Tag Archives: Little Simz

100 Favourite Albums & EPs Of 2022 (Part Five) – Dres & Stu Bangas / Little Simz / Tommy Evans etc.

Fifth and final part of my 2022 wrap-up – check Part One, Part Two, Part Three & Part Four.

Homeboy Sandman – “Still Champion” (HomeboySandman-MMG-BandCamp.Com) – There was a genuine sense of hope and optimism running throughout this album that gave it a rejuvenating quality, both for listeners and Sandman himself it would seem. Sounding relaxed and at ease, the NY emcee bounced all over the lively, melodic production supplied by Colorado’s Deca, resulting in an entertainingly upbeat collection of tracks that contained its fair share of life-affirming lyrical gems.

Rapper Big Pooh – “To Dream In Color” (Soulspazm.BandCamp.Com) – Little Brother’s Big Pooh has always been known for personal, honest lyrics, but on “To Dream…” it felt like the North Carolina emcee was peeling back even more layers of his story as he masterfully looked back over his life and career whilst also looking towards the future. From his beginnings as a young rapper with a dream, then signing and leaving a major label deal, to his present situation as an independent artist, Pooh offered insight and transparency very step of the way, with his candour being given just the right amount of thump by producers such as DK The Punisher, D.R.U.G.S. Beats and Nottz.

Eddie Kaine x K-Sluggah – “Chosen” (EddieKaine.BandCamp.Com) – Exuding the street-smarts, swagger, bravado and lyrical wit we’ve come to expect from top-tier Brooklyn emcees, Eddie Kaine delivered the goods once again on this collaborative album with Sweden’s K-Sluggah. Telling vivid stories of the BK outside his window that were laced with struggle, tragedy and determination, Kaine’s verses were complimented by Sluggah’s atmospheric, almost gothic style of production. Crooklyn keeps on taking it.

Dres & Stu Bangas – “Sheep Stu” (BrutalMusic.Org) – Black Sheep member Dres’s place in the Hip-Hop history books is secured. As part of the Native Tongues family the Bronx-bred emcee helped to define an era in rap with one of the most recognisable voices (and flows) in the game. Some thirty years later and this team-up with hardcore composer Stu Bangas found D-R-E-S delivering his trademark blend of slick punchlines and life observations over a well-chosen selection of quality beats (this EP also included “Hate”, possiby my favourite song of 2022).

All Hail Y.T. & Anthony Danza – “All Hail Danza” (AllHailtYT.BandCamp.Com) – Any album featuring a track entitled “Keith Sweat” was almost guaranteed to be on some smooth, cool-out ish and this collaboration from Delaware’s All Hail Y.T. and Seattle’s Anthony Danza didn’t disappoint. Calmly and confidently delivering lessons from the hustler’s handbook over 80s / 90s R&B loops, Y.T. and Danza shared stories of the paper chase with genuine chemistry and aplomb.

Roc Marciano & The Alchemist – “The Elephant Man’s Bones” (RocMarci.Com) – Underground kings Roc Marc and Uncle Al joined forces here and it could be argued brought the best out of each other in the process. Strong Island’s Marcberg dropped his understated crime rhyme drama with his usual cool, calm demeanour, appearing to be living the luxury life of a high roller, whilst at times the subtle tension in Alchemist’s expert production hinted that at any moment the walls could come closing in with the unknown being just around the corner.

Ka – “Languish Arts” (BrownsvilleKa.Com) – One of two albums released in 2022 by Brooklyn’s Ka and further proof (if it were needed) that the Brownsville emcee is one of the most gifted writers of his generation. “Languish Arts” found Ka once again finding meaning in the delicate balance of life, capturing feelings of love, pain, peace, turmoil, hope, regret and a myriad of other emotions in his mesmerising verses. An elite talent whose music is chiseled out of the memories and experiences of a period in New York history never to be forgotten, Ka once again allowed us the privilege of looking into his soul.

TrueMendous – “Great. On Purpose” (TrueMendous.BandCamp.Com) – Birmingham’s TrueMendous showcased her creative brilliance once again on this sophomore album for the UK’s High Focus label, wrapping her shape-shifting flow around a diverse array of production from the likes of Illinformed, Pitch 92 and Forest DLG. True’s magnetic personality shone brightly here, as she waxed lyrical about life, relationships and the world at large in her own inimitable style.

junclassic – “Long Days And Short Lives” (junclassic.BandCamp.Com) – This release from NY’s junclassic played out like an audio diary, with the Queens emcee vividly recounting numerous memories, scenarios and situations that captured a variety of feelings and moods, all linking back to the overall concept of the album and reminding us all that however difficult some of our days may seem, ultimately life can be short so should never be taken for granted. Production from the likes of Semi, J Slikk and The SOULution offered a smooth backdrop for junclassic’s verses.

Vic Spencer & August Fanon – “Psychological Cheat Sheet 3” (VicSpencer.BandCamp.Com) – The third installment of Vic Spencer’s “Psychological…” series featured the Chicago artist teaming-up with producer August Fanon for another striking display of clever, conversational rhymes with a personal edge, complimented by brilliant, jazz-influenced beats.

J. Sands – “Women” (LoneCatalysts.BandCamp.Com) – A feel-good collection of fly love songs, this album from Pittsburgh’s J. Sands bumped and bounced with all the upbeat energy of a new relationship. Playful, humorous and butter-smooth, Sands showed himself to be a stone cold gentleman as he celebrated the ladies in sincere fashion over a selection of soulful cool-breeze beats that would definitely make Bonita Applebum bob her head.

Archibald Slim – “Worldly Ways” (POWRecordings.BandCamp.Com) – Offering listeners a constant flow of street-smart thoughts and observations delivered over lush, laidback soundscapes, Atlanta’s Archibald Slim packed a lot into the ten cuts that made up this album. Possessing a talent for being able to quickly pull you into his world on each track, the Southern emcee’s down-to-earth demeanor and openness meant you found yourself willing Slim to win as he detailed his everyday struggles.

Truck North – “Feast Of Violence” (TruckNorth.BandCamp.Com) – An absolute master of his craft, Philly’s Truck North (who first came to the attention of many via his work with The Roots) stands as part of a long line of talented Illadelph emcees, capable of turning his experiences in the shadows of the City Of Brotherly Love into vivid, hard-hitting verses of gritty poetic excellence. This album was further proof of North’s potent rhyming abilities and was the sound of an individual making music with a genuine sense of purpose.

Jermiside & The Expert – “The Overview Effect” (TheExpert.BandCamp.Com) – An album crafted for today’s unsettling times, New Jersey’s Jermiside and Dublin’s The Expert shared a creative partnership here which resulted in some truly powerful and striking music that pushed buttons, demanded thought and prompted reaction. With lyrics tackling subjects such as war, racism and social unrest being paired with an eclectic, unpredictable selection of sample-heavy, 60s-influenced beats, “The Overview Effect” succeeded in its mission to draw lessons from the past, comment on the present and offer hope for the future.

Artifacts x Buckwild – “No Expiration Date” (SmokeOnRecords.Com) – At the time of its release announcement, this long-awaited album was a cause for celebration as Brick City favourites El Da Sensei and Tame One reunited over the production of D.I.T.C. legend Buckwild, with the duo of course offering a nod of respect to the late DJ Kaos who passed away in 2019. By the end of 2022, however, this project stood as an unexpected tribute to Tame One who sadly passed himself in November. That said, “No Expiration Date” captured everything that has always been great about Artifacts – lyrical skills, brotherhood, true-school attitude and speaker-shaking beats. RIP Tame One and DJ Kaos!

Renelle 893 & King Kashmere – “Cocoa Butter” (Renelle893.BandCamp.Com) – As a recent signing to the UK’s mighty High Focus label, London-based emcee Renelle 893 made sure everyone knew he’d arrived on this five-track EP. Possessing a laidback delivery and a penchant for sharp punchlines, Renelle calmly swaggered through this release, with his entertaining rhymes being complimented by the off-kilter funk and hazy retro soul vibes of cult hero King Kashmere. Vibes and stuff in abundance.

Danger Mouse & Black Thought – “Cheat Codes” (DangerMouseBlackThought.Com) – Philly’s Black Thought has been so good for so long that it could be easy for some to take his consistently incredible feats of lyrical excellence for granted. This album with boundary-pushing producer Danger Mouse was a reminder that, yes, Thought is still that good (one of the best to do it, in fact) and that his rhyming capabilities are anything but normal. As always, the Roots front-man’s verses spilled out here like a roller-coaster of verbal virtuosity, twisting, turning, requiring the listener to hold on to every word uttered in an attempt to keep up with his unrelenting rap momentum.

Little Simz – “NO THANK YOU” (LittleSimz.Com) – To say this album from London’s Little Simz was brilliant would be an understatement. Having received critical acclaim, media attention and awards for 2021’s “Sometimes I Might Be Introvert” after years of hard work and numerous releases, “NO THANK YOU” was the sound of an artist who had finally been let through the music industry door, looked around, didn’t like what she saw and walked back out wanting to talk about it. The level of honesty heard here was both courageous and refreshing as Simz tackled the greed, racism and overall fickleness found within the corporate music game in measured tones, with justified anger and frustration just below the surface. Longtime collaborator Inflo’s production ranged from subtle to symphonic, perfectly complimenting Simz and adding further levels of emotion to the album which helped the rhymes hit that bit harder. True greatness.

Tommy Evans – “Tragedy And Hope” (TommyEvansOfficial.Com) – A longstanding fixture of the UK Hip-Hop scene, Tommy Evans delivered an album that felt uplifting and optimistic whilst still touching on some of life’s daily challenges. Produced entirely by Bobby Hex who provided a unique sonic dimension to the release with the attention to detail displayed in his work, this was an album that massaged your spirit with a warm, inspiring energy.

Grunge Gallardo – “Before The Winner Comes The Fall” (TheOpioidEra.BandCamp.Com) – Dropping right at the end of the year, Grunge Gallardo (of Virginia’s Opioid Era crew) showcased his formidable rhyme skills on this impressive UKAT-produced album, spitting passionate verses packed with life reflections, street knowledge and social / cultural commentary over raw beats.

100 Favourite Albums & EPs Of 2021 (Part Five) – Verb T & Illinformed / Little Simz / Nas etc.

Final part of my 2021 wrap-up – check Part One, Part Two, Part Three and Part Four.

UFO Fev & Vanderslice – “Enigma Of Dali” (UFOFev.BandCamp.Com) – One thing that’s become abundantly clear over the last couple of years is that Harlem’s UFO Fev has a great ear for choosing producers to work with that really compliment his style. With Statik Selektah, Termanology and Big Ghost Ltd all having laced the NY emcee with superb beats on full-length efforts during 2020, 2021 found Fev teaming-up with the consistently dope Vanderslice for “Enigma Of Dali”, painting colourful lyrical portraits which captured the essence of life in the Rotten Apple.

Damu The Fudgemunk – “Conversation Peace” (DamuTheFudgemunk.BandCamp.Com) – Having been given full access to the musical vaults of London’s KPM Library for this release, you could almost feel Damu’s glee and excitement bursting out of the grooves here from beats crafted after being blessed with the opportunity to dig through thousands of records. Joined by Raw Poetic, Insight, Blu and Nitty Scott, the Washington DC producer soared above the clouds, nodding to the 90s on the way up without getting stuck in the past or overdosing on nostalgia. “Conversation Peace” was a genuinely invigorating listening experience.

Cesar Comanche & Poe Mack – “A Promise Not To Sting” (CesarComanche.BandCamp.Com) – This collaborative album from North Carolina’s Cesar Comanche (of Justus League fame) and Virginia’s Poe Mack really struck a chord with me. It was the sound of two individuals who’ve lived life and learnt lessons ruminating on the past, present and future in a world undergoing huge change. Production from the likes of 9th Wonder, Khrysis and DJ Flash gave the album a vintage (and at times fittingly melancholy) feel, with Comanche and Mack bouncing purposeful verses back and forth with ease.

Verb T & Illinformed – “Stranded In Foggy Times” (VerbT.BandCamp.Com) – The third and final part of Verb T and Illinformed’s “Foggy” trilogy, this album once again showcased the brilliant writing ability of the UK emcee with the verses here consisting of well-crafted meaningful lyrics, some of which were straight-to-the-point whilst others were open to interpretation. Backed by the quality production of Illinformed, which perfectly complimented Verb’s conversational, laidback rhyme style, T approached this release with all the skill, poise and confidence you’d expect from an artist who has shown nothing but constant elevation throughout his twenty year career.

Kamanchi Sly – “Electrosis 2” (HipHop73.Com) – Pulling on his shelltoes and Nike windbreaker once again, UK legend K-Sly dropped three “Electrosis” albums during 2021, with each one celebrating the sounds and excitement of Hip-Hop in the early-to-mid 1980s with genuine love and authenticity. The Hijack legend sounded as sharp and enthusiastic as ever, clearly reveling in the opportunity to revisit old-school memories of being a young London b-boy four decades ago, whilst still proudly displaying the same competition-crushing attitude that fuelled UK classics such as “Style Wars” and “Hold No Hostage”.

Swank & King Draft – “Long Story Short” (JamlaRecords.Com) – North Carolina’s Swank and King Draft once again proved themselves to be a potent combination on this sophomore album. Slick, witty wordplay glided effortlessly over the smooth, R&B-influenced production from 9th Wonder and Jamla’s Soul Council. At a time when playlists and random shuffle options have contributed to some artists thinking less about an album as a cohesive body of work sequenced to take listeners on a journey, Swank and Draft succeeded in capturing and maintaining a mood throughout “Long Story Short” which gave the album a strong sense of momentum. For that, they get props over here.

Little Simz – “Sometimes I Might Be Introvert” (LittleSimz.Com) – The latest long-player from London’s Little Simz was an album of epic proportions. The subject matter. The delivery. The production. The interludes. The cover. The execution. The openness. The honesty. Every element of this album contributed to it being something truly special. Simz confronted a number of issues with a mix of both strength and vulnerability, accompanied by the masterfully diverse musicality of producer Inflo, as listeners were swept along on a wave of emotion that by the end of the album made it feel as if we to had been on our own voyage of self-discovery.

Mach-Hommy – “Pray For Haiti” (Mach-Hommy.Com) – Reunited with Griselda Records’ Westside Gunn and backed by ambitious production from the likes of Camoflauge Monk, Conductor Williams and Nicholas Craven, with “Pray For Haiti” New Jersey’s enigmatic Mach-Hommy delivered a rich tapestry of sound that was packed with elegant arrogance, unabashed individuality and joyful spontaneity. This album felt like the musical equivalent of looking through a kaleidoscope and sounded all the better for it.

Cons – “B.A.D.A.” (Ottoman Elf) – A veteran of the UK Hip-Hop scene, London’s Cons (aka Conspicuous) returned after an eight year hiatus with the hunger and vigour of a new artist, balanced with the benefit of hindsight and a wisdom that can only come from life experience. Reuniting with longstanding collaborators such as Apollo, LG and Evil Ed, Cons dropped street knowledge and elder statesman advice throughout “B.A.D.A.”, proving that if you’re nice on the mic device it really doesn’t matter how much time passes between projects.

Tanya Morgan – “Don and Von” (TanyaMorgan.BandCamp.Com) – Fifteen years since Tanya Morgan’s cult classic debut “Moonlighting” dropped, Von Pea and Donwill added a new release to their already impressive catalogue. Combining everyday life events and social commentary with wit and humour, the duo endeared themselves to listeners as always, coming across as two down-to-earth individuals who it might be cool to spend time kicking it with about music, politics and current events. Production from the likes of Brick Beats, Clint Taylor and Aeon also helped this album standout from the pack.

Fashawn & Sir Veterano – “All Hail The King” (FreshYardRecords.Com) – Fresno’s Fashawn returned to claim his crown with this album skillfully produced by fellow Cali Hip-Hop head Sir Veterano, with features from Elzhi, Aloe Blacc and Planet Asia. Coming in at a concise nine tracks, the West Coast wordsmith didn’t waste a single moment here, tightly packing his verses with fast-paced lyricism which covered hometown pride, building a life with his queen, raising the next generation and, of course, reigning supreme over his kingdom as rap royalty.

Benny Diction – “Facepalm / Brainwave?” (BoomBapPro.Com) – One of the UK’s most consistent artists, any new release from Benny Diction is always a welcome, enjoyable listening experience and this album was no different. Musing on the mundane to the magnificent and everything in-between, the BBP-affiliated emcee’s ability to inject insight and thoughtful observation into his rhymes shone brightly here, with Benny reflecting on the world around him accompanied by top-notch production from the likes of jas0nbeats, Krang and Deltatone.

Joell Ortiz – “Autograph” (JoellOrtiz.BandCamp.Com) – Honesty has been a theme that’s always run throughout the music of Brooklyn’s Joell Ortiz. Good times. Bad times. Successes. Failures. The NY emcee has consistently spoken on both sides of the game, whether discussing street life, personal life or industry life. “Autograph” was another does of up-close-and-uncut reality, with Ortiz recalling his struggle to get put on in the rap game, his life before that time and his life now as he embraces OG status. The detailed, sincere rhymes heard here were complimented by the production of Apollo Brown, The Heatmakerz, Salaam Remi and more.

Ransom & Big Ghost Ltd – “Heavy Is The Head” (Ransom.Com) – Jersey City’s Ransom clearly had one thing on his mind when recording this album and one thing only – lyrical domination. Joined by the likes of Mickey Factz, RJ Payne and Rome Streetz, Ransom fired off barrages of relentlessly aggressive rhymes over Big Ghost’s fittingly raw production. No holds barred. No prisoners taken. This was the sound of an emcee getting medieval on the competition.

Minnesota – “Once Upon A Handshake” (JBS Management) – Producer-slash-emcee Minnesota of the Bronx’s legendary Money Boss crew served up a raw slice of Rotten Apple rap with this solo album. A collection of hardcore beats and rhymes straight from the birthplace of Hip-Hop, this project was full of vivid inner-city imagery, BX swagger and vintage beat science. As KRS-One once said, the Bronx keeps creating it.

Passport Rav – “Sand In My Carry On” (PassportRav.BandCamp.Com) – Brooklyn’s Passport Rav crafted a laidback, reflective masterpiece for his seventh release to have dropped over the last two years. Mixing dense lyricism with breezy hooks and mellow production from Sebb Bash and Wavy Da Ghawd, Rav’s latest opus was mood music of the highest quality that both soothed and stimulated the mind.

Your Old Droog – “Space Bar” (YourOldDroog.BandCamp.Com) – To be honest, NYC’s Droog has been on a winning streak since his debut in 2014, but with his musical output having noticeably increased since 2019 it would be hard for anyone to question both the work ethic and the talent. An artist who has always seemed simultaneously unimpressed and untouched by whatever else is happening in the Hip-Hop world, Droog continued to create in his own zone with this short-but-effective album. The unshakeable confidence and sly humour heard in YOD’s verses was matched here with production from the likes of 88 Keys, Sadhugold and Elaquent.

Uptown XO – “Culture Over Corporate Vol. III” (OneForceUnited.BandCamp.Com) – The third instalment of the Washington D.C. artist’s COC series, this album saw Uptown XO once again teaming-up with fellow Diamond District member Oddisee to deliver another stellar collection of intelligent, topical rhymes and soulful, neck-snapping beats.

Sean Boog – “It’s Midnight Somewhere: Sector 2” (SeanBoog.BandCamp.Com) – The female voice that guided us through A Tribe Called Quest’s classic third album told us that seven times out of ten, we listen to our music at night. With that in mind, this six-track EP from North Carolina’s Sean Boog appeared tailor-made for nocturnal head-nodding. Dallas-based producer Keelon Donnel’s laidback beats were the perfect match for Boog’s “smooth grown-up s**t” and life-affirming rhymes. This was the ideal soundtrack to throw on when the sun had set to help ease the stresses of the daily grind.

Nas – “Magic” (MassAppeal.Com) – A surprise release on Christmas Eve, as expected the third full-length collaboration from Nas and producer Hit-Boy caused chaos in the social media world over the festive season as heads responded to the album with a variety of opinions. Personally, I really liked it. Nothing on “Magic” sounded forced or overthought. The album had a great natural flow to it from beginning to end. Nas sounded inspired and motivated throughout, with Hit-Boy providing arguably the best production he’s supplied the Queensbridge legend with yet. A memorable way to close what was a great year for new Hip-Hop.

New Joint – Little Simz

Little Simz – “I Love You, I Hate You” (@LittleSimz / 2021)

Powerful, personal, emotionally-charged beats and rhymes from the talented London-based artist’s brilliant Inflo-produced album “Sometimes I Might Be Introvert”.