New Joint – Nas

Nas – “30” (@Nas / 2023)

Fresh from his recent triumphant appearance at NY’s Madison Square Garden, rap icon Nas drops a new video for one of the standout tracks off the “King’s Disease III” album.

100 Favourite Albums & EPs Of 2022 (Part Four) – Priest Da Nomad / Nas / Stalley etc.

Check Part One, Part Two and Part Three.

Priest Da Nomad – “Receipts” (PriestDaNomad.BandCamp.Com) – A longstanding figure in the DMV Hip-Hop scene with numerous releases to his name, Maryland emcee Priest Da Nomad took the opportunity on his latest album to celebrate, document and evaluate his artistic journey that began in the early-90s. Part nostalgia trip, part reminder of his lyrical prowess and continued dedication to Hip-Hop culture, “Receipts” felt alive, with Priest’s personal recollections and thoughts repeatedly hitting home and stirring emotions.

Big Kahuna OG & Graymatter – “Metal Gear Solid (Catastrophic Inventions 2)” (SchemeTeamAllstars.BandCamp.Com) – Virginia’s charismatic Big Kahuna OG glided across producer Graymatter’s smooth, dusty-fingered beats on this quality release from the talented Mutant Academy / Scheme Team camp. Slick, fluid rhymes detailing Kahuna’s daily hood operations meshed perfectly with Graymatter’s vintage soul samples, as Lord Jah-Monte Ogborn, Fly Anakin and 3WaySlim passed through to offer their assistance.

Libretto & Vitamin D – “Rusty Bladez” (LiquidBeat.BandCamp.Com) – An ambitious, brilliantly executed concept album which found Cali-raised, Portland, Oregon-based emcee Libretto drawing on his time spent in the US prison system and his experiences reintegrating with society, “Rusty Bladez” was far from your typical rap release. Avoiding glorifying or trivializing any of the situations he touched on, Libretto spoke for those caught up in the system, with veteran Seattle producer Vitamin D’s beats adding further weight to the first-hand rhymes heard here.

The Bad Seed – “Four Finger Ring” (TheBadSeed6.BandCamp.Com) – A product of Hip-Hop’s golden-era and an active participant in the mid-to-late 90s indie scene, Brooklyn’s Bad Seed is a master of the punchline, an artistic strength put to good use on this rambunctious album. Full of rewind-worthy ‘What did he just say?’ rhymes, “Four Finger Ring” featured Seed attacking tracks as if he were face-to-face with a lyrical opponent in a street-corner cypher, accompanied by rough, rugged and raw production from Team Demo, CJ Dove, Takenotez and more.

White Girl Wasted – “White Girl Wasted” (Sonnyjim.BandCamp.Com) – The UK’s inimitable Sonnyjim cruised through this entertaining EP as an international man of mic mastery, detailing global tales of debauchery and substance-fuelled antics over exquisite Purist production, with heavy-hitters MF DOOM, Jay Electronica, Madlib and DJ Premier along for the trip.

1773 & E Brown – “KOTODAMA” (1773Live.BandCamp.Com) – 2022 was a busy twelve months for Chicago’s Wisdm Uno and Jay Nagoma, with the duo dropping a handful of releases over the time period. But it was this album produced by Ohio’s E Brown that set the year off for the Windy City duo. A vibrant affair full of contemplative, inspiring rhymes and fresh, clean beats, this was music guaranteed to fill your soul and lift your mood.

Che` Noir – “Food For Thought” (CheNoir.BandCamp.Com) – Buffalo-based artist Che` Noir’s pen game is undeniable and this album was further proof of that claim. Whether detailing the struggles of her past, the triumphs of her present or the aspirations of her future, Noir remained grounded and insightful, telling her story, owning her narrative and continuing to push herself forward using music as a tool of salvation.

Rob Cave & Small Professor – “Respect Wildlife” (RobCaveJr.BandCamp.Com) – If New York is the concrete jungle then think of Brooklyn’s Rob Cave as an urban anthropologist on this album, immersing himself in the Big Apple environment, stomping through the streets wearing Timberlands and a backpack, studying the humanity of those around him and applying those findings to the wider world. Produced by Philly’s Small Professor and narrated by NY legend Dallas Penn, this was a clever, well-executed release which reminded us, in Cave’s own words, that as human beings we’re all just looking for warmth, food and love at the end of the day.

Kenautis Smith x Race Bannon – “Aandete” (Race.BandCamp.Com) – A great example of underground Hip-Hop made with character and ingenuity, this album from Chicago duo Kenautis Smith and Race Bannon struck a casual balance between social commentary, life advice and competion-crushing emcee bravado, all delivered over memorable production.

Nas – “King’s Disease III” (MassAppeal.Com) – The fact that Nasir Jones is even still making music over thirty years since his debut Main Source appearance is an achievement in itself. But when you consider he’s still operating at such a high level of rhyming ability and doesn’t appear to be jaded after what has been one of Hip-Hop’s most scrutinized and debated careers, it’s almost a miracle. How much of an influence producer Hit-Boy has had on Nas’s NY state of mind over the last few years is open to discussion, but on the strength of this album, their creative partnership only seemed to grow stronger in 2022, with the Queensbridge legend appearing to revel in his elder statesman rap role.

Big Shot Manceeni – “Culinary Art” (BigShotManceeni.Com) – As a member of both D.M.P. and The Proz, Virginia’s Big Shot Manceeni is no stranger to raw Hip-Hop. Taking the decision to strike out on his own, this solo album found Manceeni dropping straight-talking street knowledge as well as offering his thoughts on the issues of the day, accompanied by speaker-rattling beats from long-time collaborator Nottz, plus Ilien Rosewell, Logic Marsalis and Crummie Beats.

Your Old Droog – “Yodney Dangerfield” (YourOldDroog.BandCamp.Com) – As the saying goes, it’s quality not quantity that counts. However, that doesn’t seem to apply to Your Old Droog, who appears to have mastered both elements of that statement, dropping a steady stream of impressive releases over recent years. This EP continued the NY emcee’s consistent run, full of quotable punchlines backed by beats from Wino Willy, Nicholas Craven and Jonwayne.

BodyBagBen & Planet Asia – “Heist The Crown” (BodyBagBen.BandCamp.Com) – Gold Chain Music general Planet Asia dipped into his seemingly bottomless bag of rhymes for this EP produced by fellow West Coast representative BodyBagBen. Backed by dramatic, pounding beats, PA let off a barrage of lyrical darts here laden with vivid imagery, further reinforcing his reputation as one of the rap game’s most skillful wordsmiths.

D-Styles & J Scienide – “The Periodic Tables Of Excellence” (BeatJunkieSound.BandCamp.Com) – A perfectly balanced collaboration, D-Styles of LA’s Beat Junkies crew supplied Washington D.C. lyricist J Scienide with a sublime selection of beats here, over which the DMV emcee deftly delivered a string of impressive verses, joined by underground favourites Blu and DanielSon.

Da Buze Bruvaz Prezent Clever 1 – “Kevlar Ski Jacketz” (GrilchyParty.BandCamp.Com) – Well known for his unapologetic brand of bare-knuckle boom-bap rap, Buze Bruvaz member Clever 1 could be heard stamping through the streets of Philly on this album, engaging in a series of action-packed capers with his usual larger-than-life bravado, backed-up by a posse of producers which included Vic Grimes, Conflikt and Amen.

Rome Streetz – “Kiss The Ring” (RomeStreetz.BandCamp.Com) – NY’s Rome Streetz has been putting in work throughout the underground for a number of years now, so the added attention he received due to the Griselda stamp of approval on this album was well-deserved. A self-assured selection of hard-knock rhymes delivered over an eclectic, unpredictable array of beats and loops from the likes of Camoflauge Monk, Conductor Williams and Daringer, “Kiss The Ring” showcased the talents of an emcee ready to move to the next level of the game.

Yashiyah – “Seed Of The Ghetto” (VibesForTheKinfolk.BandCamp.Com) – Baltimore’s Yashiyah offered food for thought in the understated, heartfelt reality rhymes contained here, with moments of personal reflection highlighting the meaning of the EP’s title, building on the importance of staying in control of mind and actions regardless of the situations and environments an individual may find themselves in.

DJ Nappa – “Capital Beat Tape Vol. 1” (DJNappa.BandCamp.Com) – If, like me, you grew-up in the 80s tuning in to the late, great Mike Allen’s Hip-Hop show on London’s Capital Radio then this instrumental release from esteemed UK producer DJ Nappa will have tugged on your old-school heartstrings. Every Friday and Saturday night used to be a musical journey as Mike played the freshest new sounds and Nappa expertly tapped into that feeling of youthful excitement here, pulling together breaks, beats and samples from the time to create a brilliant back-to-the-future blast of boom-box-friendly nostalgia.

HAQK – “Divine Alchemy” (HAQK.BandCamp.Com) – Familiar names within the UK Hip-Hop scene, Nomadic Poet (The Planets) and Particle 2 (New Flesh) came together to craft an album that felt like a truly unique journey into sound and spirituality. Whilst Nomadic offered commentary on the world we live in, Particle 2 supplied beats that managed to simultaneously evoke memories of the past and thoughts of the future. Full of vibes, soul and heart, this album was a sonic portal that allowed listeners to take a trip to a creative destination that was both familiar and new.

Stalley – “Somebody Up There Loves Me” (MelloMusicGroup.BandCamp.Com) – His second album for the Mello Music Group label following 2021’s excellent Apollo Brown-produced “Blacklight”, “Somebody…” found Ohio’s Stalley drawing on his own experiences to encourage and motivate others, delivering his verses with an endearing warmth and a laidback openness that was complimented by smooth, hypnotic production from Black Diamond, MadKeys, Namir Blade and others. A soundtrack to personal elevation.

Check Part Five here.

New Joint – Nas

Nas – “Michael & Quincy” (@Nas / 2022)

Taken from the Queensbridge icon’s Hit-Boy-produced album “King’s Disease III”.

Jazzmatic 3 Album Stream – Funky DL

Prolific London-based Hip-Hop vet Funky DL delivers a third instalment of his Nas remix series, using his quality brand of jazz-influenced boom-bap production to reinterpret a varied selection of tracks from the Queensbridge legend.

New Joint – Nas

Nas – “Ugly” (@Nas / 2022)

The Queensbridge legend takes a ride through the streets of New York in this latest video to be lifted from his Hit-Boy-produced album “Magic”.

New Joint – Nas / A$AP Rocky / DJ Premier

Nas ft. A$AP Rocky & DJ Premier – “Wave Gods” (@Nas / 2022)

QB legend Nas returns to an NY state of mind on this track from his recent Hit-Boy-produced album “Magic”.

100 Favourite Albums & EPs Of 2021 (Part Five) – Verb T & Illinformed / Little Simz / Nas etc.

Final part of my 2021 wrap-up – check Part One, Part Two, Part Three and Part Four.

UFO Fev & Vanderslice – “Enigma Of Dali” (UFOFev.BandCamp.Com) – One thing that’s become abundantly clear over the last couple of years is that Harlem’s UFO Fev has a great ear for choosing producers to work with that really compliment his style. With Statik Selektah, Termanology and Big Ghost Ltd all having laced the NY emcee with superb beats on full-length efforts during 2020, 2021 found Fev teaming-up with the consistently dope Vanderslice for “Enigma Of Dali”, painting colourful lyrical portraits which captured the essence of life in the Rotten Apple.

Damu The Fudgemunk – “Conversation Peace” (DamuTheFudgemunk.BandCamp.Com) – Having been given full access to the musical vaults of London’s KPM Library for this release, you could almost feel Damu’s glee and excitement bursting out of the grooves here from beats crafted after being blessed with the opportunity to dig through thousands of records. Joined by Raw Poetic, Insight, Blu and Nitty Scott, the Washington DC producer soared above the clouds, nodding to the 90s on the way up without getting stuck in the past or overdosing on nostalgia. “Conversation Peace” was a genuinely invigorating listening experience.

Cesar Comanche & Poe Mack – “A Promise Not To Sting” (CesarComanche.BandCamp.Com) – This collaborative album from North Carolina’s Cesar Comanche (of Justus League fame) and Virginia’s Poe Mack really struck a chord with me. It was the sound of two individuals who’ve lived life and learnt lessons ruminating on the past, present and future in a world undergoing huge change. Production from the likes of 9th Wonder, Khrysis and DJ Flash gave the album a vintage (and at times fittingly melancholy) feel, with Comanche and Mack bouncing purposeful verses back and forth with ease.

Verb T & Illinformed – “Stranded In Foggy Times” (VerbT.BandCamp.Com) – The third and final part of Verb T and Illinformed’s “Foggy” trilogy, this album once again showcased the brilliant writing ability of the UK emcee with the verses here consisting of well-crafted meaningful lyrics, some of which were straight-to-the-point whilst others were open to interpretation. Backed by the quality production of Illinformed, which perfectly complimented Verb’s conversational, laidback rhyme style, T approached this release with all the skill, poise and confidence you’d expect from an artist who has shown nothing but constant elevation throughout his twenty year career.

Kamanchi Sly – “Electrosis 2” (HipHop73.Com) – Pulling on his shelltoes and Nike windbreaker once again, UK legend K-Sly dropped three “Electrosis” albums during 2021, with each one celebrating the sounds and excitement of Hip-Hop in the early-to-mid 1980s with genuine love and authenticity. The Hijack legend sounded as sharp and enthusiastic as ever, clearly reveling in the opportunity to revisit old-school memories of being a young London b-boy four decades ago, whilst still proudly displaying the same competition-crushing attitude that fuelled UK classics such as “Style Wars” and “Hold No Hostage”.

Swank & King Draft – “Long Story Short” (JamlaRecords.Com) – North Carolina’s Swank and King Draft once again proved themselves to be a potent combination on this sophomore album. Slick, witty wordplay glided effortlessly over the smooth, R&B-influenced production from 9th Wonder and Jamla’s Soul Council. At a time when playlists and random shuffle options have contributed to some artists thinking less about an album as a cohesive body of work sequenced to take listeners on a journey, Swank and Draft succeeded in capturing and maintaining a mood throughout “Long Story Short” which gave the album a strong sense of momentum. For that, they get props over here.

Little Simz – “Sometimes I Might Be Introvert” (LittleSimz.Com) – The latest long-player from London’s Little Simz was an album of epic proportions. The subject matter. The delivery. The production. The interludes. The cover. The execution. The openness. The honesty. Every element of this album contributed to it being something truly special. Simz confronted a number of issues with a mix of both strength and vulnerability, accompanied by the masterfully diverse musicality of producer Inflo, as listeners were swept along on a wave of emotion that by the end of the album made it feel as if we to had been on our own voyage of self-discovery.

Mach-Hommy – “Pray For Haiti” (Mach-Hommy.Com) – Reunited with Griselda Records’ Westside Gunn and backed by ambitious production from the likes of Camoflauge Monk, Conductor Williams and Nicholas Craven, with “Pray For Haiti” New Jersey’s enigmatic Mach-Hommy delivered a rich tapestry of sound that was packed with elegant arrogance, unabashed individuality and joyful spontaneity. This album felt like the musical equivalent of looking through a kaleidoscope and sounded all the better for it.

Cons – “B.A.D.A.” (Ottoman Elf) – A veteran of the UK Hip-Hop scene, London’s Cons (aka Conspicuous) returned after an eight year hiatus with the hunger and vigour of a new artist, balanced with the benefit of hindsight and a wisdom that can only come from life experience. Reuniting with longstanding collaborators such as Apollo, LG and Evil Ed, Cons dropped street knowledge and elder statesman advice throughout “B.A.D.A.”, proving that if you’re nice on the mic device it really doesn’t matter how much time passes between projects.

Tanya Morgan – “Don and Von” (TanyaMorgan.BandCamp.Com) – Fifteen years since Tanya Morgan’s cult classic debut “Moonlighting” dropped, Von Pea and Donwill added a new release to their already impressive catalogue. Combining everyday life events and social commentary with wit and humour, the duo endeared themselves to listeners as always, coming across as two down-to-earth individuals who it might be cool to spend time kicking it with about music, politics and current events. Production from the likes of Brick Beats, Clint Taylor and Aeon also helped this album standout from the pack.

Fashawn & Sir Veterano – “All Hail The King” (FreshYardRecords.Com) – Fresno’s Fashawn returned to claim his crown with this album skillfully produced by fellow Cali Hip-Hop head Sir Veterano, with features from Elzhi, Aloe Blacc and Planet Asia. Coming in at a concise nine tracks, the West Coast wordsmith didn’t waste a single moment here, tightly packing his verses with fast-paced lyricism which covered hometown pride, building a life with his queen, raising the next generation and, of course, reigning supreme over his kingdom as rap royalty.

Benny Diction – “Facepalm / Brainwave?” (BoomBapPro.Com) – One of the UK’s most consistent artists, any new release from Benny Diction is always a welcome, enjoyable listening experience and this album was no different. Musing on the mundane to the magnificent and everything in-between, the BBP-affiliated emcee’s ability to inject insight and thoughtful observation into his rhymes shone brightly here, with Benny reflecting on the world around him accompanied by top-notch production from the likes of jas0nbeats, Krang and Deltatone.

Joell Ortiz – “Autograph” (JoellOrtiz.BandCamp.Com) – Honesty has been a theme that’s always run throughout the music of Brooklyn’s Joell Ortiz. Good times. Bad times. Successes. Failures. The NY emcee has consistently spoken on both sides of the game, whether discussing street life, personal life or industry life. “Autograph” was another does of up-close-and-uncut reality, with Ortiz recalling his struggle to get put on in the rap game, his life before that time and his life now as he embraces OG status. The detailed, sincere rhymes heard here were complimented by the production of Apollo Brown, The Heatmakerz, Salaam Remi and more.

Ransom & Big Ghost Ltd – “Heavy Is The Head” (Ransom.Com) – Jersey City’s Ransom clearly had one thing on his mind when recording this album and one thing only – lyrical domination. Joined by the likes of Mickey Factz, RJ Payne and Rome Streetz, Ransom fired off barrages of relentlessly aggressive rhymes over Big Ghost’s fittingly raw production. No holds barred. No prisoners taken. This was the sound of an emcee getting medieval on the competition.

Minnesota – “Once Upon A Handshake” (JBS Management) – Producer-slash-emcee Minnesota of the Bronx’s legendary Money Boss crew served up a raw slice of Rotten Apple rap with this solo album. A collection of hardcore beats and rhymes straight from the birthplace of Hip-Hop, this project was full of vivid inner-city imagery, BX swagger and vintage beat science. As KRS-One once said, the Bronx keeps creating it.

Passport Rav – “Sand In My Carry On” (PassportRav.BandCamp.Com) – Brooklyn’s Passport Rav crafted a laidback, reflective masterpiece for his seventh release to have dropped over the last two years. Mixing dense lyricism with breezy hooks and mellow production from Sebb Bash and Wavy Da Ghawd, Rav’s latest opus was mood music of the highest quality that both soothed and stimulated the mind.

Your Old Droog – “Space Bar” (YourOldDroog.BandCamp.Com) – To be honest, NYC’s Droog has been on a winning streak since his debut in 2014, but with his musical output having noticeably increased since 2019 it would be hard for anyone to question both the work ethic and the talent. An artist who has always seemed simultaneously unimpressed and untouched by whatever else is happening in the Hip-Hop world, Droog continued to create in his own zone with this short-but-effective album. The unshakeable confidence and sly humour heard in YOD’s verses was matched here with production from the likes of 88 Keys, Sadhugold and Elaquent.

Uptown XO – “Culture Over Corporate Vol. III” (OneForceUnited.BandCamp.Com) – The third instalment of the Washington D.C. artist’s COC series, this album saw Uptown XO once again teaming-up with fellow Diamond District member Oddisee to deliver another stellar collection of intelligent, topical rhymes and soulful, neck-snapping beats.

Sean Boog – “It’s Midnight Somewhere: Sector 2” (SeanBoog.BandCamp.Com) – The female voice that guided us through A Tribe Called Quest’s classic third album told us that seven times out of ten, we listen to our music at night. With that in mind, this six-track EP from North Carolina’s Sean Boog appeared tailor-made for nocturnal head-nodding. Dallas-based producer Keelon Donnel’s laidback beats were the perfect match for Boog’s “smooth grown-up s**t” and life-affirming rhymes. This was the ideal soundtrack to throw on when the sun had set to help ease the stresses of the daily grind.

Nas – “Magic” (MassAppeal.Com) – A surprise release on Christmas Eve, as expected the third full-length collaboration from Nas and producer Hit-Boy caused chaos in the social media world over the festive season as heads responded to the album with a variety of opinions. Personally, I really liked it. Nothing on “Magic” sounded forced or overthought. The album had a great natural flow to it from beginning to end. Nas sounded inspired and motivated throughout, with Hit-Boy providing arguably the best production he’s supplied the Queensbridge legend with yet. A memorable way to close what was a great year for new Hip-Hop.

100 Favourite Albums & EPs Of 2021 (Part Three) – Evidence / Children Of Zeus / Arrested Development etc.

Check Part One and Part Two.

Ca$ablanca x The Mali Empire – “Xtreme Xcellence” (Casablanca92fs.BandCamp.Com) – Dallas, Texas-based emcee Ca$ablanca has been dropping gems for a number of years now, but this Mali Empire-produced album may just have been his finest moment yet. Featuring the likes of Ray Vendetta, YNX716 and Nowaah The Flood, “Xtreme Xcellence” was packed with hard-hitting, precise lyricism delivered over a sublime selection of sample-driven tracks.

AZ – “Doe Or Die II” (QuietMoneyDirect.Com) – The idea of the ‘sequel album’ has become something of a cliché amongst golden-era rap artists. Some have seen the light of day. Some have remained unexecuted concepts destined only to be repeatedly mentioned during interviews. Some have succeeded. Some have failed. Thankfully, Brooklyn’s ever-consistent AZ managed to live up to the hype surrounding this follow-up to his 1995 debut, matching his slick, street-savvy verses with an experienced perspective and smoothed-out production from the likes of Bink!, Baby Paul and Pete Rock.

Milano x Showbiz – “Eating But Still Hungry” (MilanoxShowbiz.BandCamp.Com) – Any release coming from the Diggin’ In The Crates camp brings with it a high level of expectation from fans. Understandably, there’s a certain level of quality expected from members of the crew who really did it for the culture and became one of the most dominant forces in East Coast Hip-Hop. Milano and Showbiz rose to that challenge in no uncertain terms on this album packed with swaggering Rotten Apple attitude, skills sharpened in unforgiving street-corner ciphers and dope, dusty-fingered beats.

Kev Brown & J Scienide – “Stray From The Pack” (KevBrown.BandCamp.Com) – Following up their impressive 2019 collaboration “Drum Machine Tape Cassette”, DMV duo Kev Brown and J Scienide offered up another collection of loose, spontaneous sounding beats and rhymes inspired by both a love of the art and the satisfaction of making the competition feel inadequate. B-boy basement flavour.

The Primeridian & Rashid Hadee – “Prime Diesel” (RashidHadee.BandCamp.Com) – A product of Chicago’s rich underground scene, this collaboration between veteran duo The Primeridian and fellow Windy City representative Rashid Hadee was a shining example of top-tier beat science and carefully crafted lyricism. With additional production from Tall Black Guy and featured artists such as Thaione Davis, Pugs Atomz and Philmore Greene, this album captured a lot of talent at their very best.

Flashius Clayton x Jster – “The Dust Diary” (25NoteDope.BandCamp.Com) – A naturally gifted emcee, Cali’s Flashius Clayton was firing on all cylinders here, with his usual high-standard of lyrical expertise accompanied by the dark, hypnotic beats of West Coast producer Jster. An atmospheric dose of rough, rugged and raw Hip-Hop. As Doug E. Fresh once said, play this only at night.

Khrysis – “The Hour Of Khrysis” (JamlaRecords.Com) – Featuring a diverse selection of artists, from golden-era greats De La Soul and Hiero legend Del Tha Funkee Homosapien, to Compton’s Problem and Jamla Records own Reuben Vincent, this long-awaited album from Away Team / Soul Council producer Khrysis was firmly held together by the North Carolina music man’s sonic creativity. Drawing the most out of his list of collaborators thanks to the masterful, carefully constructed soundscapes on offer, Khrysis succeeded in stamping his own personality all over this release, complimenting the variety of emcees and vocalists included here rather than being overshadowed by them.

Vic Spencer – “Legend Laws Of Power” (SupaSounds.BandCamp.Com) – The last few years has been a relentless period of productivity for Chicago’s Vic Spencer, with the talented emcee dropping four albums in 2021 alone. “Legend Laws Of Power” found Spencer teaming-up with Chi-town producer Original Super Legend, delivering his barbed punchlines over strong beats, making it abundantly clear how unimpressed he’s been with the so-called opposition.

Nas – “King’s Disease II” (MassAppeal.Com) – Aside from a few tracks, I wasn’t a big fan of the first “King’s Disease” album. I just didn’t connect with it. This follow-up, however, prompted a totally different reaction. Aside from a couple of misplaced tracks I felt this was an inspired piece of work, with Nas and Hit-Boy really hitting their stride as a creative partnership. The Queensbridge legend sounded relaxed and focused here, embracing his elder statesman status and reminiscing on the experiences that shaped him, whilst still clearly looking towards the future.

L-Biz & Castle Money Beats – “The Cool Table LP” (IStayBizzy.Com) – Backed by the solid, melodic production of California’s Castle Money Beats, Buffalo, NY’s L-Biz encouraged artists and listeners alike not to conform and follow trends in order to have a place at “the cool table”, but instead walk your own path and carve out your own niche as an individual. Head-nodding Hip-Hop that was guaranteed to have a positive impact on your confidence levels and self-esteem.

Arrested Development – “For The FKN Love” (OfficialArrestedDevelopment.BandCamp.Com) – Powerful. Uplifting. Needed. Just a few of the words that could be used to describe this epic album from the longstanding Arrested Development crew. Largely produced by the UK’s Configa, who matched Speech’s motivational verses with some rousing work behind the boards, this was ultimately a positive album with a realistic outlook that was further enhanced by appearances from the likes of Masta Ace, Freddie Foxxx and Big Daddy Kane. Music to feed your Hip-Hop soul in today’s unsettled times.

DJ Nappa – “Redress” (DJNappa.BandCamp.Com) – A veteran of the UK Hip-Hop scene, Phi-Life Cypher’s Nappa dropped a stellar instrumental release for the We Stay True label which found the Luton-based producer upping the creative ante and moving in potentially unexpected directions, whilst remaining clear about his artistic vision at all-times. Steering away from typical boom-bap territory, “Redress” encapsulated a variety of styles, whilst capturing Nappa’s genuine passion for the art of making music.

Evidence – “Unlearning Vol. 1” (MisterEvidence.BandCamp.Com) – As a fan, the growth and evolution shown by West Coast emcee-slash-producer Evidence over the years has been a joy to behold (and hear). From his keep-it-underground approach in the 90s as a member of Dilated Peoples, to the more personal content of his solo albums, through to his instrumental work, Evidence has consistently moved forward whilst remaining rooted in his Hip-Hop foundations. “Unlearning Vol. 1” represented yet another important step in the right direction, with Evidence dropping timely lyrical gems over carefully selected production from the likes of The Alchemist, Nottz and Daringer.

Children Of Zeus – “Balance” (ChildrenOfZeus.BandCamp.Com) – To describe this sophomore album from Manchester’s Children Of Zeus as being a masterpiece would definitely be no overstatement. Having already appeared to have perfected their blend of soul and Hip-Hop on previous releases, Konny Kon and Tyler Daley refined their sonic aesthetic even further on “Balance”, reaching higher heights of creative perfection that transcended typical categorization. This was spiritual music that existed in its own unique time and place.

Awon & Phoniks – “Nothing Less” (AwonAndPhoniks.Com) – A partnership whose chemistry clearly points to them being destined to make music together, Virginia / Maine duo Awon & Phoniks came correct once again on their fourth long-player, effortlessly bringing together personal, socially-aware rhymes and strong production packed with sublime soul and jazz samples.

Guilty Simpson & Gensu Dean – “EGO” (MelloMusicGroup.BandCamp.Com) – Detroit’s Guilty Simpson has built a career on straight-no-chaser verses full of been-there-done-that life observations and cautionary street knowledge. Simpson offered more of the same on this collaboration with esteemed producer Gensu Dean, who provided the Motor City emcee with a raw, stripped-down collection of beats over which to reassert his position in the rap game.

Confucius MC – “Somewhere” (YNRProductions.BandCamp.Com) – London’s Confucius MC really took listeners on a lyrical journey throughout this album. Where was the destination? Well, that was largely down to your interpretation of the cerebral rhymes on offer here, which contained splashes of nostalgia, present day commentary and depictions of an uncertain future. The jazz-influenced production of France’s Keor Meteor fully complimented the UK emcee’s musings, with appearances from the likes of Jehst, Sonnyjim and Verbz adding to the overall feel of the album.

El Da Sensei & Jake Palumbo – “Solving Cases” (SpaceLABRecordings.BandCamp.Com) – Buoyed by a real sense of momentum and energy, this collaboration between Artifacts legend El Da Sensei and NY’s Jake Palumbo was full of upbeat joints powered by punchy, drum-heavy production and true-school lyricism. With appearances from Sadat X, John Robinson and Shabaam Sahdeeq, this album had the feel of a lively cipher session at times, with everyone involved clearly on a mission to celebrate Hip-Hop.

Ambassador Rick – “The Tape Nobody Made” (TheOpioidEra.BandCamp.Com) – One-third of Virginia’s Opioid Era crew, Ambassador Rick continued the group’s tradition of crafting uncompromising, emotionally-charged street music on this solo release. Bridging the gap between raw and righteous, Rick combined verbal grit with moments of genuine reflection, all delivered over vintage soul samples and smooth loops.

Snaggapuss & Ramzee – “Bronx Dundee” (RapRecordsAU.BandCamp.Com) – Veteran NY emcee Snaggapuss joined forces with Australian producer Ramzee for this hardcore-yet-entertaining album, with the former member of Doo Wop’s Bounce Squad utilising his inimitable flow to deliver punchline-heavy rhymes laced with humour over satisfyingly sparse, stripped-down beats.

Part Four coming soon.

New Joint – Nas / Blxst

Nas ft. Blxst – “Brunch On Sundays” (@Nas / 2021)

Celebratory vibes from the Queensbridge legend’s Hit-Boy-orchestrated album “King’s Disease II”.

New Joint – Nas

Nas – “Rare” (@Nas / 2021)

Taken from the album “King’s Disease II”.

New Joint – Nas

Nas – “Ultra Black” (@MassAppeal / 2020)

The Queensbridge legend celebrates Black pride in the first video to be lifted from his Hit-Boy-produced album “King’s Disease”.

New Joint – Public Enemy / Nas / Rapsody / Black Thought / Jahi / YG

Public Enemy ft. Nas, Rapsody, Black Thought, Jahi & YG – “Fight The Power – 2020 BET Awards Tribute” (@PublicEnemyFTP / 2020)

Powerful update of PE’s 1989 classic which opened up last night’s 2020 BET Awards with some hard-hitting social commentary.

 

New Joint – YNX716

YNX716 – “97 Nas” (@YNX716 / 2019)

The Buffalo emcee attempts to get into the mindstate of a late-90s Nas whilst paying homage to the Queensbridge icon on this Level 13-produced track.

New Joint – Nas

Nas – “War Against Love” (@Nas / 2019)

Taken from “The Lost Tapes II”.

New Joint – Nas

Nas – “No Bad Energy” (@Nas / 2019)

The Queensbridge legend reflects on his place in the rap game throughout this Swizz Beatz / araabMUZIK-produced standout from “The Lost Tapes 2”.

New Joint – Nas

Nas – “Everything” (@Nas / 2019)

Powerful rhymes and visuals from the NY legend’s “NASIR” project.

New Joint – Nas

Nas – “Cops Shot The Kid” (@Nas / 2019)

Taken from the QB legend’s Kanye West-produced project “NASIR”.

New Joint – Swizz Beatz / Nas

Swizz Beatz ft. Nas – “Echo” (@TheRealSwizz / 2018)

Mr. Jones at his vividly descriptive best over mellow cool-out production from the Swizz album “Poison”.

Nas – The Steel Town Remixes Album Stream – Steel Town Sounds Crew

Pittsburgh producers Benny Blue, Chuck Mak & Noetik 5000 put their own sonic spin on various moments from the career of Queensbridge’s favourite son.

New Joint – DJ Shadow / Nas

DJ Shadow ft. Nas – “Systematic” (@DJShadow / @Nas / 2017)

Taken from the forthcoming “Silicon Valley” soundtrack.