Tag Archives: Es

New Joint – Es x Das Da Beat Junkie / DJ GlibStylez

Es x Das Da Beat Junkie ft DJ GlibStylez – “DOERS” (EsMuzik.BandCamp.Com / 2023)

Canada’s Es proves actions speak louder than words and why sometimes silence really is golden on this lead single off his forthcoming album “Driver Or Driven” which is produced entirely by Toronto’s Das Da Beat Junkie.

100 Favourite Albums & EPs Of 2022 (Part Three) – Cormega / Kamanchi Sly / Fly Anakin etc.

Check Part One and Part Two.

Es – “You Want A Piece Of Me?” (EsMuzik.BandCamp.Com) – Canadian emcee Es is the type of artist who can can easily feel like a familiar friend the more time you spend listening to his music. With an easy-going-yet-engaging flow, relatable rhymes and a willingness to be open and honest about a variety of topics, Es has a priceless ability to make his listeners feel a little better about the world than perhaps they did before they hit ‘Play’. On this J. Pal-produced album, Es kept it personal as always, delivering an uplifting collection of beats and rhymes that touched on family, childhood memories and creative goals.

Cormega – “The Realness II” (RealCormega.BandCamp.Com) – Hip-Hop sequel albums can be a risky prospect. At their worst such releases can sound like an artist’s hollow attempt to relive past glories, which only succeeds in highlighting the possibility that their best days may actually be behind them. Thankfully, this follow up to 2001’s “The Realness” avoided such pitfalls. Speaking from a place of personal growth, this album evoked images of Mega sitting on a bench outside the infamous Queensbridge housing projects contemplating his past, present and future as a boom-box blasted beats from Large Professor, Havoc and The Alchemist amongst others.

Isatta Sheriff & Koralle – “Eat The Kiwi Skin” (IsattaSheriff.BandCamp.Com) – Some artists follow trends to try and fit in. Then there are those artists who couldn’t hide their uniqueness and individuality even if they tried. Artists like Isatta Sheriff, for example. This EP from the East London emcee packed a lot of substance into the six tracks on offer here, with Isatta detailing her own personal journey, speaking on her experiences as a female rapper and her thoughts on the commercialisation of Black culture. The subtle, jazz-influenced production from Spain’s Koralle provided the perfect musical backdrop to allow Sheriff’s rhymes to really shine here.

Bub Styles – “Outerwear Szn 2” (BubStyles.BandCamp) – One of a handful of releases Bub Styles dropped in 2022, for this EP the gravel-voiced Brooklyn emcee sounded like he laced up his Timberlands, pulled on his hoodie, visited the corner-store, battled a kid stood outside who was talking ish, then went straight to the studio and laid down this brilliant slice of rugged New York rap.

Diamonds In Space – “Diamonds In Space Vol. 1” (DiamondsInSpace.BandCamp.Com) – Lively, animated rhymes and mellow, melodic beats could be found in abundance on this well-crafted album from Kansas City-based duo Aaron Alexander and Lnrd D$troy. A compelling, addictive mix of street-smart observations, moments of introspection and intoxicating production.

Shane Kidd – “Good Mourning” (ShaneKidd.BandCamp.Com) – Emerging from a period of depression and creative frustration, Atlanta-based artist Shane Kidd drew heavily on those personal experiences for his third album, an emotionally-charged selection of tracks that found the Southern emcee reevaluating life with a strong sense of hope and determination. Truly inspirational music.

Paul Wall & Termanology – “Start 2 Finish” (TermanologyST.BandCamp.Com) – On paper, Houston’s Paul Wall and Lawrence, MA’s Termanology may have looked like an unexpected combination, but the end result was a full-length collaboration which showcased a genuine partnership that brought the best out of both artists. Produced largely by Statik Selektah, with contributions from Pete Rock, Dame Grease and J Cardim, the album comfortably occupied the musical middle ground between Southern bass and East Coast boom-bap. Grills optional.

OC From NC – “The List God Sent Us” (OCFromNC.BandCamp.Com) – Representing his North Carolina stomping grounds in no uncertain terms, OC From NC sounded hungry and focused on this album, attacking tracks with the energy of an emcee in a rhyme cypher with something to prove rather than an established artist dropping his eighth release.

Verbz & Mr Slipz – “Where It Started” (HighFocus.BandCamp.Com) – Taking a walk down memory lane, London’s Verbz relived the trials and triumphs of his Croydon youth on this impressive EP, with the sample-free production of Brighton’s Mr Slipz providing a mesmerizing sonic backdrop which perfectly complimented the nostalgic verses heard here.

iLLah – “MiDNigHT SoUP” (iLLah.BandCamp.Com) – Toronto’s iLLah had a lot on his mind in 2022, with this album finding the dynamic emcee darting in all directions lyrically, touching on politics, religion, social unrest and conspiracy theories whilst accompanied by the vintage jazz-infused sound of producer SuNYA.

Tokyo Cigar x August Fanon – “Lexus Money” (TokyoCigarMusic.BandCamp) – Epic collaboration album from Maryland’s Tokyo Cigar and Dallas-raised producer August Fanon that was packed with intricate, deep-dive lyricism and expertly selected samples. Music to ponder the science of life to whilst dipped in the freshest Polo gear.

IAMGAWD x The Black Depths – “Murder Castle” (Filthe.BandCamp.Com) – When Chicago’s IAMGAWD said on this album “No, I do not fear a single one of my Hip-Hop peers, I drop bombs, You drop tears..” it was difficult not to believe him on all points. A formidable emcee who clearly rhymes with the intention of every word having maximum impact, GAWD dominated the raw, ominous beats of The Black Depths, spitting venomous darts at the competition with expert accuracy whilst also offering up-close-and-personal commentary on the reality of the Windy City’s cold streets.

Kamanchi Sly – “Master Plan” (HipHop73.Com) – Almost thirty-five years since his vinyl debut with legendary group Hijack and having dropped over ten self-produced solo albums since 2017, this latest K-Sly release was further proof that time definitely hasn’t dampened the London emcee’s passion for Hip-Hop culture and the art of rap. Sounding energetic and enthused, Kamanchi tore through a selection of true-school breaks and beats with all the attitude and confidence we’ve come to expect from one of the UK’s homegrown pioneers.

DK x Ghettosocks – “Listen To The Masters” (DKProducer.BandCamp.Com) – Students of the game, Canada’s DK and Ghettosocks put the lessons learnt from growing-up with the greats in rotation to good use on this collection of sophisticated mood music. Timeless flows could be found throughout this album, with microphone royalty such as Skyzoo, CL Smooth and O.C. joining Ghettosocks to bless DK’s jazz-tinged beats with butter-smooth verses.

Fly Anakin – “Frank” (LexRecords.BandCamp.Com) – Virginia’s Mutant Academy have been one of the most exciting collectives in the rap game for a number of years now, with Fly Anakin playing a large part in building the crew’s reputation for great music. This album went some way to introducing Anakin’s rapid-fire rhymes to a wider audience, with the lush, hypnotic soundscapes provided by the likes of Foisey, Sycho Sid and Jay Versace helping to this full-length masterpiece feel like a seamless sonic high.

DoamPeace x DFACE DXA – “The Goldilocks Zone” (DoamPeace.BandCamp.Com) – NY’s DXA crew have consistently delivered quality music over many years now and this release from two members of the camp was no exception to that rule – solid beats, clever rhymes and creative sampling.

Elzhi & Georgia Anne Muldrow – “Zhigeist” (NatureSounds.BandCamp.Com) – Absolute greatness. That’s the quickest and easiest way to describe this album from Detroit’s Elzhi and LA’s Georgia Anne Muldrow. Both parties involved floated close to another creative dimension on this one, with the Motor City emcee challenging your third-eye to keep-up with his densely packed wordplay, whilst Muldrow’s ethereal grooves simultaneously massaged and soothed those same brain-cells that were being put to work.

Bloo Azul & Spanish Ran – “Once In A Bloo” (BlooAzul.BandCamp.Com) – There are some musical partnerships who bring the best out of each other with such apparent ease it would appear they were destined to work together. Bronx pair Bloo and Spanish Ran definitely deserve a place on that list and this album was another undeniable example of why. Ran’s exquisite, vibe-filled loops seemed tailor-made for Bloo’s observational, everyman lyrics, resulting in a few more of New York’s eight million stories being told in memorable fashion.

J.Rocc – “A Wonderful Letter” (JRocc.BandCamp.Com) – Turntable titan and Beat Junkies member J.Rocc paid homage to his hometown of Los Angeles with this ambitious concept album, deftly covering many styles associated with the City Of Angels, from 80s-style electro and speaker-slapping funk to the underground Hip-Hop of featured artists such as LMNO, Key-Kool and MED. California love, indeed.

Touré Masters – “Kin9” (ToureMasters.BandCamp.Com) – A genuinely skilled wordsmith, Arizona’s Touré Masters dropped one of the most captivating albums of 2022, with his urgent rhyme style driving home the meaning in his verses and really pulling the listener into his world. Navigating the realities of street life whilst looking forward towards positive progression, Masters came across here as a real person with real feelings rather than as a one-dimensional rapper retreading familiar creative ground. He really put his lifetime in-between the paper’s lines.

Check Part Four here.

New Joint – Es

Es – “Home” (EsMuzik.BandCamp.Com / 2022)

Warm, personal vibes from Canada’s Es on this J.Pal-produced track off the recent album “You Want A Piece Of Me?”.

100 Best Albums & EPs Of 2020 (Part Three) – Mr. Lif & Stu Bangas / Skyzoo / Juga-Naut & Micall Parknsun

Check Part One & Part Two.

Mr. Lif & Stu Bangas – “Vangarde” (FBDistribution.BandCamp.Com) – A sonic response to the “new world adjustments” we were all dealing with throughout 2020, this album from Boston partnership Mr. Lif and Stu Bangas was sharp, urgent and intelligent. Covering topics such as the pandemic, police brutality, politics and social unrest, the duo delivered inspired commentary on the events of the year, providing a soundtrack to the struggles faced by many. Music to strive by.

Es x Pandamonium – “The Connected EP” (EsxPanda.BandCamp.Com) – It doesn’t seem that long ago that the idea of music being made via the internet by individuals on opposite sides of the globe was considered ground-breaking and revolutionary. Nowadays it’s standard practice. But that doesn’t make the results of such collaborations any less impressive. This EP found Canada’s ever-consistent Es building musical bridges with the UK’s DJ Pandamonium, resulting in a vibrant EP full of thoughtful lyricism and accomplished production.

J-Live – “Drawn Up” (RealJLive.BandCamp.Com) – Delivering quality Hip-Hop since 1995, this EP from underground favourite J-Live proved the past twenty-five years have only refined his musical talents, with this self-produced release featuring plenty of the punchy, insightful lyricism and true-school attitude that have become his trademark since those early indie releases.

Mark Ski – “Catch-REC” (FunkByFunk.BandCamp.Com) – UK producer Mark Ski called on a transatlantic team of talented emcees to help put together this debut album, with the likes of Blame One, Booda French and J57 all stepping up and delivering the lyrical goods, complimented by knocking drums, smartly-selected samples and deft cuts.

Skyzoo – “Milestones” (MelloMusicGroup.BandCamp.Com) – This brilliant concept-based EP found Brooklyn’s Skyzoo celebrating, analysing and embracing fatherhood, drawing inspiration from both the birth of his son Miles and memories of his own adolescence. The NY emcee’s talent for being able to communicate so much in just a couple of lines came into its own here, as Skyzoo joined the dots between his relationship with his own father and how that helped shape the person he is today. An inspired piece of work.

Freddie Gibbs & The Alchemist – “Alfredo” (ALCRecords.Com) – Having already got two full-length albums with legendary producer Madlib under his belt, Gary, Indiana’s Hip-Hop champ Freddie Gibbs upped the ante on this latest project, joining forces with another studio giant, The Alchemist. Casually draping his street-orientated verses over the subtle, understated excellence of Al’s work behind-the-boards, Gibbs further secured his spot as one of the rap game’s go-to artists.

Aye Wun – “Gutta Wit Da Smoov” (AyeWun1.BandCamp.Com) – This project from Queens, NY’s Aye Wun definitely livesd up to its title, with the Rotten Apple rhymer blending raw wordplay with largely laidback, melodic production from the likes of Matt Kuartz, Milano Constantine and The Kurse.

Westside Gunn – “Pray For Paris” (WestsideGunn.Com) – 2020 was a big year for the Griselda camp, with multiple releases from the Buffalo-based crew landing with maximum impact. Of the three full-length efforts from WSG, “Pray For Paris” was the one that worked best for me as a cohesive body of work, with production from the likes of DJ Muggs, Daringer and Camouflage Monk setting a sonic tone for the project that fully complimented Gunn’s distinctive voice and unique delivery.

UFO Fev & Termanology – “From El Barrio, With Love” (UFOFev.BandCamp.Com) – The second of three brilliant 2020 releases from East Harlem’s UFO Fev, this seven-track EP found the NY artist calling on the production talents of Termanology, who came through with a quality batch of captivating musical gems. Rhyming with the attitude of an emcee fully aware of his own greatness who wasn’t prepared to wait for the rest of the world to catch up, Fev further proved himself to be an essential figure in the Rotten Apple underground.

Big Kahuna OG & Monday Night – “Thug Tear” (SchemeTeamAllStars.BandCamp.Com) – With production on this album split between Unlucky Bastards and Graymatter, Richmond rhymers Big Kahuna OG and Monday Night utilised the soulfully mellow tracks on offer here to wax lyrical about their daily operations in a pre-pandemic Virginia.

Juga-Naut & Micall Parknsun – “Twelve Bricks” (JugaNaut.BandCamp.Com) – Using their 2017 “Six Bricks” EP as the sturdy foundations for this full-length collaboration, Nottingham’s Juga-Naut and London’s Micall Parknsun once again proved themselves to be master builders of quality Hip-Hop. A brilliantly matched partnership, this album really felt like a genuine joint effort, with the end result ensuring there would definitely be an appetite from fans to hear the pair working together again in the future.

Sa-Roc – “The Sharecropper’s Daughter” (Sa-Roc.Com) – A lyrical force of nature, Washington DC-born, Atlanta-based artist Sa-Roc delivered arguably the best album of her career so far with this largely Sol Messiah-produced release. Packed full of verses that demanded to be listened to, studied, processed, then rewound and listened to again, “The Sharecropper’s Daughter” was a masterclass in emceeing. When Sa-Roc says on “Hand Of God”, “I’m tryna leave a Hip-Hop classic”, that was clearly a mission statement and not just an empty promise.

Blimes and Gab – “Talk About It” (BlimesAndGab.Com) – This thoroughly entertaining debut from San Francisco / Seattle duo Blimes Brixton and Gifted Gab was the sound of two experienced artists completely in control of their creativity coming together to make a bold statement through music. Drawing on an eclectic selection of sonic influences, the pair’s larger-than-life personalities ultimately held this album together, with their infectious blend of lyrical expertise, sassy wit and humour endearing them to listeners and making the pair feel like old friends.

The Cornel West Theory – “By The Time I Get To Minnesota” (TheCornelWestTheory.BandCamp.Com) – No strangers to making thought-provoking, outspoken Hip-Hop, Washington DC’s The Cornel West Theory responded to the events of 2020 with urgency on this release, confronting white supremacy, police brutality and political corruption throughout the EP in no uncertain terms.

Black Thought – “Streams Of Thought Vol. 3: Cane & Abel” (RepublicRecords.Com) – At this stage, Black Thought’s position as one of the greatest emcees of all-time should really be unquestionable. This was the opinion of many long before the infamous Funkmaster Flex freestyle, but that breath-taking performance definitely opened more eyes and ears to the Philly legend’s incredible talent, which has also coincided with an increase in Thought’s musical output. This third (largely Sean C-produced) volume of the “Streams Of Thought” series was another lyrical tour de force from one of Illadelph’s finest, bombarding listeners brain-cells with a barrage of powerful verses.

Agallah & Sadat X – “The Gods Have Arrived” (Agallah.BandCamp.Com) – Celebrating a friendship that began in the early-90s as well as a time in Hip-Hop when skills and reputation meant everything, Rotten Apple veterans Agallah and Sadat X decided it was time to build and put together this collaborative release, delivering Five Percent-inspired knowledge whilst handing out lyrical speed-knots to non-believers. New York straight talk in full effect.

Shaolin Drunk – “Raw Feeling” (HeavyDrums.BandCamp.Com) – Echoing horns, melodic vibes and dusty beats could be found in abundance on this release from Brazil-based producer Shaolin Drunk. Sounding like a lost collection of instrumentals off the best 90s underground singles you’ve never heard, Drunk not only captured the style of that period but also injected his music with feeling and soul, two qualities that can sometimes be missing when present day producers attempt to pay homage to the generation of golden-era music makers that influenced them.

Knowledge The Pirate – “Family Jewels” (TuffKongRecords.BandCamp.Com) – The illustrious Pirate set sail on his third full-length collection of street-related stories, all delivered in his trademark been-there-done-that-you-don’t-impress-me tone and matched with the subtle sonic drama of producers E.L.E.M.N.T and Cuns. A master of creating mood in his music, Knowledge’s latest was full of vivid, cinematic crime-side rhymes that turned your third-eye towards a shadowy world of risk and suspense.

Wish Master – “The BULL (The Best Underrated Living Legend” (WishMaster.BandCamp.Com) – The Bristol-based emcee approached his third release with “more than hunger” as he blessed beats from Ral Duke, Chimera and Van Dam with autobiographical, word-weary rhymes laced with life lessons. A captivating, accomplished collection of beats and rhymes.

Kadeem – “Passing Exchange” (ItsKadeem.BandCamp.Com) – Heavy-mental wordplay from the Boston lyricist could be found here, accompanied by smooth, understated production from No.Pulp, USeeIt, Jeff Alan Gore and more. This five-track EP may have been short in length, but Kadeem definitely put the time to good use, skilfully finding seats for listeners on his train of thought, piquing our interest and ensuring heads would be waiting to join him on his next musical journey.

Part Four coming soon.

New Joint – Es x Pandamonium

connected cover

Es x Pandamonium – “Connect And Create” (EsxPanda.BandCamp.Com / 2020)

Canadian emcee Es delivers motivational rhymes over the elasticated b-line of UK producer DJ Pandamonium on this cut lifted from their forthcoming project “The Connected EP”.

The Connected EP Sampler – Es x Pandamonium

Having already released impressive, thought-provoking projects in recent years such as “Aspire To Inspire” (2014) and “We Are Only Getting Older” (2017), talented Canadian emcee Es has now teamed-up with UK producer Pandamonium to craft “The Connected EP”, a six-track project dropping on September 22nd.

 

100 Best Albums & EPs Of 2019 (Part One) – Roc Marciano / Nems / Jeff Smith etc.

Every year this ‘best-of’ list becomes increasingly harder to put together, with 2019 possibly having been the most challenging round-up to compile yet. Not because there haven’t been enough worthy projects released over the past twelve months, but because there has potentially been too many!

I initially sat down with a list of approximately three hundred albums and EPs that had dropped this year which I felt deserved to be considered. Three hundred??!! After plenty of deliberation and arguments with myself, I finally managed to get that list down to the one hundred releases you’ll find featured in this five-part 2019 overview.

Of course, there are going to be artists not included who some heads will feel should have been. That’s the beauty of music – everyone has their own opinion. But if a particular album or EP hasn’t been mentioned, that shouldn’t lead anyone to automatically assume I didn’t rate that project at all. As previously stated, I started with three hundred releases. When scaling that list down I had to really just consider which albums and EPs I’d enjoyed the most. It was as simple as that. No politics. No favours. Just the thoughts of a lifelong fan of beats and rhymes.

As always, huge props to all the talented artists out there (whether included in this list or not) who put their time, effort and creative energy into making music that adds something of value to this incredible culture called Hip-Hop.

Now, like we always do about this time….

Roc Marciano – “Marcielago” (RocMarci.Com) – As one of the most influential artists of the last decade it’s fitting that ten years after the release of “Marcberg”, an album that made an indelible impact on the sound of underground Hip-Hop, Strong Island’s Roc Marci would book-end his incredible run of releases with a project that further solidified his position in the game. Once again proving himself to be a master of his craft (both lyrically and musically),  the NY favourite fused vivid, larger-than-life rhymes with smooth, atmospheric (largely self-produced) beats and loops. Cinematic mood music best heard late at night in a haze of weed smoke.

 

roc cover

Nems – “Gorilla Monsoon” (Lyfer Gang) – Brooklyn emcee Nems is no newcomer, having released a string of projects over the past fifteen years. But on this album, the Mayor Of Coney Island appeared to capture Hip-Hop lightning in a bottle, elevating his skills to new heights in the process. Backed by the masterful production of fellow BK resident Jazzsoon, whose beats thumped harder than a heavyweight boxer working a punch-bag, Nems paid homage to the traditional Rotten Apple sound without getting caught up in nostalgia, delivering rhymes that ranged from aggressive, competition-crushing bars to brutally personal and honest life stories. Powerful music.

nems cover

Joker Starr – “G.A.W.D.” (FlukeBeatMusic.BandCamp.Com) – The irrepressible UK artist made a welcome return at the beginning of the year with another quality collection of unrestrained lyricism to add to his catalogue, at times sounding about ready to burst out of the speakers like a Hip-Hop Hulk. Largely produced by Micall Parknsun (with input from Anyway Tha God and OphQi), the UK wordsmith mixed social commentary and Black pride with larger-than-life emcee bravado throughout this entertaining showcase of raw hardcore talent.

joker starr cover

Vic Spencer & Sonnyjim – “Spencer For Higher 2” (Daupe Media) – Chicago’s Vic Spencer delivered slick wit and smooth arrogance over sublime production from the UK’s Sonnyjim on this sequel to the pair’s original 2018 “Spencer For Higher” project. A naturally gifted emcee, Spencer dominated the beats and loops on offer here with seemingly effortless skill, sharing a creative chemistry with Sonnyjim that lent the project a satisfyingly seamless and organic feel.

Funky DL – “Life After Dennison” (FunkyDL.BandCamp.Com) – Following on from 2018’s “Dennison Point” project, which captured Funky DL’s memories and experiences between 1992 and 2005 as a resident of Stratford, East London, “Life After Dennison” found the multi-talented UK artist bringing listeners up-to-date with his personal journey in his inimitable warm and witty style, accompanied by his jazzy and soulful trademark production sound.

Pitch 92 – “3rd Culture” (HighFocus.Com) – An album of epic proportions, this project from Pitch 92 fully showcased the Manchester music man’s range as a producer, incorporating Hip-Hop, jazz and soul influences into one smooth and cohesive listening experience, featuring a long list of top-tier UK talent including Jehst, MysDiggi and DRS. An ambitious and thoroughly enjoyable release.

Jeff Smith – “Fear Of A Black Messiah” (GiftedJeffSmithStore.BandCamp.Com) – In today’s divided and troubled times, music from artists such as Virginia’s Jeff Smith is needed more than ever. Following in the footsteps of acts such as Public Enemy, Paris and Kam, the outspoken emcee delivered an uncompromising look at what it means to be Black in Amerikkka today from his own perspective. Dealing with racial, social and political issues head-on, Smith proved that edutainment is still alive and well in Hip-Hop.

The Legion – “Three The Bronx Way” (FBDistribution.BandCamp.Com) – Grounded in memories of 80s Bronx block parties, street-corner ciphers and nights at the Latin Quarter, NY trio Molecules, Chucky Smash and Dice Man (aka Cee-Low) jingle jangled their way through this uncompromising dose of traditional Rotten Apple rap. The BX keeps creating it.

Damani Nkosi and ill Camille – “HARRIETT” (DamCam.BandCamp.Com) – West Coast duo Damani Nkosi and ill Camille combined their talents on this full-length project, determined to satisfy your soul and stimulate your third-eye via an organic blend of smooth, melodic production and uplifting lyrical content which was influenced by the past, grounded in the present and looking towards the future.

Infinite Thoughts – “Instrumentals” (1990SomethingLLC.BandCamp.Com) – Washington’s DJ NOZs and E Boogie delivered a stunning selection of uplifting, soulful beats on this brilliantly crafted project, showcasing not only their passion for boom-bap but also their shared ear for quality musicianship, blending dusty, basement-style drums with melodic keys and horns.

Showbiz x Milano – “Boulevard Author” (DITCEnt.Com) – A shining example of quality now-school Rotten Apple rap, this concise collection of dusty-fingered beats and well-executed, laser-precise rhymes found the Diggin’ In The Crates duo each residing at the top of their game. Milano has been a lyrical force to be reckoned with since his debut in the late-90s and Show’s ear for an ill loop definitely hasn’t faded over time, with this album carrying on DITC tradition and proudly supporting the classic sound of NYC.

Lisaan’dro – “M.A.D.E. (My Allies Died Early)” (Lisaandro.BandCamp.Com) – Gang Starr’s Guru once said it’s mostly the voice of an emcee that sets him or her apart from the competition. If Gifted Unlimited Rhymes Universal were still here today he would no doubt hold NY’s Lisaan’dro up to prove his point. The Long Island lyricist’s immediately recognizable raspy flow does indeed give his music a unique quality, but aside from that, as showcased on this album, Lisaan’dro also has a real talent for penning verses filled with pimpish slick talk and street-wise observations, which were backed up here by production from the likes of The Custodian Of Records, Leaf Dog, Flashius Clayton and more.

Es – “Social Meteor Vol. 1:Inspired By My Timeline” (EsMusik.BandCamp.Com) – If you were already familiar with Canadian emcee Es before 2019 via previous albums such as “Aspire To Inspire” (2014) and “We Are Only Getting Older” (2017), then you would have already been well aware that this talented wordsmith offers plenty of food for thought in his music. This latest project continued that tradition, with Es tackling the pros and cons of social media and our obsession with Twitter, Facebook and Instagram etc, accompanied by production from Pro-Logic, DJ QVP and Rel McCoy.

O The Great – “This Art Is Real” (OTheGreat,BandCamp.Com) – NY’s O The Great swung a heavy lyrical sword throughout this project, which bristled with a true passion for the art and culture of Hip-Hop. Mixing contemplative rhymes and observational jewels with raw bravado, the skilled emcee (who also produced the majority of this release) held the listener’s attention with ease via his sharp delivery and down-to-earth attitude. The album also featured worthwhile appearances from the likes of  Supreme Cerebral, BanishHabitual and Supreme Magnetic.

Benny Diction & Able8 – “Oak Dreams” (MillenniumJazz.BandCamp.Com) – Recapturing the creative chemistry heard on their brilliant 2013 collabo album “Life Moves”, UK emcee Benny Diction and Australian producer Able8 joined forces once again for this EP on the Millennium Jazz label. A concise collection of honest, thoughtful lyricism and forward-thinking soundscapes, “Oak Dreams” was yet another worthy addition to Benny’s already impressive catalogue.

WateRR & The Standouts – “The Honorable” (WateRR.BandCamp.Com) – Chicago emcee WateRR appeared to have found the perfect sonic backdrop for his swaggering, forthright rhymes in the form of Texas production duo The Standouts, who supplied the Windy City wordsmith with a strong selection of attention-grabbing loops and samples on this impressive long-player.

Finale – “62” (FinaleDet313.BandCamp.Com) – Longstanding supporters of Detroit’s Finale will already know he is an emcee determined to fill his verses with substance, honesty and integrity. This latest album from the Motor City wordsmith continued in that tradition, with Finale offering personal rhymes about family, relationships and fatherhood over a well-chosen selection of soulful production.

Otis Mensah – “Rap Poetics” (OtisMensah.BandCamp.Com) – Unique, refreshing and possessing an undeniable mastery of words, flow and language, UK rapper-slash-poet Otis Mensah packed this six-track EP with a seemingly effortless stream of vivid imagery, stimulating lyricism and magnetic energy, all delivered over a nice selection of crisp, jazzy beats.

Super Duty Tough Work – “Studies In Grey” (SuperDutyToughWork.BandCamp.Com) – The idea of a live band making Hip-Hop is nothing new, but it is a concept that takes real skill to execute effectively. At the top end of the scale, groups like The Roots and the UK’s Mouse Outfit have consistently released incredible music based around the live band format. But when done badly, the end product can sound limp and bland, lacking the thump and grit many Hip-Hop fans demand. Based on this EP, it would appear that Canadian band Super Duty Tough Work are definitely masters of their craft, balancing head-nodding beats and nimble rhymes with smooth instrumentation, incorporating vibrant keys, lively bass and punctuating horns.

Asun Eastwood & Onaje Jordan – “Danger My Ally” (AsunEastwood.BandCamp.Com) – Canadian artist Asun Eastwood has steadily built himself a reputation over the last couple of years as one of the nicest emcees making noise in the underground. This latest release (produced by Chicago’s Onaje Jordan) offered more of the raw, uncut wordplay that supporters have grown accustomed to, reflecting the darker side of Toronto’s streets.

Part Two coming soon.

New Joint – Es

Es – “The Do Better Challenge” (@HGmonsterEs / 2019)

The Canadian emcee examines our Facebook / Twitter obsessed world on this cut off his recent concept album “Social Meteor Vol. 1: Inspired By My Timeline”.

Social Meteor Vol. 1: Inspired By My Timeline Album Stream – Es

social meteor cover

If you’re already familiar with Canadian emcee Es via previous albums such as “Aspire To Inspire” (2014) and “We Are Only Getting Older” (2017), then you’ll be well aware that this talented wordsmith likes to offer plenty of food for thought in his music. This latest project, “Social Meteor Vol. 1”, continues that tradition, with Es tackling the pros and cons of our obsession with Twitter, Facebook and Instagram etc, accompanied by production from Pro-Logic, DJ QVP, Rel McCoy and more.

New Joint – Es

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Es – “The Do Better Challenge” @HGmonsterEs / 2019)

Known for his intelligent brand of rap edutainment (as heard on projects such as 2014’s “Aspire To Inspire” and 2017’s “We Are Only Getting Older”), Toronto’s Es makes a welcome return with this honest and thoughtful look at the world of social media, produced by Rel McCoy and taken from the forthcoming album “Social Meteor Vol. 1: Inspired By My Timeline”.

100 Best Albums & EPs Of 2017 (Part One) – Melanin 9 / Roc Marciano / J Scienide etc.

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So here we are again. Another year has come to an end. Time to look back over the last twelve months and give my traditional round-up of the beats and rhymes I had in heavy rotation throughout 2017.

It’s never easy putting ‘best-of’ lists together. Regardless of how many releases are included, it’s impossible to compile something like this without always feeling like you’re having to leave something out. But this year has been particularly difficult, given the sheer amount of quality Hip-Hop that has been released over the past 365 days.

In addition to the albums and EPs that actually made it into this five-part overview, there was approximately a further fifty included on my initial short-list, but you have to draw the line somewhere.

So, whilst there will no doubt be projects not featured here that some will feel should have been mentioned, those that made the cut have been selected based purely on being one of the releases I listened to (and enjoyed) the most throughout 2017.

That being said, huge props to every emcee, producer and deejay out there making music that comes from a genuine place of creativity and artistic integrity – your efforts are appreciated by Hip-Hop heads across Planet Rock.

But now, like we always do about this time….

Melanin 9 – “Old Pictures” (Red Snow Records) – A decade after the release of his debut project “High Fidelity”, Triple Darkness member Melanin 9 delivered arguably his best body of  solo work to date. A personal, introspective walk through the experiences, struggles and memories of the London-based lyricist, “Old Pictures” found M9 matching his impressive verses with fittingly mellow, laidback soundscapes from producers such as Ohbliv, Wun Two and Anatomy. Timeless beats and rhymes.

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O.C. – “Same Moon Same Sun: 1st Phase” (D.I.T.C. Studios) – One of the greatest emcees of all-time, Diggin’ In The Crates legend Omar Credle personified the term ‘grown man business’ on his seventh solo album, offering an assured blend of social commentary, life observations and lyrical bravado, proving that truly talented artists never lose their importance or relevance in the rap game.

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Trauma 74 – “The God Given Image” (Evil Twin Records) – The result of a life-long passion for Hip-Hop that began in the early-80s, this debut album from UK emcee Trauma 74 was clearly a labour of love. Grounded in true-school traditions and creative integrity, “The God Given Image” was packed with accomplished wordplay and soulful boom-bap beats, resulting in a project that any fellow Hip-Hop junkie could appreciate and relate to.

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Strizzy Strauss – “The Art Of Summarising Life” (IAmStrizzyStrauss.BandCamp.Com) – The upcoming Leicester-based lyricist definitely made his mark on the homegrown scene in 2017 with this impressive EP, full of personal, heartfelt verses delivered with street-savvy sensitivity and a sharp social awareness. Honest, life-affirming and inspirational, “The Art Of…” showcased the voice of an artist clearly keen to inject his music with substance as well as style.

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Milano Constantine – “The Way We Were” (Different Worlds Music Group) – A tribute to the New York of yesteryear, Diggin’ In The Crates affiliate Milano utilised the top-notch, drum-heavy production of DJ Skizz and Marco Polo to reminisce about old-school fashion trends, graffiti-covered subway trains and wild nights at the Latin Quarter throughout this release, drawing on both the youthful energy of 80s Hip-Hop and the volatile Rotten Apple environment of the time for inspiration.

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Roc Marciano – “Rosebudd’s Revenge” (Marci Enterprises) – The Strong Island representative gave the game yet another back-handed pimp slap in the form of his fourth solo album, a cool-but-deadly collection of cold-blooded, elegantly-delivered rawness, evoking images of 70s Blaxploitation flicks and golden-era NY Hip-Hop in equal measures. Fresh, fly and bold.

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Brother Ali – “All The Beauty In This Life” (Rhymesayers Entertainment) – Long-established as one of Hip-Hop’s most inspiring and warm-hearted artists, Minneapolis’s Brother Ali dropped a truly fitting Ant-produced soundtrack to today’s troubled times, drawing inspiration from both personal situations and global issues as he encouraged listeners to find meaning and purpose in their lives, despite the struggles and hardships we each face on a daily basis.

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Funky DL – “Marauding At Midnight” (Washington Classics) – Multi-talented UK artist Funky DL paid tribute to the musical genius of A Tribe Called Quest with this inspired instrumental remake of the Queens crew’s classic 1993 album “Midnight Marauders”. Achieving the difficult balance of staying faithful to ATCQ’s jazzy, low-end aesthetic whilst allowing his own musical personality to shine through, DL proved himself to be both a student and master of the production game throughout this ambitious release.

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Saipher Soze – “Godbody” (SaipherSoze.BandCamp.Com) – Rough, rugged and raw flavour from the Toronto emcee packed with razor-sharp rhymes and quality beats, this Finn-produced album found Soze cementing his position as one of the most skilled microphone fiends to have emerged from the Canadian underground in recent times.

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Dillon & Diamond – “Black Tie Affair” (FullPlate.BandCamp.Com) – Successful in their promise of crafting “sophisticated rap music”, Atlanta-based emcee Dillon and Diggin’ In The Crates giant Diamond D mixed the rough with the smooth on this five-track EP, resulting in a polished listening experience which still bore the musical marks of dusty fingerprints.

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Sons Phonetic – “Deloreans” (SonsPhonetic.BandCamp.Com) – Atmospheric, captivating beats and rhymes from Ireland’s mighty Sons Phonetic crew, with “Deloreans” proving once again why the multi-faceted collective can lay claim to being one of the most consistent groups in the game.

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The Almighty $amhill – “The Epilogue” (LowTechRecords.BandCamp.Com) – Bronx native $amhill delivered more of his unapologetically raw street-smart lyricism on this quality EP release, a potent dose of gritty NY flavour direct from the birthplace of Hip-Hop produced largely by the talented Preservation.

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Es – “We Are Only Getting Older” (EsMuzik.BandCamp.Com) – Canadian lyricist Es followed up his brilliant 2014 album “Aspire To Inspire” with the equally impressive “We Are Only Getting Older”, a concept-based project dealing with Hip-Hop’s generation gap, featuring production from IV The Polymath, Rel McCoy, Kelpi Nine and more.

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Eloh Kush & BudaMunk – “Fly Emperor” (AnglezInc.BandCamp.Com) – Backed by the melodic, drum-heavy production of Japan’s BudaMunk, New Jersey’s Eloh Kush mixed streetwise attitude with vividly creative wordplay on this impressive long-player.

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The Cornel West Theory – “The T.A.B.L.E. Too” (TheCornelWestTheory.BandCamp.Com) – Washington D.C.’s Cornel West Theory continued to go against the grain on their fifth album release, a collection of radio-unfriendly soundscapes and challenging, thought-provoking lyrics.

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Creestal – “Differences” (MunchieRecords.BandCamp.Com) – Talented French producer Creestal (of CM Jones fame) dug deep in his crates for this sample-driven collection of dusty flavours featuring Roc Marciano, Conway, Torae and more. Blending together raw drums, obscure loops and random film dialogue, “Differences” was a masterclass in sonic creativity.

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J Scienide – “The Actual Heat” (JSciende-OfficialCrateMusic.BandCamp.Com) – Washington D.C.-based artist J Scienide delivered his highly-anticipated album “The Actual Heat”, an accomplished collection of sample-based beats and intelligent, witty wordplay, with the likes of Grap Luva, Kev Brown and Nolan The Ninja making notable appearances on what was easily one of 2017’s best releases.

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Da Buze Bruvaz – “Adebisi Hat” (Grilchy Party) – Run and DMC. Rae and Ghost. Billy Danze and Lil Fame. The key to a great rap duo is chemistry. Philly’s Him-Lo and Clever One can add themselves to that list. The Lo-Life-affiliated pair have dropped plenty of worthwhile material over the years, but this full-length effort upped the hardcore ante, with the true-school twosome verbally bullying top-drawer production with their trademark brand of boisterous, politically-incorrect punchlines.

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MC Eiht – “Which Way Iz West” (Blue Stamp Music / Year Round Records) – Approximately two years after West Coast legend MC Eiht announced his next album would be backed by DJ Premier, the project finally saw a release. Thankfully, “Which Way…” lived up to expectations. With Eiht solidifying his OG status throughout, this long-player deservedly found itself being heralded as a standout dose of Cali attitude. Compton’s still in the house. Geeah!

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Children Of Zeus – “The Story So Far…” (First Word Records) – Manchester’s Konny Kon and Tyler Daley have been blessing a cult following with sonic gems for some time now, but 2017 was the year the talented pair’s unique brand of soulful, Hip-Hop-influenced music started to reach a wider audience and receive the acclaim it deserved. This compilation pulled together both previously-released tracks and new material from the UK duo, paving the way for the official Zeus debut album due for release in 2018.

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Check Part Two here.

We Are Only Getting Older Album Stream – Es

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Canadian lyricist Es follows up his brilliant 2014 album “Aspire To Inspire” with the equally impressive “We Are Only Getting Older”, a concept-based project dealing with Hip-Hop’s generation gap featuring production from IV The Polymath, Rel McCoy, Kelpi Nine and more.

We Are Only Getting Older EPK #1 – Es

Canada’s Es gives an insight into his forthcoming third album “We Are Only Getting Older” which deals with some of the issues faced by the more mature Hip-Hop head.

New Joint – Es

Es – “Fact Remains” (@HGMonsterEs / 2015)

Powerful social commentary from the Canadian emcee on his latest single.

New Joint – Inkognitah Divine / Es

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Inkognitah Divine & Es – “Life Nowadays” (@HGMonsterEs / 2015)

Africa meets Canada on this worldly collabo which seeks to offer some sonic relief from the pressures of the daily grind.

100 Best Albums & EPs Of 2014 (Part One) – TPS Fam / Starvin B / Ghostface Killah etc.

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It can’t be denied that 2014 was a great year for quality Hip-Hop. When I initially sat down to start putting together Old To The New’s annual 52 Best Albums & EPs list, it soon became clear that staying with that format would mean having to leave out a large amount of releases that I’ve had in heavy rotation over the last twelve months.

Another reason for wanting to highlight just how many worthwhile albums and EPs dropped in 2014 was to prove a point to those who still insist there just isn’t a notable amount of good music being released today. There are still plenty of talented emcees, deejays and producers across the globe who’re busy in their respective labs, meticulously crafting beats and rhymes in the hope that those of us who say we’re looking for high-standard Hip-Hop will take the time to listen.

As always, by no means am I presenting this as the definitive list of 2014 releases. In today’s internet-era, it’s impossible for anyone to say they’ve heard everything that’s worth listening to. No matter how much time you spend online listening to music, there will always be a dope project out there from someone, somewhere on Planet Rock that you won’t yet have heard of. The search is never-ending.

So, with all that being said, here are the albums and EPs that kept my head nodding throughout 2014…

TPS Fam – “Hot Water Music” (Revorg Records) – Finding creative inspiration in the mundane aspects of the daily grind, Jack Diggs, Big Toast and Strange Neighbour crafted a brilliant, sample-driven soundtrack for the working-class Hip-Hop fan. Balancing dreams and aspirations with day-jobs and overdue bills, the UK trio delivered down-to-earth rhymes with passion and sincerity, encouraging us all to make every day count whilst promoting their motto of “living like kings on a tight budget.”

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Starvin B – “Blood From A Stone” (Goblin Music) – The first of two projects released by the talented Queens, NY resident in 2014, the One-Take-produced “Blood From A Stone” showcased the Rotten Apple rhymer as being a true student of the lyrical arts. Packing his vivid verses with gritty imagery, raw humour and witty wordplay, Starvin B let his personality shine throughout this project, with the likes of Spit Gemz, Tragedy Khadafi and Foul Monday on-hand to fill some well-placed guest spots.

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Ray West & OC – “Ray’s Cafe” (RedApples45) – Proving that true talent really is timeless, two decades after the release of his classic debut album “Word…Life”, Diggin’ In The Crates legend OC teamed-up with Bronx producer Ray West to serve hungry Hip-Hop customers with this appetising platter of flawless lyricism and warm, soulful production. What’s next on the menu?

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Stu Bangas & Blacastan – “Watson & Holmes” (Brutal Music) – Joining forces with producer Stu Bangas, Connecticut emcee Blacastan retained his reputation as one of the rap game’s most consistent artists with the release of this abrasive, hard-hitting album. Backed by Stu’s cinematic, drama-laced beats, the AOTP member delivered his usual high standard of raw rhyming, with brothers-in-arms Esoteric, Vinnie Paz and Apathy each taking a turn to help crush the competition.

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String Theory – “String Theory” (Mic Theory Records) – Breaking the periodic table of poetry down to its very last compound, Florida’s Hex One (of the duo Epidemic) and Swiss producer B.B.Z. Darney came together to “swallow planets and freeze suns”, combining inter-dimensional mic techniques with rocket-fuelled boom-bap beats as they pondered both the laws of the universe and the art of rap.

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DJ JS-1 – “It Is What It Isn’t” (Ground Original) – Veteran NY turntablist and long-standing Rock Steady Crew member JS-1 enlisted the help of a lengthy list of talented lyricists for his fourth collection of underground science. From golden-era icons such as Sadat X, KRS-One and X-Clan’s Brother J, to more recently established wordsmiths like Spit Gemz, Fashawn and Rasheed Chappell, “It Is What It Isn’t” effectively bridged the gap between the old and the new with impressive results.

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Union Blak – “Union Blak Friday” (Effiscienz) – US-born emcee Kimba and UK beatsmith Sir Williams joined forces with France’s Effiscienz label to deliver a solid, succinct debut album. Demonstrating their shared passion for Hip-Hop with positive, upbeat rhymes and melodic production, the duo made it clear throughout “Union Blak Friday” that their aim is to add on to the culture rather than simply take from it.

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J-Live – “Around The Sun” (Mortier Music) – There may not be anything new under the sun, but there’s still plenty of quality music to be found. Case in point, veteran NY-raised, ATL-based emcee J-Live’s seventh album release, which found the accomplished wordsmith delivering the clever, intelligent lyricism fans have come to rely on him for over production from Oddisee, Audible Doctor and DJ Spinna.

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Souls Of Mischief / Adrian Younge – “There Is Only Now” (Linear Labs) – A concept album set in 1994 involving jealous emcees, kidnapping and revenge, “There Is Only Now” found the Souls Of Mischief members weaving intricate, story-telling rhymes around the live, drum-heavy musicianship of the talented Adrian Younge, resulting in an epic Hip-Hop tale  which contained more drama than an episode of “The Wire”.

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Es – “Aspire To Inspire” (Essenchill Records) – Inviting everyone along on his quest for self-improvement, Canadian emcee Es’s second full-length project lived up to its lofty title in no uncertain terms. Packed with full-bodied production and uplifting rhymes about everything from fatherhood and relationships to self-worth and striving to maintain a positive mental attitude, it was near impossible to play this album and not feel better about life whilst listening.

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Skyzoo & Torae – “Barrel Brothers” (First Generation Rich / Internal Affairs) – Self-confessed “products of Albee Square Mall” and Brooklyn-based brothers-from-other-mothers, Skyzoo and Torae came together to create one of the best examples of pure emceeing you were likely to hear in 2014. With bold deliveries and painstakingly well-crafted verses, the two BK lyricists sparred with each other over heavyweight production from the likes of Illmind and DJ Premier, each proving why their place among NY’s long line of noteworthy mic controllers is well-deserved. No frills, just skills.

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Figub Brazlevic – “Train Yards” (FigubBrazlevic.BandCamp.Com) – Having already demonstrated his undeniable production skills via his work with the Man Of Booom crew, this instrumental EP release from Berlin’s Brazlevic blended head-nodding beats with jazzy samples and well-placed vocal snippets, creating a spell-binding project with plenty of musical depth and soul.

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Confidence Presents… – “Confidence Presents GDot & Born Featuring Edo.G” (Audible Con Records) – Building on his already strong reputation as one of today’s most consistent producers, the talented Confidence orchestrated this true-school gem of an album which bridged the gap between the Boston Hip-Hop scene’s past and present. Relative newcomers GDot & Born shared mic time with Beantown vet Edo.G throughout this project, with all three emcees delivering positive messages mixed with b-boy bravado over Confidence’s quality brand of crisp, boom-bap beats.

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Parallax – “Depth Perception” (ParallaxOfficialStore.BandCamp.Com) – The upcoming UK artist proved he’s as nice behind the boards as he is behind the microphone with the release of this succinct, largely self-produced EP. Utilising solid drums and dusty samples, Parallax waxed lyrical about a number of topics, dropping punchline-heavy food-for-thought on the state of Hip-Hop, media manipulation and the British justice system. Mental stamina, indeed.

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Prince Po & Oh No – “Animal Serum” (Wandering Worx / Green Streets Entertainment) – Staying true to his claim of “having a lotta jewels, but don’t gotta wear a chain”, Organized Konfusion’s Prince Po administered a new brand of musical medicine to the Hip-Hop faithful with the welcome assistance of West Coast producer Oh No. Tackling a number of modern-day issues with typically dense, multi-layered lyricism, Po succeeded in soothing the suffering of all free-thinkers who find themselves trapped inside the Matrix.

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Early Reed & J Scienide – “The Dose (The MFN Files)” (J-Scienide.BandCamp.Com) – Whilst putting the finishing touches to his own impressive 2014 releases, Low Budget’s Kev Brown found time to get behind this EP from his two fellow Washington D.C.-based crew members. With Reed demonstrating his mastery of the SP and Scienide proving himself to be a formidable talent on the mic, “The Dose (The MFN Files)” gave listeners a potent shot of pure Hip-Hop.

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Freddie Gibbs & Madlib – “Pinata” (Madlib Invazion) – Arguably the greatest mix of raw gangsta rhymes and dope breaks since Brad Jordan joined forces with the Rap-A-Lot production squad for his 1991 debut solo album, Gary, Indiana native Gibbs’ drawling delivery sounded right at home over Madlib’s range of random sample material, resulting in an album that covered a variety of moods, from the soothing and laidback to the dramatic and urgent. Witness the strength of street knowledge.

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Akrobatik – “Built To Last” (Playaktion Recordings) – Returning to the rap game after surviving emergency heart surgery in 2011, the title of Boston veteran Akrobatik’s third full-length solo album was as much a statement about enduring personal struggle as it was a comment on his forthright approach to his craft. Balancing content which covered his near-death experience, social commentary and Hip-Hop politics, Ak firmly stood up for his personal principles at a time when so many other artists are busy chasing trends and trying desperately to please the masses.

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Divine – “Ghetto Rhymin'” (Supreme Records) – Mixing Five Percent terminology with the influence of Rakim and a proud New York state of mind, Brooklyn’s Divine proved himself to be a true product of his environment on his latest project, taking it back to a time when Rotten Apple wordsmiths were more concerned with capturing the essence of the five boroughs in their music rather than allowing their sound to be shaped by outside forces.

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Ghostface Killah – “36 Seasons” (Tommy Boy Entertainment) – Fresh from 2013’s “Twelve Reasons To Die” collabo with Adrian Younge, the Wally Champ dove straight into another concept-based project with “36 Seasons”. Based around a story-line that was part 70s blaxploitation flick, part Marvel comic book territory, Ghost was joined by Brooklyn’s AZ and the legendary K00l G. Rap, weaving action-packed tales of love, drama and betrayal over the classic vintage soul thump of NY band The Revelations.

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Part Two coming soon.

New Joint – Es

Es – “Aspire To Inspire (Inspiration)” (EsMuzik.BandCamp.Com / 2014)

Motivational rhymes on this Concept-produced title track from the Toronto emcee’s recently-released album.

Aspire To Inspire Album Stream – Es

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Proving that there’s still so much more to Hip-Hop than the one-dimensional artists peddled via the mainstream, Canada’s Es drops an accomplished project in the form of “Aspire To Inspire” which balances positive, thoughtful lyricism with quality beats from the likes of NRJ, I.Khan and Concept.

As Es says himself:

“Aspire To Inspire” is my life’s motto. It is also a symbol of my journey… my growth…my progression. This record is a feel good inspirational and motivational collection of songs, intended to uplift anyone who has ever had to overcome adversity or odds stacked against them. It is an honest audio journal of my goals, dreams, successes, joys, failures and words of encouragement to all who can relate to my story…coming from a grown man’s perspective. The ability to inspire others to strive to be better is one life’s ultimate rewards. Let’s “Aspire To Inspire”. Peace.”