Tag Archives: The Primeridian

100 Favourite Albums & EPs Of 2021 (Part Three) – Evidence / Children Of Zeus / Arrested Development etc.

Check Part One and Part Two.

Ca$ablanca x The Mali Empire – “Xtreme Xcellence” (Casablanca92fs.BandCamp.Com) – Dallas, Texas-based emcee Ca$ablanca has been dropping gems for a number of years now, but this Mali Empire-produced album may just have been his finest moment yet. Featuring the likes of Ray Vendetta, YNX716 and Nowaah The Flood, “Xtreme Xcellence” was packed with hard-hitting, precise lyricism delivered over a sublime selection of sample-driven tracks.

AZ – “Doe Or Die II” (QuietMoneyDirect.Com) – The idea of the ‘sequel album’ has become something of a cliché amongst golden-era rap artists. Some have seen the light of day. Some have remained unexecuted concepts destined only to be repeatedly mentioned during interviews. Some have succeeded. Some have failed. Thankfully, Brooklyn’s ever-consistent AZ managed to live up to the hype surrounding this follow-up to his 1995 debut, matching his slick, street-savvy verses with an experienced perspective and smoothed-out production from the likes of Bink!, Baby Paul and Pete Rock.

Milano x Showbiz – “Eating But Still Hungry” (MilanoxShowbiz.BandCamp.Com) – Any release coming from the Diggin’ In The Crates camp brings with it a high level of expectation from fans. Understandably, there’s a certain level of quality expected from members of the crew who really did it for the culture and became one of the most dominant forces in East Coast Hip-Hop. Milano and Showbiz rose to that challenge in no uncertain terms on this album packed with swaggering Rotten Apple attitude, skills sharpened in unforgiving street-corner ciphers and dope, dusty-fingered beats.

Kev Brown & J Scienide – “Stray From The Pack” (KevBrown.BandCamp.Com) – Following up their impressive 2019 collaboration “Drum Machine Tape Cassette”, DMV duo Kev Brown and J Scienide offered up another collection of loose, spontaneous sounding beats and rhymes inspired by both a love of the art and the satisfaction of making the competition feel inadequate. B-boy basement flavour.

The Primeridian & Rashid Hadee – “Prime Diesel” (RashidHadee.BandCamp.Com) – A product of Chicago’s rich underground scene, this collaboration between veteran duo The Primeridian and fellow Windy City representative Rashid Hadee was a shining example of top-tier beat science and carefully crafted lyricism. With additional production from Tall Black Guy and featured artists such as Thaione Davis, Pugs Atomz and Philmore Greene, this album captured a lot of talent at their very best.

Flashius Clayton x Jster – “The Dust Diary” (25NoteDope.BandCamp.Com) – A naturally gifted emcee, Cali’s Flashius Clayton was firing on all cylinders here, with his usual high-standard of lyrical expertise accompanied by the dark, hypnotic beats of West Coast producer Jster. An atmospheric dose of rough, rugged and raw Hip-Hop. As Doug E. Fresh once said, play this only at night.

Khrysis – “The Hour Of Khrysis” (JamlaRecords.Com) – Featuring a diverse selection of artists, from golden-era greats De La Soul and Hiero legend Del Tha Funkee Homosapien, to Compton’s Problem and Jamla Records own Reuben Vincent, this long-awaited album from Away Team / Soul Council producer Khrysis was firmly held together by the North Carolina music man’s sonic creativity. Drawing the most out of his list of collaborators thanks to the masterful, carefully constructed soundscapes on offer, Khrysis succeeded in stamping his own personality all over this release, complimenting the variety of emcees and vocalists included here rather than being overshadowed by them.

Vic Spencer – “Legend Laws Of Power” (SupaSounds.BandCamp.Com) – The last few years has been a relentless period of productivity for Chicago’s Vic Spencer, with the talented emcee dropping four albums in 2021 alone. “Legend Laws Of Power” found Spencer teaming-up with Chi-town producer Original Super Legend, delivering his barbed punchlines over strong beats, making it abundantly clear how unimpressed he’s been with the so-called opposition.

Nas – “King’s Disease II” (MassAppeal.Com) – Aside from a few tracks, I wasn’t a big fan of the first “King’s Disease” album. I just didn’t connect with it. This follow-up, however, prompted a totally different reaction. Aside from a couple of misplaced tracks I felt this was an inspired piece of work, with Nas and Hit-Boy really hitting their stride as a creative partnership. The Queensbridge legend sounded relaxed and focused here, embracing his elder statesman status and reminiscing on the experiences that shaped him, whilst still clearly looking towards the future.

L-Biz & Castle Money Beats – “The Cool Table LP” (IStayBizzy.Com) – Backed by the solid, melodic production of California’s Castle Money Beats, Buffalo, NY’s L-Biz encouraged artists and listeners alike not to conform and follow trends in order to have a place at “the cool table”, but instead walk your own path and carve out your own niche as an individual. Head-nodding Hip-Hop that was guaranteed to have a positive impact on your confidence levels and self-esteem.

Arrested Development – “For The FKN Love” (OfficialArrestedDevelopment.BandCamp.Com) – Powerful. Uplifting. Needed. Just a few of the words that could be used to describe this epic album from the longstanding Arrested Development crew. Largely produced by the UK’s Configa, who matched Speech’s motivational verses with some rousing work behind the boards, this was ultimately a positive album with a realistic outlook that was further enhanced by appearances from the likes of Masta Ace, Freddie Foxxx and Big Daddy Kane. Music to feed your Hip-Hop soul in today’s unsettled times.

DJ Nappa – “Redress” (DJNappa.BandCamp.Com) – A veteran of the UK Hip-Hop scene, Phi-Life Cypher’s Nappa dropped a stellar instrumental release for the We Stay True label which found the Luton-based producer upping the creative ante and moving in potentially unexpected directions, whilst remaining clear about his artistic vision at all-times. Steering away from typical boom-bap territory, “Redress” encapsulated a variety of styles, whilst capturing Nappa’s genuine passion for the art of making music.

Evidence – “Unlearning Vol. 1” (MisterEvidence.BandCamp.Com) – As a fan, the growth and evolution shown by West Coast emcee-slash-producer Evidence over the years has been a joy to behold (and hear). From his keep-it-underground approach in the 90s as a member of Dilated Peoples, to the more personal content of his solo albums, through to his instrumental work, Evidence has consistently moved forward whilst remaining rooted in his Hip-Hop foundations. “Unlearning Vol. 1” represented yet another important step in the right direction, with Evidence dropping timely lyrical gems over carefully selected production from the likes of The Alchemist, Nottz and Daringer.

Children Of Zeus – “Balance” (ChildrenOfZeus.BandCamp.Com) – To describe this sophomore album from Manchester’s Children Of Zeus as being a masterpiece would definitely be no overstatement. Having already appeared to have perfected their blend of soul and Hip-Hop on previous releases, Konny Kon and Tyler Daley refined their sonic aesthetic even further on “Balance”, reaching higher heights of creative perfection that transcended typical categorization. This was spiritual music that existed in its own unique time and place.

Awon & Phoniks – “Nothing Less” (AwonAndPhoniks.Com) – A partnership whose chemistry clearly points to them being destined to make music together, Virginia / Maine duo Awon & Phoniks came correct once again on their fourth long-player, effortlessly bringing together personal, socially-aware rhymes and strong production packed with sublime soul and jazz samples.

Guilty Simpson & Gensu Dean – “EGO” (MelloMusicGroup.BandCamp.Com) – Detroit’s Guilty Simpson has built a career on straight-no-chaser verses full of been-there-done-that life observations and cautionary street knowledge. Simpson offered more of the same on this collaboration with esteemed producer Gensu Dean, who provided the Motor City emcee with a raw, stripped-down collection of beats over which to reassert his position in the rap game.

Confucius MC – “Somewhere” (YNRProductions.BandCamp.Com) – London’s Confucius MC really took listeners on a lyrical journey throughout this album. Where was the destination? Well, that was largely down to your interpretation of the cerebral rhymes on offer here, which contained splashes of nostalgia, present day commentary and depictions of an uncertain future. The jazz-influenced production of France’s Keor Meteor fully complimented the UK emcee’s musings, with appearances from the likes of Jehst, Sonnyjim and Verbz adding to the overall feel of the album.

El Da Sensei & Jake Palumbo – “Solving Cases” (SpaceLABRecordings.BandCamp.Com) – Buoyed by a real sense of momentum and energy, this collaboration between Artifacts legend El Da Sensei and NY’s Jake Palumbo was full of upbeat joints powered by punchy, drum-heavy production and true-school lyricism. With appearances from Sadat X, John Robinson and Shabaam Sahdeeq, this album had the feel of a lively cipher session at times, with everyone involved clearly on a mission to celebrate Hip-Hop.

Ambassador Rick – “The Tape Nobody Made” (TheOpioidEra.BandCamp.Com) – One-third of Virginia’s Opioid Era crew, Ambassador Rick continued the group’s tradition of crafting uncompromising, emotionally-charged street music on this solo release. Bridging the gap between raw and righteous, Rick combined verbal grit with moments of genuine reflection, all delivered over vintage soul samples and smooth loops.

Snaggapuss & Ramzee – “Bronx Dundee” (RapRecordsAU.BandCamp.Com) – Veteran NY emcee Snaggapuss joined forces with Australian producer Ramzee for this hardcore-yet-entertaining album, with the former member of Doo Wop’s Bounce Squad utilising his inimitable flow to deliver punchline-heavy rhymes laced with humour over satisfyingly sparse, stripped-down beats.

Part Four coming soon.

New Joint – The Primeridian x Rashid Hadee

The Primeridian x Rashid Hadee – “Geetarrrstraaang” (RashidHadee.BandCamp.Com / 2021)

Longstanding Chicago talents Race Bannon, Simeon Viltz and Rashid Hadee drop the second video from their impressive recently-released collabo album “Prime Diesel”.

New Joint – The Primeridian & Rashid Hadee / Thaione Davis

The Primeridian & Rashid Hadee ft. Thaione Davis – “Loonng Time Coming” (RashidHadee.BandCamp.Com / CulturePower45.Com / 2021)

Some of Chicago’s most talented artists combine their skills on this quality slice of true-school brilliance from the new album “Prime Diesel”.

New Joint – The Primeridian / Neak / Nida Nasheeda

mulatto patriot cover

The Primeridian ft. Neak & Nida Nasheeda – “Stop On By” (@Primeridian / 2014)

Chicago-based producer Mulatto Patriot gives a musical nod to a Rufus / Chaka Khan classic on this smoothed-out single from Primeridian member Race’s forthcoming EP “Baked Goods”.

New Joint – Simeon Viltz & Mulatto Patriot

Simeon Viltz & Mulatto Patriot – “Hot Day” (MulattoPatriot.BandCamp.Com / 2012)

The Primeridian emcee teams-up with fellow Chicago resident Patriot for this mellow lead single from their forthcoming collabo album “Ray Elementary”.

New Joint – The Primeridian / Tall Black Guy

The Primeridian & Tall Black Guy – “Hang On” (AllNaturalHipHop.Com / 2012)

Melodic dopeness taken from the Windy City artist’s 2011 collabo album “Darling Lure”.

The New Deal Album Download – The Promise (Squair Blaq & Mulatto Patriot)

Quality concept album from the Chicago-based duo telling the story of a man who unexpectedly loses his job and the subsequent chain of events – Psalm One, Pugs Atomz and The Primeridian all bless the project’s warm mixture of soulful samples and live instrumentation – download here.

New Joint – Rashid Hadee / Thaione Davis / The Primeridian

Rashid Hadee ft. Thaione Davis & The Primeridian – “Long Time Coming” (Honest Management / 2012)

Dope Chicago posse cut featuring some of the Windy City’s nicest underground talents.

New Joint – Rashid Hadee / The Primeridian

Rashid Hadee ft. The Primeridian – “Night Train” (RashidHadee.BandCamp.Com / 2011)

Head-nodding self-produced track from the Chicago emcee’s recent free download release “Leakage The PrEP”.

New Joint – The Primeridian / Tall Black Guy Productions

Simeon of The Primeridian ft. Shev Rock & Grant Parks – “Dance 4 Ever – Tall Black Guy Remix” (First Word / 2011)

The Chicago emcee gets the remix treatment from the Detroit-born TBG for a one-off seven-inch vinyl release on the UK’s First Word imprint.

New Joint – The Primeridian & Tall Black Guy

The Primeridian & Tall Black Guy – “Whistle While You Work” (All Natural Inc / 2011)

Taken from the Chicago duo’s new collabo album “Darling Lure”.

Da Crack-A-Dawn Mixtape Download – The Primeridian

Download this new mixtape from the Chicago duo here – featuring Pugs Atomz, Twilite Tone, Black Spade etc.

New Joint – The Primeridian

The Primeridian – “Drop The Needle” (All Natural Inc / 2011)

Produced by Tye Hill of The Productionix and taken from the forthcoming CosmRocks mixtape “Crackadawn” which features other Chicago acts such as Decay (Molemen), Pugs Atomz and Twilite Tone.

New Joint – Black Spade / The Primeridian

Black Spade & The Primeridian – “Styles Beyond Many” (The Hue Collective / 2010)

Produced by Platinum Pied Pipers’ Wajeed and Texas music man JT Donaldson.

New Joint – Eargasmic Soul Collective

Eargasmic Soul Collective (Simeon of The Primeridian, Shev Rock & Grant Parks) – “Dance 4 Ever” (Coalmine Music / 2010)

New Joint – The Primeridian

Chicago’s Primeridian crew pay their respects to Gang Starr’s Guru flipping the instrumentals to “The ? Remains” and “Mass Appeal” – download here.

New Joint – The Primeridian / Naledge

The Primeridian ft. Naledge – “Bucktown (City Of Wind)” ( All Natural Inc / 2008 )

Taken from the Chicago crew’s recent album “Da Mornin’ Afta”

Universal Magnetic Column (Originally Posted On StreetCred.Com Nov 7th 2008)

illa-j-pic

BROTHER, BROTHER

 

Following in the large footsteps of a talented Hip-Hop sibling can be a daunting task for any upcoming artist. Just ask Warren G, Lil’ Daddy Shane and Jungle. So with that in mind, all eyes are on 21-year-old Detroit native Illa J, whose late, great older brother J Dilla is cemented in the consciousness of the global Hip-Hop community as one of the best producers of all-time. Having stamped his trademark sound on releases from the likes of The Pharcyde, A Tribe Called Quest, Common and Busta Rhymes, Dilla’s next-level studio techniques influenced a long line of impersonators and his passing in 2006 left a gaping hole in the music world, along with the sense that a true creative visionary had been lost. So, no pressure on the young Illa J then as he releases his debut album “Yancey Boys”, a project that finds the Motor City MC / producer rhyming over beats provided posthumously by Dilla himself.

The story behind the recording of “Yancey Boys” could easily sound like a clever marketing ploy to ease Illa J into the headphones of hypercritical Dilla fans were it not so filled with pure coincidence. Released on Delicious Vinyl, the label for which Jay Dee produced cuts on Pharcyde’s 1995 album “Labcabincalifornia”, the project came to life following Illa’s relocation to Los Angeles and a chance meeting with DV’s head-honcho Michael Ross, who courteously offered Yancey Jr access to the many unused beats Dilla had recorded for the label during the mid-to-late 90s. Upon immersing himself in his brother’s unheard material, Illa J knew exactly what he needed to do, and got to work on what would become “Yancey Boys”. But whilst the tale behind the tape (or in this case, the CD) is the stuff that Hip-Hop folklore is made of, the burning question is, has Illa J done justice to his older brother’s music and, ultimately, his legacy?

The first thing that strikes you about the album’s opening tandem of “Timeless” and “We Here” is the sense of energy and celebration, a feeling that comes not just from Dilla’s mastery behind the boards, but also from the way in which Illa J has approached the music, singing and rhyming his way through lyrics laced with positive vibes and genuine optimism. As Illa croons, “I spent so much time just thinking about nothing, Now it’s time to turn that nothing into something”, it’s clear that “Yancey Boys” is musical therapy for the upcoming talent, an opportunity to work through the emotional baggage of his brother’s untimely death and turn tragedy into personal triumph.

The instant neck-snapper “R U Listenin’?” features a typically swaggering verse from fellow Detroit resident Guilty Simpson, whilst the carefree b-boy breeze of “Showtime” blends airy jazz pianos with Illa’s likeably cocky rhymes and playful boasts.

The fact that the majority of beats contained on “Yancey Boys” still sound fresh and organic regardless of being approximately a decade old is a testament to just how ahead of his time Dilla was as a producer. Whilst the chime-laden groove of the girl-chasing “DFTF” sounds like the best cut A Tribe Called Quest never recorded for their 1998 swan-song “The Love Movement”, it still knocks hard in 2008. Similarly, the space-dust soul of “Sounds Like Love” finds Dilla combining Hip-Hop’s raw, basement ethics with subtle, spine-tingling melodies, resulting in a sound that is simultaneously retro and futuristic.

If “Yancey Boys” represents Illa J being publicly passed the musical torch from his elder brother, it’ll be interesting to see in which direction the youngster runs with it on his next proper solo outing.

Illa J ft. Debi Nova – “Sounds Like Love” ( Delicious Vinyl / 2008 )

BEAT FREAKS

 

All of you producer types out there might want to check out the recently released “King Of The Beats 2” DVD. Directed by UK-based Hip-Hop junkie Pritt Kalsi, the film features a variety of beat-heads taking up the KOTB challenge, which involves each producer being given a limited budget to go digging for records, which they then have to take back to their respective labs to sample, chop and mutate into a finished Hip-Hop track. All of which seems straightforward, until you realize that the entire process has to be completed within a 24-hour period. Nevertheless, as the old saying goes, pressure makes diamonds, and here you can witness crate-diggers such as DJ Pogo (UK), P Body (Australia) and DJ Priority (USA) each displaying how they approach the craft of producing.

“King Of The Beats 2” Trailer

FRENCH CONNECTION

 

“Changes Of Atmosphere” from Dela is an album that truly spans Planet Rock, with the project from the French producer featuring an impressive line-up of Stateside artists yet seeing a release on Japan’s Drink Water label. Obviously inspired by such studio greats as Pete Rock, Dilla and Large Professor, Dela’s sound revolves around a strong foundation of crisp drums, jazzy, soulful samples and intoxicating instrumentation.

J. Sands of Lone Catalysts fame offers poignant words of wisdom on the hypnotic “Live The Life”, whilst current subterranean favorite Termanology kicks some street knowledge over the soothing mid-90s style beats of “Stress”.

Dela puts a haunting horn sample to good use on the Talib Kweli-assisted “Long Life”, and North Carolina’s Supastition recounts the constant struggle faced by underground artists on the ethereal title cut.

With further appearances from respected lyricists such as J-Live, Surreal, Blu and Dynas, “Changes Of Atmosphere” is a thoroughly satisfying listening experience that contains substance in both its beats and rhymes.

Dela ft. Naledge of Kidz In The Hall – “It Is What It Is” ( Drink Water / 2008 )

ON THE WHEELS OF STEEL

 

Once considered the backbone of Hip-Hop, it’s no secret that in recent years the DJ has had to fight to remain relevant in an industry increasingly dominated by ego-crazy rappers and producers. Eager to do his part to support the turntablist movement is UK scratch assassin K-Delight, an individual whose many years behind the decks ensure his latest album “Audio Revolution” is a superbly crafted slice of sonic mayhem.

Aiming to encompass all four of the key elements of Hip-Hop culture, this long-player has something for true-school representatives everywhere. Graffiti heads are covered on the educational “Shake, Rattle N Throw”, which features LA-based female MC Shin-B offering a brief history of the artform’s origins, whilst b-boys are given some up rock theme music in the form of the old-school flavored “Wildstyle Dream”.

Elsewhere, the self-explanatory “Forever Hip-Hop” finds Stateside lyricists Skitz The Gemini and Shinobi Stalin paying homage to arguably the most influential cultural movement the modern world has ever seen, whilst “Scratch Club” is a posse cut with a twist, as the likes of NYC’s DJ JS-1, the UK’s DJ Woody and Scotland’s Krash Slaughta team-up with K Delight in a formidable display of deck-wrecking skills.

“Audio Revolution” Live Album Sampler

PRIME TIME

 

Chicago-based crew The Primeridian makes a welcome return to the underground rap scene with their sophomore album “Da Mornin’ Afta”, featuring the former duo of Simeon and Tree now being joined by talented wordsmith Race.

Coming out of the All Natural camp, the trio has a strong line in head-nodding, thought-provoking Hip-Hop, and “Da Mornin’ Afta” finds Primeridian matching their lyrical substance with beats provided solely by producers from Europe and the UK (including Netherlands maestro Nicolay of Foreign Exchange fame).

The opening “Change The Meridian (Hard Rock)” announces the group’s comeback in no uncertain terms, offering three-minutes of raw, breakbeat-driven braggadocio, whilst the blaxploitation boogie of “Bucktown (City Of Wind)” features Naledge of Kidz In The Hall addressing Chi-town’s social underbelly.

The pulsating bass and swirling synths heard on “Takuthere” (produced by France’s DJ Steady) provide a soothing musical backdrop for the social commentary of featured artists Iomos Marad and The Pharcyde’s Uncle Imani. My personal favorite here though has to be the beautifully understated “Melodic Healing”, a lush mix of live bluesy guitar, spine-tingling flutes and life-affirming lyricism. Music for the soul, indeed.

Primeridian Freestyle

Ryan Proctor