100 Favourite Albums & EPs Of 2021 (Part Three) – Evidence / Children Of Zeus / Arrested Development etc.

Check Part One and Part Two.

Ca$ablanca x The Mali Empire – “Xtreme Xcellence” (Casablanca92fs.BandCamp.Com) – Dallas, Texas-based emcee Ca$ablanca has been dropping gems for a number of years now, but this Mali Empire-produced album may just have been his finest moment yet. Featuring the likes of Ray Vendetta, YNX716 and Nowaah The Flood, “Xtreme Xcellence” was packed with hard-hitting, precise lyricism delivered over a sublime selection of sample-driven tracks.

AZ – “Doe Or Die II” (QuietMoneyDirect.Com) – The idea of the ‘sequel album’ has become something of a cliché amongst golden-era rap artists. Some have seen the light of day. Some have remained unexecuted concepts destined only to be repeatedly mentioned during interviews. Some have succeeded. Some have failed. Thankfully, Brooklyn’s ever-consistent AZ managed to live up to the hype surrounding this follow-up to his 1995 debut, matching his slick, street-savvy verses with an experienced perspective and smoothed-out production from the likes of Bink!, Baby Paul and Pete Rock.

Milano x Showbiz – “Eating But Still Hungry” (MilanoxShowbiz.BandCamp.Com) – Any release coming from the Diggin’ In The Crates camp brings with it a high level of expectation from fans. Understandably, there’s a certain level of quality expected from members of the crew who really did it for the culture and became one of the most dominant forces in East Coast Hip-Hop. Milano and Showbiz rose to that challenge in no uncertain terms on this album packed with swaggering Rotten Apple attitude, skills sharpened in unforgiving street-corner ciphers and dope, dusty-fingered beats.

Kev Brown & J Scienide – “Stray From The Pack” (KevBrown.BandCamp.Com) – Following up their impressive 2019 collaboration “Drum Machine Tape Cassette”, DMV duo Kev Brown and J Scienide offered up another collection of loose, spontaneous sounding beats and rhymes inspired by both a love of the art and the satisfaction of making the competition feel inadequate. B-boy basement flavour.

The Primeridian & Rashid Hadee – “Prime Diesel” (RashidHadee.BandCamp.Com) – A product of Chicago’s rich underground scene, this collaboration between veteran duo The Primeridian and fellow Windy City representative Rashid Hadee was a shining example of top-tier beat science and carefully crafted lyricism. With additional production from Tall Black Guy and featured artists such as Thaione Davis, Pugs Atomz and Philmore Greene, this album captured a lot of talent at their very best.

Flashius Clayton x Jster – “The Dust Diary” (25NoteDope.BandCamp.Com) – A naturally gifted emcee, Cali’s Flashius Clayton was firing on all cylinders here, with his usual high-standard of lyrical expertise accompanied by the dark, hypnotic beats of West Coast producer Jster. An atmospheric dose of rough, rugged and raw Hip-Hop. As Doug E. Fresh once said, play this only at night.

Khrysis – “The Hour Of Khrysis” (JamlaRecords.Com) – Featuring a diverse selection of artists, from golden-era greats De La Soul and Hiero legend Del Tha Funkee Homosapien, to Compton’s Problem and Jamla Records own Reuben Vincent, this long-awaited album from Away Team / Soul Council producer Khrysis was firmly held together by the North Carolina music man’s sonic creativity. Drawing the most out of his list of collaborators thanks to the masterful, carefully constructed soundscapes on offer, Khrysis succeeded in stamping his own personality all over this release, complimenting the variety of emcees and vocalists included here rather than being overshadowed by them.

Vic Spencer – “Legend Laws Of Power” (SupaSounds.BandCamp.Com) – The last few years has been a relentless period of productivity for Chicago’s Vic Spencer, with the talented emcee dropping four albums in 2021 alone. “Legend Laws Of Power” found Spencer teaming-up with Chi-town producer Original Super Legend, delivering his barbed punchlines over strong beats, making it abundantly clear how unimpressed he’s been with the so-called opposition.

Nas – “King’s Disease II” (MassAppeal.Com) – Aside from a few tracks, I wasn’t a big fan of the first “King’s Disease” album. I just didn’t connect with it. This follow-up, however, prompted a totally different reaction. Aside from a couple of misplaced tracks I felt this was an inspired piece of work, with Nas and Hit-Boy really hitting their stride as a creative partnership. The Queensbridge legend sounded relaxed and focused here, embracing his elder statesman status and reminiscing on the experiences that shaped him, whilst still clearly looking towards the future.

L-Biz & Castle Money Beats – “The Cool Table LP” (IStayBizzy.Com) – Backed by the solid, melodic production of California’s Castle Money Beats, Buffalo, NY’s L-Biz encouraged artists and listeners alike not to conform and follow trends in order to have a place at “the cool table”, but instead walk your own path and carve out your own niche as an individual. Head-nodding Hip-Hop that was guaranteed to have a positive impact on your confidence levels and self-esteem.

Arrested Development – “For The FKN Love” (OfficialArrestedDevelopment.BandCamp.Com) – Powerful. Uplifting. Needed. Just a few of the words that could be used to describe this epic album from the longstanding Arrested Development crew. Largely produced by the UK’s Configa, who matched Speech’s motivational verses with some rousing work behind the boards, this was ultimately a positive album with a realistic outlook that was further enhanced by appearances from the likes of Masta Ace, Freddie Foxxx and Big Daddy Kane. Music to feed your Hip-Hop soul in today’s unsettled times.

DJ Nappa – “Redress” (DJNappa.BandCamp.Com) – A veteran of the UK Hip-Hop scene, Phi-Life Cypher’s Nappa dropped a stellar instrumental release for the We Stay True label which found the Luton-based producer upping the creative ante and moving in potentially unexpected directions, whilst remaining clear about his artistic vision at all-times. Steering away from typical boom-bap territory, “Redress” encapsulated a variety of styles, whilst capturing Nappa’s genuine passion for the art of making music.

Evidence – “Unlearning Vol. 1” (MisterEvidence.BandCamp.Com) – As a fan, the growth and evolution shown by West Coast emcee-slash-producer Evidence over the years has been a joy to behold (and hear). From his keep-it-underground approach in the 90s as a member of Dilated Peoples, to the more personal content of his solo albums, through to his instrumental work, Evidence has consistently moved forward whilst remaining rooted in his Hip-Hop foundations. “Unlearning Vol. 1” represented yet another important step in the right direction, with Evidence dropping timely lyrical gems over carefully selected production from the likes of The Alchemist, Nottz and Daringer.

Children Of Zeus – “Balance” (ChildrenOfZeus.BandCamp.Com) – To describe this sophomore album from Manchester’s Children Of Zeus as being a masterpiece would definitely be no overstatement. Having already appeared to have perfected their blend of soul and Hip-Hop on previous releases, Konny Kon and Tyler Daley refined their sonic aesthetic even further on “Balance”, reaching higher heights of creative perfection that transcended typical categorization. This was spiritual music that existed in its own unique time and place.

Awon & Phoniks – “Nothing Less” (AwonAndPhoniks.Com) – A partnership whose chemistry clearly points to them being destined to make music together, Virginia / Maine duo Awon & Phoniks came correct once again on their fourth long-player, effortlessly bringing together personal, socially-aware rhymes and strong production packed with sublime soul and jazz samples.

Guilty Simpson & Gensu Dean – “EGO” (MelloMusicGroup.BandCamp.Com) – Detroit’s Guilty Simpson has built a career on straight-no-chaser verses full of been-there-done-that life observations and cautionary street knowledge. Simpson offered more of the same on this collaboration with esteemed producer Gensu Dean, who provided the Motor City emcee with a raw, stripped-down collection of beats over which to reassert his position in the rap game.

Confucius MC – “Somewhere” (YNRProductions.BandCamp.Com) – London’s Confucius MC really took listeners on a lyrical journey throughout this album. Where was the destination? Well, that was largely down to your interpretation of the cerebral rhymes on offer here, which contained splashes of nostalgia, present day commentary and depictions of an uncertain future. The jazz-influenced production of France’s Keor Meteor fully complimented the UK emcee’s musings, with appearances from the likes of Jehst, Sonnyjim and Verbz adding to the overall feel of the album.

El Da Sensei & Jake Palumbo – “Solving Cases” (SpaceLABRecordings.BandCamp.Com) – Buoyed by a real sense of momentum and energy, this collaboration between Artifacts legend El Da Sensei and NY’s Jake Palumbo was full of upbeat joints powered by punchy, drum-heavy production and true-school lyricism. With appearances from Sadat X, John Robinson and Shabaam Sahdeeq, this album had the feel of a lively cipher session at times, with everyone involved clearly on a mission to celebrate Hip-Hop.

Ambassador Rick – “The Tape Nobody Made” (TheOpioidEra.BandCamp.Com) – One-third of Virginia’s Opioid Era crew, Ambassador Rick continued the group’s tradition of crafting uncompromising, emotionally-charged street music on this solo release. Bridging the gap between raw and righteous, Rick combined verbal grit with moments of genuine reflection, all delivered over vintage soul samples and smooth loops.

Snaggapuss & Ramzee – “Bronx Dundee” (RapRecordsAU.BandCamp.Com) – Veteran NY emcee Snaggapuss joined forces with Australian producer Ramzee for this hardcore-yet-entertaining album, with the former member of Doo Wop’s Bounce Squad utilising his inimitable flow to deliver punchline-heavy rhymes laced with humour over satisfyingly sparse, stripped-down beats.

Part Four coming soon.

Clayton Cove Mixtape Stream – Flashius Clayton

As he puts the finishing touches to his forthcoming “El Padrone” album for the legendary Schott Free’s new label South Bay Records, West Coast emcee Flashius Clayton showcases his formidable rhyme skills on this ill collection of recent freestyles over beats from the likes of Alchemist, DJ Premier and Dilla.

The Dust Diary Album Stream – Flashius Clayton x Jster

A naturally gifted emcee, Cali’s Flashius Clayton delivers his usual high-standard of lyrical expertise on this Jster-produced project, which also features appearances from regular collaborators Skunkz and Lisaan’dro – Knuckle Sandwich Deli in full effect!

The Craftsmen EP Stream – The Craftsmen

Steel-sharpens-steel on this new EP from West Coast / East Coast pair Flashius Clayton and Skunkz, with the two emcee trading razor-sharp rhymes over the sublime sample-based science of production duo DirtyDiggs.

Excursion Part 1 EP Stream – The Craftsmen

Underground heavyweights Flashius Clayton and Skunkz combine their skills on this dope four-track EP, with the pair making sure they “keep track of old traditions” over smooth, dusty-fingered production from J_Es.

8 Diagram Polo Fighter EP Stream – Flashius Clayton

Flashius Clayton drops a swift follow-up to his recent “Fronto Fever Dreams” album, with this short-but-effective collection of DirtyDiggs-produced cuts offering further proof that the West Coast emcee is a force to be reckoned with.

100 Best Albums & EPs Of 2019 (Part Two) – Gang Starr / Benny The Butcher / Train Robbers etc.

Check Part One here.

Gang Starr – “One Of The Best Yet” (Gang Starr Enterprises) – The trials and tribulations DJ Premier experienced in order to complete this album were well documented in 2019, but the hardcore composer’s determination definitely paid off, with this celebration of the late, great Guru largely succeeding where so many posthumous rap albums have failed. Nothing about this project appeared forced or rushed, with Gifted Unlimited Rhymes Universal sounding as timeless as ever and Preemo delivering quality boom-bap throughout. Input from crew affiliates such as Group Home, Jeru The Damaja, Big Shug, Freddie Foxxx and M.O.P. made “One Of The Best Yet” a true family affair. RIP Guru! Gang Starr forever!

Your Old Droog – “It Wasn’t Even Close” (YourOldDroog.BandCamp.Com) – The first of three full-length projects released by the prolific NY emcee during 2019, Droog’s natural rhyming ability shone through here, with the Rotten Apple lyricist making the writing and delivery of intricate verses appear easy, backed by production from the likes of Sadhugold, Daringer and Tha God Fahim (also props to the UK’s Emily Catherine for the album’s ill cover art).

A.J. Munson – “Cigarettes & Coffee” (AJMunson.BandCamp.Com) – Boasting an impressive list of guest artists. including Tha God Fahim, Mach-Hommy, Recognize Ali and more, West Coast producer A.J. Munson dropped this quality collection of true-school flavour geared towards the ears of those listeners who’re passionate about sample-based Hip-Hop.

JayARE – “Youth Culture Power” (JayARE.BandCamp.Com) – True-school veterans J Rawls and John Robinson delivered some edutainment in the truest sense of the term, with this concept-based album being released in conjunction with the pair’s book, highlighting the potential benefits of utilising Hip-Hop in the classroom to engage students and improve teacher / pupil relationships. Each one, teach one.

NDEFRU & Ohbliv – “Foreign Local” (NDEFRU.BandCamp.Com) – Further proof that Virginia is a strong breeding ground for dope Hip-Hop, this EP from emcee NDEFRU and producer Ohbliv was the sound of two individuals clearly on the same page musically, resulting in a thoroughly cohesive project packed with laidback-yet-confident wordplay and mellow, sample-heavy soundscapes.

Sean Peng & Illinformed – “Trips To The Medicine Cabinet” (LostScrollRecords.BandCamp.Com) – Part entertainment, part therapy session, this project from Creatures Of Habit members Sean Peng and Illinformed was a lesson in creative chemistry, demonstrating the level of quality that can be achieved from the good old-fashioned one emcee / one producer combo. The Bristol emcee’s sometimes cryptic, always engaging rhymes were perfectly complimented by Illinformed’s solid, multi-layered style of production. Get your prescription renewed here.

Him Lo & Giallo Point – “OJ Glovez” (MarQSpekt.BandCamp.Com) – Having released two group projects in 2018, Him Lo and Clever 1 of Phillys Buze Bruvaz both decided to step out solo in 2019, with this EP being the first of four releases in total to come from the Illadelph duo throughout the year. Produced entirely by the UK’s Giallo Point, this was more of the punch-you-in-the-face-rap that Buze fans have come to expect, mixing hardcore threats and politically incorrect punchlines with inappropriate humour and old-school bravado.

DIE-REK – “The Dying Ones” (Illect.BandCamp.Com) – Canada’s DIE-REK channelled his spirituality throughout this self-produced collection of inspiring, life-affirming anthems, crafted to motivate and encourage anyone out there struggling to swim against the tide of today’s turbulent times. The Toronto emcee’s sincere, commanding flow added further weight to the sentiments and thoughts expressed here, with the end product leaving the listener feeling as if their Hip-Hop soul had been given a thorough musical massage.

C.A.M – “Just Breathe” (CAMOfficial.BandCamp.Com) – Following up his previous EP releases (2017’s “The First Move” and 2018’s “Persian Rugs”), talented London-based emcee C.A.M joined forces with Bristol music man BigLikeBaz for this five-track release, a well-crafted blend of head-nodding beats, echoing horns, smooth keys and a positive lyrical outlook.

Cor Stidak – “Dry Tears” (CorStidak.BandCamp) – Virginia-based emcee Cor Stidak showcased his undeniable microphone mastery throughout this largely self-produced EP, delivering competition-crushing verses, robust flows and poignant lyrical gems over a quality selection of beats.

The Jerzadelphians – “Era Of The Get Back” (JDelph.BandCamp.Com) – New Jersey emcee P-Rawb and Philly producer Shane Great demonstrated what a true musical partnership should sound like on this impressive release, channelling the spirit of the golden-era through their beats and rhymes whilst remaining fresh and in the moment.

Benny The Butcher – “The Plugs I Met” (GriseldaxFR.Com) – 2019 was definitely the year of the Griselda family, with Benny, Conway and Westside Gunn all releasing potent solo projects, along with their long-awaited group effort for Shady Records. This EP picked up where The Butcher left off on 2018’s classic “Tana Talk 3”, spitting vividly descriptive street life rhymes over raw, drama-laced production from Daringer, Beat Butcha, DJ Shay and The Alchemist.

Train Robbers – “Expect Delays” (RobbingTrains.BandCamp.Com) – UK duo Bucket Hat Jack and Casa Blanca ensured no listeners were left waiting on the platform as they were right on time with this lively EP, a release full of  mischievous, well-crafted verses and solid, chunky production. The project bubbled with the energy of two individuals whose main motivation for making music appeared to be the sheer joy and satisfaction of simply creating dope material. Mind the gap!

Skyzoo & Pete Rock – “Retropolitan” (MelloMusicGroup.BandCamp.Com) – I’ve said it before and I’ll say it again – Skyzoo is one of the greatest emcees of his generation. The Brooklyn artist’s attention to detail and ability to draw listeners into his world through the art of rhyme elevates him above many of his peers. No matter what walk of life you come from, there is something in a Skyzoo verse that you will be able to relate to.  Backed here by the soul brother beats of the legendary Pete Rock, Skyzoo delivered a full-length dedication to NYC, adding to his already impeccable catalogue of album projects.

Smif-N-Wessun – “The All” (DuckDownMusic.Com) – Bucktown’s Tek and Steele succeeded in releasing an album that was rooted in their mid-90s Timberlands-and-hoodies flavour whilst still reflecting the personal growth and present day perspectives of the Duck Down duo. Production from Jamla’s 9th Wonder-led Soul Council squad provided the project’s melodic thump, effectively complimenting the BK pair’s tag-team rude-bwoy rhymes, with the end result respectfully adding on to Smif-N-Wessun’s twenty-five year legacy.

Ketch P – “Gift Certificate” (KetchP.BandCamp.Com) – Veteran Detroit emcee and Street Justice member Ketch P returned from a six-year hiatus to deliver this free project, which was an extremely generous gesture considering the high quality of the material included here. Showcasing a strong pen game and an authoritative flow, the Middle Finger Music affiliate got busy over a strong selection of soulful boom-bap from the likes of Simple Cuts, Foul Mouth and Chanes.

Verb T & Pitch 92 – “A Question Of Time” (HighFocus.BandCamp.Com) – Following up their  quality 2017 collabo album “Good Evening”, London lyricist Verb T and Manchester music man Pitch 92 joined forces once again for this equally dope project. An accomplished writer and one of UK Hip-Hop’s most consistent artists, Verb T once again successfully allowed the listener to see the world through his eyes, with the rapper’s introspective rhymes being complimented by the talented Pitch’s dynamic production.

Flashius Clayton & DirtyDiggs – “Fronto Fever Dreams” (FlashiusClayton.BandCamp.Com) – This heavily-anticipated project from Knuckle Sandwich Deli representative Flashius Clayton definitely didn’t disappoint, with the Cali emcee dropping razor-sharp rhymes over the dusty-fingered, sample-based soundscapes of DirtyDiggs, joined by the likes of Planet Asia, Lisaan’dro and AA Rashid – guard ya grill!

Brother Ali – “Secrets & Escapes” (BrotherAli.BandCamp.Com) – The mighty Brother Ali made a welcome return with this Evidence-produced collection of masterful, worldly lyricism and stripped-down beats, recorded over a few spontaneous sessions in a California garage studio during visits the Minneapolis emcee made to see the Dilated Peoples member.

Sparkplug – “The Geek Shall Inherit The Earth” (ColdCaseRecords.BandCamp.Com) – This full-length effort from Leeds-based emcee Sparkplug offered listeners an honest look into the life of an individual navigating his way through the everyday struggles of the human experience, embracing the small wins, owning personal shortcomings, dealing with disappointment and facing reality head-on with a self-deprecating sense of humour and a talent for sharp punchlines.

Part Three coming soon.

 

New Joint – Flashius Clayton x DirtyDiggs

Flashius Clayton x DirtyDiggs – “Dirty Deli” (FlashiusClayton.BandCamp.Com / 2019)

The talented West Coast wordsmith delivers a clear mission statement on this cut from his new DirtyDiggs-produced album “Fronto Fever Dreams”, as he aims for “complete and total domination” over dramatic, orchestral beats.

Fronto Fever Dreams Album Stream – DirtyDiggs x Flashius Clayton

This heavily-anticipated project from Knuckle Sandwich Deli representative Flashius Clayton definitely doesn’t disappoint, with the Cali emcee dropping razor-sharp rhymes over the dusty-fingered, sample-based soundscapes of DirtyDiggs, joined by the likes of Planet Asia, Lissan’dro and AA Rashid – guard ya grill!

New Joint – Don The Jeweler

Don The Jeweler – “Archer 93” (@FrozenDeliDon / 2019)

The NY emcee takes a lyrical walk down memory lane and revisits some personal early-90s history over neck-snapping Flashius Clayton production.

New Joint – Sleep Sinatra & Custodian Of Records / Flashius Clayton

Sleep Sinatra ft. Flashius Clayton – “Scanners” (GourmetDeluxxx.BandCamp.Com / 2019)

Having dropped one of last year’s best albums in the form of his “[D]arkangel” project, Nebraska’s Sleep Sinatra returns with the Custodian Of Records-produced “Sources Of Nature”, with this particular cut finding the talented emcee trading sharp rhymes with West Coast wordsmith Flashius Clayton.

100 Best Albums & EPs Of 2018 (Part One) – Masta Ace & Marco Polo / Children Of Zeus / Funky DL etc.

Politically, socially and economically, 2018 will no doubt go down in the history books as a particularly disastrous year. Wherever you looked across the globe, there was chaos, unrest and mistrust. In contrast, however, and on a more positive note, 2018 was an incredible year for new Hip-Hop.

It’s been near impossible to keep up with the vast amount of product flooding the market, with both veteran artists and a new generation of talented emcees, producers and deejays all contributing to the rich selection of beats and rhymes that have been made available over the past twelve months.

As I’ve said before when writing previous ‘best-of’ intros, some ‘heads” still seem surprised that I’m able to find a hundred releases during the course of a year that I’ve genuinely enjoyed. In reality, there have been more than that, and this 2018 selection, as with other years, has been scaled down from an original list which far exceeded that number.

So if you’re still of the opinion that quality Hip-Hop isn’t being released in high quantities, then you’re really not listening or looking hard enough – and in today’s digital era, when most of that music is available at the click of a button without you even having to leave your house, it really couldn’t be easier to find something that suits your sonic preferences.

On a mainstream level (as has largely always been the case) the best that Hip-Hop has to offer isn’t being represented. But in the underground, talent, skill and creativity are still there to be found by those prepared to dig and support.

So with all that being said, this list represents what I had in heavy rotation throughout 2018.

Props as always to all the artists out there making memorable music from a genuine place of love for this incredible culture.

Peace!

Masta Ace & Marco Polo – “A Breukelen Story” (Fat Beats) – One of the best to ever do it, since his 1990 debut long-player “Take A Look Around” Juice Crew legend Masta Ace has consistently proven himself to be a true virtuoso of the album format, delivering a long line of well-rounded, concept-based projects. This collaborative effort with the ever-impressive Marco Polo successfully bound together the pair’s individual BK-related narratives, demonstrating what quality, timeless music sounds like in the process. They live in Brooklyn, baby.

Royce Da 5’9 – “Book Of Ryan” (Heaven Studios / eOneMusic) – Intensely personal and brilliantly executed, Detroit wordsmith Royce’s seventh album ran the full gamut of emotions, presenting the listener with a sonic photo album which captured poignant moments in the emcee’s family history, both past and present. Displaying a no-holds-barred honesty in his writing, Royce’s ability to tackle difficult subjects here such as addiction, domestic abuse and suicide, without coming across as overly judgemental or preachy, was a testament to his level of dedication to his craft. “Book Of Ryan” was an album that was shocking, humourous, tragic and inspiring in equal measures.

Children Of Zeus – “Travel Light” (First Word Records) – Arguably the best blend of Hip-Hop and soul since Mary J. Blige enquired about the 411 back in 1992, Manchester duo Konny Kon and Tyler Daley proved that hard work does pay off when, after years of building a cult fanbase for their unique brand of UK street music, the pair finally gained the wider recognition they’ve deserved for so long with the release of this brilliant debut album. An organic mix of sonic influences both past and present, “Travel Light” proudly took its place next to defining works by the likes of Loose Ends, Soul II Soul and London Posse as a truly individual example of quality British music.

Micall Parknsun & Mr Thing – “Finish What We Started” (Village Live Records) – Genuine creative chemistry is something that’s hard to come by in any artistic partnership. Thankfully, that wasn’t a problem UK duo Micall Parknsun and Mr Thing had to worry about, with their brilliant album “Finish What We Started” pulsating from beginning to end with an energy that could only be achieved when people share the same drive, focus and passion for what they do. An album with real replay value, “Finish What We Started” was the sound of both Parknsun and Thing at the top of their game, mixing old-school values with now-school skills.

Superbad Solace – “Sol Controller” (SuperbadSolace.BandCamp.Com) – Teaming up with frequent collaborator Mono En Stereo (pka El RTNC), Timeless Truth member Superbad Solace went for dolo on this quality EP, reppin’ for the borough of Queens in no uncertain terms, weaving fly NY wordplay around melodic, sample-based soundscapes with impressive results.

Planet Asia – “The Golden Buddha” (Brick Records) – A key figure in the West Coast indie scene of the mid-to-late 90s, an increase in output over recent years has further proven Planet Asia to be one of the most consistent artists in the game.  Produced entirely by San Francisco’s izznyce, “The Golden Buddha” was packed with quality beats and pyramid-precise verses, with PA flowing like the Nile with authority and apparent effortlessness.

The Mouse Outfit – “Jagged Tooth Crook” (TheMouseOutfit.BandCamp.Com) – Having further refined their live, organic sound on each  of the group’s full-length releases, this third album from Manchester-based collective The Mouse Outfit was arguably the crew’s most musically sophisticated effort to date. Largely based around mellow, jazzy production laced with tinges of reggae and soul, “Jagged Tooth Crook” found the likes of Dubbul O, Black Josh and Ellis Meade dropping life-affirming lines and spontaneous styles throughout this mammoth seventeen-track project.

Showbiz – “A-Room Therapy” (DITCEnt.Com) – With sonic input from producers Motif Alumni and Dark Keys, legendary crate-digger Showbiz pulled together members of the core DITC crew and extended family affiliates for this showcase of quality Rotten Apple rap, with the likes of O.C., A.G, David Bars and the late Tashane bridging the generation gap with their undiluted rhyme skills.

Flashius Clayton – “Wolf Moon” (FlashiusClayton.BandCamp.Com) – Cali-based Knuckle Sandwich Deli representative Flashius Clayton set 2018 off the right way with this tight EP which dropped on Jan 1st. Combining competition-crushing attitude with natural rhyming ability and an ear for strong production, the West Coast wordsmith singled himself out as one to watch with this release.

Blueprint – “Two-Headed Monster” (WeightlessRecordings.Net) – Grounded in golden-era traditions yet refusing to wallow in nostalgia, veteran Ohio-based producer-on-the-mic Blueprint’s latest long-player was a shining example of thoughtful, mature Hip-Hop which succeeded in sparking your brain cells whilst making your head nod.

Farma Beats – “The Sentimental Alien” (FarmaBeats.BandCamp.Com) – Having made his name in the UK Hip-Hop scene of the 90s primarily as an emcee with London’s Bury Crew, M.U.D. Family and then Task Force, 2018 saw Farma go global with his production skills, with “The Sentimental Alien” featuring an impressive list of collaborators including Chester P, Recognize Ali and Estee Nack showcasing their skills over obscure loops and quality beats.

Scran Cartel – “Blue Plaque Candidates” (ScranCartel.BandCamp.Com) – Possibly the best combination of Hip-Hop and food since the Fat Boys cracked open a pizza box on the cover of their 1984 debut album, this collaborative project from UK duo MNSR Frites and Benny Diction contained high-protein beats and rhymes that were guaranteed to satisfy the appetite of any music connoisseur. Featuring production from Chemo, Downstroke, Blue Buttonz and more, “Blue Plaque Candidates” was three-course home-cooked goodness – no fast-food rap to be found here.

Da Buze Bruvaz – “Ni$&@tivity” (Grilchy Party) – Philly’s Clever One and Him Lo continued to steam-roller over the competition on their latest collection of put-you-in-a-headlock Hip-Hop, with the larger-than-life pair dropping aggressive-yet-entertaining punchlines and thinly-veiled threats over fittingly hardcore production from affiliates such as Shaheed Mudfoot, Claymore and Gosilla. Guard ya grill!

Kool G Rap & 38 Spesh – “Son Of G Rap” (38Spesh.BandCamp.Com) – A collection of unapologetically raw street knowledge  which attempted to join the dots between various eras in New York Hip-Hop, “Son Of…” found lyrical architect Kool G Rap passing the baton to Rochester’s 38 Spesh, with the likes of Cormega, AZ and Meyhem Lauren on-hand to rep for the Rotten Apple over production from sonic craftsman such as DJ Premier, Pete Rock and The Alchemist.

Funky DL – “Blackcurrent Jazz 3” (FunkyDL.Bandcamp.Com) – As suggested by its title, this release from London-based producer-on-the-mic Funky DL was grounded in the UK veteran’s love of all things soulful and jazzy, with his witty couplets and entertaining story-telling rhymes meshing perfectly with a seamless sample-based blend of mellow pianos, smooth horns and 90s-influenced beats. He got the jazz, he got the jazz.

Kyo Itachi – “Night Life” (ShinigamieRecords.BandCamp.Com) – France’s king of boom-bap Kyo Itachi pulled together an impressive guest list for this well-executed collection of underground gems, with the likes of Artifacts, Keith Murray and Milano Constantine displaying their well-tested skills over head-nodding, full-bodied production.

Spnda & Grubby Pawz – “Holographic” (CityYardMusic.BandCamp.Com) – Following up their brilliant 2017 project “Steel Sharpens Steel”, Boston’s Spnda and Grubby Pawz once again showcased their creative chemistry on this equally impressive project, a collection of masterfully vivid rhymes and superbly selected samples stitched together with a sci-fi undertone.

Rasheed Chappell – “First Brick” (RasheedChappell.BandCamp.Com) – Seven years since the release of his critically-acclaimed debut album “Future Before Nostalgia”, NY-based emcee Rasheed Chappell joined forces once again with production legend Kenny Dope  for this undiluted dose of East Coast Hip-Hop, demonstrating growth in his already impressive writing abilities, drawing inspiration from yesterday whilst looking towards tomorrow.

Ray Vendetta & Karnate – “The Master Chambers LP” (PrestigiousRecordings1.BandCamp.Com) – Having already proven himself to be one of the game’s most consistent and hard-working emcees, London-based lyricist Ray Vendetta didn’t take any time off in 2018, with this Karnate-produced album ranking as arguably the Triple Darkness member’s most complete body of work, highlighting all facets of Vendetta’s rhyming abilities, from street-savvy barbs to moments of subtle personal reflection.

Milano Constantine – “Attache Case” (FXCKRXP.BandCamp.Com) – Co-signed by both Big Pun and Big L, Diggin’ In The Crates affiliate Milano is an emcee who has always stayed dedicated to the art of lyricism and this project with Netherlands-based producer Oh Jay didn’t find the Rotten Apple representative deviating from his path. Action-packed wordplay and drama-fuelled soundscapes were the order of the day here, with Milano yet again standing head-and-shoulders above most of his competition on the microphone.

Part Two coming soon.

New Joint – Don O / Lisaan’dro / Flashius Clayton

Don O ft. Lisaan’dro & Flashius Clayton – “Doorbusters” (@FrozenDeliDon / 2018)

Lou Minoti provides three of the nicest emcees out right now with some quality production for this dope East-meets-West collabo cut.

New Joint – Lisaan’dro / Flashius Clayton

Lisaan’dro ft. Flashius Clayton – “No Competition” (@Panamanian_Dro / 2018)

Back-to-back lyrical techniques served fresh from the Knuckle Sandwich Deli.

Mr October Suite EP Stream – Flashius Clayton

West Coast wordsmith Flashius Clayton showcases his sharp rhyme skills with memorable results on this short-but-satisfying release.

New Joint – Flashius Clayton

Flashius Clayton – “Good Money” (@FlashiusClayton / 2018)

The West Coast wordsmith wraps witty, bravado-fuelled rhymes around a dope Custodian Of Records soundscape.

New Joint – Flashius Clayton / Lisaan’dro

Flashius Clayton & Lisaan’dro – “Yosemite Sambo” (@FlashiusClayton / 2018)

The Knuckle Sandwich Deli camp make a welcome return with this Chop-produced cut.

New Joint – Estee Nack / Flashius Clayton / PhybaOptikz

Estee Nack, Flashius Clayton & PhybaOptikz – “Bulletproof” (@EsteeNack / @FlashiusClayton / @PhybaCDVZ / @TheHistorianST / 2018)

Dope US / UK posse cut produced by crate-digger extraordinaire The Historian.

100 Best Albums & EPs Of 2017 (Part Five) – Ray Vendetta & Giallo Point / Defari / Conway etc.

Check Part One, Part Two, Part Three & Part Four.

Ray Vendetta & Giallo Point – “Sins Of The Son” (PrestigiousRecordings1.BandCamp.Com) – Triple Darkness member Vendetta called on the talents of prolific producer Giallo Point for this epic display of hardcore brilliance, with the London-based lyricist dropping vivid, street-smart rhymes over expertly-crafted loops and beats perfectly suited to the UK emcee’s forthright delivery.

Showbiz & A.G. – “Take It Back” (DITCEnt.Com) – One of Hip-Hop’s greatest musical partnerships, Bronx duo Show & A.G. dropped this stellar effort some twenty-five years after their first releases appeared on record store shelves. Having lost none of his dusty-fingered touch, Showbiz delivered plenty of that trademark DITC sound here, with Andre The Giant flowing effortlessly throughout.

Jazz Spastiks & Mellosoulblack – “Midnight Method” (JazzSpastiks.BandCamp.Com) – UK production duo the Jazz Spastiks provided Stateside crew Mellosoulblack with a heavy dose of their full-bodied production sound on this quality collaborative album. Thumping beats, random samples and crafty cuts were blended with witty, freestyle-flavoured rhymes here, resulting in an upbeat, feel-good true-school listening experience.

Rapsody – “Laila’s Wisdom” (Jamla Records / Roc Nation) – 2017 was a big year for North Carolina’s Rapsody, culminating in a Grammy nomination for this deserving body of work. Truth be told, the talented artist didn’t do anything different here than she’s already been doing since debuting her solo material in 2011, incorporating personal experiences, fierce lyricism and a good ear for strong production into one undeniable package. The increased amount of attention Rapsody received this time around, however, was proof that talent and hard-work can get you to where you want to be.

Kamanchi Sly – “Slycriminality” / “Ultimate BBoy 92” (KamanchiSly.Com) – Hijack legend K Sly dropped two albums in 2017 and, as much as I tried, I really couldn’t decide which was the better of the two, so I’m giving props to both projects here. A pioneer of the 80s UK Hip-Hop scene, the South London lyricist proved throughout both these self-produced releases that his dedication to microphone dominance hasn’t faded over the years at all. Mixing a true love of Hip-Hop culture with a passion for crushing the competition and some wordly wisdom, Kamanchi Sly injected his 2017 output with the energy of a new artist and the experience of a battle-hardened veteran. Stockwell serves again!

Estee Nack & Friends – “#MiniMansionDust Vol.2” (EsteeNack.BandCamp.Com) – Tragic Allies member Estee Nack dropped science alongside Daniel Son, al.divino and Mr. Rose on this solid collection of fly underground jewels, with the Massachusetts mic fiend’s gritty delivery and righteous street knowledge hitting the target as always.

Flashius Clayton & Lisaan’dro – “Money Makin Music” (FlashiusClayton.BandCamp.Com) – The end result of a weekly series of free tracks dropped between September and November, this project effectively showcased the sharp rhyme skills of Cali’s Flashius Clayton and NY’s Lisaan’dro, two distinctly different emcees with a shared passion for the craft of lyricism. Featuring production from Farma Beats, The Historian and Spectacular Diagnostics, “Money Makin Music” marked both these talented individuals as ones to watch in 2018 and beyond.

Blacastan & Stu Bangas – “The Uncanny Adventures Of Watson & Holmes” (BrickRecords.Com) – The sequel to their 2014 Watson & Holmes project, this album was another collection of raw beats and rhymes from the Connecticut emcee and Boston producer that definitely wasn’t for the faint-hearted. Slashing through your speakers with razor-sharp precision, the chemistry shared between the pair was apparent once again here, with all the elements of a true musical partnership on display.

Jay-Z – “4:44” (RocNation.Com) – Jay-Z has always been a divisive figure in Hip-Hop, sparking passionate debates between those who see him as a calculating commercial rapper and others who consider him one of the greatest artists of all-time. To be fair, both camps have valid points, as Hov’s career has contained moments of sonic brilliance and disappointment. This album, however, was his best release in a decade, with the nearly fifty-year-old artist talking about topics a nearly fifty-year-old artist in Jay’s position should be addressing in their music – family, society, personal failures, successes – displaying a different side to the Brooklyn icon than we’d heard and seen before.

Ankhlejohn – “The Red Room” (Shaap Records / FxckRxp.Com) – The raspy-voiced Washington D.C. wordsmith dropped this cohesive collection of late-night street-hop mixing East Coast boom-bap sensibilities with a no-holds-barred lyrical approach, resulting in a project that was something of an acquired taste but that offered a unique listening experience for those who embraced “The Red Room” in all of its unhinged glory.

Spnda & Grubby Pawz – “Steel Sharpens Steel” (CityYardMusic.BandCamp.Com) – On point like a knife blade, this Boston duo’s album was an effective lesson in how to craft a project that has the ability to really draw the listener in, with Spnda’s liquid swordplay meshing perfectly with producer Pawz’ loop-based mellow madness, resulting in an album that was both atmospheric and captivating with maximum replay value.

RSXGLD – “RSXGLD” (RSXGLD.BandCamp.Com) – This album found veteran Michigan representatives RoSpit and 14KT successfully pushing their respective creative boundaries on each track, giving “RSXGLD” a sound that was soulful, hardcore and experimental in equal measures. Ambitious, personal, speaker-rattling Hip-Hop.

Jehst – “Billy Green Is Dead” (YNRProductions.BandCamp.Com) – Named after a socially-aware 1972 Gil-Scott Heron track, UK producer-on-the-mic Jehst’s first album in six years was a deep musical experience to fully immerse yourself in, offering commentary on today’s modern world which, at times, made for unsettling and haunting listening. A truly brilliant work of art.

Recognize Ali & Giallo Point – “Back 2 Mecca” (RecognizeAli.BandCamp.Com) – The last of three albums to be released in 2017 by Greenfield Music’s talented Recognize Ali, this project paid tribute to the culture of Hip-Hop and was powered by the typically impressive production of the UK’s Giallo Point, with the likes of Estee Nack, Daniel Son and PhybaOptikz also contributing their skills to this raw collection of subterranean gems.

Life MC & DJ Nappa – “Audio Bliss” (LifeMC.BandCamp.Com) – One of UK Hip-Hop’s most distinctive voices, Life MC touched on a variety of topics throughout this succinct seven-track EP, with fellow Phi-Life Cypher member Nappa pulling out some top-drawer production to match the Luton lyricist’s passionate verses.

Ash The Author & Krang – “Two Man Band” (BoomBapPro.Com) – Lively, spontaneous vibes from the UK duo, with Ash’s cleverly cocky rhymes sitting nicely over the jazz-influenced production of Krang, a combination which added another worthy release to the Boom Bap Professionals label catalogue.

Defari – “Rare Poise” (Fat Beats) – Part of the mid-90s West Coast independent scene and a Likwit Crew affiliate, Defari is no stranger to releasing quality music. Calling on the production skills of Evidence to assist in crafting his first album in eleven years, the Cali emcee proved that he hadn’t missed a beat with this self-assured set which also featured appearances from longstanding Left Coast wordsmiths Rakaa Iriscience, Krondon and Phil Tha Agony.

Verb T & Pitch 92 – “Good Evening” (HighFocus.BandCamp.Com) – Supported by the brilliant production of Mouse Outfit music man Pitch 92, the mighty Verb T dropped an engaging, down-to-earth mix of life observations, dry wit and personal reflection, proving once again why his stature as UK Hip-Hop royalty is so well-deserved.

Codenine – “IX” (Codenine.BandCamp.Com) – Backed by the sublime, minimalist soundscapes of producers Kas and Motif Alumni, Tragic Allies member Codenine made sure that not a moment of his time on the mic was wasted here, packing his verses with vivid imagery and a near-cinematic attention to detail that put him head-and-shoulders above much of his competition.

Conway – “G.O.A.T.” (WhoIsConway.Com) – Buffalo’s master of murderous mood music returned at the end of the year with a fresh batch of  cold-hearted crime rhymes and dark Daringer production, closing off what had been an eventful twelve months for the Griselda emcee and setting high expectations for what 2018 may bring via Conway’s signing to Eminem’s Shady Records.

New Joint – Flashius Clayton

Flashius Clayton – “Knucklehead (I Didn’t Listen)” (@FlashiusClayton / 2018)

The West Coast emcee flexes his sharp, finely-tuned skills over a mellow Preemo beat.