100 Favourite Albums & EPs Of 2022 (Part Two) – Triple Darkness / Chill Rob G / Storm Watkins etc.

Check Part One here.

Napoleon Da Legend & Giallo Point – “Buckets” (NapoleonDaLegend.BandCamp.Com) – There may be an ocean and thousands of miles separating this US / UK partnership, but the latest outing from Napoleon Da Legend and Giallo Point flowed so seamlessly you would have been forgiven for thinking they were sat next to each other in a studio throughout the entire recording process. Confident, street-savvy verses were paired here with tight, polished production.

Triple Darkness – “KURAYAMI” (TripleDarkness.BandCamp) – Coming through like an army of battle-ready Hip-Hop warriors swinging heavy lyrical swords, the UK’s mighty Triple Darkness collective dropped their first group album since 2015, with members such as Solar Black, Ray Vendetta and Cyrus Malachi spitting evocative, powerful rhymes over thunderous beats from Soss, Tony Mahoney and DJ Drinks. This album was proof that TD remain one of the most talented and formidable crew’s in the rap game.

DIE-REK – “Year Of Redemption” (Illect.BandCamp.Com) – Drawing inspiration from both his spiritual beliefs and personal experiences, this second album from Canada’s DIE-REK was an impressive collection of life-affirming rhymes and standout, self-produced tracks. Music designed to invigorate your mind, body and soul.

Tom Caruana – “Strange Planet” (TeaSeaRecords.BandCamp.Com) – UK producer Tom Caruana voyaged back-to-the-future on this sci-fi-influenced concept album, with intergalactic rhyme explorers such as Mr. Lif, Jehst and Prince Po defying gravity as they floated over the unique beats on offer here with their lyrical phasers set to stun. Lift off!

ActProof – “Between Us And The World – Ep 1: Amped Up” (ActProofOfficial.Com) – Ten years after the release of their well-received “Black Boy Radio” album, North Carolina’s Sundown and Enigma made a welcome return from their musical hiatus with a three-part EP series, with this first instalment featuring the pair trading conversational rhymes over drum-heavy, neck-snapping production from long-time collaborator AMP.

Prox Centauri – “Emergence” (ProxCentauri.BandCamp.Com) – Flint, Michigan’s Prox Centauri has quickly become one of my favourite artists of recent times, with this release placing tracks that dropped throughout 2022 (featuring Skyzoo, Planet Asia and KXNG Crooked) alongside a handful of new cuts, all of which effectively showcased the Midwest-based microphone master’s intricate wordplay and self-assured flow.

Backwood Sweetie & Furious Stylez – “Sweetie Got Stylez” (BackwoodSweetie.BandCamp.Com) – Following-up 2021’s brilliant “Christina Shauntay” album, Maryland’s Backwood Sweetie teamed-up with talented Chicago-raised producer Furious Stylez for a seven-track dose of passionate Hip-Hop rooted in empowerment and integrity. Possessing the type of delivery that demands attention, this EP further highlighted Sweetie as being a gifted artist with much to offer the rap world (also, a special mention has to go to featured emcee K!ng jvmes for dropping one of the hardest-hitting verses of the year on “Long Story Short”).

J Rawls – “#jazzhop” (PolarEntLLC.BandCamp.Com) – The Ohio producer exceeded his own high standards with this album, a warm, welcoming collection of expertly-crafted instrumentals which, as the man himself said, were “reminiscent of the J Rawls sound from the late 90s and early 2000s”. A perfect sonic snapshot of the Midwest maestro’s well-rounded musical abilities.

I Self Devine – “That Which Is Hidden” (ImprovisedWeaponry.BandCamp.Com) – The veteran Minneapolis artist pondered questions around religion, spirituality and life on this concept album produced by The Original Copy. As we all find ourselves attempting to navigate the maze of today’s increasingly unsettled times, I Self Devine sought to encourage listeners to walk towards a path of enlightenment that would ultimately allow us to transcend the constraints of the matrix we find ourselves surrounded by.

Westside Gunn – “10” (GriseldaxFR.Com) – Love him or hate him one thing was for certain, Buffalo’s king of curation Westside Gunn wasn’t about to allow anyone to prevent him from continuing to supply the culture with his distinctive brand of art in 2022. Although “10” featured a long list of carefully chosen guests such as Black Star, Busta Rhymes and Ghostface, it was Gunn’s inimitable vocal delivery and vivid street commentary that remained the main attraction here. The FlyGod continued to soar above the clouds.

Agallah Don Bishop – “The Year Of The Tiger” (Agallah.BandCamp.Com) – Brooklyn’s Agallah has had a storied career both behind the mic and behind the boards. Since the 90s the NY-raised artist’s name has continuously rung bells within Hip-Hop circles and deservedly so. But not content with resting on past glories, the Don Bishop’s work rate in recent years has continuously proven his ability to compete in today’s underground scene whilst he’s dropped some of his best work. “The Year Of The Tiger” was a testament to Agallah’s staying power, combining moments of raw honesty and reflection with sheer confidence and boldness.

Sean Boog – “Between Midnights” (SeanBoog.BandCamp.Com) – The talented Sean Boog dropped the third release in his “Midnight” series, which was another brilliant EP from the North Carolina emcee that was full of down-to-earth, contemplative rhymes laced with sharp wit, backed by masterful production from Chris Charles.

T-Nyce & Jorai – “Supreme Talk” (JoraiMusic.BandCamp.Com) – South Carolina-based duo T-Nyce and Jorai delivered personal, heartfelt rhymes on this collaborative album, with production from Sypooda, Juno, Happy Walters and more matching the mood of the pair’s verses. Fully aware of the influence Hip-Hop can have on its audience, this Southern partnership clearly wanted this album to have a positive impact on those who heard it thanks to their honest approach to the music.

Sol Messiah – “GOD CMPLX” (SolMessiah.BandCamp.Com) – Having initially caught the attention of many thanks to his work with the great Sa-Roc (who was featured heavily here), eyes and ears were on Atlanta producer Sol Messiah when this album was announced. Thankfully it lived up to expectations, with the likes of Murs, TriState and Che Noir spitting over SM’s diverse and unpredictable soundscapes.

Daniel Son – “The Bush Doctor” (FXCKRXP.Com) – It’s a real talent to be able to make rhymes that have clearly been crafted with attention and precision sound completely effortless. This is something that Canada’s Daniel Son has been doing since the early days of his musical journey and that he continued to do with charismatic flair throughout this release for Germany’s FXCK RXP label. Cinematic verses detailing capers and escapades created vivid images in the listener’s mind, with sonic contributions from the likes of Futurewave, Finn and Giallo Point adding to the feeling of dramatic tension running throughout the album.

Chill Rob G – “Empires Crumble” (ChillRobG.BandCamp.Com) – As a member of New Jersey’s legendary Flavor Unit, Chill Rob G secured his place in Hip-Hop’s history books with his involvement in a handful of late-80s / early-90s classics. Over three decades later, this C-Doc-helmed album found the veteran emcee proving that ain’t a damn thing changed but the year, coming correct with elder statesman rhymes over lively, energetic beats which nodded respectfully towards the golden-age.

Storm Watkins – “Blue” (StormWatkins.BandCamp.Com) – Dedicated to the memory of his father who sadly passed away in 2022, Baltimore’s Storm Watkins channeled his feelings into this very personal instrumental project with powerful and poignant results. Emotionally-charged beats that made speakers pop at the same time as they tugged on heartstrings.

Sadat X – “Science Of Life” (Soulspazm.BandCamp.Com) – One of the most recognisable voices in rap, Brand Nubian’s Sadat X continued to add-on to his legacy with this aptly-titled album, which found the Now Rule emcee dropping grown man jewels laced with Five Percent lessons accompanied by underground favourites such as Crimeapple, Roc Marciano and Planet Asia.

Stan Ipcus – “Foliage” (StanIpcus.BandCamp) – If you were looking for an emcee with genuine character and personality in 2022, then NY’s Stan Ipcus deserved your attention. Possessing an easygoing, laidback flow and a natural lyrical wit, Big Ip showcased his notable rhyming talents on this seven-track selection of both previously-released and brand new cuts, with production from Jason Griff, Disco Vietnam and Max Bent.

Enrichment – “It’s A New Day” (Enrichment.BandCamp.Com) – Having worked with the likes of Snoop Dogg, Lloyd Banks and Benny The Butcher, New Jersey artist Enrichment offered thoughtful, contemplative rhymes here with smooth-yet-sturdy self-produced beats which perfectly matched his confident, conversational flow.

Check Part Three here.

Between Midnights EP Stream – Sean Boog

The talented Sean Boog drops the third release in his “Midnight” series, another brilliant EP from the North Carolina emcee full of down-to-earth, contemplative rhymes laced with sharp wit, backed by masterful production from CHVRLES. Don’t sleep!

100 Favourite Albums & EPs Of 2021 (Part Five) – Verb T & Illinformed / Little Simz / Nas etc.

Final part of my 2021 wrap-up – check Part One, Part Two, Part Three and Part Four.

UFO Fev & Vanderslice – “Enigma Of Dali” (UFOFev.BandCamp.Com) – One thing that’s become abundantly clear over the last couple of years is that Harlem’s UFO Fev has a great ear for choosing producers to work with that really compliment his style. With Statik Selektah, Termanology and Big Ghost Ltd all having laced the NY emcee with superb beats on full-length efforts during 2020, 2021 found Fev teaming-up with the consistently dope Vanderslice for “Enigma Of Dali”, painting colourful lyrical portraits which captured the essence of life in the Rotten Apple.

Damu The Fudgemunk – “Conversation Peace” (DamuTheFudgemunk.BandCamp.Com) – Having been given full access to the musical vaults of London’s KPM Library for this release, you could almost feel Damu’s glee and excitement bursting out of the grooves here from beats crafted after being blessed with the opportunity to dig through thousands of records. Joined by Raw Poetic, Insight, Blu and Nitty Scott, the Washington DC producer soared above the clouds, nodding to the 90s on the way up without getting stuck in the past or overdosing on nostalgia. “Conversation Peace” was a genuinely invigorating listening experience.

Cesar Comanche & Poe Mack – “A Promise Not To Sting” (CesarComanche.BandCamp.Com) – This collaborative album from North Carolina’s Cesar Comanche (of Justus League fame) and Virginia’s Poe Mack really struck a chord with me. It was the sound of two individuals who’ve lived life and learnt lessons ruminating on the past, present and future in a world undergoing huge change. Production from the likes of 9th Wonder, Khrysis and DJ Flash gave the album a vintage (and at times fittingly melancholy) feel, with Comanche and Mack bouncing purposeful verses back and forth with ease.

Verb T & Illinformed – “Stranded In Foggy Times” (VerbT.BandCamp.Com) – The third and final part of Verb T and Illinformed’s “Foggy” trilogy, this album once again showcased the brilliant writing ability of the UK emcee with the verses here consisting of well-crafted meaningful lyrics, some of which were straight-to-the-point whilst others were open to interpretation. Backed by the quality production of Illinformed, which perfectly complimented Verb’s conversational, laidback rhyme style, T approached this release with all the skill, poise and confidence you’d expect from an artist who has shown nothing but constant elevation throughout his twenty year career.

Kamanchi Sly – “Electrosis 2” (HipHop73.Com) – Pulling on his shelltoes and Nike windbreaker once again, UK legend K-Sly dropped three “Electrosis” albums during 2021, with each one celebrating the sounds and excitement of Hip-Hop in the early-to-mid 1980s with genuine love and authenticity. The Hijack legend sounded as sharp and enthusiastic as ever, clearly reveling in the opportunity to revisit old-school memories of being a young London b-boy four decades ago, whilst still proudly displaying the same competition-crushing attitude that fuelled UK classics such as “Style Wars” and “Hold No Hostage”.

Swank & King Draft – “Long Story Short” (JamlaRecords.Com) – North Carolina’s Swank and King Draft once again proved themselves to be a potent combination on this sophomore album. Slick, witty wordplay glided effortlessly over the smooth, R&B-influenced production from 9th Wonder and Jamla’s Soul Council. At a time when playlists and random shuffle options have contributed to some artists thinking less about an album as a cohesive body of work sequenced to take listeners on a journey, Swank and Draft succeeded in capturing and maintaining a mood throughout “Long Story Short” which gave the album a strong sense of momentum. For that, they get props over here.

Little Simz – “Sometimes I Might Be Introvert” (LittleSimz.Com) – The latest long-player from London’s Little Simz was an album of epic proportions. The subject matter. The delivery. The production. The interludes. The cover. The execution. The openness. The honesty. Every element of this album contributed to it being something truly special. Simz confronted a number of issues with a mix of both strength and vulnerability, accompanied by the masterfully diverse musicality of producer Inflo, as listeners were swept along on a wave of emotion that by the end of the album made it feel as if we to had been on our own voyage of self-discovery.

Mach-Hommy – “Pray For Haiti” (Mach-Hommy.Com) – Reunited with Griselda Records’ Westside Gunn and backed by ambitious production from the likes of Camoflauge Monk, Conductor Williams and Nicholas Craven, with “Pray For Haiti” New Jersey’s enigmatic Mach-Hommy delivered a rich tapestry of sound that was packed with elegant arrogance, unabashed individuality and joyful spontaneity. This album felt like the musical equivalent of looking through a kaleidoscope and sounded all the better for it.

Cons – “B.A.D.A.” (Ottoman Elf) – A veteran of the UK Hip-Hop scene, London’s Cons (aka Conspicuous) returned after an eight year hiatus with the hunger and vigour of a new artist, balanced with the benefit of hindsight and a wisdom that can only come from life experience. Reuniting with longstanding collaborators such as Apollo, LG and Evil Ed, Cons dropped street knowledge and elder statesman advice throughout “B.A.D.A.”, proving that if you’re nice on the mic device it really doesn’t matter how much time passes between projects.

Tanya Morgan – “Don and Von” (TanyaMorgan.BandCamp.Com) – Fifteen years since Tanya Morgan’s cult classic debut “Moonlighting” dropped, Von Pea and Donwill added a new release to their already impressive catalogue. Combining everyday life events and social commentary with wit and humour, the duo endeared themselves to listeners as always, coming across as two down-to-earth individuals who it might be cool to spend time kicking it with about music, politics and current events. Production from the likes of Brick Beats, Clint Taylor and Aeon also helped this album standout from the pack.

Fashawn & Sir Veterano – “All Hail The King” (FreshYardRecords.Com) – Fresno’s Fashawn returned to claim his crown with this album skillfully produced by fellow Cali Hip-Hop head Sir Veterano, with features from Elzhi, Aloe Blacc and Planet Asia. Coming in at a concise nine tracks, the West Coast wordsmith didn’t waste a single moment here, tightly packing his verses with fast-paced lyricism which covered hometown pride, building a life with his queen, raising the next generation and, of course, reigning supreme over his kingdom as rap royalty.

Benny Diction – “Facepalm / Brainwave?” (BoomBapPro.Com) – One of the UK’s most consistent artists, any new release from Benny Diction is always a welcome, enjoyable listening experience and this album was no different. Musing on the mundane to the magnificent and everything in-between, the BBP-affiliated emcee’s ability to inject insight and thoughtful observation into his rhymes shone brightly here, with Benny reflecting on the world around him accompanied by top-notch production from the likes of jas0nbeats, Krang and Deltatone.

Joell Ortiz – “Autograph” (JoellOrtiz.BandCamp.Com) – Honesty has been a theme that’s always run throughout the music of Brooklyn’s Joell Ortiz. Good times. Bad times. Successes. Failures. The NY emcee has consistently spoken on both sides of the game, whether discussing street life, personal life or industry life. “Autograph” was another does of up-close-and-uncut reality, with Ortiz recalling his struggle to get put on in the rap game, his life before that time and his life now as he embraces OG status. The detailed, sincere rhymes heard here were complimented by the production of Apollo Brown, The Heatmakerz, Salaam Remi and more.

Ransom & Big Ghost Ltd – “Heavy Is The Head” (Ransom.Com) – Jersey City’s Ransom clearly had one thing on his mind when recording this album and one thing only – lyrical domination. Joined by the likes of Mickey Factz, RJ Payne and Rome Streetz, Ransom fired off barrages of relentlessly aggressive rhymes over Big Ghost’s fittingly raw production. No holds barred. No prisoners taken. This was the sound of an emcee getting medieval on the competition.

Minnesota – “Once Upon A Handshake” (JBS Management) – Producer-slash-emcee Minnesota of the Bronx’s legendary Money Boss crew served up a raw slice of Rotten Apple rap with this solo album. A collection of hardcore beats and rhymes straight from the birthplace of Hip-Hop, this project was full of vivid inner-city imagery, BX swagger and vintage beat science. As KRS-One once said, the Bronx keeps creating it.

Passport Rav – “Sand In My Carry On” (PassportRav.BandCamp.Com) – Brooklyn’s Passport Rav crafted a laidback, reflective masterpiece for his seventh release to have dropped over the last two years. Mixing dense lyricism with breezy hooks and mellow production from Sebb Bash and Wavy Da Ghawd, Rav’s latest opus was mood music of the highest quality that both soothed and stimulated the mind.

Your Old Droog – “Space Bar” (YourOldDroog.BandCamp.Com) – To be honest, NYC’s Droog has been on a winning streak since his debut in 2014, but with his musical output having noticeably increased since 2019 it would be hard for anyone to question both the work ethic and the talent. An artist who has always seemed simultaneously unimpressed and untouched by whatever else is happening in the Hip-Hop world, Droog continued to create in his own zone with this short-but-effective album. The unshakeable confidence and sly humour heard in YOD’s verses was matched here with production from the likes of 88 Keys, Sadhugold and Elaquent.

Uptown XO – “Culture Over Corporate Vol. III” (OneForceUnited.BandCamp.Com) – The third instalment of the Washington D.C. artist’s COC series, this album saw Uptown XO once again teaming-up with fellow Diamond District member Oddisee to deliver another stellar collection of intelligent, topical rhymes and soulful, neck-snapping beats.

Sean Boog – “It’s Midnight Somewhere: Sector 2” (SeanBoog.BandCamp.Com) – The female voice that guided us through A Tribe Called Quest’s classic third album told us that seven times out of ten, we listen to our music at night. With that in mind, this six-track EP from North Carolina’s Sean Boog appeared tailor-made for nocturnal head-nodding. Dallas-based producer Keelon Donnel’s laidback beats were the perfect match for Boog’s “smooth grown-up s**t” and life-affirming rhymes. This was the ideal soundtrack to throw on when the sun had set to help ease the stresses of the daily grind.

Nas – “Magic” (MassAppeal.Com) – A surprise release on Christmas Eve, as expected the third full-length collaboration from Nas and producer Hit-Boy caused chaos in the social media world over the festive season as heads responded to the album with a variety of opinions. Personally, I really liked it. Nothing on “Magic” sounded forced or overthought. The album had a great natural flow to it from beginning to end. Nas sounded inspired and motivated throughout, with Hit-Boy providing arguably the best production he’s supplied the Queensbridge legend with yet. A memorable way to close what was a great year for new Hip-Hop.

New Joint – Sean Boog

Sean Boog – “Don’t Say Sh*t” (@SeanBoog / 2021)

North Carolina’s Sean Boog offers some wise advice over crisp Keelon Donnel production off his recent release “It’s Midnight Somewhere: Sector 2”.

New Joint – Sean Boog

Sean Boog – “Outta Here” (@SeanBoog / 2021)

Witty wordplay and soulful, head-nodding beats from the North Carolina emcee’s forthcoming Keelon Donnel-produced EP “It’s Midnight Somewhere: Sector 2”.

New Joint – Sean Boog

Sean Boog – “Deep Breath” (@SeanBoog / 2020)

North Carolina’s Sean Boog reunites with Away Team partner / producer Khrysis on this dope track from his recent EP “It’s Midnight Somewhere”.

New Joint – The Away Team

The Away Team – “The Blah Blah 2” (Jamla Records / 2012)

New music from North Carolina duo Sean Boog and Khrysis off their forthcoming album “Grand Gesture”.

New Joint – Sean Boog

Sean Boog – “Sean Boogie Nights” (Jamla Records / 2012)

Produced by Ka$h.

The Buzz Factory Vol. 1 EP Download – Sinopsis

New free project from Kooley High member and producer Sinopsis featuring North Carolina talent such as Sean Boog, HaLo and Charlie Smarts – download here.

New Joint – Sean Boog / Halo / Sundown

Sean Boog ft. Halo & Sundown – “The Phantom Of The Jamla” / “Natural” / “F**kin With Who” (IWWMG / 2011)

Taking their cue from Gang Starr’s classic 1992 posse cut “I’m The Man”, the IWWMG crew team-up for this three-part video with beats provided by Eric G. and Amp.

New Joint – King Mez / Thee Tom Hardy / Sean Boog

King Mez ft. Thee Tom Hardy & Sean Boog – “From The South” (KingMez.Com / 2011)

Taken from the North Carolina emcee’s Khrysis-produced EP “The King’s Khrysis”.

New Joint – Sean Boog

Sean Boog – “Gettin’ Mine” (IWWMG / 2010)

Produced by AMP.

New Joint – Spectac / Sean Boog / Khrysis

Spectac ft. Sean Boog & Khrysis – “Superman” (Domination Recordings / 2010)

Taken from the album “Looks Like Another Job For Spectac”.