Tag Archives: J-Live

At The Date Of This Writing (Vol. 1) EP Stream – J-Live

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One of the most consistent artists to have ever gripped a microphone, the NY-raised, Atlanta-based J-Live drops a new collection of intelligent, self-produced true-school Hip-Hop.

New Joint – J-Live

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J-Live – “Eleven Nine” (@RealJLive / 2016)

In the wake of Trump’s election win, the NY-raised wordsmith delivers some timely rhymes on this self-produced cut off his forthcoming “At The Date Of This Writing (Vol. 1)” project.

 

 

100 Best Albums & EPs Of 2015 (Part Four) – Oddisee / Starvin B / Jack Diggs etc.

Check Part One, Part Two and Part Three.

Oddisee – “The Good Fight” (Mello Music Group) – As much an insight into the struggles and emotional conflicts of an independent musician as it was a study of the human experience, this brilliant album from producer-on-the-mic Oddisee found the Maryland music man crafting a project that was grand in its intentions without being pretentious or self-absorbed. Full of real heart and soul, “The Good Fight” was both honest and life-affirming. A true artistic triumph.

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Ockz – “The Stuyvesant Chronicles” (Ockz.BandCamp.Com) – It could be argued that this project from Brooklyn’s Ockz was more a mixtape than a finished album considering it featured the emcee rhyming straight over untouched classics from the likes of Bob James, 24 Carat Black and David Axelrod. But “The Stuyvesant Chronicles” was so well  executed, that to simply label it as a mixtape may give the impression that it was a disposable, here-today-gone-tomorrow release. When in fact, this was essential listening for fans of raw New York straight talk.

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MNSR Frites – “The River Wandle” (MNSRFrites.BandCamp.Com) – Granville Sessions member Frites went for dolo on this impressive release, with the London lyricist dropping verses filled with dry humour and wit over chunky, largely jazz-infused production from Sam Zircon, Krang, Mr. Slipz and more.

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Vursatyl – “Crooked Straights” (BBE Music) –  A concept album of sorts aiming to balance the two sides of Vursatyl’s personality, the Polo-wearing, ego-driven rapper and the more thoughtful husband and father, “Crooked Straights” proved that, whichever aspect of his character the Portland, Oregon wordsmith chose to display, his prowess on the microphone remained consistently impressive. Backed by a quality selection of full- bodied beats ranging from melodic Dilla-influenced soundscapes to raw, dusty-fingered boom-bap, the Blackalicious affiliate  managed to carry on golden-era
tradition whilst remaining free enough to still push creative boundaries.

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Your Old Droog – “Kinison” (Droog Recordings) – A loosely rock-themed effort from the Brooklyn representative, “Kinison” found Droog following-up his 2014 success with another dose of pure, unadulterated wordplay, lacing production from DJ Skizz, El RTNC and Marco Polo with seemingly effortless displays of creative lyricism, packed with vivid imagery and deadpan wit.

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Flame Griller – “II” (Flamegriller.BandCamp.Com) – Talented, down-to-earth and ultimately likeable, this West Yorkshire trio crafted a sample-driven rough diamond of an album for their sophomore effort. Covering both amusing and poignant subject matter in a way that made the listener feel as if they were involved in a conversation between close friends, this British crew occupied their own creative space within the UK scene by remaining honest and true to themselves at all times.

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LostPoet & Kincee – “Golden Calf – Special Edition” (IronBlade Music Group) – Originally dropping on New Year’s Eve 2014, this impressive collaborative effort from Cali wordsmith LostPoet and Louisiana-raised rhymer Kincee was given the re-release treatment late-2015 with bonus cuts. Featuring heavy-mental lyricism delivered over atmospheric boom-bap from the likes of Giallo Point, PhybaOptikz and Vic Grimes, “Golden Calf” stood as a strong example of intelligent, creative street music.

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BADBADNOTGOOD & Ghostface Killah – “Sour Soul” (Lex Records) – Wu-Tang icon Ghostface’s collabo with Canadian band BADBADNOTGOOD was a musically rich, lyrically vivid collection of suspenseful tracks that felt like  the Wally Champ had stumbled across the soundtrack to an unreleased James Bond-influenced 70s blaxploitation flick. Further proof (if it was needed) that Ghost remains one of the game’s most consistent emcees, “Sour Soul” added another chamber to the Shaolin representative’s already bulletproof discography.

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Scor-zay-zee – “Aeon: Peace To The Puzzle” (Scorzilla.Com) – To describe this project from veteran Nottingham emcee Scor-zay-zee as being ‘long-awaited’ or ‘heavily-anticipated’ was, in this instance, no overstatement. Since his 90s debut as a member of OutDaVille, Scorz has stood as one of the UK’s most talented lyricists. Clocking in at a mammoth 28-tracks, this double-album more than lived up to expectations, with the Notts artist delivering intricately-crafted, multi-layered verses over impeccable production from the likes of The P Brothers, Juga-Naut and DJ Fever.

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Joey Bada$$ – “B4.Da.$$ (Cinematic Music Group) – Backed by production from the likes of  DJ Premier, Freddie Joachim and J Dilla, Brooklyn young gun Joey Bada$$ went some way to bridging Hip-Hop’s generation gap with his official debut album, drawing on sonic 90s influences for inspiration whilst ensuring his lyrical content reflected the present day by incorporating sincere sentiments and personal observations into the music. BK all day.

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Starvin B – “7 Train Lungs” (Top Shelf Muzik) – Capturing the raw, authentic essence of Rotten Apple Hip-Hop without having to continuously talk about ‘bringing New York back’, for the third of his four 2015 releases Starvin B teamed-up with talented producer Seasra23, with the fellow Queens resident pairing the lyrical NY attitude on offer here with a quality selection of unique, memorable beats.

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Dirt Platoon – “Bare Face Robbery” (Effiscienz) – Baltimore’s Raf Almighty and Snook Da Crook delivered the sonic equivalent of a heavy-handed right-hook to the domepiece with this rugged blast of gritty East Coast black-hoodie rap. Combining thunderous beats with their gruff lyrical styles, the duo personified the term ‘hardcore’ throughout this project. Music to scuff your Timberlands to.

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Jeepz & Kay Flow – “Future Nostalgia” (KayFlow.BandCamp.Com) –  West Coast emcee Kay Flow joined forces with Canadian producer Jeepz to deliver a solid combination of intelligent lyricism and quality beats , with “Future Nostalgia” living up to its title by effectively drawing inspiration from Hip-Hop’s golden-era whilst capturing what the music and culture still have to offer.

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Stig Of The Dump – “Kubrick” (Lewis Recordings) – Self-proclaimed “international man of leisure” Stig Of The Dump veered between larger-than-life arrogance and access-all-areas self-deprecation on his latest effort, with “Kubrick” possessing an emotional edge that made the listener feel as if the UK emcee had really taken you on a sonic journey by the time the album’s final track faded away.

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William Cooper – “God’s Will” (Gemstarr Regime) – New Jersey-based Black Market Militia member Cooper called on lyrical allies such as Pace Won, Planet Asia and the late Sean Price to help wake-up those still sleep-walking through the Matrix on this BP-produced album. Razor-sharp rhymes met rugged soundscapes throughout this project, ensuring “God’s Will” stood-out as one of 2015’s most intense listening experiences.

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J-Live – “How Much Is Water?” (Mortier Music) – The second full-length project from the NY-raised, Atlanta-based emcee to drop in 2015, “How Much Is Water?” found J-Live once again dropping clever, thought-provoking verses over an eclectic selection of self-produced tracks.

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Apollo Brown – “Grandeur” (Mello Music Group) – Featuring a varied line-up of guest emcees, including M.O.P., Ras Kass and Eternia, “Grandeur” effectively showcased the musical prowess of Detroit’s Apollo Brown, with the Motor City native pulling together the many voices heard here with his trademark brand of drum-heavy, soul-laced production, resulting in a cohesive, head-nodding package.

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Verb T & Illinformed – “The Man With The Foggy Eyes” (High Focus Records) – Long considered one of the UK’s most talented emcees, this Illinformed-produced project from Verb T further reinforced that status amongst his fans. Perceptive, self-aware, honest, humourous and more, the Four Owls member covered plenty of creative ground on this sterling effort.

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Jack Diggs – “Blue Rain” (Revorg Records) – Having already become something of a cult figure within UK Hip-Hop circles thanks to both his solo work (2013’s impressive “Dirty Finger Nails” album) and contributions to the output of South London’s TPS Fam, Diggs’ latest long-player was a sublime slice of homegrown excellence. More than just a collection of quality tracks, “Blue Rain” was a cohesive, well-crafted body of work that offered listeners a striking, down-to-earth musical snapshot of life for many in today’s modern Britain.

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Venomous2000 – “Will To Power” (Venomous2000.BandCamp.Com) – Positive energy activates constant elevation. That appeared to be the overall message behind New Jersey emcee Venomous2000’s ninth full-length solo album. Thoughtful, intelligent and sincere, “Will To Power” succeeded in its aim to enrich the lives of those who heard it, with Venomous2000 presenting himself as an artist who firmly believes in the power Hip-Hop has to have a lasting, beneficial impact on its audience.

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Part Five coming soon.

2016 EPK – J-Live

NY-raised, Atlanta-based microphone vet J-Live drops science on both his career so-far and his relationship with Hip-Hop.

100 Best Albums & EPs Of 2015 (Part One) – Triple Darkness / Sadat X / J-Live etc.

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It’s hard to believe, but even with the amount of quality releases that dropped throughout 2015, there are still people claiming that there isn’t any worthwhile or memorable Hip-Hop being made today.

I’ve always found that way of thinking frustrating, as there has never been a time when there wasn’t good music to be found, but in recent years that argument has become increasingly redundant due to the ever-growing number of talented emcees, deejays and producers out there who’re consistently delivering the goods.

Of course, in today’s digital age, there will always be a huge amount of sub-par material being regularly pumped out via popular platforms such as BandCamp and YouTube, and the mainstream, for the most part, continues to promote the same shallow, one-dimensional rap that it always has done.

But that being said, if you genuinely feel there isn’t anything out there for you as a fan of Hip-Hop, the problem isn’t necessarily with the music, the issue is with those same fans not listening and looking hard enough when it comes to new material.

As I always say when I put these year-end pieces together, the albums and EPs included here aren’t the only releases that were worthy of attention, but this list does reflect what stayed in heavy rotation for me personally.

So, in no particular order, here are the artists and projects that made my speakers thump throughout 2015…

Triple Darkness – “Darker Than Black” (KingUnderground / Suspect Packages) – Cementing their reputation as one of the most talented crews in Hip-Hop, this album from London’s Triple Darkness was a brilliantly-crafted hardcore masterpiece. With group members such as Melanin 9, Cyrus Malachi and Ray Vendetta spitting sharp lyrical darts over gloriously uncompromising production from the likes of Ringz Ov Saturn and 7th Dan, “Darker Than Black” was a shining example of intelligent, underground Hip-Hop at its very best.

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Lord Hakim – “Born With A Determined Idea” (LordHakim.BandCamp.Com) – Following in the footsteps of Rakim, Lakim Shabazz and Brand Nubian, Columbus, Ohio wordsmith Lord Hakim proudly repped for the Five Percent Nation throughout this self-produced album, dropping science on the everyday struggle with both passion and insight. Peace to the Gods!

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The Cornel West Theory – “Coming From The Bottom” (TheCornelWestTheory.BandCamp.Com) – Hailing from Washington DC, The Cornel West Theory delivered an instense, no-holds-barred listening experience with this lengthy album. Showcasing the group’s thoughts on politics, race and Hip-Hop in 2015 America, “Coming From The Bottom” channeled the spirit of late-80s Public Enemy and BDP, whilst clearly standing strong as a product of the present day.

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Big Toast – “The Wedding Fund LP” (Revorg Records) – So you’ve proposed to your significant other, your pockets are flat not fat, and now you have a wedding to plan for. What do you do?  In the case of UK emcee Big Toast, you hit the studio and release a dope album to raise cash for your big event. Combining the London lyricist’s blunt, working-class worldview and dry humour with quality production from Sam Zircon, Strange Neighbour and Ill Move Sporadic, “The Wedding Fund LP” was guaranteed to hit the spot both in sickness and in health.

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Sadat X – “Never Left” (Loyalty Digital Corp) – The Brand Nubian member proved yet again why he’s considered one of the game’s most timeless artists on his eighth full-length solo project. Steeped in NY pride and featuring appearances from Cormega, Craig G and Black Sheep’s Dres, “Never Left” found the Wild Cowboy drawing on both industry and personal experiences to craft an album that resonated with traditional Rotten Apple flavour.

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Paul Nice & Phill Most Chill – “The Fabreeze Brothers” (AE Productions) – If you came-up listening to Hip-Hop in the 80s, still insist on matching your sneakers with your outfit, and regularly use slang like ‘fresh’ and ‘fly’, then this collabo album from NY’s Paul Nice and Illadelphia’s Phill Most Chill was made with you in mind. Capturing the excitement and purity of old-school Hip-Hop with an infectious passion, the pair succeeded in their mission to pay tribute to the foundations of the culture whilst still bringing something unique to the table. Warning – this album should only be listened to whilst standing in a b-boy stance.

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Oliver Sudden – “Phenomenaler Steaz” (BoomBapPro.Com) – Straight outta Croydon, South London (aka The Cronx), the talented Sudden utilised his understated, deadpan delivery to great effect on this aptly-titled project, spitting true-school sentiments over top-drawer production from the likes of Giallo Point, Sam Zircon and Downstroke.

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Flip – “Reflections” (Ill Adrenaline Records) – With a sound rooted in golden-era boom-bap and mixed with soulful sensibilities, veteran Austrian producer Flip called on heavyweight emcees such as DITC’s AG, Detroit’s Phat Kat and Wu-Tang affiliate Killah Priest to bless his well-crafted soundscapes on this cohesive package of underground flavour.

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The Four Owls – “Natural Order” (High Focus Records) – Showing off their impressive lyrical wingspans once again, Verb T, Fliptrix, Leaf Dog and BVA collectively swooped down on the UK Hip-Hop scene for a second time with their sophomore crew album, gaining production support from none other than Gang Starr legend DJ Premier and reducing the so-called competition to mere bird seed in the process.

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Large Professor – “Re:Living” (Fat Beats) – Whilst the term ‘legend’ perhaps gets thrown around a little too easily nowadays, self-proclaimed live-guy-with-glasses Extra P is an individual truly deserving of the title. Having had an impact on 90s Hip-Hop that is still being felt today, the Queens, NY resident came correct in 2015, proving ain’t a damn thing changed but the year. With an approach to his craft that remains untainted and uninfluenced by rap’s mainstream circus, Large Pro’s “Re:Living” showcased the sound of an artist who really keeps it real…to himself.

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Supastition – “Gold Standard” (Reform School Music) – One of the most consistent emcees of the new millennium, the career of North Carolina-raised lyricist Supastition has undoubtedly contained its fair share of ups-and-downs. Yet throughout, Supa has maintained his honesty and integrity, making music that resonates with fans who are looking for Hip-Hop they can relate to. “Gold Standard” most definitely continued that tradition. Featuring beats from Praise, MoSS and Jonny Cuba, this album found the newest Soundsci member once again dealing with everyday issues, whilst also taking the opportunity to indulge in some good ol’-fashioned braggin’ and boastin’.

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DJ Soko – “Domino Effect” (Left Of Center) – Pulling together an impressive array of talent which included Guilty Simpson, Apollo Brown and Rasheed Chappell, Michigan native Soko’s debut project was a robust, speaker-rattling collection of thunderground excellence which avoided the hit-and-miss pitfalls of similar compilation-style releases.

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Definite Mass – “Soul Caliber” (Manifest Recordings) – Living up to its title both musically and lyrically, this gem of an album found West Coast wordsmith Definite Mass delivering personal and sincere verses over melodic boom-bap beats, with the likes of Blu and Supreme Cerebral passing by to offer microphone assistance.

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Kaimbr – “Bronze Horse” (Kaimbr.BandCamp.Com) – Maryland resident Kaimbr paid homage to Staten Island’s mighty Wu-Tang on this brilliantly-executed concept album, with the Low Budget crew member transforming into his alter-ego Wu Kaim to practice his well-honed microphone martial arts over dusty, Shaolin soul samples.

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White Mic – “Do It How You Wanna Do It” (Solidarity Records) – A distinctly personal collection of beats and rhymes, Bored Stiff member White Mic’s “Do It…” found the Cali-based emcee celebrating Hip-Hop’s potential to inspire and motivate, pouring his own life experiences into his music with memorable and emotionally-charged results.

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AKD & Deepstar – “Universal Language” (Monad Records) – Seeking to demonstrate the power Hip-Hop has to speak to people from all walks of life, UK emcee Arise King David and Australian producer Deepstar called on the likes of Rapsody, DJ Rob Swift and Phoenix Da Icefire to help make their point, resulting in an overall uplifting listening experience grounded in golden-era sonic values.

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J-Live – “His Own Self” (Mortier Music) – Since his mid-90s debut as part of the NY indie scene, the now Atlanta-based J-Live has consistently released intelligent, creative Hip-Hop, with the veteran wordsmith never afraid to show both artistic and personal growth in his music. “His Own Self”, the first of Live’s two full-length 2015 releases, continued to follow that pattern. Entirely self-produced and with no guest appearances, this album found the talented artist covering a variety of topics, ranging from personal finances (“Old S**t”) and teenage memories (“Red & The Kid”) to America’s racial climate (“I Am A Man”).

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DJ Wally Pish Posh & T.R.A.C. – “Operation: Revibe” (DJWallyPishPosh.BandCamp.Com) – With a grand plan to “set Hip-Hop back on its path to greatness”, NY duo Pish Posh and T.R.A.C. definitely went some way to achieving their goal with this pure, organic demonstration of the pair’s shared love and appreciation of Hip-Hop culture. Determined to provide listeners with a healthy musical alternative to the shallow waters of the mainstream, this producer / emcee combo definitely brought the best out of each other throughout this release.

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Blak Twang & Blackmale Beats – “The Pantheon EP” – Embracing his elder statesman status within the UK Hip-Hop scene, homegrown legend Tony Rotten teamed-up with London production outfit Blackmale Beats for this stirring six-track release. Whether dealing with social issues (“Elevation”),  recounting personal dramas (“Highs & Lows”) or reliving Hip-Hop memories (“Classiq Moments”), Twang’s authoritative verses were given even greater impact thanks to Blackmale’s ability to match the lyrical content on offer here with just the right musical tone and mood. Rottonous, indeed.

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80’s Babies – “Searching For Happy” (DeeJackson80sBabies.BandCamp.Com) – Detroit-raised producer Tall Black Guy joined forces with Chicago emcee Dee Jackson to deliver music for your mind, body and soul throughout “Searching For Happy”, an album that found the duo respectfully drawing on the passion and creative integrity of golden-era Hip-Hop, whilst proudly carving out their own unique sonic niche in today’s rap game.

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Part Two coming soon.

How Much Is Water? Album Stream – J-Live

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The NY-raised, Atlanta-based wordsmith drops his second full-length project of 2015, with “How Much Is Water?” containing the veteran emcee’s usual blend of thought-provoking rhymes and true-school b-boy bravado delivered over quality production.

New Joint – J-Live

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J-Live – “Ya Momma So Black” (@RealJLive / 2015)

Intelligent wordplay and thought-provoking vibes from the talented lyricist’s forthcoming self-produced album “How Much Is Water?”.