Tag Archives: Jehst

New Joint – Jehst

Jehst – “State Of The Union (Freestyle)” (@YNRProductions / 2020)

The mighty Billy Brimstone delivers a relentless stream-of-consciousness flow over tense Pitch 92 production.

 

New Joint – Jehst

Jehst – “Wild Herb” (@JehstOfficial / 2020)

Co-produced by the mighty Beat Butcha, this new single from the ever-impressive Jehst is a mellow, synth-laced gem which effortlessly floats above the competition.

New Joint – Jehst / Confucius MC

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Jehst ft. Confucius MC – “Autumn Nights” (@YNRProductions / 2019)

Sublime seasonal vibes to be found here, with UK talents Jehst and Confucius both floating effortlessly over French producer Keor Meteor’s jazz-infused soundscape like colourful  leaves in a crisp, cold breeze.

New Joint – Micall Parknsun & Mr Thing / Joker Starr / Jehst / Essa

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Micall Parknsun & Mr Thing ft. Joker Starr, Jehst & Essa – “Klingon Face – Remix” (VillageLive.BandCamp.Com / 2019)

Huge line-up of heavyweight UK talent on this raw, breakbeat-driven reworking of one of the many standout cuts off the brilliant 2018 Parknsun / Thing album “Finish What We Started”.

New Joint – Pitch 92 / LayFullStop / Jehst / Sparkz

Pitch 92 ft. LayFullStop, Jehst & Sparkz – “Kingdom” (@HighFocusUK / 2019)

Warm, bass-heavy flavour from the UK producer’s forthcoming album “3rd Culture”.

New Joint – Jehst

Jehst – “Billy Green’s Theme” (@YNRProductions / 2018)

Animated visuals from the talented UK artist’s 2017 album “Billy Green Is Dead”.

New Joint – Pitch 92 / Jehst / Confucius MC

Pitch 92 ft. Jehst & Confucius MC – “Lost In Space” (@Pitch_92 / 2018)

Dope title track from the UK producer’s new EP on High Focus Records.

New Joint – Confucius MC & Mr Brown / Jehst

Confucius MC & Mr Brown ft. Jehst – “The Art-Form Pt. 2” (@WeStayTrueUK / 2018)

Speaker-crunching beats and rhymes from the UK pair’s 2017 collabo EP “The ArtForm”.

New Joint – Jehst

Jehst ft. Ennio Lion & Mr Thing – “Smoke Screen” (@JehstOfficial / 2018)

Creative, unsettling visuals from the talented UK artist’s 2017 album “Billy Green Is Dead”.

100 Best Albums & EPs Of 2017 (Part Five) – Ray Vendetta & Giallo Point / Defari / Conway etc.

Check Part One, Part Two, Part Three & Part Four.

Ray Vendetta & Giallo Point – “Sins Of The Son” (PrestigiousRecordings1.BandCamp.Com) – Triple Darkness member Vendetta called on the talents of prolific producer Giallo Point for this epic display of hardcore brilliance, with the London-based lyricist dropping vivid, street-smart rhymes over expertly-crafted loops and beats perfectly suited to the UK emcee’s forthright delivery.

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Showbiz & A.G. – “Take It Back” (DITCEnt.Com) – One of Hip-Hop’s greatest musical partnerships, Bronx duo Show & A.G. dropped this stellar effort some twenty-five years after their first releases appeared on record store shelves. Having lost none of his dusty-fingered touch, Showbiz delivered plenty of that trademark DITC sound here, with Andre The Giant flowing effortlessly throughout.

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Jazz Spastiks & Mellosoulblack – “Midnight Method” (JazzSpastiks.BandCamp.Com) – UK production duo the Jazz Spastiks provided Stateside crew Mellosoulblack with a heavy dose of their full-bodied production sound on this quality collaborative album. Thumping beats, random samples and crafty cuts were blended with witty, freestyle-flavoured rhymes here, resulting in an upbeat, feel-good true-school listening experience.

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Rapsody – “Laila’s Wisdom” (Jamla Records / Roc Nation) – 2017 was a big year for North Carolina’s Rapsody, culminating in a Grammy nomination for this deserving body of work. Truth be told, the talented artist didn’t do anything different here than she’s already been doing since debuting her solo material in 2011, incorporating personal experiences, fierce lyricism and a good ear for strong production into one undeniable package. The increased amount of attention Rapsody received this time around, however, was proof that talent and hard-work can get you to where you want to be.

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Kamanchi Sly – “Slycriminality” / “Ultimate BBoy 92” (KamanchiSly.Com) – Hijack legend K Sly dropped two albums in 2017 and, as much as I tried, I really couldn’t decide which was the better of the two, so I’m giving props to both projects here. A pioneer of the 80s UK Hip-Hop scene, the South London lyricist proved throughout both these self-produced releases that his dedication to microphone dominance hasn’t faded over the years at all. Mixing a true love of Hip-Hop culture with a passion for crushing the competition and some wordly wisdom, Kamanchi Sly injected his 2017 output with the energy of a new artist and the experience of a battle-hardened veteran. Stockwell serves again!

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Estee Nack & Friends – “#MiniMansionDust Vol.2” (EsteeNack.BandCamp.Com) – Tragic Allies member Estee Nack dropped science alongside Daniel Son, al.divino and Mr. Rose on this solid collection of fly underground jewels, with the Massachusetts mic fiend’s gritty delivery and righteous street knowledge hitting the target as always.

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Flashius Clayton & Lisaan’dro – “Money Makin Music” (FlashiusClayton.BandCamp.Com) – The end result of a weekly series of free tracks dropped between September and November, this project effectively showcased the sharp rhyme skills of Cali’s Flashius Clayton and NY’s Lisaan’dro, two distinctly different emcees with a shared passion for the craft of lyricism. Featuring production from Farma Beats, The Historian and Spectacular Diagnostics, “Money Makin Music” marked both these talented individuals as ones to watch in 2018 and beyond.

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Blacastan & Stu Bangas – “The Uncanny Adventures Of Watson & Holmes” (BrickRecords.Com) – The sequel to their 2014 Watson & Holmes project, this album was another collection of raw beats and rhymes from the Connecticut emcee and Boston producer that definitely wasn’t for the faint-hearted. Slashing through your speakers with razor-sharp precision, the chemistry shared between the pair was apparent once again here, with all the elements of a true musical partnership on display.

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Jay-Z – “4:44” (RocNation.Com) – Jay-Z has always been a divisive figure in Hip-Hop, sparking passionate debates between those who see him as a calculating commercial rapper and others who consider him one of the greatest artists of all-time. To be fair, both camps have valid points, as Hov’s career has contained moments of sonic brilliance and disappointment. This album, however, was his best release in a decade, with the nearly fifty-year-old artist talking about topics a nearly fifty-year-old artist in Jay’s position should be addressing in their music – family, society, personal failures, successes – displaying a different side to the Brooklyn icon than we’d heard and seen before.

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Ankhlejohn – “The Red Room” (Shaap Records / FxckRxp.Com) – The raspy-voiced Washington D.C. wordsmith dropped this cohesive collection of late-night street-hop mixing East Coast boom-bap sensibilities with a no-holds-barred lyrical approach, resulting in a project that was something of an acquired taste but that offered a unique listening experience for those who embraced “The Red Room” in all of its unhinged glory.

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Spnda & Grubby Pawz – “Steel Sharpens Steel” (CityYardMusic.BandCamp.Com) – On point like a knife blade, this Boston duo’s album was an effective lesson in how to craft a project that has the ability to really draw the listener in, with Spnda’s liquid swordplay meshing perfectly with producer Pawz’ loop-based mellow madness, resulting in an album that was both atmospheric and captivating with maximum replay value.

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RSXGLD – “RSXGLD” (RSXGLD.BandCamp.Com) – This album found veteran Michigan representatives RoSpit and 14KT successfully pushing their respective creative boundaries on each track, giving “RSXGLD” a sound that was soulful, hardcore and experimental in equal measures. Ambitious, personal, speaker-rattling Hip-Hop.

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Jehst – “Billy Green Is Dead” (YNRProductions.BandCamp.Com) – Named after a socially-aware 1972 Gil-Scott Heron track, UK producer-on-the-mic Jehst’s first album in six years was a deep musical experience to fully immerse yourself in, offering commentary on today’s modern world which, at times, made for unsettling and haunting listening. A truly brilliant work of art.

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Recognize Ali & Giallo Point – “Back 2 Mecca” (RecognizeAli.BandCamp.Com) – The last of three albums to be released in 2017 by Greenfield Music’s talented Recognize Ali, this project paid tribute to the culture of Hip-Hop and was powered by the typically impressive production of the UK’s Giallo Point, with the likes of Estee Nack, Daniel Son and PhybaOptikz also contributing their skills to this raw collection of subterranean gems.

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Life MC & DJ Nappa – “Audio Bliss” (LifeMC.BandCamp.Com) – One of UK Hip-Hop’s most distinctive voices, Life MC touched on a variety of topics throughout this succinct seven-track EP, with fellow Phi-Life Cypher member Nappa pulling out some top-drawer production to match the Luton lyricist’s passionate verses.

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Ash The Author & Krang – “Two Man Band” (BoomBapPro.Com) – Lively, spontaneous vibes from the UK duo, with Ash’s cleverly cocky rhymes sitting nicely over the jazz-influenced production of Krang, a combination which added another worthy release to the Boom Bap Professionals label catalogue.

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Defari – “Rare Poise” (Fat Beats) – Part of the mid-90s West Coast independent scene and a Likwit Crew affiliate, Defari is no stranger to releasing quality music. Calling on the production skills of Evidence to assist in crafting his first album in eleven years, the Cali emcee proved that he hadn’t missed a beat with this self-assured set which also featured appearances from longstanding Left Coast wordsmiths Rakaa Iriscience, Krondon and Phil Tha Agony.

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Verb T & Pitch 92 – “Good Evening” (HighFocus.BandCamp.Com) – Supported by the brilliant production of Mouse Outfit music man Pitch 92, the mighty Verb T dropped an engaging, down-to-earth mix of life observations, dry wit and personal reflection, proving once again why his stature as UK Hip-Hop royalty is so well-deserved.

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Codenine – “IX” (Codenine.BandCamp.Com) – Backed by the sublime, minimalist soundscapes of producers Kas and Motif Alumni, Tragic Allies member Codenine made sure that not a moment of his time on the mic was wasted here, packing his verses with vivid imagery and a near-cinematic attention to detail that put him head-and-shoulders above much of his competition.

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Conway – “G.O.A.T.” (WhoIsConway.Com) – Buffalo’s master of murderous mood music returned at the end of the year with a fresh batch of  cold-hearted crime rhymes and dark Daringer production, closing off what had been an eventful twelve months for the Griselda emcee and setting high expectations for what 2018 may bring via Conway’s signing to Eminem’s Shady Records.

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New Joint – Jehst

Jehst – “Eulogy” (@YNRProductions / 2017)

Animated visuals from the UK artist’s recent album “Billy Green Is Dead”.

New Joint – Jehst

Jehst – “So Far To Go” (@YNRProductions / 2017)

Intense, claustrophobic visuals for this earnest cut off the UK artist’s recent album “Billy Green Is Dead”.

New Joint – Jehst

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Jehst – “Billy Green’s Theme” (@YNRProductions / 2017)

Opening cut from the YNR head-honcho’s new concept-based album “Billy Green Is Dead”.

New Joint – Jehst

Jehst – “44th Floor” (@YNRProductions / 2017)

Zygote-produced cut from the ever-impressive UK artist’s forthcoming album “Billy Green Is Dead”.

New Joint – Stig Of The Dump / Jehst

Stig Of The Dump ft. Jehst – “Kubrick” (StigOfTheDumpUK / 2015)

Cinematic visuals to accompany the understated title track of the UK emcee’s quality new album “Kubrick”.

New Joint – Hey!zeus.i / Strange U / Jehst

Hey!zeus.i ft. Strange U & Jehst – “Holy Cow” (@YNRProductions / 2015)

Intoxicating future funk dopeness from the YNR camp.

New Joint – Mr Brown / Cappo / Jehst etc.

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Mr Brown ft. Cappo, Jehst, Ray Vendetta etc. – “Oil Baron” (@WeStayTrueUK / 2015)

The UK producer rounds-up a formidable array of homegrown lyrical talent for this epic posse cut.

New Joint – Jazz T / Jehst / Zygote / Jyager

Jazz T ft. Jehst, Zygote & Jyager – “The Lesson” (BootRecords.BandCamp.Com / 2015)

Downright nasty vibes from the forthcoming album “Run The Changes” featuring J-Zone, Joker Starr, Kashmere and more.

New Joint – Jehst / Strange U

Jehst & Strange U – “Dolph Lundgren” (@YNRProductions / 2014)

In preparation for a string of UK tour dates throughout November, UK heavyweights Jehst, Kashmere and Dr Zygote join forces for this twisted bass-heavy monster.

Live Review – Blak Twang

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Venue: Jazz Cafe, London  Date: 22 September 2014

There are some artists who represent more than just good music. They represent a moment in time, an era, a period in history never to be repeated. South London’s Blak Twang is one such artist.

In the early-to-mid-90s, UK Hip-Hop was approaching a creative standstill. Many of the groups and artists who had paved the way for the British rap scene in the 1980s were either breaking-up, falling away from music due to the responsibilities of adulthood, or they were caught in the red-tape of bad record deals. Some were also becoming disillusioned with Hip-Hop and had moved over to the then burgeoning jungle / drum & bass scenes. Labels such as Music Of Life and Kold Sweat were closing their doors.

Although there were still glimmers of sonic hope being released, overall, it felt as though the momentum gained by the likes of London Posse, Hijack, Gunshot and Caveman was slowly-but-surely being lost.

So, when artists such as Blak Twang, Roots Manuva, Mark B and Lewis Parker began to emerge during the mid-90s, it signified that a fresh wave of UK talent was on the horizon. A new generation of emcees, deejays and producers who were students of the homegrown pioneers that had come before them, with enough originality and determination to put their own mark on British Hip-Hop and help push the music forward.

With boisterous tracks such as 1995’s “Queens Head” and “Mr. Jam Promotah”, a young Tony Rotten, then known as Taipanic, demanded that people paid attention to his self-assured brand of beats and rhymes. This, in-turn, led to there being a high amount of anticipation for what should have been the 1996 release of Twang’s debut album “Dettwork SouthEast”.

The reasons for “Dettwork SouthEast” not properly seeing the light of day back in the 90s have been well-documented, but suffice to say, the album became a bootlegged cult classic which has only grown in notoriety as Tony Rotten’s career has gone from strength-to-strength over the years.

So, with all that being said, it quickly became apparent that the “Dettwork SouthEast” launch party this week at London’s Jazz Cafe wasn’t just an opportunity to promote the album’s long-awaited official release. The event also gave Mr. Rottenous the chance to celebrate his well-deserved longevity, as well as remember the part he played in one of the most influential periods in UK Hip-Hop history.

With the ever-impressive DJ Sarah Love having set the tone for the night with a barrage of throwback classics, Twang took to the stage accompanied by the sound of Sam Cooke’s “A Change Is Gonna Come” and Big Ted behind the decks.

Standing silently briefly to take in the crowd’s enthusiastic cheers, the London lyricist then launched into what was a seamless performance that included moments of both humour and poignant reflection, bound together by Twang’s sincere gratitude towards his fans and a genuine passion for his craft.

Poking fun at the 90s references in some of his old verses (such as a line name-checking Pamela Anderson), telling stories of growing-up in South London and pointing out old friends in the crowd, Blak Twang powered through tracks from “Dettwork SouthEast” such as the punchy, Horace Brown-sampling “Fearless”, the defiant “Don’t Let Dem Fool You” and the rugged, drum-heavy anthem “B.S. Survivor”.

An impromptu appearance from the always-lively Seanie T raised the energy levels even further, with the pair bouncing off each other as if they were rocking at an open mic night two decades earlier.

Pausing at one point to give props to his absent brother-in-rhyme Roots Manuva for his success, Twang then roared through the previously-mentioned “Queens Head”, which the pair recorded together way back when. Midway through the track, Big Ted flawlessly mixed in the instrumental to Bobby Shmurda’s “Hot Ni**a”, with Tony Rotten’s vintage rhymes sounding completely at home over the recent club smash.

Other highlights included rousing performances of both the classic single “Real Estate” and the album’s rowdy title track, which then led into the up-to-date remix “Dettwork London Revisited”, with producer Harry Love taking the mic to voice his respect for Blak Twang’s artistic legacy before featured artist Jehst plus Reveal jumped onstage to each deliver blistering verses.

By the time Twang reached the show’s finale, inviting supporters onstage as he performed his signature sing-a-long favourite “So Rotten”, it was clear that, almost twenty years after his debut, the artist formerly known as Taipanic still has what it takes to rock the postcodes of London and beyond.

“Dettwork SouthEast” is out now on Sony Music.

Ryan Proctor

Footage of Blak Twang performing “Real Estate” at London’s Jazz Cafe.