Tag Archives: Ka

100 Favourite Albums & EPs Of 2022 (Part Five) – Dres & Stu Bangas / Little Simz / Tommy Evans etc.

Fifth and final part of my 2022 wrap-up – check Part One, Part Two, Part Three & Part Four.

Homeboy Sandman – “Still Champion” (HomeboySandman-MMG-BandCamp.Com) – There was a genuine sense of hope and optimism running throughout this album that gave it a rejuvenating quality, both for listeners and Sandman himself it would seem. Sounding relaxed and at ease, the NY emcee bounced all over the lively, melodic production supplied by Colorado’s Deca, resulting in an entertainingly upbeat collection of tracks that contained its fair share of life-affirming lyrical gems.

Rapper Big Pooh – “To Dream In Color” (Soulspazm.BandCamp.Com) – Little Brother’s Big Pooh has always been known for personal, honest lyrics, but on “To Dream…” it felt like the North Carolina emcee was peeling back even more layers of his story as he masterfully looked back over his life and career whilst also looking towards the future. From his beginnings as a young rapper with a dream, then signing and leaving a major label deal, to his present situation as an independent artist, Pooh offered insight and transparency very step of the way, with his candour being given just the right amount of thump by producers such as DK The Punisher, D.R.U.G.S. Beats and Nottz.

Eddie Kaine x K-Sluggah – “Chosen” (EddieKaine.BandCamp.Com) – Exuding the street-smarts, swagger, bravado and lyrical wit we’ve come to expect from top-tier Brooklyn emcees, Eddie Kaine delivered the goods once again on this collaborative album with Sweden’s K-Sluggah. Telling vivid stories of the BK outside his window that were laced with struggle, tragedy and determination, Kaine’s verses were complimented by Sluggah’s atmospheric, almost gothic style of production. Crooklyn keeps on taking it.

Dres & Stu Bangas – “Sheep Stu” (BrutalMusic.Org) – Black Sheep member Dres’s place in the Hip-Hop history books is secured. As part of the Native Tongues family the Bronx-bred emcee helped to define an era in rap with one of the most recognisable voices (and flows) in the game. Some thirty years later and this team-up with hardcore composer Stu Bangas found D-R-E-S delivering his trademark blend of slick punchlines and life observations over a well-chosen selection of quality beats (this EP also included “Hate”, possiby my favourite song of 2022).

All Hail Y.T. & Anthony Danza – “All Hail Danza” (AllHailtYT.BandCamp.Com) – Any album featuring a track entitled “Keith Sweat” was almost guaranteed to be on some smooth, cool-out ish and this collaboration from Delaware’s All Hail Y.T. and Seattle’s Anthony Danza didn’t disappoint. Calmly and confidently delivering lessons from the hustler’s handbook over 80s / 90s R&B loops, Y.T. and Danza shared stories of the paper chase with genuine chemistry and aplomb.

Roc Marciano & The Alchemist – “The Elephant Man’s Bones” (RocMarci.Com) – Underground kings Roc Marc and Uncle Al joined forces here and it could be argued brought the best out of each other in the process. Strong Island’s Marcberg dropped his understated crime rhyme drama with his usual cool, calm demeanour, appearing to be living the luxury life of a high roller, whilst at times the subtle tension in Alchemist’s expert production hinted that at any moment the walls could come closing in with the unknown being just around the corner.

Ka – “Languish Arts” (BrownsvilleKa.Com) – One of two albums released in 2022 by Brooklyn’s Ka and further proof (if it were needed) that the Brownsville emcee is one of the most gifted writers of his generation. “Languish Arts” found Ka once again finding meaning in the delicate balance of life, capturing feelings of love, pain, peace, turmoil, hope, regret and a myriad of other emotions in his mesmerising verses. An elite talent whose music is chiseled out of the memories and experiences of a period in New York history never to be forgotten, Ka once again allowed us the privilege of looking into his soul.

TrueMendous – “Great. On Purpose” (TrueMendous.BandCamp.Com) – Birmingham’s TrueMendous showcased her creative brilliance once again on this sophomore album for the UK’s High Focus label, wrapping her shape-shifting flow around a diverse array of production from the likes of Illinformed, Pitch 92 and Forest DLG. True’s magnetic personality shone brightly here, as she waxed lyrical about life, relationships and the world at large in her own inimitable style.

junclassic – “Long Days And Short Lives” (junclassic.BandCamp.Com) – This release from NY’s junclassic played out like an audio diary, with the Queens emcee vividly recounting numerous memories, scenarios and situations that captured a variety of feelings and moods, all linking back to the overall concept of the album and reminding us all that however difficult some of our days may seem, ultimately life can be short so should never be taken for granted. Production from the likes of Semi, J Slikk and The SOULution offered a smooth backdrop for junclassic’s verses.

Vic Spencer & August Fanon – “Psychological Cheat Sheet 3” (VicSpencer.BandCamp.Com) – The third installment of Vic Spencer’s “Psychological…” series featured the Chicago artist teaming-up with producer August Fanon for another striking display of clever, conversational rhymes with a personal edge, complimented by brilliant, jazz-influenced beats.

J. Sands – “Women” (LoneCatalysts.BandCamp.Com) – A feel-good collection of fly love songs, this album from Pittsburgh’s J. Sands bumped and bounced with all the upbeat energy of a new relationship. Playful, humorous and butter-smooth, Sands showed himself to be a stone cold gentleman as he celebrated the ladies in sincere fashion over a selection of soulful cool-breeze beats that would definitely make Bonita Applebum bob her head.

Archibald Slim – “Worldly Ways” (POWRecordings.BandCamp.Com) – Offering listeners a constant flow of street-smart thoughts and observations delivered over lush, laidback soundscapes, Atlanta’s Archibald Slim packed a lot into the ten cuts that made up this album. Possessing a talent for being able to quickly pull you into his world on each track, the Southern emcee’s down-to-earth demeanor and openness meant you found yourself willing Slim to win as he detailed his everyday struggles.

Truck North – “Feast Of Violence” (TruckNorth.BandCamp.Com) – An absolute master of his craft, Philly’s Truck North (who first came to the attention of many via his work with The Roots) stands as part of a long line of talented Illadelph emcees, capable of turning his experiences in the shadows of the City Of Brotherly Love into vivid, hard-hitting verses of gritty poetic excellence. This album was further proof of North’s potent rhyming abilities and was the sound of an individual making music with a genuine sense of purpose.

Jermiside & The Expert – “The Overview Effect” (TheExpert.BandCamp.Com) – An album crafted for today’s unsettling times, New Jersey’s Jermiside and Dublin’s The Expert shared a creative partnership here which resulted in some truly powerful and striking music that pushed buttons, demanded thought and prompted reaction. With lyrics tackling subjects such as war, racism and social unrest being paired with an eclectic, unpredictable selection of sample-heavy, 60s-influenced beats, “The Overview Effect” succeeded in its mission to draw lessons from the past, comment on the present and offer hope for the future.

Artifacts x Buckwild – “No Expiration Date” (SmokeOnRecords.Com) – At the time of its release announcement, this long-awaited album was a cause for celebration as Brick City favourites El Da Sensei and Tame One reunited over the production of D.I.T.C. legend Buckwild, with the duo of course offering a nod of respect to the late DJ Kaos who passed away in 2019. By the end of 2022, however, this project stood as an unexpected tribute to Tame One who sadly passed himself in November. That said, “No Expiration Date” captured everything that has always been great about Artifacts – lyrical skills, brotherhood, true-school attitude and speaker-shaking beats. RIP Tame One and DJ Kaos!

Renelle 893 & King Kashmere – “Cocoa Butter” (Renelle893.BandCamp.Com) – As a recent signing to the UK’s mighty High Focus label, London-based emcee Renelle 893 made sure everyone knew he’d arrived on this five-track EP. Possessing a laidback delivery and a penchant for sharp punchlines, Renelle calmly swaggered through this release, with his entertaining rhymes being complimented by the off-kilter funk and hazy retro soul vibes of cult hero King Kashmere. Vibes and stuff in abundance.

Danger Mouse & Black Thought – “Cheat Codes” (DangerMouseBlackThought.Com) – Philly’s Black Thought has been so good for so long that it could be easy for some to take his consistently incredible feats of lyrical excellence for granted. This album with boundary-pushing producer Danger Mouse was a reminder that, yes, Thought is still that good (one of the best to do it, in fact) and that his rhyming capabilities are anything but normal. As always, the Roots front-man’s verses spilled out here like a roller-coaster of verbal virtuosity, twisting, turning, requiring the listener to hold on to every word uttered in an attempt to keep up with his unrelenting rap momentum.

Little Simz – “NO THANK YOU” (LittleSimz.Com) – To say this album from London’s Little Simz was brilliant would be an understatement. Having received critical acclaim, media attention and awards for 2021’s “Sometimes I Might Be Introvert” after years of hard work and numerous releases, “NO THANK YOU” was the sound of an artist who had finally been let through the music industry door, looked around, didn’t like what she saw and walked back out wanting to talk about it. The level of honesty heard here was both courageous and refreshing as Simz tackled the greed, racism and overall fickleness found within the corporate music game in measured tones, with justified anger and frustration just below the surface. Longtime collaborator Inflo’s production ranged from subtle to symphonic, perfectly complimenting Simz and adding further levels of emotion to the album which helped the rhymes hit that bit harder. True greatness.

Tommy Evans – “Tragedy And Hope” (TommyEvansOfficial.Com) – A longstanding fixture of the UK Hip-Hop scene, Tommy Evans delivered an album that felt uplifting and optimistic whilst still touching on some of life’s daily challenges. Produced entirely by Bobby Hex who provided a unique sonic dimension to the release with the attention to detail displayed in his work, this was an album that massaged your spirit with a warm, inspiring energy.

Grunge Gallardo – “Before The Winner Comes The Fall” (TheOpioidEra.BandCamp.Com) – Dropping right at the end of the year, Grunge Gallardo (of Virginia’s Opioid Era crew) showcased his formidable rhyme skills on this impressive UKAT-produced album, spitting passionate verses packed with life reflections, street knowledge and social / cultural commentary over raw beats.

New Joint – Ka

Ka – “Ascension” (BrownsvilleKa.Com / 2022)

Brooklyn’s master craftsman returns with a sublime slice of captivating self-reflection from his new “Languish Arts” album.

100 Favourite Albums & EPs Of 2021 (Part Four) – John Robinson / Backwood Sweetie / Vandal Savage etc.

Check Part One, Part Two & Part Three.

Jyroscope & Montana Macks – “Happy Medium” (Jyroscope.BandCamp.Com) – Chicago’s I.B. Fokuz and Collasoul Structure worked their way through the stresses of daily life on this therapeutic release. Job. Family. Relationships. Social injustice. Health. Finances. Anxiety. Frustration. Doubt. The rhyming duo completely opened up over the five tracks on offer here, giving listeners full access to their personal (and extremely relatable) thoughts. The jazzy, easy-going production supplied by Montana Macks gave the EP a soothing, relaxed vibe, ensuring Jyroscope’s verses had plenty of room to breathe. Easy does it, do it easy.

J Littles & Claude Money – “Godbody Tapestry” (KJamm-BFR.BandCamp.Com) – This blend of cool-but-deadly rhymes and soulful rare groove loops from Nottingham duo J Littles and Claude Money was a supreme display of smoothed-out musical arrogance laced with lyrical gems from two individuals who were clearly meant to build together. Best listened to whilst sat comfortably on a butter-soft leather sofa, blowing smoke, wearing a velour robe and a pair of box-fresh Air Max. Exquisite.

John Robinson – “King JR” (JohnRobinson.BandCamp.Com) – Sounding as fresh and enthusiastic in 2021 as he did when debuting as a member of Scienz Of Life back in the mid-90s, NY-raised emcee John Robinson called on the production talents of West Coast favourite Blu for this stimulating collection of thoughtful wordplay and dynamic beats. Music with substance.

Shortie No Mass – “here goes nothing.” (ShortieNoMass.BandCamp.Com) – Having first made a name for herself in the 90s working with the likes of De La Soul and The Roots, Boston-born, Philly-based artist Shortie No Mass made a welcome return to the mic after a long hiatus and sounded like she’d never been away. Her lively, infectious flow and straight-to-the-point rhymes sat comfortably here over production from Da Beatminerz, J-Zone and Shortie’s son Jay Law.

DJ Cosm – “Natural Within” (MakeBelieveHipHop.BandCamp.Com) – DJ Cosm of Canada’s Dragon Fli Empire pulled together a varied selection of underground talent for this follow-up to his 2011 release “Time And Space”, with Brand Nubian’s Sadat X, Brown Bag Money’s Daniel Son and Bankai Fam’s Skanks The Rap Martyr all making stellar appearances.

Al-J & Kane Major – “Blak To The Old School” (KaneMajor.BandCamp.Com) – Boston emcee Al-J (of Blak Madeen) painted vivid lyrical pictures of his experiences growing up in the 80s on this Kane Major-produced album. Covering everything from watching Saturday morning cartoons and first hearing Grandmaster Flash & The Furious Five to navigating his way through the crack era, Al-J’s personal memories were further brought to life by the authentic electro-influenced sounds of Major’s production. A sonic blast of back to the future flavour.

Dagha – “D-A To The G” (Dagha.BandCamp.Com) – With this being his first release since 2014, it was apparent even before the end of the first track that Boston’s Dagha was intending on making-up for lost time with this album. No distractions. No gimmicks. “D-A To The G” was all about skills. Dagha tore through the beats of collaborator DJ Real with his confident delivery and clever wordplay, keeping it funky throughout with flows for days.

The Good People – “The Greater Good” (TheGoodPeople.BandCamp.Com) – Longstanding NY duo Emskee and Saint came correct with yet another collection of quality true-school beats and rhymes, offering lyrical food for thought and warm, melodic production throughout. Joined by the likes of Lords Of The Underground, Craig G and Shabaam Sahdeeq, “The Greater Good” was the sound of artists really doing it for the culture.

Apollo Brown & Stalley – “Blacklight” (ApolloBrown360.BandCamp.Com) – Detroit producer Apollo Brown has built a career on bringing the best out of the emcees he chooses to collaborate with. From Boog Brown and OC to Skyzoo and Che Noir, Apollo’s brand of soulful boom-bap has inspired some brilliant performances from a variety of lyricists. “Blacklight” continued that trend. Formerly signed to Rick Ross’s Maybach Music label, Ohio’s Stalley sounded totally at home over Brown’s mellow thump, spitting down-to-earth, street-smart verses that stayed with you long after the music stopped.

Wish Master x Illinformed – “Cold Harbour Tales” (WishMaster.BandCamp.Com) – Bristol’s Wish Master has consistently sharpened his skills with each release he’s dropped over the last few years. This full-length collaboration with producer Illinformed saw Wish Master finding an ideal musical partner, with crisp beats and atmospherics samples providing the perfect backdrop for the UK lyricist’s raw wit and life lessons.

Breeze Brewin – “Hindsight” (Juggaknots.BandCamp.Com) – Some people are just born to rhyme. It’s as simple as that. NYC’s Breeze Brewin is one such individual. Twenty-five years after debuting as a member of The Juggaknots with a cult classic release on Bobbito’s Fondle ‘Em label, Breeze proved that his underground legend status is still firmly intact with the release of this brilliant album. Backed by production from the likes of Sebb Bash, Marco Polo and DJ Spinna, the BX emcee covered a lot of lyrical ground here, delivering every verse with charisma, skill and originality.

Planet Asia x Evidence – “Rule Of Thirds” (BiggerPictureRecordings.Com) – West Coast giants Planet Asia and Evidence had worked together before this release earlier in their respective careers. But to hear the pair come together in 2021 having long established themselves as two of the most consistent artists the game has seen was a beautiful thing. Asia’s effortlessly dope flow swaggered over the stripped-down production supplied by Evidence, lyrically blending the fly and the righteous as always, with Domo Genesis, Milano Constantine and Rome Streetz offering verbal support.

Ea$y Money x Nozs – “2090” (STDaSquad.BandCamp.Com) – 2021 was a productive year for Massachusetts-based microphone fiend Ea$y Money, with his name gracing the cover of a handful of projects during the twelve month period. Whilst quality control was high on all of those releases, this six-track EP with New England producer Nozs was the standout for me. Street-smart rhymes were paired here with boom-bap beats that were full of character, resulting in a memorable, concise release. Also, props to Ea$y Money for the respectful nod to the great Grand Puba with the EP’s cover art.

Backwood Sweetie – “Christina Shauntay” (BackwoodSweetie.BandCamp.Com) – As a fan of Hip-Hop there’s nothing better than the moment you hear an artist for the first time whose talent immediately captures your attention and has you sitting with your ear pressed against the speaker hanging off every word being said. In 2021, Maryland’s Backwood Sweetie was one of those artists. Rhyming with passion and purpose over a well-chosen selection of beats from a variety of producers, Sweetie had a lot to say as she touched on a number of topics, including Black pride, white supremacy, police brutality and social injustice. Urgent, thought-provoking Hip-Hop.

Beneficence & Confidence – “Stellar Mind” (IllAdrenalineRecords.Com) – A no-nonsense collection of heavyweight head-nodding Hip-Hop, New Jersey’s Beneficence and Boston’s Confidence made a great team here, celebrating the essence of golden-era beats and rhymes whilst injecting their own personalities into the music. A long line of guest artists also complimented the album’s true-school vibe, including El Da Sensei, Craig G and Chubb Rock.

Ka – “A Martyr’s Reward” (BrownsvilleKa.Com) – At this point, highlighting Ka’s incredible lyrical ability just feels like stating the obvious. The Brooklyn emcee is a truly unique artist and for some time his only real competition has been himself, with each of his releases setting the bar even higher for what we can expect to come from his pen. The largely self-produced “A Martyr’s Reward” was another deep dive into Ka’s life experiences, his thoughts, his hopes and his regrets. This was the work of a genuine poet containing pain and peace in equal measures.

Kaimbr & Sean Born – “Nino Green” (NinoGreen7.BandCamp.Com) – A potent mixture of vividly raw rhymes laced with street-smart swagger and intoxicating production full of uncut vintage soul flavour, this “New Jack City”-influenced collaboration from longstanding Maryland artists Kaimbr and Sean Born was as fly as a 1988 Dapper Dan sweatsuit with a matching Kangol. Am I my brother’s keeper? Yes. I. Am.

Heist Life – “Heist New York” (HeistLife.BandCamp.Com) – Ty Da Dale, Sauce Heist and Baby Maine repped for the Rotten Apple with pride on this short-but-effective EP, evoking images of rattling subway trains, street-corner ciphers and scuffed Timberlands over production from Spanish Ran, Nes and Wavy Da Ghawd.

Vandal Savage & Sonnyjim – “Sauvage” (IAmVandalSavage.BandCamp.Com) – Nottingham’s very own Bic Master Vandal Savage leaned heavily into the luxury loops supplied by Sonnyjim throughout this release, with his conversational delivery overflowing with lyrical jewels, life observations and witty punchlines. With appearances from Da Flyy Hooligan, Juga-Naut and Sonnyjim himself adding further verbal weight to the project. “Sauvage” was a laidback lesson in how to craft understated hardcore Hip-Hop.

N.R.F.S. – “N.R.F.S.” (NRFS.BandCamp.Com) – Chicago’s Neak, Rashid Hadee, F.A.B.L.E. and Since9ine6ix joined forces on this impressive collabo album as “uncrowned kings on the underground sharing thrones”, with all four artists bringing their best to the table, complimenting each other’s styles and putting together a potent showcase of undeniable Windy City talent.

Check Part Five here.

New Joint – Ka

Ka – “I Need All That” (@BrownsvilleKa / 2021)

Vivid, emotionally-charged wordplay from the Brooklyn-based master craftsman’s new album “A Martyr’s Reward”.

New Joint – Ka

Ka – “I Notice” (BrownsvilleKa.Com / 2021)

The master craftsman from Brooklyn returns with a powerful dose of vivid, unsettling wordplay from his new album “A Martyr’s Reward”.

100 Best Albums & EPs Of 2020 (Part Five) – REKS / Verb T & Illinformed / Tracey Lee etc.

Check Part One, Part Two, Part Three & Part Four.

REKS – “T.H.I.N.G.S.” (GetOnDown.Com) – Massachusetts-based microphone fiend REKS has been one of the game’s most consistent emcees for the past twenty years.  This impressive release contained more powerful poetry from the skilled lyricist, delving deep into both personal experience and commentary on the world around us, with production from the likes of Nottz, Statik Selektah and Apollo Brown adding further weight to the thought-provoking bars.

Him Lo – “SLAPYAGODDAMNFACEOFF” (GrilchyParty.BandCamp.Com) – One-half of Philadelphia’s mighty Buze Bruvaz, lyrical brawler Him Lo dropped yet another fine selection of rugged, politically-incorrect Hip-Hop, packed with rambunctious, head-cracking rhymes and tough beats. A blend of fresh material and older cuts, this project proved that Lo’s style is timeless like a new pair of wheat-coloured Timberlands.

Verb T & Illinformed – “The Land Of The Foggy Skies” (High-Focus.Com) – A worthy follow-up to their 2015 collaboration “The Man With The Foggy Eyes”, UK duo Verb T and Illinformed delivered the goods once again, pairing creative, contemplative rhymes with mesmerizingly melancholy, jazz-influenced beats. I’ve said it before and I’ll say it again, Verb’s multi-layered verses deserve to be studied in schools as they’re pure poetry.

Boom Bap Babies – “We’ll Fly” (BoomBapBabies.BandCamp.Com) – Birmingham, Alabama-based producer / emcee duo RyNea Soul and Shaun Judah mixed uplifting beats with life-affirming rhymes to clear your third-eye vision and vibrate your soul. This was feel-good Hip-Hop with a mission and a message.

Tracey Lee – “Glory” (TraceyLeeMusic.Com) – Veteran Philly emcee Tracey Lee proved that he hadn’t missed a beat since the release of his excellent 1997 debut album, sounding motivated and full of vitality on this Ojizz-produced project, drawing lyrical inspiration from both past experiences and present-day situations. Reflecting on lockdown life during the pandemic, social divisions and daily struggles, Lee injected his rhymes with an energy and spirituality which ultimately gave this album a real sense of hope and optimism.

Roc Marciano – “Mt. Marci” (Fat Beats) – A decade after the release of his game-changing solo album “Marcberg”, Strong Island’s Roc Marciano demonstrated that this underground king’s crown was showing no signs of slipping, with this latest collection of cool-but-deadly cuts boasting plenty of the influential artist’s vivid, larger-than-life wordplay and unique production.

DRS x Redeyes – “Coloured” (MCDRS.BandCamp.Com) – Inspired by the senseless murder of George Floyd and the Black Lives Matter protests that followed, Manchester’s DRS joined forces with French producer Redeyes to record seven tracks over seven days, dropping this powerful EP in July. Poignant and moving, this release was a world-weary work of art that questioned how racism and prejudice can still exist in a so-called ‘civilised’ society. Truly memorable music.

Rasheed Chappell & Buckwild – “Sinners and Saints” (GetOnDown.Com) – A brilliantly-matched partnership, this collabo album from New Jersey’s Rasheed Chappell and Diggin’ In The Crates legend Buckwild sounded like the work of an established duo. Observational, street-savvy rhymes met well-crafted, sample-based beats here, with the pair complimenting each other’s strengths and making some great music in the process.

Neak – “INNENSTADT” (Neak.BandCamp.Com) – Chicago’s Neak offered an engaging, emotionally-charged look at the realities of inner-city living on this largely self-produced release. With assistance from the likes of Philmore Greene, Rashid Hadee and Slot-A, the talented artist painted poignant portraits of the Windy City with a lyrical style that was both subtle and striking.

Arrested Development – “Don’t Fight Your Demons” (OfficialArrestedDevelopment.BandCamp.Com) – Atlanta’s Grammy award-winning collective returned with a timely dose of edutainment, featuring Speech offering soul-stirring opinions on a number of topics, including racism, mental health and mainstream Hip-Hop. With input from UK producer Configa, this album was rooted in the original essence of the Arrested Development sound but with some well-placed contemporary twists.

UFO Fev & Big Ghost Ltd – “The Ghost Of Albizu”  (GourmetDeluxxx.BandCamp.Com) – For his third release of the year, NY’s UFO Fev called on the formidable production skills of the mighty Big Ghost Ltd, with the pair crafting a vibrant example of underground brilliance. 2020 should definitely go down as the year Fev truly stamped his mark on the game, with the previous years of hard-work paying off and translating into a trio of projects that really hit the target.

Ka – “Descendants Of Cain” (BrownsvilleKa.Com) – Brooklyn’s Ka is like a Hip-Hop monk who every now and then comes down from his mountaintop monastery to bestow wisdom and greatness upon his followers, before once again retreating to an existence of meditation and solitude. This latest effort was a haunting collection of intricately-crafted verses packed with streetwise rhymes laced with tragedy, struggle and triumph. The time and hardwork Ka puts into his music is obvious, yet the end results appear effortless.

Benny The Butcher – “Burden Of Proof” (BennyTheButcherStore.Com) – When Griselda’s Butcher said on this album that 2019 was about branding but 2020 was about expanding, he wasn’t joking. The Buffalo trio of Westside Gunn, Conway and Benny had an incredible year, with the Hit Boy-produced “Burden Of Proof” arguably standing as the crew’s strongest release during that period. Benny’s swaggering, voice-of-experience rhymes highlighted both sides of the street game with sincerity, whilst Hit Boy’s production exceeded all expectations. The Butcher coming!

Breis – “Arise & Shine” (MrBreis.Com) – This EP from veteran London-based lyricist Breis was all about positive, uplifting vibes whilst still acknowledging real-life issues and personal struggles. Utilising a diverse selection of production styles from the likes of Keith Lawrence and Artcha, the lively emcee delivered the messages in his music with flair and originality.

Bub Styles x Ace Fayce – “Very Sucio, Muy Picante” (BubStylesBK.BandCamp.Com) – This album from NYC’s Bub Styles sounded like a late-night walk through the streets of Brooklyn to buy blunts from that store that’s always open and always has a crew of Polo-wearing hard-rocks posted up outside. Rough, rugged and raw, the gravel-voiced Styles pummelled Fayce’s moody production here, with the likes of Estee Nack, UFO Fev and Rome Streetz offering lyrical assistance.

Supreme Cerebral x D.Mar – “Soul Trained” (BugzyNino17.BandCamp.Com) – West Coast wordsmith Supreme Cerebral took aim at fellow Cali representative D.Mar’s vintage soul loops and unleashed a barrage of lyrical darts on this well-crafted album. Lush strings, emotionally-charged vocal samples and mellow vibes provided the perfect accompaniment to Cerebral’s razor-sharp delivery.

Untouchable$ – “Untouchable$” (NowaahTheFlood7.BandCamp.Com) – A potent collaboration between underground heavyweights Nowaah The Flood, Ca$ablanca, Kincee and Jay Holly, this Untouchable$ project was the sound of four skilled emcees building off the energy of one another and elevating their skills to even greater heights in the process. Featuring production from the likes of B-Sun, Kurse and Karnate, this project was a sonic monument to the art of lyricism.

LEX & Buck – “Let Go!” (LEXNYRE.BandCamp.Com) – A true student of the game, Queens, NY’s LEX returned with yet another quality project, this time produced by Cali-raised, New York-based music man Buck. LEX’s combination of relatable rhymes and streetwise bravado always makes you feel like you’re listening to one of your boys who’s passed through to kick it for a few, and the tone of this release was no different.

Revenge Of The Truence & Jack Diggs – “Midnight Run” (JackDiggs.BandCamp.Com) – Known for his crate-digging expertise, the UK’s Jack Diggs blessed NYC’s Revenge Of The Truence with an impeccable selection of atmospheric, late-night loops and head-nodding drums on this brilliant release. 2020 was a busy year for MuGGz and Tay Dayne, with the Harlem duo dropping a number of projects. But this gem definitely stood-out as one of their best.

eMCee Killa & Think – “Foreign Ties” (eMCeeKillaHipHop.BandCamp.Com) – No stranger to topical, hard-hitting lyricism, both in his work as a member of UK crew Caxton Press and his solo material, this album from London’s eMCee Killa provided more of the same, with Canadian producer Think supplying some uncompromisingly hardcore beats to bolster the fiery rhymes found here.

 

New Joint – Ka

Ka – “I Love (Mimi, Moms, Kev)” (BrownsvilleKa.Com / 2020)

Evocative, heartfelt, subtly-delivered poetry from the Brooklyn artist’s recent “Descendants Of Cain” album.

New Joint – Ka

Ka – “Every Now and Then” (BrownsvilleKa.Com / 2020)

One of a series of animated videos from the Brooklyn artist’s masterful new album “Descendants Of Cain”.

100 Best Albums & EPs Of 2018 (Part Five) – Evidence / Juga-Naut / Chuck D etc.

Final part of Old To The New’s  2018 round-up – Check Part One, Part Two, Part Three & Part Four.

DJ Muggs & Roc Marciano – “KAOS” (SoulAssassins.Com) – Following the 2018 release of both “RR2” and “Behold A Dark Horse”, Roc Marci teamed-up with Cypress Hill’s Muggs to put together what resulted in being arguably the best of the three projects. Whilst Muggs’ dark trademark production style may not have seemed the first choice to fit with the Strong Island emcee’s laidback, conversational flow, the pair brought the best out of each other here, with the West Coast music man largely supplying Roc with a string of 70s soundtrack-style samples to lay his lyrical pimp-hand down on.

kaos cover

Evidence – “Weather Or Not” (Rhymesayers.Com) – The third solo album from Dilated Peoples member Evidence, this project found the West Coast emcee capturing an almost melancholy vibe, an observation which isn’t meant to sound negative at all. As down-to-earth as always, Evidence delivered his usual high-standard of blue-collar beats and rhymes, expertly mixing personal reflection with claims of lyrical dominance over production from the likes of The Alchemist, Nottz and DJ Premier. Let it rain!

evidence cover

Shay D – “Human Writes” (ShayDMusic.Com) – London-based emcee Shay D’s growth as an artist over recent years has been inspiring to witness, culminating in this project which is arguably her finest body-of-work to date, effectively blending spoken-word and rap, at times blurring the lines between Hip-Hop and grime with bold confidence. Painfully personal, proudly feminist and undeniably street-savvy, “Human Writes” stood as an artistic triumph which refused to be squeezed into the usual boxes female artists often find themselves confined to. Ladies first!

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Knowledge The Pirate – “Flintlock” (Treasure Chest Entertainment / FXCKRXP.BandCamp.Com) – The Roc Marciano-affiliated Pirate has been moving behind-the-scenes within the music industry for years now, with the brilliant “Flintlock” finally giving the East Coast emcee the opportunity to captain his own sonic ship. Detailed hustler tales were delivered here with an understated suggestion of menace, matched perfectly by the soulful, drama-laced production of Elemnt, Roc Marc, Mushroom Jesus and Knowledge himself. Vivid, cinematic crime rhymes. Ahoy!

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Juga-Naut – “Bon Vivant” (JugaNaut.BandCamp.Com) – Nottingham’s Juga-Naut is a craftsman with words. Next level talent. This impressive album showcased the UK emcee in all his larger-than-life lyrical glory, masterfully weaving confidently delivered verses with style and finesse around high-grade production from the likes of Cappo, Joe Buhdha and Jugz himself. There are some individuals who were just born to rhyme and “Bon Vivant” proved that Juga-Naut definitely falls into that category.

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Ty Farris – “No Cosign Just Cocaine 2” (TyFarris.BandCamp.Com) – Street-wise swagger and lyrical dexterity collided on this project with memorable results, as Detroit’s Ty Farris navigated his way through beats from Trox, Stu Bangas and Foulmouth (to name just a few) with focus, purpose and a razor-sharp tongue.

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Coops – “Life In The Flesh” (HighFocus.BandCamp.Com) – A thoroughly captivating and engrossing listening experience, this concept-based project from UK emcee Coops was a weighty mix of both style and substance. Produced entirely by the talented Talos, the album documented the London resident’s unique perspective on the struggles and challenges of modern-day life in Britain, showcasing the voice of an artist who is as spiritually-aware as he is socially-aware.

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Benny The Butcher – “Tana Talk 3” (GriseldaxFR.Com) – Griselda’s Benny upped the ante on this epic project, following in the footsteps of artists such as Jay-Z and Scarface as he gave listeners the full spectrum of the street life experience, including the losses, betrayals and regrets. Backed by fittingly sombre production from Daringer and The Alchemist, Benny delivered a true masterpiece here.

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Recognize Ali – “The Outlawed” (Greenfield Music / GourmetDeluxxx.BandCamp.Com) – Possessing a tireless work ethic, Ali has blazed his own trail through the underground in recent times with a string of consistently strong releases. This album found the Greenfield emcee once again demonstrating his formidable rhymes skills over production from the likes of Farma Beats, Big Ghost Ltd and Frank Grimes.

Daniel Son & Futurewave – “Pressure Cooker” (BrownBagMoney.BandCamp.Com) – Two of Canada’s finest Hip-Hop talents joined forces to craft this raw-yet-creative example of hardcore Hip-Hop, with the pair sharing an undeniable chemistry which ensured this album remained engaging throughout, as Daniel Son used the drum-heavy production of Futurewave for lyrical dart target-practice.

The Diceman – “The Power Of Now” (KingOfTheBeats.Com) – As a member of veteran Bronx crew The Legion, Dice’s Hip-Hop credentials are unquestionable. On this dope solo album, the Rotten Apple rhymer delivered rugged, witty rhymes over speaker-shaking boom-bap beats, resulting in an album that was grounded in golden-era traditions without sounding stuck in the past. The Bronx keeps creating it.

DJ Jazzy Jeff – “M3” (DJJazzyJeff215.BandCamp.Com) – Presenting the third and final instalment of his “Magnificent” album trilogy, Philly legend Jazzy Jeff gave listeners his usual high-quality trademark blend of Hip-Hop, soul and jazz on a project which was life-affirming, thought-provoking and thoroughly entertaining. With The Trinity (Rhymefest, Dayne Jordan and Uhmeer) bridging the generation gap on mic duties, “M3” offered sonic sustenance in today’s troubled times.

Black Thought – “Streams Of Thought Vol. 2” (Passyunk Productions / Human Re Sources) – Illadelph icon Black Thought is one of the greatest of all-time. That shouldn’t even be up for debate at this stage in his career. Showcasing his always on-point blend of street knowledge, social observations, life lessons and emcee bravado over loose, funky Salaam Remi-orchestrated soundscapes, Thought continued to set the standard for anyone claiming to be a lyricist.

Apollo Brown & Joell Ortiz – “Mona Lisa” (MelloMusicGroup.BandCamp) – Detroit producer Apollo Brown has made a career out of working with already impressive artists and being able to bring just that little bit more out of them (Skyzoo, Ras Kass, O.C. etc).  Capturing Brooklyn’s Joell Ortiz at a potential crossroads following the Slaughterhouse split, “Mona Lisa” was the sound of an emcee taking stock of both his career and his life, world-weary but not bitter, experienced but not jaded, realistic but looking for a better tomorrow.

Nowaah The Flood & The Architect – “Trill Life Mathematiks” (NowaahTheFlood7.BandCamp.Com) – Texas-based wordsmith Nowaah was one of a crop of upcoming emcees who put their stamp on 2018 via a strong work ethic, quality music and genuine rhyme skills. Produced by the Bay Area’s Architect (of Homeliss Derilex fame), “Trill Life…” found Flood dropping street-based science and righteous rawness over a strong selection of impeccable beats.

Chuck D As Mistachuck – “Celebration Of Ignorance” (ChuckDAsMistachuck.BandCamp.Com) – Public Enemy’s Rhyme Animal returned to burn on this C-Doc-produced project with assistance from P.E. 2.0’s Jahi. Speaking his mind as always, Chuck D took the opportunity to address numerous political and social issues impacting Trump’s Amerikkka and beyond, proving that after thirty-plus years since his debut on wax, the Strong Island legend still doesn’t rhyme for the sake of riddling.

Hermit & The Recluse (Animoss & Ka) – “Orpheus vs. The Sirens” (BrownsvilleKa.Com) – Brooklyn’s master craftsman Ka took listeners on another lyrical odyssey with this  concept-based project. Packed with rich imagery, Ka’s verses here were delivered with incredible skill, woven together by life experience and creative genius, complimented by the dramatic, emotionally-charged work of Cali producer Animoss.

Habitat – “617 Black Label” (HeavyLinks.BandCamp.Com) – Heavy Links member Habitat came correct on his second solo album, pulling together a number of talented producers (including Giallo Point, DJ Severe and CrabbMan) to deliver the boom-bap backbone he was looking for. Full of forthright rhymes and true-school attitude, this was another strong outing for the UK emcee.

Codenine & Grubby Pawz – “Auerbach’s Garden” (CityYardMusic.BandCamp.Com) – Backed by some of the smoothest production to be heard in 2018 courtesy of Grubby Pawz, Massachusetts-based microphone fiend Codenine cut through the mellow mood music on offer here with consistently impressive displays of sharp, intricately-woven wordplay.

Stanza Divan – “Poetry In Motion” (StanzaDivan.BandCamp.Com) – Although it was billed as a mixtape rather than an official album or EP release, this impressive offering from Leicester-based artist Stanza Divan needed to be included here, as the lyrical skill, content and conviction contained within “Poetry In Motion” doesn’t come along every day. Definitely an artist to watch in 2019.

 

New Joint – Hermit and the Recluse

Hermit and the Recluse – “Orpheus” (@BrownsvilleKa / 2018)

Taken from the Animoss / Ka album “Orpheus Vs. The Sirens”.

New Joint – Hermit and the Recluse

Hermit and the Recluse – “Oedipus” (BrownsvilleKa.Com / 2018)

Taken from Brooklyn emcee Ka’s recently-released Animoss-produced album “Orpheus Vs. The Sirens”.

New Joint – Hermit and the Recluse

Hermit and the Recluse – “Argo” (BrownsvilleKa.Com / 2018)

Elegant rawness from the recently-released Animoss / Ka album “Orpheus Vs. The Sirens”.

New Joint – Hermit and the Recluse (Animoss & Ka)

Hermit and the Recluse – “Sirens” (BrownsvilleKa.Com / 2018)

Sublime, intricately-woven wordplay from Brooklyn emcee Ka’s sixth album “Orpheus Vs. The Sirens” produced entirely by California’s Animoss.

100 Best Albums & EPs Of 2016 (Part Four) – Cappo / A Tribe Called Quest / Ka etc.

Check Part One, Part Two and Part Three.

Cappo – “Dramatic Change Of Fortune” (YNR Productions) – Nottingham’s Cappo really put himself in a zone for his latest self-produced long-player, a relatively short yet intense collection of intricate lyricism and atmospheric, boundary-blurring beats which proved the UK emcee isn’t afraid to think outside of the box when it’s time to make music.

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Nolan The Ninja – “He(art)” (Left Of Center) – Whilst accurate, using the word ‘passionate’ to describe Nolan The Ninja’s microphone techniques really doesn’t do justice to the Detroit emcee’s approach to his craft. Attacking every track on “He(art)” with both ferocity and skill, the Motor City representative ensured this album bristled with a tangible sense of energy, showcasing his undeniable love for the culture of Hip-Hop in the process.

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Levitical – “Do The Right Thing” (Levitical.BandCamp.Com) – With a respectful nod to Spike Lee’s classic late-80s film of the same name, this EP from Detroit duo Dr. Doowap and Marc Arrow was a short, sharp blast of sonic motivation, mixing humour, wit and social commentary with jazzy, soulful soundscapes.

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Apollo Brown & Skyzoo – “The Easy Truth” (Mello Music Group) – Backed by the melodic thump of Detroit producer Apollo Brown, Brooklyn’s Skyzoo offered further proof throughout “The Easy Truth” of why he deserves to be described as one of the nicest wordsmiths to have emerged from his beloved BK borough, painting captivating lyrical pictures of Rotten Apple life with genuine skill, empathy and insight. Respect the aura.

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Spida Lee – “Rise Of A King” (SpidaLee.BandCamp.Com) – Mixing conscious vibes and street smarts with the unashamedly 90s-influenced production of Natural Doc, UK emcee Spida Lee’s sophomore album was a real joy to listen to, full of unbridled enthusiasm and a desire to give listeners some food for thought.

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A Tribe Called Quest – “We Got It From Here…Thank You 4 Your Service” (Epic) – Following the sad passing of group member Phife Dawg, the unexpected return of A Tribe Called Quest was bittersweet to say the least. Yet the legendary crew from Queens largely succeeded in turning tragedy into artistic triumph with their sixth album. Capturing the spirit of the classic Tribe sound without simply retreading old creative ground, “We Got It From Here…” was mature, refined Hip-Hop. RIP Phife.

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Blakface & Sean Wyze – “The Time Ahead” (Blakface.BandCamp.Com) – West Coast / Midwest trio FunkLogik, $incere and Sean Wyze delivered thought-provoking, down-to-earth lyricism and melodic, sample-driven beats on this well-crafted album, with Guilty Simpson, Illa J and Trek Life on-hand to offer microphone assistance.

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Siddeeq Matthew – “King Language” (SiddeeqMatthew.BandCamp.Com) – Mixing true-school values with contemporary styles, this EP from Leicester, England’s Siddeeq Matthew offered street-savvy verses laced with personal reflection, resulting in a unique and thoroughly engaging listening experience.

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Ka – “Honor Killed The Samurai” (Iron Works) – Crafted with the precision of a master builder, this impressive self-produced body of work from Brooklyn’s Ka found the NY artist once again showcasing his near-obsessive attention to detail, both lyrically and sonically. Marrying vivid-yet-understated verses full of gritty life observations with his trademark stripped-down soundscapes, “Honor…” had all the makings of a modern-day cult classic.

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MarQ Spekt & Blockhead – “Keep Playin'” (HiPNOTT Records) – If you like raw rhyme skills that sound like they were sharpened in golden-era street-corner ciphers coupled with uncompromising, hardcore beats, then this album from Philly wordsmith MarQ Spekt and NY producer Blockhead should have found its way onto your playlist.

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Psycho Les – “Dank God, Vol. 1” (PitFight Entertainment) – Still as intoxicated and stone crazy as ever, Beatnuts member Psycho Les called on a long list of microphone heavyweights to feature on this compilation-style project, including R.A. The Rugged Man, Inspectah Deck and Tragedy Khadafi. Strictly underground funk, keep the crossover.

Undercream

Undercream

Gensu Dean & Denmark Vessey – “Whole Food” (Mello Music Group) – The sonic equivalent of a good home-cooked meal, this collaborative effort from Texas-raised producer Dean and Detroit emcee Vessey offered listeners plenty of musical sustenance, with the pair displaying undeniable creative chemistry throughout the project.

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Buddy Leezle – “The Colorful World Of Buddy Benetton” (BuddyLeezle.BandCamp.Com) – Philly’s Buddle Leezle joined forces with producer Mook of Ireland’s Sons Phonetic for this transatlantic collection of fresh, fly and bold flavours inspired by the Illadelph lyricist’s passion for collecting vintage Ralph Lauren and Benetton clothing.

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Tab_One & Sinopsis – “Sincerely, Tab” (Tab-One.BandCamp.Com) – Members of North Carolina’s Kooley High crew, emcee Tab_One and producer Sinopsis confidently stepped outside of the group dynamic on this collaborative release, with “Sincerely, Tab” standing as a shining example of organic underground Hip-Hop.

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Allstar Stacks – “Rocky Road” (AllstarStacks.BandCamp.Com) – London emcee Allstar Stacks delivered a potent mix of streetwise swagger and sincere introspection on this impressive Session 600-produced project, featuring Ray Vendetta, FlowTecs and K Zorro.

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Vandal Savage – “1000th Prestige” (IAmVandalSavage.BandCamp.Com) – Nottingham’s Vandal Savage further cemented his growing reputation as one of the nicest lyricists in the UK Hip-Hop scene with this self-produced EP featuring Juga-Naut, Micall Parknsun and Cappo.

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Ray Vendetta & K Zorro – “The Regulator’s Handbook” (RingzOvSaturn.BandCamp.Com) – Triple Darkness member Ray Vendetta and fellow London representative K Zorro brough their alter-egos Daddy Longluv and Jack O’Hartz to the forefront on this quality concept-based project, which featured the UK duo proving there’s no slackin’ in their mackin’ as they put it down for the ladies in a roughneck style and fashion.

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Idasa Tariq – “FRAMES” (IdasaTariq.BandCamp.Com) – Sincere, intelligent rhymes from Pittsburgh’s Idasa Tariq which were as thought-provoking as they were personal, with “FRAMES” being a project that was tailor-made for today’s troubled times.

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Badly Promoted Geniuses – “Sorry Not Sorry” (BadlyPromotedGeniuses.BandCamp.Com) – Described as being “the result of the overactive imaginations of six miscreants with a penchant for Rap”, the debut album from UK crew Badly Promoted Geniuses was an unpredictable-yet-cohesive collection of beats and rhymes, showcasing the undeniable creativity of Triple Dot Beast, Baron Samedi, Skrabl, Oozhe, Sofa King and DJ Severe.

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Ivan Ave – “Helping Hands” (JakartaRecords-Label.BandCamp.Com) – Norway’s Ivan Ave delivered honest, introspective rhymes over producer MNDSGN’s mellow beats on this fine collection of hypnotic mood music.

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Fifth and final part coming soon.

New Joint – Ka

Ka – “Just” (@BrownsvilleKa / 2016)

Animated visuals from the talented Brooklyn wordsmith’s new album “Honor Killed The Samurai”.

New Joint – Ka

Ka – “30 Keys” (@BrownsvilleKa / 2016)

The Brooklyn emcee drops elegant street rhymes over Roc Marciano production off his new release “The Superfly Single”.

100 Best Albums & EPs Of 2015 (Part Three) – Spit Gemz / Pete Rock / Apathy etc.

Check Part One and Part Two.

Ka & Preservation – “Days With Dr. Yen Lo” (Mon Dieu Music) – Partly inspired by the classic 1962 film “The Manchurian Candidate”, Brooklyn’s Ka once again teamed-up with producer Preservation to craft this understated masterpiece. Combining minimalist, atmospheric soundscapes with Ka’s vivid-yet-subtle lyrical craftmanship, this project was the sonic equivalent of driving through inner-city New York in slow-motion, looking out the window and watching some of the Rotten Apple’s eight million stories unfolding right in front of your eyes.

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Union Blak – “Street English” (Effiscienz) – UK / US duo Sir Williams and Kimba followed-up their 2014 debut for France’s Effiscienz imprint with another quality selection of melodic, uplifting boom-bap and inspirational rhymes, with the pair’s shared love of Hip-Hop and passion for their respective crafts shining through on every track.

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Jise – “The Passion Of Jise” (Creative Juices Music) – Part conceptual, part semi-autobiographical, this intense solo project from Arsonists member Jise One was a dramatic, well-executed sonic roller-coaster which found the Brooklyn emcee pushing the creative envelope as he told emotionally-charged stories from various character perspectives over well-chosen production from the likes of Q-Unique, DJ Insite and Dras79.

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Spit Gemz – “Godly Features” (Broken Home) – As one of the illest emcees to have emerged from NYC in recent years, it came as no surprise to hear Queens resident Spit Gemz holding his own against veteran wordsmiths such as Tragedy Khadafi, Kool G Rap and Shabaam Sahdeeq on this potent release. A tour-de-force of verbal skill, “Godly Features” showcased Gemz delivering a standard of lyricism that many artists today could only hope to aspire to.

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BOOM – “From PG, With Love” (DTMD.BandCamp.Com) – Maryland microphone master BOOM delivered slick, self-assured rhymes over soulful beats on this debut project produced entirely by Dunc of DTMD fame. Representing for his Prince George’s County stomping grounds, the talented artist exuded a quiet confidence throughout this nine-track release which couldn’t fail to endear him to listeners.

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The Kingdom – “Kingdom Come” (TheKingdomMusic.BandCamp.Com) – Following up last year’s impressive “No Rest In The Kingdom” project, North Carolina-based duo King Draft and Jerm Scorcese returned with the boundary-pushing “Kingdom Come”, an album that successfully blended future-shock soul vibes, dusty samples and accomplished, intelligent wordplay into one cohesive, rewarding listening experience.

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Pete Rock – “Petestrumentals 2” (Mello Music Group) – Mount Vernon’s legendary Chocolate Boy Wonder emerged from his basement once again with a new collection of instrumental flavours for 2015, expanding on his trademark production style which influenced a generation of beat-makers. Capturing a variety of sonic tones and textures, Pete did his legacy justice here, effortlessly retaining his title of Hip-Hop’s Soul Brother #1.

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Cold Fusion – “The Elixir” (RingzOVSaturn.BandCamp.Com) – Prior to the 2015 release of the Triple Darkness album “Darker Than Black” (previously mentioned in Part One of this list), group members Ray Vendetta and Cyrus Malachi set the year off with this hardcore jewel, meshing their heavy mental wordplay with the gritty, atmospheric boom-bap of HellzEcho production partnership Ringz Ov Saturn and 7th Dan. “The Elixir” stood as proof that there will always be those whose motivation for picking up a microphone runs deeper than simply chasing overnight success, fame and fortune.

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Starvin B & Fel Sweetenberg – “Soul Museum” (Effiscienz) – Backed by the knocking production of New Jersey’s Fel Sweetenberg, the always-impressive Starvin B added another worthy project to his ever-expanding catalogue with this succinct, straight-to-the-point release for France’s Effiscienz label.

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Chrome & Illinspired – “The All C N I” (B-Line Recordings) – A throwback to the late-80s when the BPMs of hardcore Hip-Hop inspired immediate dancefloor activity, this release from UK duo Chrome & Illinspired was packed with frantic drums, lively loops, fast-paced cuts and high-velocity verbals. If you could listen to this album without breaking into The Running Man at least once, you really needed to get your pulse checked.

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Apathy – “Weekend At The Cape” (Dirty Version Records) – Released as a companion EP to 2014’s “Connecticut Casual” album, “Weekend…” found the acid-tongued Demigodz member once again drawing inspiration from his New England surroundings, delivering typically thorny barbs over largely self-produced beats which ranged from the funky to the melancholy.

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Maffew Ragazino – “VII Million Stories” (WPG) – A potent dose of traditional Rotten Apple rap, Brooklyn’s Ragazino undoubtedly made his borough proud with this street-savvy combination of hard-knock sentiments, motivational jewels and life lessons.

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Mellow Man Ace – “The Lost Decade” (Ultra Slump! Records) – Perhaps one of the most unexpected releases of 2015 came in the form of this album from California veteran Mellow Man Ace. Dropping his own brand of Latin lingo over funky, soulful soundscapes, with the likes of Dinco D (Leaders Of The New School), Jarobi (ATCQ) and Ultra Slump! label-mate Cazal Organism on-hand to offer lyrical assistance, the West Coast emcee delivered a project that was as refreshing as it was nostalgic.

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BRTSound – “Boombap Therapy” (DirtyBeauty) – After checking the title of this release from Russian producer BRTSound, it would have been easy to be misled into thinking you were going to be hearing the work of an unaccomplished beat-head simply attempting to emulate their favourite DJ Premier tracks. However, “Boombap Therapy” was an impressive eight-track effort which found the Moscow music man drawing on both his love of heavy drums and mellow jazz grooves, resulting in what was one of the best instrumental projects heard in 2015.

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AUTOmatic – “ARISING” (AUTOmatic.BandCamp.Com) – Milwaukee, Wisconsin’s A.P.R.I.M.E., Trellmatic and JDL Rockwell combined organic, infectious feel-good vibes with down-to-earth rhymes and soulful, organic beats on this polished five-track EP.

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Nolan The Ninja – “f_ck the hype” (NolanTheNinja.BandCamp.Com) – This highly-anticipated project from Detroit’s Nolan The Ninja showcased the 23-year-old artist’s ferocious flow and gritty delivery to great effect, with the passionate producer-on-the-mic being joined by Phat Kat, Finale and Hassaan Mackey as he verbally attacked a selection of raw, basement-style beats.

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UGeorge – “The Many Faces Of UGeorge” (WorldExpo Records) – The Atlanta-based Soundsci member unleashed his brilliant solo project “The Many Faces Of…” towards the end of the year, featuring UGeorge defining the term ‘grown-man rap’ as he invited listeners into the world of the proud “40-year-old rapper”, tackling a number of topics with a true-school attitude over impeccable production from Ollie Teeba, Jonny Cuba, SilentSomeone and more.

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Lewis Parker & Eastkoast – “MK Ultra” (KingUnderground Records) – Talented UK producer Lewis Parker (aka The Man With The Golden Sound) laced NY-raised emcee Eastkoast with a typically high-standard of beats on this captivating collaborative effort featuring Shabaam Sahdeeq, $amhill and El Da Sensei.

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Grand Daddy I.U. – “P.I.M.P.” (Steady Flow Records) – The tone of this album from veteran Strong Island emcee Grand Daddy I.U. was summed up succinctly by just one lyric – “I don’t make trap music, I ain’t from down South, I make New York Hip-Hop, ‘Cos that’s what I’m about.” Combining the same blend of slick street talk and cocky bravado heard on his 1990 debut “Smooth Assassin”, the Rotten Apple wordsmith embraced his OG status in no uncertain terms on this release, proving that with age comes wisdom, experience and the right to slap a young buck in the domepiece.

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Constant Deviants – “Avant Garde” (Six2Six Records) – Two decades after their debut, the Baltimore / NY duo of DJ Cutt and M.I. proved they were still capable of delivering quality beats and rhymes, with their music remaining rooted in the group’s golden-era origins without sounding stuck in the past. Displaying a creative chemistry that deserved to be compared to that once shared by the likes of Gang Starr or Pete Rock & CL Smooth in their prime, this fourth full-length Constant Deviants project found Cutt and M.I confirming a definite mastery of their distinctive brand of authentic East Coast  flavour.

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Part Four coming soon.

New Joint – Dr. Yen Lo (Ka / Preservation) / Roc Marciano

Dr. Yen Lo ft. Roc Marciano – “Day 81” (@BrownsvilleKa / 2015)

Laser-precise rhyming and lo-fi sonic brilliance from the Ka / Preservation collabo album “Days With Dr. Yen Lo”.

New Joint – Dr. Yen Lo (Ka / Preservation)

Dr. Yen Lo – “Day 70” (@BrownsvilleKa / 2015)

Another dose of vivid lyricism and masterful musicianship off the new “Days With Dr. Yen Lo” project from Brooklyn’s Ka and producer Preservation.

New Joint – Dr. Yen Lo (Ka & Preservation)

Dr. Yen Lo – “Day 912” (@Brownsville Ka / 2015)

Brooklyn lyricist Ka truly is a master of his craft, as evidenced by this latest track to be lifted from his forthcoming Preservation-produced project “Days With Dr. Yen Lo”.