Tag Archives: Junkyard JuJu

New Joint – Jeru The Damaja / The Beatnuts

Jeru The Damaja ft. The Beatnuts – “A.R.M.E.D.” (@JeruTheDamaja / 2017)

New visuals for a Junkyard JuJu-produced cut off Jeru’s 2014 project “The Hammer”.

New Joint – Killa Sha

Killa Sha – “My Environment” (Pear Entertainment / 2014)

The QB legend describes how he was “schooled by the older gods” on this Junkyard JuJu-produced track from the upcoming posthumous Sha Lumi album “The Shepard”.


Live Review – The Beatnuts

Venue: Jazz Cafe, London  Date: 31 August 2012

The Beatnuts may have started off as a three-man crew (with the inimitable Fashion making up the third of the trio), but following their reduction to a two- man unit after the release of their brilliant 1994 debut album, Queens, NY producers-on-the-mic Psycho Les and Junkyard JuJu have gone on to join the ranks of Run DMC and EPMD as one of Hip-Hop’s most cherished rhyming partnerships. The Nuts’ potent blend of dusty grooves, boom-bap drums and raucous, politically-incorrect lyrical content has resulted in a lengthy list of Hip-Hop classics and a die-hard fanbase, plenty of whom were in attendance at this lively London gig.

After some brief technical problems, JuJu kicked things off after midnight from behind his lap-top set-up with a short instrumental intro, before being joined onstage by Psycho Les, sporting dark shades and carrying a hefty bottle of alchohol which kept the pair’s cups filled throughout the performance.

With no frills and no over-the-top theatrics , the duo launched head-first into the thumping “Originate”, as Les roamed the stage with bristling b-boy attitude, pausing only to readjust his sagging jeans and take a slug of his drink as JuJu moved from behind his computer to take centre-stage.

Although the lack of a deejay may have hampered the performance of a less-experienced act, JuJu needing to constantly duck back behind his laptop to cue the next track didn’t necessarily have an adverse or disruptive impact on the show. With years of rocking stages under their belts, Les and JuJu obviously know their catalogue of material inside out and their larger-than-life personalities ensured any potential glitches were pushed aside with charismatic humour (“Y’know, I’m not really into this technology s**t,” JuJu had joked whilst initially struggling to set his equipment up at the beginning of the show).

The adrenaline-pumping “Beatnuts Forever” provoked a rowdy reaction from the crowd, as to did the  crashing drums of the ultimate beer-drinking, weed-smoking anthem “Psycho Dwarf” from the group’s unforgettable 1993 EP “Intoxicated Demons”.

JuJu’s voice was clearly becoming more hoarse as the Nuts’ progressed further into their set, the result of numerous shows and late nights in Europe prior to the pair spending hours waiting for a delayed flight to the UK. Persisting with his gruff vocal tones, the gravel-voiced beat-digger drew laughs from the audience as he commented on how much he sounded like Onyx member Sticky Fingaz, before managing an almost pitch-perfect rendition of the intro to the Mad Face favourite “Throw Ya Gunz”.

Further timeless Nut nuggets such as the playful “No Escapin’ This” and brilliant 90s gem “No Equal” satisfied those looking to see the duo delivering their trademark bangers, whilst Les and JuJu also took the opportunity to test-drive some new material which apparently was only “on Serato exclusive for the Jazz Cafe.”

Exuding the same cocky bravado and love for raw Hip-Hop that enamoured them to rap fans twenty years ago, the Beatnuts first UK appearance in the best part of a decade proved to be a more than successful return for the kings of diggin’.

The New York City duo definitely still get props over here.

Ryan Proctor

The Beatnuts debut new material at the Jazz Cafe.