Tag Archives: J-Live

100 Best Albums & EPs Of 2020 (Part Three) – Mr. Lif & Stu Bangas / Skyzoo / Juga-Naut & Micall Parknsun

Check Part One & Part Two.

Mr. Lif & Stu Bangas – “Vangarde” (FBDistribution.BandCamp.Com) – A sonic response to the “new world adjustments” we were all dealing with throughout 2020, this album from Boston partnership Mr. Lif and Stu Bangas was sharp, urgent and intelligent. Covering topics such as the pandemic, police brutality, politics and social unrest, the duo delivered inspired commentary on the events of the year, providing a soundtrack to the struggles faced by many. Music to strive by.

Es x Pandamonium – “The Connected EP” (EsxPanda.BandCamp.Com) – It doesn’t seem that long ago that the idea of music being made via the internet by individuals on opposite sides of the globe was considered ground-breaking and revolutionary. Nowadays it’s standard practice. But that doesn’t make the results of such collaborations any less impressive. This EP found Canada’s ever-consistent Es building musical bridges with the UK’s DJ Pandamonium, resulting in a vibrant EP full of thoughtful lyricism and accomplished production.

J-Live – “Drawn Up” (RealJLive.BandCamp.Com) – Delivering quality Hip-Hop since 1995, this EP from underground favourite J-Live proved the past twenty-five years have only refined his musical talents, with this self-produced release featuring plenty of the punchy, insightful lyricism and true-school attitude that have become his trademark since those early indie releases.

Mark Ski – “Catch-REC” (FunkByFunk.BandCamp.Com) – UK producer Mark Ski called on a transatlantic team of talented emcees to help put together this debut album, with the likes of Blame One, Booda French and J57 all stepping up and delivering the lyrical goods, complimented by knocking drums, smartly-selected samples and deft cuts.

Skyzoo – “Milestones” (MelloMusicGroup.BandCamp.Com) – This brilliant concept-based EP found Brooklyn’s Skyzoo celebrating, analysing and embracing fatherhood, drawing inspiration from both the birth of his son Miles and memories of his own adolescence. The NY emcee’s talent for being able to communicate so much in just a couple of lines came into its own here, as Skyzoo joined the dots between his relationship with his own father and how that helped shape the person he is today. An inspired piece of work.

Freddie Gibbs & The Alchemist – “Alfredo” (ALCRecords.Com) – Having already got two full-length albums with legendary producer Madlib under his belt, Gary, Indiana’s Hip-Hop champ Freddie Gibbs upped the ante on this latest project, joining forces with another studio giant, The Alchemist. Casually draping his street-orientated verses over the subtle, understated excellence of Al’s work behind-the-boards, Gibbs further secured his spot as one of the rap game’s go-to artists.

Aye Wun – “Gutta Wit Da Smoov” (AyeWun1.BandCamp.Com) – This project from Queens, NY’s Aye Wun definitely livesd up to its title, with the Rotten Apple rhymer blending raw wordplay with largely laidback, melodic production from the likes of Matt Kuartz, Milano Constantine and The Kurse.

Westside Gunn – “Pray For Paris” (WestsideGunn.Com) – 2020 was a big year for the Griselda camp, with multiple releases from the Buffalo-based crew landing with maximum impact. Of the three full-length efforts from WSG, “Pray For Paris” was the one that worked best for me as a cohesive body of work, with production from the likes of DJ Muggs, Daringer and Camouflage Monk setting a sonic tone for the project that fully complimented Gunn’s distinctive voice and unique delivery.

UFO Fev & Termanology – “From El Barrio, With Love” (UFOFev.BandCamp.Com) – The second of three brilliant 2020 releases from East Harlem’s UFO Fev, this seven-track EP found the NY artist calling on the production talents of Termanology, who came through with a quality batch of captivating musical gems. Rhyming with the attitude of an emcee fully aware of his own greatness who wasn’t prepared to wait for the rest of the world to catch up, Fev further proved himself to be an essential figure in the Rotten Apple underground.

Big Kahuna OG & Monday Night – “Thug Tear” (SchemeTeamAllStars.BandCamp.Com) – With production on this album split between Unlucky Bastards and Graymatter, Richmond rhymers Big Kahuna OG and Monday Night utilised the soulfully mellow tracks on offer here to wax lyrical about their daily operations in a pre-pandemic Virginia.

Juga-Naut & Micall Parknsun – “Twelve Bricks” (JugaNaut.BandCamp.Com) – Using their 2017 “Six Bricks” EP as the sturdy foundations for this full-length collaboration, Nottingham’s Juga-Naut and London’s Micall Parknsun once again proved themselves to be master builders of quality Hip-Hop. A brilliantly matched partnership, this album really felt like a genuine joint effort, with the end result ensuring there would definitely be an appetite from fans to hear the pair working together again in the future.

Sa-Roc – “The Sharecropper’s Daughter” (Sa-Roc.Com) – A lyrical force of nature, Washington DC-born, Atlanta-based artist Sa-Roc delivered arguably the best album of her career so far with this largely Sol Messiah-produced release. Packed full of verses that demanded to be listened to, studied, processed, then rewound and listened to again, “The Sharecropper’s Daughter” was a masterclass in emceeing. When Sa-Roc says on “Hand Of God”, “I’m tryna leave a Hip-Hop classic”, that was clearly a mission statement and not just an empty promise.

Blimes and Gab – “Talk About It” (BlimesAndGab.Com) – This thoroughly entertaining debut from San Francisco / Seattle duo Blimes Brixton and Gifted Gab was the sound of two experienced artists completely in control of their creativity coming together to make a bold statement through music. Drawing on an eclectic selection of sonic influences, the pair’s larger-than-life personalities ultimately held this album together, with their infectious blend of lyrical expertise, sassy wit and humour endearing them to listeners and making the pair feel like old friends.

The Cornel West Theory – “By The Time I Get To Minnesota” (TheCornelWestTheory.BandCamp.Com) – No strangers to making thought-provoking, outspoken Hip-Hop, Washington DC’s The Cornel West Theory responded to the events of 2020 with urgency on this release, confronting white supremacy, police brutality and political corruption throughout the EP in no uncertain terms.

Black Thought – “Streams Of Thought Vol. 3: Cane & Abel” (RepublicRecords.Com) – At this stage, Black Thought’s position as one of the greatest emcees of all-time should really be unquestionable. This was the opinion of many long before the infamous Funkmaster Flex freestyle, but that breath-taking performance definitely opened more eyes and ears to the Philly legend’s incredible talent, which has also coincided with an increase in Thought’s musical output. This third (largely Sean C-produced) volume of the “Streams Of Thought” series was another lyrical tour de force from one of Illadelph’s finest, bombarding listeners brain-cells with a barrage of powerful verses.

Agallah & Sadat X – “The Gods Have Arrived” (Agallah.BandCamp.Com) – Celebrating a friendship that began in the early-90s as well as a time in Hip-Hop when skills and reputation meant everything, Rotten Apple veterans Agallah and Sadat X decided it was time to build and put together this collaborative release, delivering Five Percent-inspired knowledge whilst handing out lyrical speed-knots to non-believers. New York straight talk in full effect.

Shaolin Drunk – “Raw Feeling” (HeavyDrums.BandCamp.Com) – Echoing horns, melodic vibes and dusty beats could be found in abundance on this release from Brazil-based producer Shaolin Drunk. Sounding like a lost collection of instrumentals off the best 90s underground singles you’ve never heard, Drunk not only captured the style of that period but also injected his music with feeling and soul, two qualities that can sometimes be missing when present day producers attempt to pay homage to the generation of golden-era music makers that influenced them.

Knowledge The Pirate – “Family Jewels” (TuffKongRecords.BandCamp.Com) – The illustrious Pirate set sail on his third full-length collection of street-related stories, all delivered in his trademark been-there-done-that-you-don’t-impress-me tone and matched with the subtle sonic drama of producers E.L.E.M.N.T and Cuns. A master of creating mood in his music, Knowledge’s latest was full of vivid, cinematic crime-side rhymes that turned your third-eye towards a shadowy world of risk and suspense.

Wish Master – “The BULL (The Best Underrated Living Legend” (WishMaster.BandCamp.Com) – The Bristol-based emcee approached his third release with “more than hunger” as he blessed beats from Ral Duke, Chimera and Van Dam with autobiographical, word-weary rhymes laced with life lessons. A captivating, accomplished collection of beats and rhymes.

Kadeem – “Passing Exchange” (ItsKadeem.BandCamp.Com) – Heavy-mental wordplay from the Boston lyricist could be found here, accompanied by smooth, understated production from No.Pulp, USeeIt, Jeff Alan Gore and more. This five-track EP may have been short in length, but Kadeem definitely put the time to good use, skilfully finding seats for listeners on his train of thought, piquing our interest and ensuring heads would be waiting to join him on his next musical journey.

Part Four coming soon.

New Joint – J-Live

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J-Live – “Paint A Picture” (@RealJLive / 2020)

Dropping sonic jewels since the mid-90s, the mighty J-Live (one of the rap game’s most consistent emcees) returns with a dope single showcasing his timeless triple-threat skills on the mic, the beats and the turntables.

New Joint – J-Live

J-Live – “Money And Power” (@RealJLive / 2019)

Words of wisdom from the ever-consistent NY-raised emcee’s latest release “At The Date Of This Writing Vol. 2”.

At The Date Of This Writing (Vol. 2) EP Stream – J-Live

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Thoughtful, intelligent verses from the NY-raised emcee on this second instalment of his “At The Date Of This Writing” series,

New Joint – J-Live

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J-Live – “The Plot Twist” (@RealJLive / 2019)

Almost twenty-five years after the release of his classic debut single “Longevity”, NY-raised artist J-Live is still delivering quality Hip-Hop, with this cut off his forthcoming project “At The Date Of This Writing (Vol. 2)” showcasing his timeless talents both on the mic and behind the beats.

J-Live Vs…. – J-Live

One of the most consistent emcees in rap history, J-Live gets busy over jazz pianist Monty Alexander’s 1974 classic “Love And Happiness”.

100 Best Albums & EPs Of 2018 (Part Four) – Phonte / O.C. / Ty etc.

Check Part One, Part Two & Part Three.

Phonte – “No News Is Good News” (Phonte.BandCamp.Com) – Whilst the music industry continued trying to reinforce the misconception that rap is only a sport for the young, North Carolina’s ever-impressive Phonte delivered a solid slice of grown-man Hip-Hop that was defiant, honest, realistic and entertaining. Accompanied by producers such as Marco Polo, Tall Black Guy and Nottz, this was the sound of an artist facing his mortality through music that was so good it will guarantee his immortality.

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Sleep Sinatra – “[D]Arkangel” (GourmetDeluxxx.BandCamp.Com) – Sometimes you can just hear the sense of satisfaction an emcee derives from twisting words into verses full of verbal virtuosity. Nebraska’s Sleep Sinatra is one such emcee. This album was a lesson in lyricism that felt like Sinatra was channelling some other-worldly energy, enabling him to craft the non-stop barrage of intricate wordplay found here. As the man himself says, you should study the science more.

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AWAR – “The Spoils Of War” (AWAR.BandCamp.Com) – Calling on production heavy-hitters such as The Alchemist, Lord Finesse and Showbiz, Rotten Apple rhymer AWAR delivered an album that was grounded in golden-era attitude yet managed to avoid sounding like an artist simply trying to relive a time that has passed. “The Spoils Of War” showcased the skills of an emcee clearly passionate about his craft.

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Benaddict – “A New Leaf” (VinDig.BandCamp.Com) – Following up 2017’s impressive “The Garden Of England”, UK artist Benaddict continued to deliver his take on modern-day living in his own inimitable style with “A New Leaf”, a quality collection of mellow, jazz-influenced beats and subtle, insightful wordplay. Sharing production duties with the talented Ded Tebiase, Benaddict carefully crafted his own sonic world here and proudly invited us all in. Sublime mood music.

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The P Brothers – “Mentaltainment” (PBrothers.BandCamp) – Nottingham, England’s DJ Ivory and Paul S have spent years building a strong reputation as suppliers of hardcore beat science. This latest release from the two Notts bombers didn’t disappoint on that front. With Daniel Son, Your Old Droog, Doo Wop and Milano matching the P Brothers’ uncompromising rawness with equally impressive performances, this EP was short yet effective.

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O.C. – “A New Dawn: 2nd Phase” (OmarCredle.BandCamp.Com) – One of the greatest emcees of all-time, Diggin’ In The Crates legend O.C. added to his impressive album catalogue with this sturdy collection of mature, thoughtful Hip-Hop. Backed by the production of Showbiz, Motif Alumni, Dark Keys and Gwop Sullivan, the Rotten Apple rhymer demonstrated that it is possible for veteran artists to give original fans some of what first grabbed their attention in the past whilst still showing growth that reflects the present. Word…life!

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AnyWay Tha God & Micall Parknsun – “Over P’s” (AnyWayThaGod.BandCamp.Com) – UK emcee AnyWay Tha God sought to inspire and motivate on this Micall Parknsun-produced EP, attempting to bring the best out of both himself and his listeners in the process. Mixing intelligent, meditative rhymes with soul-stirring beats, AnyWay continued his journey along the path of mastery. Spiritually minded music.

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Conway The Machine – “Everybody Is F.O.O.D.” (WhoIsConway.Com) – The title of this project from Griselda’s Conway told you everything you needed to know about the Buffalo resident’s attitude as an emcee. If you’re not part of the family then you’re getting rolled over. Largely produced by regular collaborator Daringer (with input from Pete Rock, Green Lantern and Statik Selektah), “Everybody Is…” tightened the Griselda camp’s grip on the underground just that little bit more, with Conway yet again combining street knowledge with natural rhyme skills.

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Mr Slipz – “It Don’t Stop” (Yogocop.BandCamp.Com) – A master at crafting atmospheric, off-kilter soundscapes, Brighton-based producer Mr Slipz delivered a seamless album which made the listener feel like they’d stumbled into an open-mic session in a hazy, smoke-filled basement. With emcees such as Vitamin G, Verbz and Benaddict lending their lyrical talents to the project, “It Don’t Stop” was music to zone out to.

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LEX – “Alex” (LEXNYRE.BandCamp.Com) – The Queens, NY emcee attempted to find meaning in the struggle of the daily grind on this self-produced project. Blending life observations and brotherly advice with personal experience, LEX’s down-to-earth persona endeared him to listeners, making his rhymes all the more relatable.

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Jaz Kahina – “School Run” (JazKahina1.BandCamp.Com) – The London lyricist showcased her versatility on this six-track EP, with the talented emcee stamping her irrepressible personality over a diverse selection of production from DJ LoK, Nutty P, Micall Parknsun and more.

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Roc Marciano – “Behold A Dark Horse” (Marci Enterprises) – Sayings such as ‘less is more’ and ‘quality over quantity’ just don’t apply to Strong Island’s Roc Marci. The second of three full-length Marcberg projects to drop in 2018, “Behold…” offered more macked-out microphone techniques delivered over a smooth selection of minimalist loops, with input from Busta Rhymes, Q-Tip and Black Thought.

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DJ Muggs – “Soul Assassins: Dia Del Asesinato” (SoulAssassins.Com) – Cypress Hill’s DJ Muggs may have sold millions of records, toured the world and won industry awards, but at the end of the day, the NY-raised, LA-based producer is still a fan of that grimy, hardcore Hip-Hop first and foremost. If you needed proof, this project found the likes of Kool G Rap, Meyhem Lauren and Raekwon spitting darts over Muggs’ unapologetically dark and moody beats.

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J-Live – “Lose No Time” (RealJLive.BandCamp.Com) – Since his initial mid-90s releases, NYC’s J-Live has remained one of Hip-Hop’s most consistent emcees. This self-produced EP was another worthy addition to the talented lyricist’s catalogue, with Live dropping clever, witty and entertaining verses over quality beats.

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After Ourz – “After Ourz” (StarvinB.BandCamp.Com) – Starvin B, Foul Monday and Flushing Tek repped for the borough of Queens in no uncertain terms throughout this EP, accompanied by production from Stu Bangas, Fel Sweetenberg, Fifth Element and more.

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Big Cakes – “No Expenses” (BigCakes.BandCamp.Com) – Featuring Cakes’ usual engaging mix of life observations, social commentary and political insight, this eighth album from the talented London-based emcee was heavy with substance and heartfelt sentiments.

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Fraction & Finsta – “Thoughtwork” (Fraction.BandCamp.Com) – Quality collaborative effort from Finsta (of New York 90s favourites Finsta Bundy) and Canadian vet Fraction, this album was all about dope rhymes and dope beats. The pair were clearly determined to deliver some undiluted true-school flavour on this project and they succeeded in no uncertain terms.

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Ty – “A Work Of Heart” (TyMusics.BandCamp.Com) – Known for his observational writing style, sharp wit and progressive musical approach, London’s Ty upped the creative ante once again on his fifth album. Inspiring, forward-thinking and life-affirming, “A Work Of Heart” reminded us all that Ty is an artist in the truest sense of the term; always pushing, always elevating, always growing.

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Precyce Politix & D.R.U.G.S. Beats – “Drug-Politix” (PrecycePolitix.BandCamp.Com) – NY-raised, North Carolina-based emcee Precyce Politix delivered well-crafted, substance-filled verses over quality production from D.R.U.G.S. Beats on this impressive long-player featuring OC From NC, Illpo and Major Green.

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Dell-P – “Wordsmith” (WHOMAG Distribution) – This aptly-titled album offered further evidence that Philadelphia’s Dell-P is one of the most gifted emcees to have entered the rap game in recent years. Forthright, intelligent and always remaining true to his own artistic vision, the 215 representative put his lifetime inbetween the paper’s lines throughout this release,  proving that the name Dell-P deserves to be mentioned alongside the long line of Illadelph greats.

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Fifth and final part coming soon.

Lose No Time EP Stream – J-Live

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Since his initial mid-90s releases, NYC’s J-Live has remained one of Hip-Hop’s most consistent emcees. This new self-produced EP is another worthy addition to the talented lyricist’s catalogue, with Live dropping clever, witty and entertaining verses over quality beats.

New Joint – J-Live

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J-Live – “Hating” (@RealJLive / 2018)

Typically forthright, intelligent lyricism from the veteran NY wordsmith’s forthcoming EP “Lose No Time”.

New Joint – Koss / J-Live

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Koss ft. J-Live – “Straight Up Pretenders” (@BelowSystem / 2017)

Taken from the Belgium-based producer’s forthcoming album “Born To Live” featuring Large Professor, Keith Murray, Ruste Juxx and more.

Actual [Tracks] Vol. 1 Album Stream – J-Live

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The multi-talented J-Live pulls together a collection of self-produced instrumentals from a number of his previous releases.

 

At The Date Of This Writing (Vol. 1) EP Stream – J-Live

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One of the most consistent artists to have ever gripped a microphone, the NY-raised, Atlanta-based J-Live drops a new collection of intelligent, self-produced true-school Hip-Hop.

New Joint – J-Live

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J-Live – “Eleven Nine” (@RealJLive / 2016)

In the wake of Trump’s election win, the NY-raised wordsmith delivers some timely rhymes on this self-produced cut off his forthcoming “At The Date Of This Writing (Vol. 1)” project.

 

 

100 Best Albums & EPs Of 2015 (Part Four) – Oddisee / Starvin B / Jack Diggs etc.

Check Part One, Part Two and Part Three.

Oddisee – “The Good Fight” (Mello Music Group) – As much an insight into the struggles and emotional conflicts of an independent musician as it was a study of the human experience, this brilliant album from producer-on-the-mic Oddisee found the Maryland music man crafting a project that was grand in its intentions without being pretentious or self-absorbed. Full of real heart and soul, “The Good Fight” was both honest and life-affirming. A true artistic triumph.

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Ockz – “The Stuyvesant Chronicles” (Ockz.BandCamp.Com) – It could be argued that this project from Brooklyn’s Ockz was more a mixtape than a finished album considering it featured the emcee rhyming straight over untouched classics from the likes of Bob James, 24 Carat Black and David Axelrod. But “The Stuyvesant Chronicles” was so well  executed, that to simply label it as a mixtape may give the impression that it was a disposable, here-today-gone-tomorrow release. When in fact, this was essential listening for fans of raw New York straight talk.

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MNSR Frites – “The River Wandle” (MNSRFrites.BandCamp.Com) – Granville Sessions member Frites went for dolo on this impressive release, with the London lyricist dropping verses filled with dry humour and wit over chunky, largely jazz-infused production from Sam Zircon, Krang, Mr. Slipz and more.

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Vursatyl – “Crooked Straights” (BBE Music) –  A concept album of sorts aiming to balance the two sides of Vursatyl’s personality, the Polo-wearing, ego-driven rapper and the more thoughtful husband and father, “Crooked Straights” proved that, whichever aspect of his character the Portland, Oregon wordsmith chose to display, his prowess on the microphone remained consistently impressive. Backed by a quality selection of full- bodied beats ranging from melodic Dilla-influenced soundscapes to raw, dusty-fingered boom-bap, the Blackalicious affiliate  managed to carry on golden-era
tradition whilst remaining free enough to still push creative boundaries.

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Your Old Droog – “Kinison” (Droog Recordings) – A loosely rock-themed effort from the Brooklyn representative, “Kinison” found Droog following-up his 2014 success with another dose of pure, unadulterated wordplay, lacing production from DJ Skizz, El RTNC and Marco Polo with seemingly effortless displays of creative lyricism, packed with vivid imagery and deadpan wit.

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Flame Griller – “II” (Flamegriller.BandCamp.Com) – Talented, down-to-earth and ultimately likeable, this West Yorkshire trio crafted a sample-driven rough diamond of an album for their sophomore effort. Covering both amusing and poignant subject matter in a way that made the listener feel as if they were involved in a conversation between close friends, this British crew occupied their own creative space within the UK scene by remaining honest and true to themselves at all times.

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LostPoet & Kincee – “Golden Calf – Special Edition” (IronBlade Music Group) – Originally dropping on New Year’s Eve 2014, this impressive collaborative effort from Cali wordsmith LostPoet and Louisiana-raised rhymer Kincee was given the re-release treatment late-2015 with bonus cuts. Featuring heavy-mental lyricism delivered over atmospheric boom-bap from the likes of Giallo Point, PhybaOptikz and Vic Grimes, “Golden Calf” stood as a strong example of intelligent, creative street music.

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BADBADNOTGOOD & Ghostface Killah – “Sour Soul” (Lex Records) – Wu-Tang icon Ghostface’s collabo with Canadian band BADBADNOTGOOD was a musically rich, lyrically vivid collection of suspenseful tracks that felt like  the Wally Champ had stumbled across the soundtrack to an unreleased James Bond-influenced 70s blaxploitation flick. Further proof (if it was needed) that Ghost remains one of the game’s most consistent emcees, “Sour Soul” added another chamber to the Shaolin representative’s already bulletproof discography.

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Scor-zay-zee – “Aeon: Peace To The Puzzle” (Scorzilla.Com) – To describe this project from veteran Nottingham emcee Scor-zay-zee as being ‘long-awaited’ or ‘heavily-anticipated’ was, in this instance, no overstatement. Since his 90s debut as a member of OutDaVille, Scorz has stood as one of the UK’s most talented lyricists. Clocking in at a mammoth 28-tracks, this double-album more than lived up to expectations, with the Notts artist delivering intricately-crafted, multi-layered verses over impeccable production from the likes of The P Brothers, Juga-Naut and DJ Fever.

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Joey Bada$$ – “B4.Da.$$ (Cinematic Music Group) – Backed by production from the likes of  DJ Premier, Freddie Joachim and J Dilla, Brooklyn young gun Joey Bada$$ went some way to bridging Hip-Hop’s generation gap with his official debut album, drawing on sonic 90s influences for inspiration whilst ensuring his lyrical content reflected the present day by incorporating sincere sentiments and personal observations into the music. BK all day.

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Starvin B – “7 Train Lungs” (Top Shelf Muzik) – Capturing the raw, authentic essence of Rotten Apple Hip-Hop without having to continuously talk about ‘bringing New York back’, for the third of his four 2015 releases Starvin B teamed-up with talented producer Seasra23, with the fellow Queens resident pairing the lyrical NY attitude on offer here with a quality selection of unique, memorable beats.

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Dirt Platoon – “Bare Face Robbery” (Effiscienz) – Baltimore’s Raf Almighty and Snook Da Crook delivered the sonic equivalent of a heavy-handed right-hook to the domepiece with this rugged blast of gritty East Coast black-hoodie rap. Combining thunderous beats with their gruff lyrical styles, the duo personified the term ‘hardcore’ throughout this project. Music to scuff your Timberlands to.

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Jeepz & Kay Flow – “Future Nostalgia” (KayFlow.BandCamp.Com) –  West Coast emcee Kay Flow joined forces with Canadian producer Jeepz to deliver a solid combination of intelligent lyricism and quality beats , with “Future Nostalgia” living up to its title by effectively drawing inspiration from Hip-Hop’s golden-era whilst capturing what the music and culture still have to offer.

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Stig Of The Dump – “Kubrick” (Lewis Recordings) – Self-proclaimed “international man of leisure” Stig Of The Dump veered between larger-than-life arrogance and access-all-areas self-deprecation on his latest effort, with “Kubrick” possessing an emotional edge that made the listener feel as if the UK emcee had really taken you on a sonic journey by the time the album’s final track faded away.

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William Cooper – “God’s Will” (Gemstarr Regime) – New Jersey-based Black Market Militia member Cooper called on lyrical allies such as Pace Won, Planet Asia and the late Sean Price to help wake-up those still sleep-walking through the Matrix on this BP-produced album. Razor-sharp rhymes met rugged soundscapes throughout this project, ensuring “God’s Will” stood-out as one of 2015’s most intense listening experiences.

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J-Live – “How Much Is Water?” (Mortier Music) – The second full-length project from the NY-raised, Atlanta-based emcee to drop in 2015, “How Much Is Water?” found J-Live once again dropping clever, thought-provoking verses over an eclectic selection of self-produced tracks.

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Apollo Brown – “Grandeur” (Mello Music Group) – Featuring a varied line-up of guest emcees, including M.O.P., Ras Kass and Eternia, “Grandeur” effectively showcased the musical prowess of Detroit’s Apollo Brown, with the Motor City native pulling together the many voices heard here with his trademark brand of drum-heavy, soul-laced production, resulting in a cohesive, head-nodding package.

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Verb T & Illinformed – “The Man With The Foggy Eyes” (High Focus Records) – Long considered one of the UK’s most talented emcees, this Illinformed-produced project from Verb T further reinforced that status amongst his fans. Perceptive, self-aware, honest, humourous and more, the Four Owls member covered plenty of creative ground on this sterling effort.

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Jack Diggs – “Blue Rain” (Revorg Records) – Having already become something of a cult figure within UK Hip-Hop circles thanks to both his solo work (2013’s impressive “Dirty Finger Nails” album) and contributions to the output of South London’s TPS Fam, Diggs’ latest long-player was a sublime slice of homegrown excellence. More than just a collection of quality tracks, “Blue Rain” was a cohesive, well-crafted body of work that offered listeners a striking, down-to-earth musical snapshot of life for many in today’s modern Britain.

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Venomous2000 – “Will To Power” (Venomous2000.BandCamp.Com) – Positive energy activates constant elevation. That appeared to be the overall message behind New Jersey emcee Venomous2000’s ninth full-length solo album. Thoughtful, intelligent and sincere, “Will To Power” succeeded in its aim to enrich the lives of those who heard it, with Venomous2000 presenting himself as an artist who firmly believes in the power Hip-Hop has to have a lasting, beneficial impact on its audience.

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Part Five coming soon.

2016 EPK – J-Live

NY-raised, Atlanta-based microphone vet J-Live drops science on both his career so-far and his relationship with Hip-Hop.

100 Best Albums & EPs Of 2015 (Part One) – Triple Darkness / Sadat X / J-Live etc.

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It’s hard to believe, but even with the amount of quality releases that dropped throughout 2015, there are still people claiming that there isn’t any worthwhile or memorable Hip-Hop being made today.

I’ve always found that way of thinking frustrating, as there has never been a time when there wasn’t good music to be found, but in recent years that argument has become increasingly redundant due to the ever-growing number of talented emcees, deejays and producers out there who’re consistently delivering the goods.

Of course, in today’s digital age, there will always be a huge amount of sub-par material being regularly pumped out via popular platforms such as BandCamp and YouTube, and the mainstream, for the most part, continues to promote the same shallow, one-dimensional rap that it always has done.

But that being said, if you genuinely feel there isn’t anything out there for you as a fan of Hip-Hop, the problem isn’t necessarily with the music, the issue is with those same fans not listening and looking hard enough when it comes to new material.

As I always say when I put these year-end pieces together, the albums and EPs included here aren’t the only releases that were worthy of attention, but this list does reflect what stayed in heavy rotation for me personally.

So, in no particular order, here are the artists and projects that made my speakers thump throughout 2015…

Triple Darkness – “Darker Than Black” (KingUnderground / Suspect Packages) – Cementing their reputation as one of the most talented crews in Hip-Hop, this album from London’s Triple Darkness was a brilliantly-crafted hardcore masterpiece. With group members such as Melanin 9, Cyrus Malachi and Ray Vendetta spitting sharp lyrical darts over gloriously uncompromising production from the likes of Ringz Ov Saturn and 7th Dan, “Darker Than Black” was a shining example of intelligent, underground Hip-Hop at its very best.

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Lord Hakim – “Born With A Determined Idea” (LordHakim.BandCamp.Com) – Following in the footsteps of Rakim, Lakim Shabazz and Brand Nubian, Columbus, Ohio wordsmith Lord Hakim proudly repped for the Five Percent Nation throughout this self-produced album, dropping science on the everyday struggle with both passion and insight. Peace to the Gods!

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The Cornel West Theory – “Coming From The Bottom” (TheCornelWestTheory.BandCamp.Com) – Hailing from Washington DC, The Cornel West Theory delivered an instense, no-holds-barred listening experience with this lengthy album. Showcasing the group’s thoughts on politics, race and Hip-Hop in 2015 America, “Coming From The Bottom” channeled the spirit of late-80s Public Enemy and BDP, whilst clearly standing strong as a product of the present day.

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Big Toast – “The Wedding Fund LP” (Revorg Records) – So you’ve proposed to your significant other, your pockets are flat not fat, and now you have a wedding to plan for. What do you do?  In the case of UK emcee Big Toast, you hit the studio and release a dope album to raise cash for your big event. Combining the London lyricist’s blunt, working-class worldview and dry humour with quality production from Sam Zircon, Strange Neighbour and Ill Move Sporadic, “The Wedding Fund LP” was guaranteed to hit the spot both in sickness and in health.

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Sadat X – “Never Left” (Loyalty Digital Corp) – The Brand Nubian member proved yet again why he’s considered one of the game’s most timeless artists on his eighth full-length solo project. Steeped in NY pride and featuring appearances from Cormega, Craig G and Black Sheep’s Dres, “Never Left” found the Wild Cowboy drawing on both industry and personal experiences to craft an album that resonated with traditional Rotten Apple flavour.

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Paul Nice & Phill Most Chill – “The Fabreeze Brothers” (AE Productions) – If you came-up listening to Hip-Hop in the 80s, still insist on matching your sneakers with your outfit, and regularly use slang like ‘fresh’ and ‘fly’, then this collabo album from NY’s Paul Nice and Illadelphia’s Phill Most Chill was made with you in mind. Capturing the excitement and purity of old-school Hip-Hop with an infectious passion, the pair succeeded in their mission to pay tribute to the foundations of the culture whilst still bringing something unique to the table. Warning – this album should only be listened to whilst standing in a b-boy stance.

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Oliver Sudden – “Phenomenaler Steaz” (BoomBapPro.Com) – Straight outta Croydon, South London (aka The Cronx), the talented Sudden utilised his understated, deadpan delivery to great effect on this aptly-titled project, spitting true-school sentiments over top-drawer production from the likes of Giallo Point, Sam Zircon and Downstroke.

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Flip – “Reflections” (Ill Adrenaline Records) – With a sound rooted in golden-era boom-bap and mixed with soulful sensibilities, veteran Austrian producer Flip called on heavyweight emcees such as DITC’s AG, Detroit’s Phat Kat and Wu-Tang affiliate Killah Priest to bless his well-crafted soundscapes on this cohesive package of underground flavour.

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The Four Owls – “Natural Order” (High Focus Records) – Showing off their impressive lyrical wingspans once again, Verb T, Fliptrix, Leaf Dog and BVA collectively swooped down on the UK Hip-Hop scene for a second time with their sophomore crew album, gaining production support from none other than Gang Starr legend DJ Premier and reducing the so-called competition to mere bird seed in the process.

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Large Professor – “Re:Living” (Fat Beats) – Whilst the term ‘legend’ perhaps gets thrown around a little too easily nowadays, self-proclaimed live-guy-with-glasses Extra P is an individual truly deserving of the title. Having had an impact on 90s Hip-Hop that is still being felt today, the Queens, NY resident came correct in 2015, proving ain’t a damn thing changed but the year. With an approach to his craft that remains untainted and uninfluenced by rap’s mainstream circus, Large Pro’s “Re:Living” showcased the sound of an artist who really keeps it real…to himself.

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Supastition – “Gold Standard” (Reform School Music) – One of the most consistent emcees of the new millennium, the career of North Carolina-raised lyricist Supastition has undoubtedly contained its fair share of ups-and-downs. Yet throughout, Supa has maintained his honesty and integrity, making music that resonates with fans who are looking for Hip-Hop they can relate to. “Gold Standard” most definitely continued that tradition. Featuring beats from Praise, MoSS and Jonny Cuba, this album found the newest Soundsci member once again dealing with everyday issues, whilst also taking the opportunity to indulge in some good ol’-fashioned braggin’ and boastin’.

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DJ Soko – “Domino Effect” (Left Of Center) – Pulling together an impressive array of talent which included Guilty Simpson, Apollo Brown and Rasheed Chappell, Michigan native Soko’s debut project was a robust, speaker-rattling collection of thunderground excellence which avoided the hit-and-miss pitfalls of similar compilation-style releases.

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Definite Mass – “Soul Caliber” (Manifest Recordings) – Living up to its title both musically and lyrically, this gem of an album found West Coast wordsmith Definite Mass delivering personal and sincere verses over melodic boom-bap beats, with the likes of Blu and Supreme Cerebral passing by to offer microphone assistance.

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Kaimbr – “Bronze Horse” (Kaimbr.BandCamp.Com) – Maryland resident Kaimbr paid homage to Staten Island’s mighty Wu-Tang on this brilliantly-executed concept album, with the Low Budget crew member transforming into his alter-ego Wu Kaim to practice his well-honed microphone martial arts over dusty, Shaolin soul samples.

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White Mic – “Do It How You Wanna Do It” (Solidarity Records) – A distinctly personal collection of beats and rhymes, Bored Stiff member White Mic’s “Do It…” found the Cali-based emcee celebrating Hip-Hop’s potential to inspire and motivate, pouring his own life experiences into his music with memorable and emotionally-charged results.

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AKD & Deepstar – “Universal Language” (Monad Records) – Seeking to demonstrate the power Hip-Hop has to speak to people from all walks of life, UK emcee Arise King David and Australian producer Deepstar called on the likes of Rapsody, DJ Rob Swift and Phoenix Da Icefire to help make their point, resulting in an overall uplifting listening experience grounded in golden-era sonic values.

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J-Live – “His Own Self” (Mortier Music) – Since his mid-90s debut as part of the NY indie scene, the now Atlanta-based J-Live has consistently released intelligent, creative Hip-Hop, with the veteran wordsmith never afraid to show both artistic and personal growth in his music. “His Own Self”, the first of Live’s two full-length 2015 releases, continued to follow that pattern. Entirely self-produced and with no guest appearances, this album found the talented artist covering a variety of topics, ranging from personal finances (“Old S**t”) and teenage memories (“Red & The Kid”) to America’s racial climate (“I Am A Man”).

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DJ Wally Pish Posh & T.R.A.C. – “Operation: Revibe” (DJWallyPishPosh.BandCamp.Com) – With a grand plan to “set Hip-Hop back on its path to greatness”, NY duo Pish Posh and T.R.A.C. definitely went some way to achieving their goal with this pure, organic demonstration of the pair’s shared love and appreciation of Hip-Hop culture. Determined to provide listeners with a healthy musical alternative to the shallow waters of the mainstream, this producer / emcee combo definitely brought the best out of each other throughout this release.

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Blak Twang & Blackmale Beats – “The Pantheon EP” – Embracing his elder statesman status within the UK Hip-Hop scene, homegrown legend Tony Rotten teamed-up with London production outfit Blackmale Beats for this stirring six-track release. Whether dealing with social issues (“Elevation”),  recounting personal dramas (“Highs & Lows”) or reliving Hip-Hop memories (“Classiq Moments”), Twang’s authoritative verses were given even greater impact thanks to Blackmale’s ability to match the lyrical content on offer here with just the right musical tone and mood. Rottonous, indeed.

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80’s Babies – “Searching For Happy” (DeeJackson80sBabies.BandCamp.Com) – Detroit-raised producer Tall Black Guy joined forces with Chicago emcee Dee Jackson to deliver music for your mind, body and soul throughout “Searching For Happy”, an album that found the duo respectfully drawing on the passion and creative integrity of golden-era Hip-Hop, whilst proudly carving out their own unique sonic niche in today’s rap game.

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Part Two coming soon.

How Much Is Water? Album Stream – J-Live

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The NY-raised, Atlanta-based wordsmith drops his second full-length project of 2015, with “How Much Is Water?” containing the veteran emcee’s usual blend of thought-provoking rhymes and true-school b-boy bravado delivered over quality production.

New Joint – J-Live

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J-Live – “Ya Momma So Black” (@RealJLive / 2015)

Intelligent wordplay and thought-provoking vibes from the talented lyricist’s forthcoming self-produced album “How Much Is Water?”.

New Joint – J-Live / Rome Supreme

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J-Live ft. Rome Supreme – “Numbers And Letters” (@RealJLive / 2015)

The talented lyricist says “Peace to the Gods” on this Five Percent-flavoured track from his forthcoming self-produced album “How Much Is Water?”.

New Joint – J-Live / Ekundayo

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J-Live ft. Ekundayo – “Microphone Stamina” (@RealJLive / 2015)

Second release from the talented emcee’s forthcoming self-produced album “How Much Is Water?”.