Kyo Itachi & Milez Grimez ft. Skanks The Rap Martyr – “Sounds Like Villains” (MilezGrimez.BandCamp.Com / 2019)
Taken from the album “Carnage”.
Kyo Itachi & Milez Grimez ft. Skanks The Rap Martyr – “Sounds Like Villains” (MilezGrimez.BandCamp.Com / 2019)
Taken from the album “Carnage”.
Kyo Itachi & Milez Grimez ft. Benny The Butcher & DJ Mekalek – “James Brown vs. Jimi Hendrix” (MilezGrimez.BandCamp.Com / 2019)
Shinigamie-meets-Griselda on this ominous, stripped-down cut off Rhode Island emcee Milez Grimez’ “Carnage” album produced entirely by France’s talented Kyo Itachi.
Kyo Itachi & Milez Grimez ft. Benny The Butcher – “James Brown VS Jimi Hendrix” (ShinigamieRecords.BandCamp,Com / 2019)
Shinigamie-meets-Griselda on this atmospheric, hardcore track off French producer Kyo Itachi and Rhode Island rhymer Milez Grimez’ new collabo album “Carnage”.
Kyo Itachi ft. Keith Murray – “Enjoy” (ShinigamieRecords.BandCamp.Com / 2018)
Taken from the French producer’s forthcoming “Night Life” album featuring Ruste Juxx, Shabaam Sahdeeq, Crimeapple and more.
Meyhem Lauren – “Piatto D’Oro” (Fools Gold Records) – Backed by production from beat kings such as Large Professor, DJ Muggs and The Alchemist, Queens, NY resident Meyhem Lauren continued to play his part in 2016 to ensure traditional rough, rugged and raw Rotten Apple rap stayed alive, with “Piatoo D’Oro” providing the perfect theme music for Timberland-and-Polo fiends across the globe.
Si Phili – “The 11th Hour” (Phoenix Recordings) – Having already made an indelible mark on the UK Hip-Hop scene as a member of Phi Life Cypher, Luton lyricist Si Phili approached his debut solo album with both the experience of a seasoned mic vet and the hunger of a new artist with a point to prove. Featuring talented producers such as Pete Cannon, Leaf Dog and Richy Spitz, “The 11th Hour” found Phili unleashing a relentless barrage of intense wordplay, covering a variety of topics in the process.
The Game – “1992” (Blood Money Entertainment) – Strip away the rap beefs, personal dramas and industry politics that have surrounded The Game’s career over the years and one thing remains undeniable – Jayceon Terrell Taylor can definitely rhyme. This concept-based project found the former Aftermath emcee revisiting early-90s Los Angeles via personal, descriptive verses with respectful nods to West Coast icons such as Ice-T, Ice Cube and Dr. Dre. Compton is still in the house!
J-Zone – “Fish-N-Grits” (J-Zone.BandCamp.Com) – Never afraid to tell-it-how-it-is, NYC’s multi-talented J-Zone once again offered listeners the opportunity to see the world through his own unique perspective on his latest full-length release, combining sharp observational humour with funky beats and Rotten Apple attitude. Dealing with topics such as rap’s generational debate, hipsters and gentrification, “Fish-N-Grits” was the perfect sonic antidote for the non-stop b.s. pushed daily from both the underground and mainstream Hip-Hop scenes. As Zone himself says, there’s only two types of music, good and bad.
Royce 5’9 – “Layers” (Bad Half Entertainment) – Lead by the autobiographical brilliance of the S1-produced “Tabernacle”, Detroit veteran Royce’s sixth solo album was arguably his best body of work to date. Filled with unflinching honesty, sly wit and well-honed rhyme skills, “Layers” was a fitting title for a project which gave the listener further insight into the life of the man behind the mic.
Akil The MC – “Sound Check” (AkilTheMC.BandCamp.Com) – Jurassic 5 member Akil filled this solo album with hard-hitting motivational music delivered in his traditional true-school style, effectively balancing his back-in-the-day roots with a present-day passion for the microphone.
Mikey D’Struction – “Day Of D’Struction” (Elements Of Hip-Hop) – Largely produced by Russia’s Ligalize, this album from Queens legend Mikey D found the veteran emcee avoiding the temptation of trying to fit in with current rap trends in order to appeal to a wider audience, choosing instead to stick to his sonic guns, delivering sharp, battle-ready rhymes over hardcore, speaker-rattling beats.
Black Josh – “Ape Tape” (BlahRecords,BandCamp.Com) – After first listening to Josh’s “Ape Tape” EP, one word came to mind – vibes! Boasting an organic, impromptu feel, this thoroughly entertaining release featured the UK artist lacing varied production with his sharp Manchester wit, politically-incorrect sense of humour and honest inner-city observations.
Torae – “Entitled” (Internal Affairs Entertainment) – Backed by a successful Kickstarter campaign, this album from Brooklyn emcee Torae satisfied loyal fans by delivering the consistently high-standard of lyricism we’ve come to expect from the NY representative with quality production from heavy-hitters such as Pete Rock, DJ Premier and Nottz.
Elzhi – “Lead Poison” (Glow 365) – After a five year hiatus and release date delays, Detroit’s Elzhi finally returned with an album that played like a sonic therapy session for the former Slum Village member, who had been battling with depression during the recording of the project. Clever, introspective and creative, “Lead Poison” showcased the results of a naturally gifted artist dealing with life’s problems through his pad and pen.
Ruste Juxx & Kyo Itachi – “Meteorite” (Shinigamie Records) – Bolstered by the impeccable production of France’s Kyo Itachi, former Sean Price protégé Ruste Juxx went intergalactic like a Timberland-wearing Silver Surfer on this rugged gem of an album, transmitting direct from the planet of Brooklyn accompanied by Illa Noyz, Bankai Fam’s Skanks and Rock of Heltah Skeltah.
Ghost – “Shards Of Memories” (Ghost.BandCamp.Com) – Ambitiously bridging the gap between the UK-raised, Australia-based producer’s underground Hip-Hop roots and his desire to craft something that reached beyond the traditional sound of dusty drums and head-nodding loops, “Shards Of Memories” was an impressive effort which was both polished and well-executed whilst also managing to retain a spontaneous, unpredictable edge.
Trace Motivate – “Bored, Lonely And Possibly Intoxicated” (TraceMotivate.BandCamp.Com) – Stepping beyond the aggressive, competition-crushing rhymes heard on releases from his group Grindhouse Project, Canada’a Trace Motivate offered personal reflection and honest life observations on this six-track concept-based release.
Tribe Of Judah – “Organically Grown” (Gravity Academy Records) – Maryland’s Tribe Of Judah mixed political commentary and social observation with street-savvy Hip-Hop bravado on their impressive Tokyo Cigar-produced debut album.
Rapsody – “Crown” (Jamla / Roc Nation) – Inspiring and passionate, North Carolina’s first lady of the mic Rapsody was on a mission to motivate her listeners with “Crown”, encouraging the younger generation in particular to reach for their goals via forthright rhymes delivered over soulful production from 9th Wonder, Nottz and Khrysis.
PhybaOptikz – “Shades Of Alejandro” (PhybaOptikz.BandCamp.Com) – London’s PhybaOptikz delivered a smooth, atmospheric concept album under the guise of his alter-ego Alejandro, showcasing the UK producer-on-the-mic getting busy over an ill selection of hypnotic loops with assistance from Crate Divizion comrades Giallo Point and Vic Grimes.
Arkatek & KelpiNINE – “Master Builder” (ArkatekMusic.BandCamp.Com) – Atlanta-based wordsmith Arkatek encouraged listeners to bring their third-eye vision into focus via well-crafted verses over drum-heavy production from KelpiNINE on this US / Ukraine collabo project.
K Zorro & Bad Company – “Deferred Gratification” (NewGuardzOnline.BandCamp.Com) – Talented London emcee K Zorro dropped intelligent, captivating verses over atmospheric production from musical ally Bad Company on this collaborative project which was both streetwise and socially-aware.
Sebastian Hochstein – “Name Dropping” (Illect.BandCamp.Com) – German producer Sebastian Hochstein called on the likes of Jurassic 5’s Chali 2na, Sadat X and Scribbling Idiots to provide lyrical support on this impressive EP, a release which was rooted in a dusty, sample-based sound.
Tha God Fahim & Giallo Point – “Eyes Of War” (Crate Divizion) – Atlanta’s Fahim spat righteous rawness over the brilliant, gripping production of UK music man Giallo Point on this quality Crate Divizion release.
Part Four coming soon.
2016. What a year. Political upheaval in the form of Brexit and the election of Donald Trump as US president. The tragic loss of musical icons such as Prince and A Tribe Called Quest’s Phife Dawg. Continued economic and social unrest across the globe. Suffice to say, 2016 will no doubt be looked back on in years to come as a definite time of change, with not much of that change necessarily being for the better.
The world of music, however, continued to offer sanctuary from the madness of everyday life, with a string of artists ensuring 2016 will also be remembered for quality beats and rhymes.
As I always say each year when I post my best-of choices, this list of 100 releases doesn’t represent the only albums and EPs worthy of your attention over the last twelve months, but it does feature the artists and titles that remained in regular rotation for me personally.
So, in the words of Slick Rick, heeeerrre we go….
Timeless Truth – “Cold Wave” (Different Worlds Music Group / Chopped Herring) – Queens, NY blood brothers Oprime39 and Superbad Solace added on to their already impeccable catalogue with this full-length collection of Rotten Apple rawness firmly rooted in the Hip-Hop heritage of their city, evoking images of late-night subway rides, street-corner ciphers and overcrowded studio sessions.
Split Prophets – “Delta Bravo Kilo” (SplitProphets.BandCamp.Com) – Following a number of crew member solo efforts, Bristol’s Split Prophets combined creative forces once again for this quality long-player, with the UK collective keeping everything in-house (no outside producers or guest appearances here) to showcase their lively brand of beats and rhymes.
Them That Do – “Them That Do…” (HiPNOTT) – Jazzy, soulful true-school flavour from Phat Hentoff, Chuck Daily and Jasper Brown, which featured the lyrical trio delivering thoughtful, life-affirming wordplay over the well-crafted soundscapes of Philly-based producer Small Professor.
DITC – “DITC Studios” (Slice-Of-Spice) – The influence of the legendary Diggin’ In The Crates crew on a generation of 90s heads can never be underestimated. Classic releases from Lord Finesse, Showbiz & AG, O.C. etc played a huge part in defining the decade viewed by many as being the pinnacle of the rap game’s golden-era. Proving that true skills are timeless, this album found the core DITC members reuniting for an uncompromising lesson in hardcore Hip-Hop.
AUTOMatic – “Marathon” (AUTOMatic.BandCamp.Com) – The fourth full-length album from Milwaukee’s APRIME 3099 and Trellmatic combined smoothed-out soundscapes inspired by old-school R&B with witty, intelligent lyricism, resulting in a project that was as refreshing as it was entertaining. True-school feel-good flavour.
Ded Tebiase – “Seventy Five” (VillageLive.BandCamp.Com) – A masterful blend of both instrumental and vocal tracks featuring UK talent such as Iron Braydz and Mnsr Frites, “Seventy Five” found Bristol beat king Tebiase offering up some of the best production to be heard in 2016, resulting in an album packed with well-crafted 90s-influenced head-nodders.
DJ Quik & Problem – “Rosecrans” (Diamond Lane Music) – Compton OG Quik joined forces with up-and-comer Problem for this succinct shot of warm, smoothed-out West Coast fonk with a gangsta-edge, offering further proof that David Blake is one of the game’s greatest ever producers. Music to drive-by.
Masta Ace – “The Falling Season” (M3 Entertainment) – Taking it back to the old-school literally, NY rhyme legend Masta Ace revisited his Brooklyn childhood on his seventh solo full-length, with this concept-based project focusing on the former Juice Crew member’s time as a pupil at Sheepshead Bay High in the 1980s. Drawing on a variety of emotions and experiences that helped shape Ace into the talented lyricist we’ve grown to know and cherish, this Kic Beats-produced album was yet another worthy addition to the Masta’s impressive discography.
DJ Skizz – “Cruise Control” (Different Worlds / Fat Beats) – Trading the punchy, boom-bap driven sound of his 2013 album “BQE” for a more lo-fi, loop-based flavour, NY producer Skizz called on microphone heavyweights such as O.C., Milano Constantine and Roc Marciano to bless his minimalist mood music with undeniably captivating results.
Dabbla – “Year Of The Monkey” (High Focus) – Showcasing his sharp delivery and raw couldn’t-give-a-f**k wit, this solo project from London Zoo / Problem Child member Dabbla offered a high-octane lyrical rollercoaster ride over eclectic production from the likes of Chemo, Ghosttown, Sumgii and more. Brilliantly boisterous beats and rhymes.
Discourse – “Megalomaniac” (Crate Cartel) – Australian producer Discourse supplied the likes of Tragedy Khadafi, A.G. and Starvin B with a serious selection of moody and atmospheric soundscapes on this expertly-crafted project, with “Megalomaniac” featuring an impressive array of lyrical talent from Australia, the US and the UK who all did justice to the high-quality beats heard here.
Kelpi NINE – “Forecast.” (KelpiNINE.BandCamp.Com) – Producer-based action coming straight outta the Ukraine, Kelpi NINE demonstrated his talent for blending together subtle. melodic samples and hard, unrelenting drums on this succinct nine-track release.
Broken Poetz – “Soul Searching” (BrokenPoetz2.BandCamp.Com) – An entertaining mix of personal reflection, worldly observations and quality, sample-driven production, this full-length effort from rhyming duo D.Know and Mystero was UK Hip-Hop made with undeniable passion.
Dell-P – “To The Moon And Beyond” (WHOMAG Distribution) – Backed by the soulful production of Samad Dawson, talented Philly wordsmith Dell-P addressed a number of society’s ills and the struggles of Black America throughout this potent project, injecting his music with sincere, heartfelt messages that only became even more relevant in the months following the January release of this album.
Planet Asia & DJ Concept – “Seventy Nine” (Coalmine Records) – Since his 90s debut, West Coast wordsmith Planet Asia has firmly established himself as one of the game’s most consistent emcees. This collaboration with Strong Island-based DJ Concept further solidified that reputation, with PA spitting intricate verses over production with a soulful thump.
Blaq Poet – “The Most Dangerous” (Shinigamie Records) – Queensbridge legend Blaq Poet lyrically stomped all over the rugged production of France’s Kyo Itachi and Venom on this uncompromisingly hardcore album, with appearances from Ruste Juxx, Tragedy Khadafi and Bankai Fam only adding to the overall rawness of the project.
Grindhouse Project – “To Kill A Critic” (GrindhouseProject.BandCamp.Com) – The long-awaited follow-up to 2012’s “GHP Is Like…” EP, “To Kill A Critic” found emcees Trace Motivate and 360 once again joining forces with producers Astro Mega and Futurewave to drop a potent dose of hard, uncut Canadian Hip-Hop.
Sonnyjim – “Mud In My Malbec” (Eat Good / Daupe!) – The UK’s Sonnyjim delivered his exquisite long-awaited album “Mud In My Malbec” in June of 2016, with the project’s mix of understated lyrical arrogance and 70s-flavoured loops conjuring up images of a mink-wearing Willie Dynamite driving through the streets of Birmingham, England, blasting this long-player from the comfort of a customised Cadillac.
Daniel Son & Giallo Point – “The Gunners Tape” (GialloPoint.BandCamp.Com) – Canada’s Daniel Son enlisted the talents of UK producer Giallo Point for this thoroughly impressive twelve-track project, featuring the Toronto emcee pummelling GP’s quality 90s-influenced beats with consistently sharp, vivid and engaging verses.
Daddy Grace aka Born Allah – “No Hip Hop For Grown Men” (Church Of Hip Hop) – As generational debates continued to rage within Hip-Hop, West Coast wordsmith Daddy Grace (aka Born Allah) proudly proclaimed his unshakeable OG status and personified the term ‘grown-man rap’ throughout this impressive debut solo project. Laced with Five Percent Nation influences and LA street swagger, “No Hip Hop For Grown Men” was both righteous and ruthless.
Part Two coming soon.
F.O.D. ft. Ruste Juxx & Skanks The Rap Martyr – “Raw Rap” (@FacezOfDef / 2016)
Produced by France’s Kyo Itachi.
Ruste Juxx & Kyo Itachi ft. Rock & Vandyke Mike – “Universal Sean” (ShinigamieRecords.BandCamp.Com / 2015)
The Brooklyn emcee pays tribute to the late, great Sean P on this heartfelt-yet-rugged track from his forthcoming Kyo Itachi-produced album “Meteorite”.
John Robinson & Kyo Itachi – “Manga” (ShinigamieRecords.BandCamp.Com / 2015)
New animated Randy Dims-directed visuals for this track off veteran NY emcee John Robinson’s 2013 Kyo Itachi-produced album “The Path Of Mastery”.
Skanks – “Back In Position” (@TheRapMartyr / 2015)
Kyo Itachi-produced flipside of the new limited edition 12″ single from the Brooklyn-based Bankai Fam member.
Blueprint – “Respect The Architect” (Weightless Recordings) – Responsible for releasing a steady stream of quality music over the last decade-plus, Ohio producer-on-the-mic Blueprint channeled his life experiences, both good and bad, into this emotionally-charged body of work. Capturing a variety of moods and thoughts, Blueprint moved seamlessly throughout this album, from moments of powerful reflection to striking artistic defiance. Genuine soul music.
Skanks – “The Shinigami Flowfessional” (Shinigamie Records) – Spreading love may well be the Brooklyn way as Biggie once said, but that doesn’t mean it can’t be delivered with a heavy dose of rawness, as evidenced by NY emcee Skanks’ impressive solo project. Backed by the rugged, thunder-clap production of France’s Kyo Itachi, the Bankai Fam member repped for both the streets of his Crooklyn stomping grounds and the culture of Hip-Hop with equal parts passion, aggression and determination. How about some hardcore?
Wu-Tang Clan – “A Better Tomorrow” (Warner Brothers) – At one point it looked like “A Better Tomorrow” wasn’t likely to see the light of day, with there being discord within the Clan regarding RZA’s creative direction for the project. Yet, the brothers from the slums of Shaolin managed to find some musical middle ground. For the most part, this 20th anniversary album effectively balanced the Abbot’s grand ideas with traditional Wu-Tang slang, showcasing the still-impressive verbal skills of each member and also including some poignant rhymes for our troubled times.
Dilated Peoples – “Directors Of Photography” (Rhymesayers Entertainment) – Viewing the world through a camera lens on their first group project since 2006, West Coast trio Evidence, Rakaa Iriscience and DJ Babu added more worthy sonic snapshots to their extensive musical photo album, which now spans almost two decades. With “Directors Of Photography”, the crew showcased their creative growth whilst remaining faithful to their underground Hip-Hop roots set in the 90s indie scene.
Giallo Point & SmooVth – “Portrait Of A Pimp” (Crate Divizion) – SmooVth by name, smooth by nature, the Strong Island lyricist plundered UK producer Giallo Point’s beat stash for this sublime, low-key lesson in minimalist magic. Weaving subtle-yet-vivid rhymes around exquisite beats that ranged from cool-breeze loops to 70s soundtrack-style drama, SmooVth used his calm-but-deadly delivery to draw the listener into a cinematic world of fine women, fast living and slick street tales.
Eff Yoo & Godilla – “They Came On Horseback” (Eff Yoo & Godilla) – Riding into town from the high plains of NYC and Pennsylvania respectively, mic-slingers Eff Yoo and Godilla stood as outlaws against Hip-Hop’s diluted mainstream, crafting an album for those who still appreciate genuine lyricism. Joined on their musical travels by the likes of Spit Gemz, Shabaam Sahdeeq and UG of the Cella Dwellas, this rough-and-ready posse made their way through the badlands of rap, inviting like-minded heads to ride alongside them. Saddle up!
Lord Finesse – “The SP1200 Project” (Slice-Of-Spice) – The Diggin’ In The Crates legend unleashed a mammoth selection of masterful, sample-based beats on this brilliant instrumental project. Capturing the timeless essence of classic golden-era Hip-Hop, Finesse demonstrated why his reputation as one of the game’s illest producers remains firmly intact to this day.
Essa – “The Misadventures Of A Middle Man” (First Word Records) – London’s Essa (formerly known as Yungun) is the perfect example of an emcee who has really kept it real over the years in the truest sense of the term. Having displayed consistent artistic growth, integrity and honesty since debuting in the early-2000s, this long-awaited album found Essa delivering expertly-written verses over a varied selection of musical flavours, from futuristic soul and afro-beat to traditional, drum-heavy Hip-Hop. Capturing Essa’s thoughts on topics such as his mixed-race heritage, religion and family, “The Misadventures…” offered insight into the world of an artist with a sharp mind and an equally sharp lyrical ability.
Diamond District – “March On Washington” (Mello Music Group) – Successfully achieving the delicate balancing act of pushing creative boundaries whilst still satisfying original fans, DMV trio Oddisee, yU and Uptown XO’s follow-up to their 2009 album “In The Ruff” demonstrated both musical growth and a deeper lyrical approach. Spring-boarding off of Oddisee’s ever-expanding production palette, the group crafted a now-school album with influences that could be traced back to 70s soul and 90s Hip-Hop.
K-9 – “The Re-Education Of King 9” (Rotton Products) – This self-produced album from London emcee K-9 is what KRS-One would no doubt describe as ‘edutainment’. Proudly displaying a strong reggae influence rooted in old-school sound-system culture, K-9 also drew heavily on his West Indian ancestry as he linked the social plight faced by many inner-city British Black Black youth to the experiences of older generations arriving in England in the late-40s and after. Tackling racism, injustice and colonialism, “The Re-Education Of…” is as much a history lesson as it is a snapshot of present-day Britain. Intelligent, entertaining and engaging. Overstand!
Golden Brown Sound – “The Great Man Theory” (GBS) – Claiming to be bringing ’88 back, “not the place and time, but the state of mind”, Boston duo NoDoz and DJ On & On succeeded in crafting an album that, like so many golden-era favourites of yesteryear, was recorded with the intention of being valued and embraced by the Hip-Hop Nation first and foremost. NoDoz’s passionate social commentary and life observations sat tightly over On & On’s pounding production, resulting in “The Great Man Theory” being a combustible mix of mental stimulation, energy and true skills.
Various Artists – “Jamla Is The Squad” (Jamla Records) – With Statik Selektah on the ones-and-twos, this mixtape-style compilation of Jamla artists and allies showcased just how much talent is affiliated with the 9th Wonder-helmed label. Featuring the likes of Big Remo, Rapsody and GQ delivering expert wordplay over the soul-drenched boom-bap of Khrysis, Eric G and 9th himself, this album proved, as Busta Rhymes mighty say, that Jamla really is the squid-aud!
Keith Science – “Hypothalamus” (Central Wax Records) – Following up 2012’s impressive “Vessels Of Thought Volume II”, New Jersey producer Keith Science unlocked his lab to present this collection of atmospheric instrumentals. Ranging from mesmerising, late-night-flavoured beats, to sparse, neck-snapping rhyme-ready tracks, with “Hypothalamus” Science proved himself to be a true master of the sampling arts.
Ray Vendetta & Greater Good – “Effortless” (GreaterGoodBeats.BandCamp.Com) – A member of talented UK collective Triple Darkness, London emcee Ray Vendetta stepped outside of crew ranks to drop this dope solo project. Combining life memories, positive sentiments and raw imagery with the hazy, head-nodding production of Greater Good, “Effortless” was a hypnotic, and at times haunting listening experience, which stayed with you long after the last track faded away.
Sonnyjim & Leaf Dog – “How To Tame Lions” (EatGood Records) – Collaborations between particular emcees and producers may look good on paper, but don’t always translate well once both parties are in the studio. When done right, however, the final results can be a match made in Hip-Hop heaven, like this EP from Birmingham emcee Sonnyjim and High Focus Records production wizard Leaf Dog. Meshing colourful wordplay and rewind-worthy punchlines with sublime beats, the pair displayed a natural chemistry throughout “How To Tame Lions” which, hopefully, will be heard again on future releases.
Von Poe VII – “Only Godz Relate” (Organized Threat) – An ambitious project of epic proportions, this thirty-track double-album from West Coast emcee Von Poe found the skilled artist unleashing intricate verses laced with socially conscious sentiments, street knowledge and a strong sense of cultural pride. Linking with equally talented wordsmiths such as Planet Asia and the UK’s Melanin 9, Poe also demonstrated a sharp ear for quality production, with “Only Godz Relate” possessing a strong sonic identity thanks to the ominous, piano-laced soundscapes of Saheed Sha, Endure and Faces. Peace to the Godz!
Creestal – “Difference” (Munchie Records) – French producer Creestal’s instrumental project “Difference” (a dedication to the “dark and rugged” aspects of America) offered listeners a captivating sonic journey which conjured up images of New York City project buildings, late-night street-corner drama and lost record collections rediscovered in dusty basements. Meticulously pieced together from a variety of random sample material, “Difference” was as unpredictable as it was enjoyable.
Timeless Truth – “Dominican Diner” (TimelessTruthNYC.Com) – Building on the strong foundations of their previous releases and continuing to carry on tradition, blood-related “Queens giants” Oprime39 and Superbad Solace repped proudly for their NY borough throughout “Dominican Diner”, accompanied by atmospheric production from the talented Fafu. Staying true to the golden-era codes and ethics of Rotten Apple Hip-Hop, Oprime and Solace respectfully paid homage to the NYC sound that raised them whilst making their own worthwhile contribution to the city’s rap legacy.
Supastition – “Honest Living” (Reform School Music) – Written during a period in when North Carolina-raised, ATL-based lyricist Supastition found himself unemployed and looking for a j-o-b in an unsteady US economy, “Honest Living” was working-class Hip-Hop capable of resonating with anyone struggling to make-ends-meet and provide for their family. Backed by the melodic boom-bap of German producer Croup, Supa provided the perfect soundtrack for everyone out there counting down to payday every month.
Jazz Spastiks – “The Product” (JazzPlastik) – UK production duo Coconut Delight and Mr. Manayana delivered a flawless album with “The Product”, a thoroughly-satisfying, head-nodding extravaganza which found the pair supplying the likes of Yesh, Apani B. Fly and Count Bass D with their classic brand of jazz-infused beats. Smooth horn samples, huge basslines and dreamy keys were the order of the day here, resulting in a warm, timeless listening experience.
Part Four coming soon.
The East Coast producer teams-up with France’s Shinigamie label to drop his debut album featuring a heavyweight line-up of emcees, including Shabaam Sahdeeq, Tragedy Khadafi, Celph Titled, Kool G Rap and more.
Gritty boom-bap from the Rhode Island producer’s forthcoming album “Dark Dayz” featuring Tragedy Khadafi, Celph Titled, Prince Po and more.
Cash Bilz – “French Connections” (@IAmCashBilz / 2014)
The Brooklyn resident drops raw verses over rugged production from France’s Kyo Itachi.
Skanks – “Wrong Number” (@TheRapMartyr / 2014)
Short-but-effective Kyo Itachi-produced head-nodder from the Brooklyn emcee’s album “The Shinigami Flowfessional”.
The title of this Kyo Itachi-produced track says everything you need to know about the lead single from Brooklyn crew Facez Of Def’s forthcoming EP “Shadow Def”.
Gstats – “I Get It On” (Shinigamie Records / 2014)
Venom-produced track from the Bankai Fam member’s forthcoming solo album “Syke & Ward”.
Ill Bill – “The Grimy Awards” (Uncle Howie) – The Brooklyn emcee kept one foot in the gritty past of NYC and the other striding towards an apocalyptic future as he shed light on both his influences and pivotal life moments throughout this extremely personal project. With production from the likes of Large Professor, DJ Muggs and DJ Premier, Bill dropped arguably his most impressive work to date (and an honorable mention has to go to Q-Unique for one of the year’s best verses on “L’Amour East”).
Omniscence – “Sharp Objects EP” (Omniscence.BandCamp.Com) – Having made his name in the 90s with underground classics such as “Amazin'” and “Touch Y’all”, the North Carolina punchline king returned like he hadn’t missed a beat, displaying his agile lyricism on this EP built on the strong, jazzy head-nodding sonics of Australian producer Debonair P.
Dam-Funk & Snoop Dogg – “7 Days Of Funk” (Stones Throw) – Getting back to his G-Funk roots, Snoopzilla got in touch with his inner Bootsy Collins by uniting with talented producer Dam-Funk for this synth-heavy blast of retro goodness that sounded like Tha Dogg Pound had gatecrashed a 1983 Bar-Kays jam session. Ooooweeee!!!
J-Zone – “Peter Pan Syndrome” (Old Maid Entertainment) – Providing theme music for thirty-something Hip-Hop heads everywhere faced with the cold realities of growing-up, Zone Loc’s latest opus found the Queens, NY producer-on-the-mic navigating the pressures of full-time employment, property ownership and relationships with his usual blend of sarcastic humour and musical inventiveness.
DJ Skizz – “B.Q.E. (The Brooklyn-Queens Experience)” (Gawd Of Math Music) – Amidst ongoing debates around the topic of New York rap losing its identity, producer DJ Skizz enlisted the likes of Masta Ace, Al’ Tariq and Rasheed Chappell for a hardcore shot to the dome that needed to be listened to whilst wearing a hoodie and Timberlands to be fully appreciated.
Strange Neighbour – “The Heisenberg EP” (Revorg Records) – Taking his inspiration from the anti-hero of cult TV show “Breaking Bad”, UK producer Strange Neighbour got busy in the lab and cooked-up this drum-heavy batch of bangers featuring the varied lyrical styles of Phoenix Da Icefire, Oliver Sudden, Big Toast and more.
Durag Dynasty – “360 Waves” (Nature Sounds) – The Alchemist continued to spend the year churning out ridiculously dope beats with this full-length crew effort from Planet Asia, Tristate and Killer Ben. With the West Coast trio each spitting sharp lyrical darts, Alchemist’s stripped-down beats provided the right amount of thump to ensure said darts exploded on impact as intended.
Chairman Maf – “1976” (ChairmanMaf.BandCamp.Com) – UK producer Maf’s debut full-length instrumental project was a masterclass in creating mood music. Ranging from ethereal boom-bap to intergalactic soul, “1976” took the listener on an unpredictable sonic journey which had a worthwhile destination around every corner.
Skyzoo & Antman Wonder – “An Ode To Reasonable Doubt” (Loyalty Digital Corp) – The Brooklyn lyricist paid homage to Jigga’s classic debut respectfully and creatively on this Antman Wonder-produced EP. Retreading the musical steps of golden-era Hov definitely meant attempting to fill some big shoes, but this brilliant eight-track release found Skyzoo adding just as much to “Reasonable Doubt” as he was taking. No regrets here.
Dirt Platoon – “War Face” (Shinigamie Records) – Straight off the streets of Baltimore, duo Raf Almighty and Snook Da Crook cracked the concrete beats provided here by French producer Kyo Itachi like a pair of lyrical jackhammers. Rough, rugged and raw, “War Face” left your eardrums feeling like they’d just been pummelled by the neighbourhood bully.
Tommy Tyler – “The Golden Section” (SonsPhonetic.BandCamp.Com) – The Irish emcee delivered a moody, hypnotic five-track EP that drew the listener into a sombre world further enhanced by the bass-heavy production of Mook. Music to listen to with the lights off.
Skanks ft. Raf Almighty & DJ Fastcut – “The Huntsmen” (@TheRapMartyr / 2013)
Kyo Itachi-produced Bankai Fam / Dirt Platoon collabo from the Crooklyn emcee’s forthcoming album “The Shinigamie Professional”.