Tag Archives: Fat Beats

New Joint – Ohbliv

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Ohbliv – “GiveMeh” (@Ohbliv / 2016)

A slice of fractured soul from the Virginia producer’s forthcoming “Baker’s Dozen” release via Fat Beats.

100 Best Albums & EPs Of 2015 (Part One) – Triple Darkness / Sadat X / J-Live etc.

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It’s hard to believe, but even with the amount of quality releases that dropped throughout 2015, there are still people claiming that there isn’t any worthwhile or memorable Hip-Hop being made today.

I’ve always found that way of thinking frustrating, as there has never been a time when there wasn’t good music to be found, but in recent years that argument has become increasingly redundant due to the ever-growing number of talented emcees, deejays and producers out there who’re consistently delivering the goods.

Of course, in today’s digital age, there will always be a huge amount of sub-par material being regularly pumped out via popular platforms such as BandCamp and YouTube, and the mainstream, for the most part, continues to promote the same shallow, one-dimensional rap that it always has done.

But that being said, if you genuinely feel there isn’t anything out there for you as a fan of Hip-Hop, the problem isn’t necessarily with the music, the issue is with those same fans not listening and looking hard enough when it comes to new material.

As I always say when I put these year-end pieces together, the albums and EPs included here aren’t the only releases that were worthy of attention, but this list does reflect what stayed in heavy rotation for me personally.

So, in no particular order, here are the artists and projects that made my speakers thump throughout 2015…

Triple Darkness – “Darker Than Black” (KingUnderground / Suspect Packages) – Cementing their reputation as one of the most talented crews in Hip-Hop, this album from London’s Triple Darkness was a brilliantly-crafted hardcore masterpiece. With group members such as Melanin 9, Cyrus Malachi and Ray Vendetta spitting sharp lyrical darts over gloriously uncompromising production from the likes of Ringz Ov Saturn and 7th Dan, “Darker Than Black” was a shining example of intelligent, underground Hip-Hop at its very best.

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Lord Hakim – “Born With A Determined Idea” (LordHakim.BandCamp.Com) – Following in the footsteps of Rakim, Lakim Shabazz and Brand Nubian, Columbus, Ohio wordsmith Lord Hakim proudly repped for the Five Percent Nation throughout this self-produced album, dropping science on the everyday struggle with both passion and insight. Peace to the Gods!

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The Cornel West Theory – “Coming From The Bottom” (TheCornelWestTheory.BandCamp.Com) – Hailing from Washington DC, The Cornel West Theory delivered an instense, no-holds-barred listening experience with this lengthy album. Showcasing the group’s thoughts on politics, race and Hip-Hop in 2015 America, “Coming From The Bottom” channeled the spirit of late-80s Public Enemy and BDP, whilst clearly standing strong as a product of the present day.

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Big Toast – “The Wedding Fund LP” (Revorg Records) – So you’ve proposed to your significant other, your pockets are flat not fat, and now you have a wedding to plan for. What do you do?  In the case of UK emcee Big Toast, you hit the studio and release a dope album to raise cash for your big event. Combining the London lyricist’s blunt, working-class worldview and dry humour with quality production from Sam Zircon, Strange Neighbour and Ill Move Sporadic, “The Wedding Fund LP” was guaranteed to hit the spot both in sickness and in health.

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Sadat X – “Never Left” (Loyalty Digital Corp) – The Brand Nubian member proved yet again why he’s considered one of the game’s most timeless artists on his eighth full-length solo project. Steeped in NY pride and featuring appearances from Cormega, Craig G and Black Sheep’s Dres, “Never Left” found the Wild Cowboy drawing on both industry and personal experiences to craft an album that resonated with traditional Rotten Apple flavour.

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Paul Nice & Phill Most Chill – “The Fabreeze Brothers” (AE Productions) – If you came-up listening to Hip-Hop in the 80s, still insist on matching your sneakers with your outfit, and regularly use slang like ‘fresh’ and ‘fly’, then this collabo album from NY’s Paul Nice and Illadelphia’s Phill Most Chill was made with you in mind. Capturing the excitement and purity of old-school Hip-Hop with an infectious passion, the pair succeeded in their mission to pay tribute to the foundations of the culture whilst still bringing something unique to the table. Warning – this album should only be listened to whilst standing in a b-boy stance.

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Oliver Sudden – “Phenomenaler Steaz” (BoomBapPro.Com) – Straight outta Croydon, South London (aka The Cronx), the talented Sudden utilised his understated, deadpan delivery to great effect on this aptly-titled project, spitting true-school sentiments over top-drawer production from the likes of Giallo Point, Sam Zircon and Downstroke.

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Flip – “Reflections” (Ill Adrenaline Records) – With a sound rooted in golden-era boom-bap and mixed with soulful sensibilities, veteran Austrian producer Flip called on heavyweight emcees such as DITC’s AG, Detroit’s Phat Kat and Wu-Tang affiliate Killah Priest to bless his well-crafted soundscapes on this cohesive package of underground flavour.

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The Four Owls – “Natural Order” (High Focus Records) – Showing off their impressive lyrical wingspans once again, Verb T, Fliptrix, Leaf Dog and BVA collectively swooped down on the UK Hip-Hop scene for a second time with their sophomore crew album, gaining production support from none other than Gang Starr legend DJ Premier and reducing the so-called competition to mere bird seed in the process.

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Large Professor – “Re:Living” (Fat Beats) – Whilst the term ‘legend’ perhaps gets thrown around a little too easily nowadays, self-proclaimed live-guy-with-glasses Extra P is an individual truly deserving of the title. Having had an impact on 90s Hip-Hop that is still being felt today, the Queens, NY resident came correct in 2015, proving ain’t a damn thing changed but the year. With an approach to his craft that remains untainted and uninfluenced by rap’s mainstream circus, Large Pro’s “Re:Living” showcased the sound of an artist who really keeps it real…to himself.

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Supastition – “Gold Standard” (Reform School Music) – One of the most consistent emcees of the new millennium, the career of North Carolina-raised lyricist Supastition has undoubtedly contained its fair share of ups-and-downs. Yet throughout, Supa has maintained his honesty and integrity, making music that resonates with fans who are looking for Hip-Hop they can relate to. “Gold Standard” most definitely continued that tradition. Featuring beats from Praise, MoSS and Jonny Cuba, this album found the newest Soundsci member once again dealing with everyday issues, whilst also taking the opportunity to indulge in some good ol’-fashioned braggin’ and boastin’.

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DJ Soko – “Domino Effect” (Left Of Center) – Pulling together an impressive array of talent which included Guilty Simpson, Apollo Brown and Rasheed Chappell, Michigan native Soko’s debut project was a robust, speaker-rattling collection of thunderground excellence which avoided the hit-and-miss pitfalls of similar compilation-style releases.

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Definite Mass – “Soul Caliber” (Manifest Recordings) – Living up to its title both musically and lyrically, this gem of an album found West Coast wordsmith Definite Mass delivering personal and sincere verses over melodic boom-bap beats, with the likes of Blu and Supreme Cerebral passing by to offer microphone assistance.

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Kaimbr – “Bronze Horse” (Kaimbr.BandCamp.Com) – Maryland resident Kaimbr paid homage to Staten Island’s mighty Wu-Tang on this brilliantly-executed concept album, with the Low Budget crew member transforming into his alter-ego Wu Kaim to practice his well-honed microphone martial arts over dusty, Shaolin soul samples.

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White Mic – “Do It How You Wanna Do It” (Solidarity Records) – A distinctly personal collection of beats and rhymes, Bored Stiff member White Mic’s “Do It…” found the Cali-based emcee celebrating Hip-Hop’s potential to inspire and motivate, pouring his own life experiences into his music with memorable and emotionally-charged results.

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AKD & Deepstar – “Universal Language” (Monad Records) – Seeking to demonstrate the power Hip-Hop has to speak to people from all walks of life, UK emcee Arise King David and Australian producer Deepstar called on the likes of Rapsody, DJ Rob Swift and Phoenix Da Icefire to help make their point, resulting in an overall uplifting listening experience grounded in golden-era sonic values.

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J-Live – “His Own Self” (Mortier Music) – Since his mid-90s debut as part of the NY indie scene, the now Atlanta-based J-Live has consistently released intelligent, creative Hip-Hop, with the veteran wordsmith never afraid to show both artistic and personal growth in his music. “His Own Self”, the first of Live’s two full-length 2015 releases, continued to follow that pattern. Entirely self-produced and with no guest appearances, this album found the talented artist covering a variety of topics, ranging from personal finances (“Old S**t”) and teenage memories (“Red & The Kid”) to America’s racial climate (“I Am A Man”).

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DJ Wally Pish Posh & T.R.A.C. – “Operation: Revibe” (DJWallyPishPosh.BandCamp.Com) – With a grand plan to “set Hip-Hop back on its path to greatness”, NY duo Pish Posh and T.R.A.C. definitely went some way to achieving their goal with this pure, organic demonstration of the pair’s shared love and appreciation of Hip-Hop culture. Determined to provide listeners with a healthy musical alternative to the shallow waters of the mainstream, this producer / emcee combo definitely brought the best out of each other throughout this release.

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Blak Twang & Blackmale Beats – “The Pantheon EP” – Embracing his elder statesman status within the UK Hip-Hop scene, homegrown legend Tony Rotten teamed-up with London production outfit Blackmale Beats for this stirring six-track release. Whether dealing with social issues (“Elevation”),  recounting personal dramas (“Highs & Lows”) or reliving Hip-Hop memories (“Classiq Moments”), Twang’s authoritative verses were given even greater impact thanks to Blackmale’s ability to match the lyrical content on offer here with just the right musical tone and mood. Rottonous, indeed.

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80’s Babies – “Searching For Happy” (DeeJackson80sBabies.BandCamp.Com) – Detroit-raised producer Tall Black Guy joined forces with Chicago emcee Dee Jackson to deliver music for your mind, body and soul throughout “Searching For Happy”, an album that found the duo respectfully drawing on the passion and creative integrity of golden-era Hip-Hop, whilst proudly carving out their own unique sonic niche in today’s rap game.

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Part Two coming soon.

New Joint – Frank Nitt

Frank Nitt – “Classic” (@FrankNitt / 2015)

Funky DJ Rhettmatic-produced boom-bap from the Detroit-raised emcee’s “Frankie Rothstein” project.

New Joint – DMC / PMD / MC Serch / Chuck D etc.

DMC, PMD, MC Serch, Chuck D, Terminator X & DJ Eclipse – “Hellraisers” (FatBeats.Com / 2015)

Producer Big K.O. resurrects the title track of Run-DMC’s classic 1986 album for this golden-era posse cut.

Crate Diggers – DJ Eclipse

NY’s DJ Eclipse discusses his early introduction to collecting vinyl for Fuse.TV’s “Crate Diggers” series.

52 Best Albums & EPs Of 2012 (Part Four) – Public Enemy / Kingdom Of Fear / Constant Deviants etc.

Public Enemy – “Most Of My Heroes Still Don’t Appear On No Stamp” (Slam Jamz) – Twenty five years after their Def Jam debut “Yo! Bum Rush The Show”, arguably the greatest group in Hip-Hop history returned with a robust collection of typically rebelutionary beats and rhymes, with Chuck D joined by allies such as Brother Ali, DMC and Bumpy Knuckles to fire lyrical shots at political figures, mass media corporations and rap culture vultures.

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Muneshine – “There Is Only Today” (Droppin’ Science Productions) – Backed by top-notch production from the likes of DJ Spinna, Buckwild and Jeff Spec, Canadian rap renaissance man Muneshine delivered both inspirational and introspective rhymes on this latest addition to his already impressive musical catalogue.

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Masta Ace – “MA_DOOM: Son Of Yvonne” (Fat Beats) – Considering how many times MF Doom’s “Special Herbs” beats have been used for freestyles, YouTube videos etc, it would take a talented emcee to make them sound like you were hearing some of them for the first time all over again. But that’s exactly what former Juice Crew member Masta Ace did with this autobiographical project, recalling memories of his Brooklyn childhood and early rap career with his typical attention to detail and story-telling skill.

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Purpose & Confidence – “The Purpose Of Confidence” (Ill Adrenaline Records) – Having produced one of 2011’s best albums in the form of his “The Element Of Surprise” collaboration with NY’s Rashad, Boston beat-master Confidence hit the target again in 2012, teaming-up with Tragic Allies emcee Purpose for another accomplished project. Displaying a slightly harder, grittier side to his production this time around to match Purpose’s street-orientated verses, Confidence one again proved his ear for both quality beats and lyrical talent.

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Kingdom Of Fear – “Kingdom Of Fear” (YNR Productions) – Inspired by the work of legendary American gonzo journalist Hunter S. Thompson, UK favourites Kashmere and Jehst adopted off-the-wall alter-egos for this larger-than-life concept album, with the pair careering through bright lights and big cities in a haze of weed smoke and Hip-Hop technicolour. Inspired, creative and entertaining.

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Oddisee – “People Hear What They See” (Mello Music Group) – Drawing inspiration from a wide-range of real-life experiences and conversations, Washington DC producer-on-the-mic Oddisee’s latest album showcased the sound of a maturing artist, an individual determined to push the boundaries of his own creativity whilst remaining grounded in the underground sound that he built his name on.

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Dialect & Despair – “Self Evident” (UKNOWHO Records) – Proving the sentiment behind Rakim’s famous lyric that it ain’t where you’re from, it’s where you’re at, this Australian duo crafted an impressive collection of true-school bangers on the follow-up to their 2010 debut “The Vortex”, featuring an inspired line-up of featured talent including the UK’s Melanin 9, X-Ecutioners member Total Eclipse and D.I.T.C. affiliates Majestic Gage and D Flow.

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Sean Price – “Mic Tyson” (Duck Down Records) – Brooklyn’s favourite microphone bully Sean P finally got around to releasing his long-awaited “Mic Tyson” project in 2012, pummeling a concrete-tough selection of beats from the likes of 9th Wonder, Evidence and the UK’s Beat Butcha with his trademark brand of deadpan threats of violence and amusing Hulk-sized boasts.

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Verb T – “Morning Process” (High Focus Records) – UK emcee Verb T has always been more interested in letting his talent do the talking rather than trying to shout louder than everyone else. With this latest project, Verbs put the complexities of his own personality under the microscope, describing the thoughts of an emcee entering his thirties who is just as happy shutting himself away from the world for extended periods of time as he is ripping mics onstage for enthusiastic fans. Understated brilliance.

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Aarophat – “Invictus” (Ill Sevenz Music Group) – Raised in Ohio but currently based on the West Coast, veteran subterranean wordsmith Aarophat’s seventh full-length project mixed motivational sentiments, down-to-earth life observations and mystical imagery together into one satisfying listening experience, with the authoritative lyricist proving himself to be a true master of his craft by tackling a variey of subject matter with both character and insight.

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Constant Deviants – “Diamond” (Six2Six Records) – Gaining notoriety in the 90s with indie favourites such as “Competition Catch Speed Knots”, NY / Baltimore duo M.I. and DJ Cutt returned to the rap game without having missed a beat on this quality album. Blending golden-age flavour with current inspiration, the pair effectively bridged the gap between the past and the present with an undeniable rugged charm. A real diamond in the rough.

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Ryan Proctor

Part Five coming soon – check Part One, Part Two and Part Three.

52 Best Albums & EPs Of 2012 (Part Three) – Apollo Brown & Guilty Simpson / M9 / Showbiz & AG etc.

Apollo Brown & Guilty Simpson – “Dice Game” (Mello Music Group) – This Motown duo definitely weren’t taking a gamble when they jumped in the studio together to record this sureshot collection of rugged bangers. With Simpson injecting his rhymes with a slightly more personal feel than on previous material, Brown ensured his beats matched the tone of the Detroit emcee’s verses perfectly, whether highlighting their hometown (“Reputation”) or pondering the future (“How Will I Go”).

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Grand Papa Tra – “Lost In New York” (GrandPapaTra.BandCamp.Com) – Not one for adhering to today’s digital norm of emailing tracks and verses back and forth to complete a project, Swiss producer Tra wanted a more authentic recording experience, so made the trip to NYC to put together this collection of East Coast-influenced cuts with the likes of Sadat X, Mic Geronimo and Royal Flush.

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Prose – “Back In The Habit” (Boom Bap Professionals) – Following-up two impressive albums, “Force Of Habit” (2010) and “The Dark Side Of The Boom” (2011), UK emcee / producer partnership Efeks and Steady Rock remained true to their underground roots on this quality EP which featured the witty old-school tribute “The Class Of ’94”.

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Fraction & Fresh Kils – “Extra Science” (Math Music Productions) – This album could easily never have happened considering it was a chance encounter at a Toronto Hip-Hop event that led to this Canadian duo teaming-up for this release. Thankfully, the rap gods were obviously smiling on that fateful day, which in turn led to underground fans being blessed with an accomplished, polished display of musical brilliance steeped in soulful, jazzy vibes and masterful lyricism.

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Union – “Analogtronics” (Fat Beats) – A mind-bending mix of 80s-style synths, Dilla-influenced beats and space-age imagery, Paris-based producers OJ and Gold delivered a truly unique sonic experience with this collection of intergalactic funk, taking listeners on an epic musical journey amongst the stars with the likes of Talib Kweli, MF Doom and Roc Marciano on-hand to lyrically moonwalk across their sci-fly soundscapes.

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Casual & J Rawls – “Respect Game Or Expect Flames” (Nature Sounds) – An unexpected but welcome collaboration, the cocky, Oakland drawl of Hiero’s Casual was the perfect fit for veteran Ohio-based producer Rawls’ well-crafted beats on this thoroughly entertaining album.

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M9 – “Magna Carta” (M9Ether.BandCamp.Com) – Easily one of the most gifted lyricists in the present-day rap game, London’s Melanin 9 filled his heavily-anticpated “Magna Carta” project with intricately woven verses packed with gritty street knowledge, political opinion and social commentary. Edutainment, indeed.

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Gensu Dean – “Lo-Fi Fingahz” (Mello Music Group) – Texas-based producer Dean celebrated his love of his trusty SP 1200 sampler by using it to craft a quality selection of true-school neck-snappers on this album which featured the likes of Brand Nubian, Large Professor and Count Bass D.

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Heavy Links – “The Essence” (HeavyLinks.BandCamp.Com) – Midlands, UK trio Habitat, El Tel and Donnie Propa released their third EP project which, following a successful appearance at September’s Boom Bap Hip-Hop Festival, raised the crew’s profile and widened the audience for their brand of good ol’ fashioned homegrown rap.

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Showbiz & AG – “Mugshot Music: Preloaded” (DITC Records) – Released as a free warm-up for “Mugshot Music” proper, this might not have been considered an official album by the Bronx duo, but it was definitely much more than just a mixtape. Featuring some of Show’s best production in recent times and typically self-assured bars from Andre The Giant, “Preloaded” probably wouldn’t have left fans unsatisfied even if it had been the pair’s only 2012 release.

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Ryan Proctor

Part Four coming soon – check Part One and Part Two.