

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Souls Of Mischief / Adrian Younge – “There Is Only Now” (Linear Labs) – A concept album set in 1994 involving jealous emcees, kidnapping and revenge, “There Is Only Now” found the Souls Of Mischief members weaving intricate, story-telling rhymes around the live, drum-heavy musicianship of the talented Adrian Younge, resulting in an epic Hip-Hop tale  which contained more drama than an episode of “The Wire”.

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Es – “Aspire To Inspire” (Essenchill Records) – Inviting everyone along on his quest for self-improvement, Canadian emcee Es’s second full-length project lived up to its lofty title in no uncertain terms. Packed with full-bodied production and uplifting rhymes about everything from fatherhood and relationships to self-worth and striving to maintain a positive mental attitude, it was near impossible to play this album and not feel better about life whilst listening.

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Skyzoo & Torae – “Barrel Brothers” (First Generation Rich / Internal Affairs) – Self-confessed “products of Albee Square Mall” and Brooklyn-based brothers-from-other-mothers, Skyzoo and Torae came together to create one of the best examples of pure emceeing you were likely to hear in 2014. With bold deliveries and painstakingly well-crafted verses, the two BK lyricists sparred with each other over heavyweight production from the likes of Illmind and DJ Premier, each proving why their place among NY’s long line of noteworthy mic controllers is well-deserved. No frills, just skills.

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Figub Brazlevic – “Train Yards” (FigubBrazlevic.BandCamp.Com) – Having already demonstrated his undeniable production skills via his work with the Man Of Booom crew, this instrumental EP release from Berlin’s Brazlevic blended head-nodding beats with jazzy samples and well-placed vocal snippets, creating a spell-binding project with plenty of musical depth and soul.

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Confidence Presents… – “Confidence Presents GDot & Born Featuring Edo.G” (Audible Con Records) – Building on his already strong reputation as one of today’s most consistent producers, the talented Confidence orchestrated this true-school gem of an album which bridged the gap between the Boston Hip-Hop scene’s past and present. Relative newcomers GDot & Born shared mic time with Beantown vet Edo.G throughout this project, with all three emcees delivering positive messages mixed with b-boy bravado over Confidence’s quality brand of crisp, boom-bap beats.

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Parallax – “Depth Perception” (ParallaxOfficialStore.BandCamp.Com) – The upcoming UK artist proved he’s as nice behind the boards as he is behind the microphone with the release of this succinct, largely self-produced EP. Utilising solid drums and dusty samples, Parallax waxed lyrical about a number of topics, dropping punchline-heavy food-for-thought on the state of Hip-Hop, media manipulation and the British justice system. Mental stamina, indeed.

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Prince Po & Oh No – “Animal Serum” (Wandering Worx / Green Streets Entertainment) – Staying true to his claim of “having a lotta jewels, but don’t gotta wear a chain”, Organized Konfusion’s Prince Po administered a new brand of musical medicine to the Hip-Hop faithful with the welcome assistance of West Coast producer Oh No. Tackling a number of modern-day issues with typically dense, multi-layered lyricism, Po succeeded in soothing the suffering of all free-thinkers who find themselves trapped inside the Matrix.

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Early Reed & J Scienide – “The Dose (The MFN Files)” (J-Scienide.BandCamp.Com) – Whilst putting the finishing touches to his own impressive 2014 releases, Low Budget’s Kev Brown found time to get behind this EP from his two fellow Washington D.C.-based crew members. With Reed demonstrating his mastery of the SP and Scienide proving himself to be a formidable talent on the mic, “The Dose (The MFN Files)” gave listeners a potent shot of pure Hip-Hop.

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Freddie Gibbs & Madlib – “Pinata” (Madlib Invazion) – Arguably the greatest mix of raw gangsta rhymes and dope breaks since Brad Jordan joined forces with the Rap-A-Lot production squad for his 1991 debut solo album, Gary, Indiana native Gibbs’ drawling delivery sounded right at home over Madlib’s range of random sample material, resulting in an album that covered a variety of moods, from the soothing and laidback to the dramatic and urgent. Witness the strength of street knowledge.

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Akrobatik – “Built To Last” (Playaktion Recordings) – Returning to the rap game after surviving emergency heart surgery in 2011, the title of Boston veteran Akrobatik’s third full-length solo album was as much a statement about enduring personal struggle as it was a comment on his forthright approach to his craft. Balancing content which covered his near-death experience, social commentary and Hip-Hop politics, Ak firmly stood up for his personal principles at a time when so many other artists are busy chasing trends and trying desperately to please the masses.

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Divine – “Ghetto Rhymin'” (Supreme Records) – Mixing Five Percent terminology with the influence of Rakim and a proud New York state of mind, Brooklyn’s Divine proved himself to be a true product of his environment on his latest project, taking it back to a time when Rotten Apple wordsmiths were more concerned with capturing the essence of the five boroughs in their music rather than allowing their sound to be shaped by outside forces.

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Ghostface Killah – “36 Seasons” (Tommy Boy Entertainment) – Fresh from 2013’s “Twelve Reasons To Die” collabo with Adrian Younge, the Wally Champ dove straight into another concept-based project with “36 Seasons”. Based around a story-line that was part 70s blaxploitation flick, part Marvel comic book territory, Ghost was joined by Brooklyn’s AZ and the legendary K00l G. Rap, weaving action-packed tales of love, drama and betrayal over the classic vintage soul thump of NY band The Revelations.

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Part Two coming soon.

New Joint – TPS Fam

TPS Fam – “Chainbreakers” (@RevorgRecords / 2014)

Gritty visuals from The Strange Neighbour, Jack Diggs and Big Toast off the UK crew’s brilliant album “Hot Water Music”.