Tag Archives: Blak Twang

100 Best Albums & EPs Of 2015 (Part One) – Triple Darkness / Sadat X / J-Live etc.

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It’s hard to believe, but even with the amount of quality releases that dropped throughout 2015, there are still people claiming that there isn’t any worthwhile or memorable Hip-Hop being made today.

I’ve always found that way of thinking frustrating, as there has never been a time when there wasn’t good music to be found, but in recent years that argument has become increasingly redundant due to the ever-growing number of talented emcees, deejays and producers out there who’re consistently delivering the goods.

Of course, in today’s digital age, there will always be a huge amount of sub-par material being regularly pumped out via popular platforms such as BandCamp and YouTube, and the mainstream, for the most part, continues to promote the same shallow, one-dimensional rap that it always has done.

But that being said, if you genuinely feel there isn’t anything out there for you as a fan of Hip-Hop, the problem isn’t necessarily with the music, the issue is with those same fans not listening and looking hard enough when it comes to new material.

As I always say when I put these year-end pieces together, the albums and EPs included here aren’t the only releases that were worthy of attention, but this list does reflect what stayed in heavy rotation for me personally.

So, in no particular order, here are the artists and projects that made my speakers thump throughout 2015…

Triple Darkness – “Darker Than Black” (KingUnderground / Suspect Packages) – Cementing their reputation as one of the most talented crews in Hip-Hop, this album from London’s Triple Darkness was a brilliantly-crafted hardcore masterpiece. With group members such as Melanin 9, Cyrus Malachi and Ray Vendetta spitting sharp lyrical darts over gloriously uncompromising production from the likes of Ringz Ov Saturn and 7th Dan, “Darker Than Black” was a shining example of intelligent, underground Hip-Hop at its very best.

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Lord Hakim – “Born With A Determined Idea” (LordHakim.BandCamp.Com) – Following in the footsteps of Rakim, Lakim Shabazz and Brand Nubian, Columbus, Ohio wordsmith Lord Hakim proudly repped for the Five Percent Nation throughout this self-produced album, dropping science on the everyday struggle with both passion and insight. Peace to the Gods!

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The Cornel West Theory – “Coming From The Bottom” (TheCornelWestTheory.BandCamp.Com) – Hailing from Washington DC, The Cornel West Theory delivered an instense, no-holds-barred listening experience with this lengthy album. Showcasing the group’s thoughts on politics, race and Hip-Hop in 2015 America, “Coming From The Bottom” channeled the spirit of late-80s Public Enemy and BDP, whilst clearly standing strong as a product of the present day.

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Big Toast – “The Wedding Fund LP” (Revorg Records) – So you’ve proposed to your significant other, your pockets are flat not fat, and now you have a wedding to plan for. What do you do?  In the case of UK emcee Big Toast, you hit the studio and release a dope album to raise cash for your big event. Combining the London lyricist’s blunt, working-class worldview and dry humour with quality production from Sam Zircon, Strange Neighbour and Ill Move Sporadic, “The Wedding Fund LP” was guaranteed to hit the spot both in sickness and in health.

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Sadat X – “Never Left” (Loyalty Digital Corp) – The Brand Nubian member proved yet again why he’s considered one of the game’s most timeless artists on his eighth full-length solo project. Steeped in NY pride and featuring appearances from Cormega, Craig G and Black Sheep’s Dres, “Never Left” found the Wild Cowboy drawing on both industry and personal experiences to craft an album that resonated with traditional Rotten Apple flavour.

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Paul Nice & Phill Most Chill – “The Fabreeze Brothers” (AE Productions) – If you came-up listening to Hip-Hop in the 80s, still insist on matching your sneakers with your outfit, and regularly use slang like ‘fresh’ and ‘fly’, then this collabo album from NY’s Paul Nice and Illadelphia’s Phill Most Chill was made with you in mind. Capturing the excitement and purity of old-school Hip-Hop with an infectious passion, the pair succeeded in their mission to pay tribute to the foundations of the culture whilst still bringing something unique to the table. Warning – this album should only be listened to whilst standing in a b-boy stance.

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Oliver Sudden – “Phenomenaler Steaz” (BoomBapPro.Com) – Straight outta Croydon, South London (aka The Cronx), the talented Sudden utilised his understated, deadpan delivery to great effect on this aptly-titled project, spitting true-school sentiments over top-drawer production from the likes of Giallo Point, Sam Zircon and Downstroke.

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Flip – “Reflections” (Ill Adrenaline Records) – With a sound rooted in golden-era boom-bap and mixed with soulful sensibilities, veteran Austrian producer Flip called on heavyweight emcees such as DITC’s AG, Detroit’s Phat Kat and Wu-Tang affiliate Killah Priest to bless his well-crafted soundscapes on this cohesive package of underground flavour.

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The Four Owls – “Natural Order” (High Focus Records) – Showing off their impressive lyrical wingspans once again, Verb T, Fliptrix, Leaf Dog and BVA collectively swooped down on the UK Hip-Hop scene for a second time with their sophomore crew album, gaining production support from none other than Gang Starr legend DJ Premier and reducing the so-called competition to mere bird seed in the process.

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Large Professor – “Re:Living” (Fat Beats) – Whilst the term ‘legend’ perhaps gets thrown around a little too easily nowadays, self-proclaimed live-guy-with-glasses Extra P is an individual truly deserving of the title. Having had an impact on 90s Hip-Hop that is still being felt today, the Queens, NY resident came correct in 2015, proving ain’t a damn thing changed but the year. With an approach to his craft that remains untainted and uninfluenced by rap’s mainstream circus, Large Pro’s “Re:Living” showcased the sound of an artist who really keeps it real…to himself.

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Supastition – “Gold Standard” (Reform School Music) – One of the most consistent emcees of the new millennium, the career of North Carolina-raised lyricist Supastition has undoubtedly contained its fair share of ups-and-downs. Yet throughout, Supa has maintained his honesty and integrity, making music that resonates with fans who are looking for Hip-Hop they can relate to. “Gold Standard” most definitely continued that tradition. Featuring beats from Praise, MoSS and Jonny Cuba, this album found the newest Soundsci member once again dealing with everyday issues, whilst also taking the opportunity to indulge in some good ol’-fashioned braggin’ and boastin’.

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DJ Soko – “Domino Effect” (Left Of Center) – Pulling together an impressive array of talent which included Guilty Simpson, Apollo Brown and Rasheed Chappell, Michigan native Soko’s debut project was a robust, speaker-rattling collection of thunderground excellence which avoided the hit-and-miss pitfalls of similar compilation-style releases.

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Definite Mass – “Soul Caliber” (Manifest Recordings) – Living up to its title both musically and lyrically, this gem of an album found West Coast wordsmith Definite Mass delivering personal and sincere verses over melodic boom-bap beats, with the likes of Blu and Supreme Cerebral passing by to offer microphone assistance.

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Kaimbr – “Bronze Horse” (Kaimbr.BandCamp.Com) – Maryland resident Kaimbr paid homage to Staten Island’s mighty Wu-Tang on this brilliantly-executed concept album, with the Low Budget crew member transforming into his alter-ego Wu Kaim to practice his well-honed microphone martial arts over dusty, Shaolin soul samples.

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White Mic – “Do It How You Wanna Do It” (Solidarity Records) – A distinctly personal collection of beats and rhymes, Bored Stiff member White Mic’s “Do It…” found the Cali-based emcee celebrating Hip-Hop’s potential to inspire and motivate, pouring his own life experiences into his music with memorable and emotionally-charged results.

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AKD & Deepstar – “Universal Language” (Monad Records) – Seeking to demonstrate the power Hip-Hop has to speak to people from all walks of life, UK emcee Arise King David and Australian producer Deepstar called on the likes of Rapsody, DJ Rob Swift and Phoenix Da Icefire to help make their point, resulting in an overall uplifting listening experience grounded in golden-era sonic values.

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J-Live – “His Own Self” (Mortier Music) – Since his mid-90s debut as part of the NY indie scene, the now Atlanta-based J-Live has consistently released intelligent, creative Hip-Hop, with the veteran wordsmith never afraid to show both artistic and personal growth in his music. “His Own Self”, the first of Live’s two full-length 2015 releases, continued to follow that pattern. Entirely self-produced and with no guest appearances, this album found the talented artist covering a variety of topics, ranging from personal finances (“Old S**t”) and teenage memories (“Red & The Kid”) to America’s racial climate (“I Am A Man”).

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DJ Wally Pish Posh & T.R.A.C. – “Operation: Revibe” (DJWallyPishPosh.BandCamp.Com) – With a grand plan to “set Hip-Hop back on its path to greatness”, NY duo Pish Posh and T.R.A.C. definitely went some way to achieving their goal with this pure, organic demonstration of the pair’s shared love and appreciation of Hip-Hop culture. Determined to provide listeners with a healthy musical alternative to the shallow waters of the mainstream, this producer / emcee combo definitely brought the best out of each other throughout this release.

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Blak Twang & Blackmale Beats – “The Pantheon EP” – Embracing his elder statesman status within the UK Hip-Hop scene, homegrown legend Tony Rotten teamed-up with London production outfit Blackmale Beats for this stirring six-track release. Whether dealing with social issues (“Elevation”),  recounting personal dramas (“Highs & Lows”) or reliving Hip-Hop memories (“Classiq Moments”), Twang’s authoritative verses were given even greater impact thanks to Blackmale’s ability to match the lyrical content on offer here with just the right musical tone and mood. Rottonous, indeed.

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80’s Babies – “Searching For Happy” (DeeJackson80sBabies.BandCamp.Com) – Detroit-raised producer Tall Black Guy joined forces with Chicago emcee Dee Jackson to deliver music for your mind, body and soul throughout “Searching For Happy”, an album that found the duo respectfully drawing on the passion and creative integrity of golden-era Hip-Hop, whilst proudly carving out their own unique sonic niche in today’s rap game.

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Part Two coming soon.

New Joint – Blak Twang & Blackmale Beats

Blak Twang & Blackmale Beats – “Elevelation” (@BlakTwang / 2015)

Thought-provoking rhymes from the UK Hip-Hop vet off his recent Blackmale Beats-produced release, “The Pantheon EP”.

The Pantheon EP Stream – Blak Twang

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Veteran UK emcee Blak Twang aka Tony Rotton makes a welcome return with this six track EP, featuring the London lyricist dropping his usual forthright blend of personal experiences, social commentary and Big Smoke bravado over diverse, polished production from Blackmale Beats.

Live Review – Blak Twang

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Venue: Jazz Cafe, London  Date: 22 September 2014

There are some artists who represent more than just good music. They represent a moment in time, an era, a period in history never to be repeated. South London’s Blak Twang is one such artist.

In the early-to-mid-90s, UK Hip-Hop was approaching a creative standstill. Many of the groups and artists who had paved the way for the British rap scene in the 1980s were either breaking-up, falling away from music due to the responsibilities of adulthood, or they were caught in the red-tape of bad record deals. Some were also becoming disillusioned with Hip-Hop and had moved over to the then burgeoning jungle / drum & bass scenes. Labels such as Music Of Life and Kold Sweat were closing their doors.

Although there were still glimmers of sonic hope being released, overall, it felt as though the momentum gained by the likes of London Posse, Hijack, Gunshot and Caveman was slowly-but-surely being lost.

So, when artists such as Blak Twang, Roots Manuva, Mark B and Lewis Parker began to emerge during the mid-90s, it signified that a fresh wave of UK talent was on the horizon. A new generation of emcees, deejays and producers who were students of the homegrown pioneers that had come before them, with enough originality and determination to put their own mark on British Hip-Hop and help push the music forward.

With boisterous tracks such as 1995’s “Queens Head” and “Mr. Jam Promotah”, a young Tony Rotten, then known as Taipanic, demanded that people paid attention to his self-assured brand of beats and rhymes. This, in-turn, led to there being a high amount of anticipation for what should have been the 1996 release of Twang’s debut album “Dettwork SouthEast”.

The reasons for “Dettwork SouthEast” not properly seeing the light of day back in the 90s have been well-documented, but suffice to say, the album became a bootlegged cult classic which has only grown in notoriety as Tony Rotten’s career has gone from strength-to-strength over the years.

So, with all that being said, it quickly became apparent that the “Dettwork SouthEast” launch party this week at London’s Jazz Cafe wasn’t just an opportunity to promote the album’s long-awaited official release. The event also gave Mr. Rottenous the chance to celebrate his well-deserved longevity, as well as remember the part he played in one of the most influential periods in UK Hip-Hop history.

With the ever-impressive DJ Sarah Love having set the tone for the night with a barrage of throwback classics, Twang took to the stage accompanied by the sound of Sam Cooke’s “A Change Is Gonna Come” and Big Ted behind the decks.

Standing silently briefly to take in the crowd’s enthusiastic cheers, the London lyricist then launched into what was a seamless performance that included moments of both humour and poignant reflection, bound together by Twang’s sincere gratitude towards his fans and a genuine passion for his craft.

Poking fun at the 90s references in some of his old verses (such as a line name-checking Pamela Anderson), telling stories of growing-up in South London and pointing out old friends in the crowd, Blak Twang powered through tracks from “Dettwork SouthEast” such as the punchy, Horace Brown-sampling “Fearless”, the defiant “Don’t Let Dem Fool You” and the rugged, drum-heavy anthem “B.S. Survivor”.

An impromptu appearance from the always-lively Seanie T raised the energy levels even further, with the pair bouncing off each other as if they were rocking at an open mic night two decades earlier.

Pausing at one point to give props to his absent brother-in-rhyme Roots Manuva for his success, Twang then roared through the previously-mentioned “Queens Head”, which the pair recorded together way back when. Midway through the track, Big Ted flawlessly mixed in the instrumental to Bobby Shmurda’s “Hot Ni**a”, with Tony Rotten’s vintage rhymes sounding completely at home over the recent club smash.

Other highlights included rousing performances of both the classic single “Real Estate” and the album’s rowdy title track, which then led into the up-to-date remix “Dettwork London Revisited”, with producer Harry Love taking the mic to voice his respect for Blak Twang’s artistic legacy before featured artist Jehst plus Reveal jumped onstage to each deliver blistering verses.

By the time Twang reached the show’s finale, inviting supporters onstage as he performed his signature sing-a-long favourite “So Rotten”, it was clear that, almost twenty years after his debut, the artist formerly known as Taipanic still has what it takes to rock the postcodes of London and beyond.

“Dettwork SouthEast” is out now on Sony Music.

Ryan Proctor

Footage of Blak Twang performing “Real Estate” at London’s Jazz Cafe.

Homegrown Heritage – Blak Twang

London’s mighty Blak Twang discusses the upcoming Sony release of his shelved mid-90s debut album “Dettwork South East” with UKHH.Com and recalls recording the original project.

Skooled By – Blak Twang

In the second episode of his new SBTV series Rodney P selects fellow UK veteran Blak Twang to drop some rhymes for the camera.

Real Spittaz Do Real Thingz (Episode Two) – Mystro / Mr Ti2bs / Rodney P / SkinnyMan etc.

London’s Mysdiggi presents the second installment of his “Real Spittaz…” series featuring a host of UK legends.